Recruiting collective intelligence to level the contemporary art world’s stratified distribution of prestige and value: how online collections could potentially impact the actual art system.
Stephanie Bertrand (ICS-FORTH).
Museums+Tech 2022: Turning it off and on again
Friday November 11 2022
how online collections could potentially impact the actual art system
1. Recruiting Collective Intelligence to Level
the Contemporary Art World’s Stratified
Distribution of Prestige and Value
How Online Collections Could Potentially Impact the Actual Art System
Dr. Stéphanie Bertrand
This presentation is part of a wider research project has received funding from
the European Union’s Horizon 2020 research and innovation programme under
the Marie Skłodowska-Curie grant agreement No 893454
2. Content warning
This presentation contains a Phillip Guston work
depicting hooded figures referencing the Ku Klux
Klan (Slide 19).
If you do not wish to view this content, please
look away for 20 seconds following Slide 18.
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3. There are no objective criteria to
assess the value of any artwork
or the performance of its maker
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21. Images
Slide 4: Teaser of photos by Stefan Draschan from his People
Matching Artworks Series
Slide 6: (left) The Art Network (with presenter indication) and (right)
The Art Network, zoomed in on the central cluster with labels, both
Barabasi Lab Art, 2018
Slide 7: (from top left to bottom right) views of the facades of The
Whitney Museum of American Art, Centre Pompidou, Pace Gallery
New York, Solomon R. Guggenheim Museum, MoMA and Gagosian
Gallery London
Slide 10: (from top left to bottom center) Rijksstudio, Europeana, The
MONA’s The O App, The Baden State Museum’s Ping! App and
Smartify App
Slide 11: (left) Image of a Sotheby’s auction in May 2021 (right) Image
of Paris+ art fair 2022 (both sourced from the NYTimes)
Slide 12: (from top left to bottom right) Videoclip stills of The Carter’s
Apeshit, Katy Perry’s This Is How We Do, Rhianna’s Rude Boy and
Drake’s Hotline Bling
Slide 17: (left) Vivian Maier, Macy’s Parade, 1955 (right) Salvador Dali,
Le Sommeil (Sleep), 1937
Slide 18: (left) Pablo Picasso, Guernica, 1937 (right) Salvador Dali, Le
Sommeil (Sleep), 1937
Slide 19: (left) Philip Guston, Riding Around, 1969 (top right) Work by
Angela Deane from her Ghost Photograph series (center right)
Elizabeth Catlett, Black Unity, 1968 (bottom right) Barbara Kruger,
Untitled (You’ve got money to burn), 1988
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