Virtual tours and monetisation Paul Fabel, Guided & Nathan Wilson, YourTour
•
0 gostou•428 visualizações
Museums+Tech 2020: Museums in a crisis Virtual tours and monetisation Paul Fabel, Guided & Nathan Wilson, YourTour This session will explore how virtual tours can be monetised for museums whilst expanding vital access to culture for everyone. Join Nathan from YourTour and Paul from Guided as they lead a discussion on how virtual tours can work, and why they are so important in a COVID-19 world.
Denunciar
Compartilhar
Denunciar
Compartilhar
Baixar para ler offline
Recomendados
Artificial intelligence and machine learning for the analysis and enrichment of digital collections
Dr. Nicolai Bohn (Navigating.art)
Museums+Tech 2022: Turning it off and on again
Friday November 11 2022Artificial intelligence and machine learning for the analysis and enrichment ...
Artificial intelligence and machine learning for the analysis and enrichment ...Museums Computer Group
Towards inclusive digital museum innovation: theoretical and practical issues around the digital transformation of museums
Museums+Tech 2022: Turning it off and on again
Friday November 11 2022Towards inclusive digital museum innovation: theoretical and practical issues...
Towards inclusive digital museum innovation: theoretical and practical issues...Museums Computer Group
Niti Acharya (Hackney Museum), Rebecca Odell (Hackney Museum)
Museums+Tech 2022: Turning it off and on again
Friday November 11 2022Cyberattacks: the reality, the trauma, and how to survive. A case study from ...
Cyberattacks: the reality, the trauma, and how to survive. A case study from ...Museums Computer Group
Recomendados
Artificial intelligence and machine learning for the analysis and enrichment of digital collections
Dr. Nicolai Bohn (Navigating.art)
Museums+Tech 2022: Turning it off and on again
Friday November 11 2022Artificial intelligence and machine learning for the analysis and enrichment ...
Artificial intelligence and machine learning for the analysis and enrichment ...Museums Computer Group
Towards inclusive digital museum innovation: theoretical and practical issues around the digital transformation of museums
Museums+Tech 2022: Turning it off and on again
Friday November 11 2022Towards inclusive digital museum innovation: theoretical and practical issues...
Towards inclusive digital museum innovation: theoretical and practical issues...Museums Computer Group
Niti Acharya (Hackney Museum), Rebecca Odell (Hackney Museum)
Museums+Tech 2022: Turning it off and on again
Friday November 11 2022Cyberattacks: the reality, the trauma, and how to survive. A case study from ...
Cyberattacks: the reality, the trauma, and how to survive. A case study from ...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
COVID, content strategy & organisational change
Georgina Brooke, National Museums Scotland
In January 2020 I moved out of my home in Oxford, north of the border to Scotland, to start a new role as Digital Media Content Manager at National Museums Scotland. I’d done Hogmanay and Burns Night, I’d written a new content strategy, which was about to be rolled out across the organisation. I was beginning to feel like I’d got my foot under the door.
By 19 March my mood had changed. The museum was closed, all exhibitions indefinitely postponed, my team was going to reduce by 50%, and all my lovely online audiences were very online, very stressed and very vocal.
This paper will look at how the Digital Team at National Museums Scotland developed and adapted an effective content strategy through the lockdown period, including:
The content formats and storytelling themes that most successfully connected online audiences with our collections and staff
Black Lives Matter – convincing Senior Management to react quickly and commit to a step change in our policies on race and representation within the museums
What we learnt and how these lessons are now changing our approach to audience engagement as the museum reopenCOVID, content strategy & organisational change Georgina Brooke, National Mus...
COVID, content strategy & organisational change Georgina Brooke, National Mus...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Videogames and museums: fields in convergence
Amy Hondsmerk, Nottingham Trent University
As museums and heritage sites consider the ways in which they can engage visitors in the digital age, a trend expedited by the COVID-19 pandemic, the sector has progressively looked to the videogame industry. Tapping into the ‘experience economy’ (Park and Gilmore 1999), this intersection has allowed museums to explore the role of play in understanding the past. This has taken various forms including collaborations with game companies, utilising existing games to reach gaming communities and broaden audiences, and developing new museum-based games. Yet, while many of these game-related initiatives have been successful, thus far the museum sector has mainly employed video games in a manner that has been limited, with museum games remaining primarily focused on educational or entertainment goals.
In the context of changing understanding about interpretation in museums and, specifically, of the recognition of the role of visitors as participants in the interpretative process (Hooper-Greenhill 2000, Staiff 2014), the convergence of museums and videogames is rich area to explore and consider how the sector could realise the full potential of museum video games.Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent...
Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Inclusive digital practice in post-lockdown society
Becki Morris & Sarah Simcoe, Disability Collaborative Network and EMBED
As we navigate out of crisis during unprecedented times, the pandemic has highlighted that the time is right to reflect on the key role that digital is playing in reaching diverse communities as we create the ‘new normal’. While the heritage sector has traditionally taken a piecemeal approach to delivering digital services, these challenging times have necessitated the sector need for embracing digital inclusive practice. This ensures the continued delivery of services, attracts new audiences, including those who may have previously faced barriers to the physical environment and includes those who are vulnerable to COVID-19 complications.
The pandemic has provided the sector with a unique opportunity to build positive intersectional inclusion through digital practices. At the same time, the Black Lives Matter movement has highlighted the issue of colonisation and the importance of greater access to related collections. During this presentation, DCN and EMBED, a cross-sector partnership, will share experiences and key learnings from the lockdown period, what we have done to support the sector and how digital inclusion is core to the sector in creating better, more resilient service, support and participation for audiences and the workforce.Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simc...
Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simc...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
With a houseboat and an iPhone (how IWM supported home learning during lock down)
John Glancy, Imperial War Museum
When the UK’s schools closed in March 2020 the needs of the nation’s learners changed. Education was moved to a different type of classroom one that often involved a kitchen table for a desk and a digital device instead of an exercise book. Learning outputs in the heritage sector had to change too. School audiences couldn’t visit our galleries and objects, so the galleries and objects had to visit them… With a Houseboat and an iPhone will explore how Imperial War Museums conceived and developed its 16-part web series Adventures in History and brought a national collection into people’s homes. It will also explore how the work done on this project is inspiring Imperial War Museums to evolve its ongoing digital learning offer by tackling some of the most difficult stories in its collections such as Empire history. We will also explore the ways we are proposing to use eyewitness testimony to support a recovery curriculum by aiding health and well being outcomes.With a houseboat and an iPhone (how IWM supported home learning during lock d...
With a houseboat and an iPhone (how IWM supported home learning during lock d...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Keynote
Brave new world – thinking about the future of museums
Sharon Heal, Director of the Museums AssociationBrave new world – thinking about the future of museums Sharon Heal, Director ...
Brave new world – thinking about the future of museums Sharon Heal, Director ...Museums Computer Group
Museums+Tech 2020: Museums in a crisis Museums in an Earth crisis – and how digital can help
Bridget McKenzie, Climate Museum
The multiple crises facing museums and society are all part of the Earth crisis, caused by an extractive and exploitative system. COVID-19 is an outcome of the ecological emergency, and climate breakdown threatens further blows to the relative stability of past decades in which museums have flourished. The Activist Museum Award has allowed us in Climate Museum UK to enquire into the possibilities of non-extractive digital collecting. As part of this, we are exploring extractivism, taking an environmental approach to the challenge of decolonising museums. A new mobile museum, we are reimagining museums for an age of crisis.
This lightning talk will summarise our findings of how digital collections might power activism to tackle the big challenges of social and environmental justice. What are the possibilities for museums to collaborate to create an accessible UK-wide digital collection that gives a climate and ecology lens to cultural artefacts? What is the appetite for a commons-based resource that opens up to democratic interpretation, and that enables its users to learn about the Earth crisis, to express views, to design solutions and to take action?Museums in an Earth crisis – and how digital can help Bridget McKenzie, Clima...
Museums in an Earth crisis – and how digital can help Bridget McKenzie, Clima...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
SDDC virtual visits pre and post COVID-19: what’s changed?
Emilie Carruthers, British Museum
The Samsung Digital Discovery Centre offers free live workshops to schools delivered through video conferencing technology, and has done for many years. This puts us in a unique position to compare how the programme and its audience has evolved since COVID-19: how have student and teacher’s expectations changed, are teachers now more comfortable booking virtual experiences for their classes and how has the programme evolved to align with audience expectations? We’ll use the most recent data from the schools Autumn term 2020 to explore these questions and think about how the demand for online live experiences in classrooms might evolve in future.SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers,...
SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers,...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Reimagining a physical exhibition as a digital destination
Chris How, Clearleft
How do you turn the world’s most prestigious and longest-running wildlife photography competition into a compelling digital destination? Since 1965 the Wildlife Photographer of the Year competition has had a loyal following. Each year five million visitors make the pilgrimage to the Natural History Museum in South Kensington to view the latest collection of spectacular and thought-provoking photographs. The competition did have a microsite – a pale imitation of the physical space that failed to utilise the benefits of digital. The website was a second-rate clone rather than a unique companion to the exhibition. This presentation will tell the story of how the Museum’s digital team alongside Clearleft took the opportunity to think afresh how digital could be used to celebrate and connect a global audience to an evergreen and ever-growing collection of images. We will share lessons learned on how to help an organisation reevaluate and reinvent a well-loved exhibition. It will go behind the scenes and show the process used including conducting insightful audience research, creating a project strategy, running collaborative sketching sessions and showcasing work-in-progress as a way to design and deliver a distinctly digital exhibition.Reimagining a physical exhibition as a digital destination - Chris How, Clear...
Reimagining a physical exhibition as a digital destination - Chris How, Clear...Museums Computer Group
Valerie Johnson, The National Archives
The #CultureisDigital project was launched at the end of March 2018 by the Rt Hon Matt Hancock, Secretary of State for Digital, Culture, Media and Sport, coming out of the Government’s Culture White Paper commitment to review the digitisation of public collections and enhance the online cultural experience.
As one of the commitments from the report, https://www.gov.uk/government/publications/culture-is-digital, The National Archives was asked to set up a Digitisation Taskforce to work with a broad reach of cultural sector representatives in order to explore a new strategic approach to the digitisation and presentation of cultural objects.
This paper proposes to discuss the work of the Taskforce and the results of the survey it undertook, and explore the themes that emerged, for example, content strategies, standards, data interoperability, preservation and sustainability, different economic models to fund digitisation, and skills development. The paper will show what the group achieved, and how it intends to take the work forward. Looking for a New Strategic Approach: The Culture is Digital DIgitisation Tas...
Looking for a New Strategic Approach: The Culture is Digital DIgitisation Tas...Museums Computer Group
Luigina Ciolfi, Danilo Giglitto and Eleanor Lockley, Sheffield Hallam University, and Abir Tobji and Katy Ashton, People’s History Museum
CultureLabs is an international project focusing on the role of culture and heritage in facilitating social inclusion. Wider and deeper community engagement in the heritage sector has been aided by digital technologies to engage communities who may feel disconnected from heritage institutions, such as migrants and refugees.
CultureLabs’ universities, heritage institutions, SMEs, and NGOs are developing a digital platform for facilitating participatory cultural projects with communities of migrants or refugees, and for sharing best practices.
Through pilots in three countries, the CultureLabs approach and technology will be developed and evaluated. The UK pilot is led by the People’s History Museum. As the UK approaches Brexit, PHM will engage communities in Greater Manchester to reflect on the theme of migration: they will meet, discuss, and explore what they have ‘More in Common’ and what it means to live in multicultural Britain. These events will lead to the co-production of an exhibition that reflects on the museum collection and the recently acquired Jo Cox memorial wall.
In the presentation, we will discuss how CultureLabs’ technology and pilots will create bridges between cultural institutions, migrants’ communities, and support communities to facilitate the design, execution and sharing of participatory projects for social inclusion.Cultural Heritage as a Mean of Social Inclusion: Work in Progress in the Cult...
Cultural Heritage as a Mean of Social Inclusion: Work in Progress in the Cult...Museums Computer Group
Mais conteúdo relacionado
Mais de Museums Computer Group
Museums+Tech 2020: Museums in a crisis
COVID, content strategy & organisational change
Georgina Brooke, National Museums Scotland
In January 2020 I moved out of my home in Oxford, north of the border to Scotland, to start a new role as Digital Media Content Manager at National Museums Scotland. I’d done Hogmanay and Burns Night, I’d written a new content strategy, which was about to be rolled out across the organisation. I was beginning to feel like I’d got my foot under the door.
By 19 March my mood had changed. The museum was closed, all exhibitions indefinitely postponed, my team was going to reduce by 50%, and all my lovely online audiences were very online, very stressed and very vocal.
This paper will look at how the Digital Team at National Museums Scotland developed and adapted an effective content strategy through the lockdown period, including:
The content formats and storytelling themes that most successfully connected online audiences with our collections and staff
Black Lives Matter – convincing Senior Management to react quickly and commit to a step change in our policies on race and representation within the museums
What we learnt and how these lessons are now changing our approach to audience engagement as the museum reopenCOVID, content strategy & organisational change Georgina Brooke, National Mus...
COVID, content strategy & organisational change Georgina Brooke, National Mus...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Videogames and museums: fields in convergence
Amy Hondsmerk, Nottingham Trent University
As museums and heritage sites consider the ways in which they can engage visitors in the digital age, a trend expedited by the COVID-19 pandemic, the sector has progressively looked to the videogame industry. Tapping into the ‘experience economy’ (Park and Gilmore 1999), this intersection has allowed museums to explore the role of play in understanding the past. This has taken various forms including collaborations with game companies, utilising existing games to reach gaming communities and broaden audiences, and developing new museum-based games. Yet, while many of these game-related initiatives have been successful, thus far the museum sector has mainly employed video games in a manner that has been limited, with museum games remaining primarily focused on educational or entertainment goals.
In the context of changing understanding about interpretation in museums and, specifically, of the recognition of the role of visitors as participants in the interpretative process (Hooper-Greenhill 2000, Staiff 2014), the convergence of museums and videogames is rich area to explore and consider how the sector could realise the full potential of museum video games.Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent...
Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Inclusive digital practice in post-lockdown society
Becki Morris & Sarah Simcoe, Disability Collaborative Network and EMBED
As we navigate out of crisis during unprecedented times, the pandemic has highlighted that the time is right to reflect on the key role that digital is playing in reaching diverse communities as we create the ‘new normal’. While the heritage sector has traditionally taken a piecemeal approach to delivering digital services, these challenging times have necessitated the sector need for embracing digital inclusive practice. This ensures the continued delivery of services, attracts new audiences, including those who may have previously faced barriers to the physical environment and includes those who are vulnerable to COVID-19 complications.
The pandemic has provided the sector with a unique opportunity to build positive intersectional inclusion through digital practices. At the same time, the Black Lives Matter movement has highlighted the issue of colonisation and the importance of greater access to related collections. During this presentation, DCN and EMBED, a cross-sector partnership, will share experiences and key learnings from the lockdown period, what we have done to support the sector and how digital inclusion is core to the sector in creating better, more resilient service, support and participation for audiences and the workforce.Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simc...
Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simc...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
With a houseboat and an iPhone (how IWM supported home learning during lock down)
John Glancy, Imperial War Museum
When the UK’s schools closed in March 2020 the needs of the nation’s learners changed. Education was moved to a different type of classroom one that often involved a kitchen table for a desk and a digital device instead of an exercise book. Learning outputs in the heritage sector had to change too. School audiences couldn’t visit our galleries and objects, so the galleries and objects had to visit them… With a Houseboat and an iPhone will explore how Imperial War Museums conceived and developed its 16-part web series Adventures in History and brought a national collection into people’s homes. It will also explore how the work done on this project is inspiring Imperial War Museums to evolve its ongoing digital learning offer by tackling some of the most difficult stories in its collections such as Empire history. We will also explore the ways we are proposing to use eyewitness testimony to support a recovery curriculum by aiding health and well being outcomes.With a houseboat and an iPhone (how IWM supported home learning during lock d...
With a houseboat and an iPhone (how IWM supported home learning during lock d...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Keynote
Brave new world – thinking about the future of museums
Sharon Heal, Director of the Museums AssociationBrave new world – thinking about the future of museums Sharon Heal, Director ...
Brave new world – thinking about the future of museums Sharon Heal, Director ...Museums Computer Group
Museums+Tech 2020: Museums in a crisis Museums in an Earth crisis – and how digital can help
Bridget McKenzie, Climate Museum
The multiple crises facing museums and society are all part of the Earth crisis, caused by an extractive and exploitative system. COVID-19 is an outcome of the ecological emergency, and climate breakdown threatens further blows to the relative stability of past decades in which museums have flourished. The Activist Museum Award has allowed us in Climate Museum UK to enquire into the possibilities of non-extractive digital collecting. As part of this, we are exploring extractivism, taking an environmental approach to the challenge of decolonising museums. A new mobile museum, we are reimagining museums for an age of crisis.
This lightning talk will summarise our findings of how digital collections might power activism to tackle the big challenges of social and environmental justice. What are the possibilities for museums to collaborate to create an accessible UK-wide digital collection that gives a climate and ecology lens to cultural artefacts? What is the appetite for a commons-based resource that opens up to democratic interpretation, and that enables its users to learn about the Earth crisis, to express views, to design solutions and to take action?Museums in an Earth crisis – and how digital can help Bridget McKenzie, Clima...
Museums in an Earth crisis – and how digital can help Bridget McKenzie, Clima...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
SDDC virtual visits pre and post COVID-19: what’s changed?
Emilie Carruthers, British Museum
The Samsung Digital Discovery Centre offers free live workshops to schools delivered through video conferencing technology, and has done for many years. This puts us in a unique position to compare how the programme and its audience has evolved since COVID-19: how have student and teacher’s expectations changed, are teachers now more comfortable booking virtual experiences for their classes and how has the programme evolved to align with audience expectations? We’ll use the most recent data from the schools Autumn term 2020 to explore these questions and think about how the demand for online live experiences in classrooms might evolve in future.SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers,...
SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers,...Museums Computer Group
Museums+Tech 2020: Museums in a crisis
Reimagining a physical exhibition as a digital destination
Chris How, Clearleft
How do you turn the world’s most prestigious and longest-running wildlife photography competition into a compelling digital destination? Since 1965 the Wildlife Photographer of the Year competition has had a loyal following. Each year five million visitors make the pilgrimage to the Natural History Museum in South Kensington to view the latest collection of spectacular and thought-provoking photographs. The competition did have a microsite – a pale imitation of the physical space that failed to utilise the benefits of digital. The website was a second-rate clone rather than a unique companion to the exhibition. This presentation will tell the story of how the Museum’s digital team alongside Clearleft took the opportunity to think afresh how digital could be used to celebrate and connect a global audience to an evergreen and ever-growing collection of images. We will share lessons learned on how to help an organisation reevaluate and reinvent a well-loved exhibition. It will go behind the scenes and show the process used including conducting insightful audience research, creating a project strategy, running collaborative sketching sessions and showcasing work-in-progress as a way to design and deliver a distinctly digital exhibition.Reimagining a physical exhibition as a digital destination - Chris How, Clear...
Reimagining a physical exhibition as a digital destination - Chris How, Clear...Museums Computer Group
Valerie Johnson, The National Archives
The #CultureisDigital project was launched at the end of March 2018 by the Rt Hon Matt Hancock, Secretary of State for Digital, Culture, Media and Sport, coming out of the Government’s Culture White Paper commitment to review the digitisation of public collections and enhance the online cultural experience.
As one of the commitments from the report, https://www.gov.uk/government/publications/culture-is-digital, The National Archives was asked to set up a Digitisation Taskforce to work with a broad reach of cultural sector representatives in order to explore a new strategic approach to the digitisation and presentation of cultural objects.
This paper proposes to discuss the work of the Taskforce and the results of the survey it undertook, and explore the themes that emerged, for example, content strategies, standards, data interoperability, preservation and sustainability, different economic models to fund digitisation, and skills development. The paper will show what the group achieved, and how it intends to take the work forward. Looking for a New Strategic Approach: The Culture is Digital DIgitisation Tas...
Looking for a New Strategic Approach: The Culture is Digital DIgitisation Tas...Museums Computer Group
Luigina Ciolfi, Danilo Giglitto and Eleanor Lockley, Sheffield Hallam University, and Abir Tobji and Katy Ashton, People’s History Museum
CultureLabs is an international project focusing on the role of culture and heritage in facilitating social inclusion. Wider and deeper community engagement in the heritage sector has been aided by digital technologies to engage communities who may feel disconnected from heritage institutions, such as migrants and refugees.
CultureLabs’ universities, heritage institutions, SMEs, and NGOs are developing a digital platform for facilitating participatory cultural projects with communities of migrants or refugees, and for sharing best practices.
Through pilots in three countries, the CultureLabs approach and technology will be developed and evaluated. The UK pilot is led by the People’s History Museum. As the UK approaches Brexit, PHM will engage communities in Greater Manchester to reflect on the theme of migration: they will meet, discuss, and explore what they have ‘More in Common’ and what it means to live in multicultural Britain. These events will lead to the co-production of an exhibition that reflects on the museum collection and the recently acquired Jo Cox memorial wall.
In the presentation, we will discuss how CultureLabs’ technology and pilots will create bridges between cultural institutions, migrants’ communities, and support communities to facilitate the design, execution and sharing of participatory projects for social inclusion.Cultural Heritage as a Mean of Social Inclusion: Work in Progress in the Cult...
Cultural Heritage as a Mean of Social Inclusion: Work in Progress in the Cult...Museums Computer Group
Mais de Museums Computer Group (20)
Entertaining audiences in a time of crisis Alix Geddes, One Further
Entertaining audiences in a time of crisis Alix Geddes, One Further
COVID, content strategy & organisational change Georgina Brooke, National Mus...
COVID, content strategy & organisational change Georgina Brooke, National Mus...
Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent...
Videogames and museums: fields in convergence Amy Hondsmerk, Nottingham Trent...
Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simc...
Inclusive digital practice in post-lockdown society Becki Morris & Sarah Simc...
With a houseboat and an iPhone (how IWM supported home learning during lock d...
With a houseboat and an iPhone (how IWM supported home learning during lock d...
Brave new world – thinking about the future of museums Sharon Heal, Director ...
Brave new world – thinking about the future of museums Sharon Heal, Director ...
Museums in an Earth crisis – and how digital can help Bridget McKenzie, Clima...
Museums in an Earth crisis – and how digital can help Bridget McKenzie, Clima...
SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers,...
SDDC virtual visits pre and post COVID-19: what’s changed? Emilie Carruthers,...
User research at a time of uncertainty Jo Morrison, Calvium
User research at a time of uncertainty Jo Morrison, Calvium
Digital champions: a lockdown silver lining? Sian Shaw, Westminster Abbey
Digital champions: a lockdown silver lining? Sian Shaw, Westminster Abbey
Reimagining a physical exhibition as a digital destination - Chris How, Clear...
Reimagining a physical exhibition as a digital destination - Chris How, Clear...
Forced reboot. hello world - Sara Wajid and Zack Mensah Keynote
Forced reboot. hello world - Sara Wajid and Zack Mensah Keynote
Looking for a New Strategic Approach: The Culture is Digital DIgitisation Tas...
Looking for a New Strategic Approach: The Culture is Digital DIgitisation Tas...
Wikidata as a platform for Linked Open Data about collections
Wikidata as a platform for Linked Open Data about collections
Cultural Heritage as a Mean of Social Inclusion: Work in Progress in the Cult...
Cultural Heritage as a Mean of Social Inclusion: Work in Progress in the Cult...
Opening up the National Gallery’s Collection Information
Opening up the National Gallery’s Collection Information
Último
Último (20)
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
Apidays New York 2024 - Accelerating FinTech Innovation by Vasa Krishnan, Fin...
Axa Assurance Maroc - Insurer Innovation Award 2024
Axa Assurance Maroc - Insurer Innovation Award 2024
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
Mastering MySQL Database Architecture: Deep Dive into MySQL Shell and MySQL R...
Polkadot JAM Slides - Token2049 - By Dr. Gavin Wood
Polkadot JAM Slides - Token2049 - By Dr. Gavin Wood
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemke
ProductAnonymous-April2024-WinProductDiscovery-MelissaKlemke
TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments
TrustArc Webinar - Stay Ahead of US State Data Privacy Law Developments
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
Web Form Automation for Bonterra Impact Management (fka Social Solutions Apri...
How to Troubleshoot Apps for the Modern Connected Worker
How to Troubleshoot Apps for the Modern Connected Worker
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Apidays New York 2024 - Scaling API-first by Ian Reasor and Radu Cotescu, Adobe
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
Repurposing LNG terminals for Hydrogen Ammonia: Feasibility and Cost Saving
A Beginners Guide to Building a RAG App Using Open Source Milvus
A Beginners Guide to Building a RAG App Using Open Source Milvus
Boost Fertility New Invention Ups Success Rates.pdf
Boost Fertility New Invention Ups Success Rates.pdf
Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays New York 2024 - The value of a flexible API Management solution for O...
Apidays Singapore 2024 - Scalable LLM APIs for AI and Generative AI Applicati...
Apidays Singapore 2024 - Scalable LLM APIs for AI and Generative AI Applicati...