Lodewijk Schelfhout: Nederlands eerst kubist
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Lezing door Michiel Kersten, voorjaar 2018 over Lodewijk Schelfhout en het kubisme in Parijs rond 1910 naar aanleiding van de tentoonstelling in Singer Laren
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Lodewijk Schelfhout: Nederlands eerst kubist
- 1. Lodewijk Schelfhout en het kubisme Frankrijk - Nederland Michiel Kerten | Artetcetera | Kunst van het kijken
- 2. Aanleiding tentoonstelling in Singer Laren: Lodewijk Schelfhout. Nederlands eerst kubist Tentoonstelling t/m 6 mei
- 3. Lodewijk Schelfhout 1881 Geboren te Den Haag 1898 Verhuizing naar Zandvoort – Inschrijving Teekenschool voor Kunstnijverheid 1899 Naar lüdenscheid – opleiding huisschilder 1902 Terug in Haarlem – kiest voor vrije schilderkunst. Leerling Theophile de Bock (Haarlem) 1903 Kleine tentoonstelling bij boekhandel Mul in Haarlem (opgemerkt door Conrad Kickert) 1903 Verhuizing naar Parijs van gezin. Familie betrekt woning in Montparnasse 1906 1908 Deelname aan Salon d’Automne (ook deelname in 1907) – Cézanne-stijl. In 1907 en 1908 ook deelname aan de Salon des Independants 1908 Café du Dôme (contact Duitse kunstenaars) 1910 – Vader overlijdt, moeder vertrekt naar het zuiden – Fauvistische stijl 1910 – Atelier Kickert – hier werkt schelfhout.
- 6. 1910 – contact met Montparnasse-kubisten via Café Closerie des Lilas – Oprichting Moderne Kunstkring 1911 – Salon des Independants – doorbraak Kubisme – vriendschap Henri Le Fauconnier 1911 – Ontwikkelt eigen kubistische stijl – Les Angles (Rhône-dal nabij Avignon) 1911 – Eerste tentoonstelling Moderne Kunstkring – kubisme (Schelfhout wordt kubist genoemd) 1911 – Mondriaan verblijft bij Schelfhout in appartement (atelier) Conrad Kickert 1912 – Deelname aan Sonderbund tentoonstelling in Keulen – valt op als gematigd kubist 1912 – Verhuizing (Kickert naar Rue du Départ 26. – Deelname aan expo in Domburg (uitnodiging Jacoba van Heemskerk 1912 – Tweede tentoonstelling Moderne Kunstkring – ontmoeting Albertine van der Meulen 1913 – Huwelijk – verhuizing naar Nederland 1915 – Breekt met Moderne kunstkring, Tegententoonstelling met Gestel en Sluijters (in 1916 Moderne kunstkring definitef opgesplitst)
- 8. De eerste stappen: Nederland (tot 1903)
- 11. Lodewijk Schelfhout, Stilleven met spinazie Lodewijk Schelfhout, Coupe aux pommes,
- 12. In het centrum van de nieuwe kunst – Parijs vanaf 1903
- 15. Lodewijk Schelfhout, Zelfportret met groen colbert en paarse kiel, 1909, olieverf, 54,5 x 35,5 cm, Particuliere collectie. Is niet hetzelfde schilderij als op bovenstaande foto.
- 17. Kubisme: op weg naar een eigen stijl vanaf 1911
- 18. LodewijkSchelfhout,Stillevenmetkruik,1911,olieverfop schilderskarton,81x61cm,DenHaag,Gemeentemuseum
- 24. LodewijkSchelfhout,RivageArdennes,1912,olieverfopdoek, 120x101cm,Laren,SingerLaren Henri Le fauconnier, Village en Montagne, 1911, olieverf op doek, 100 x 81 cm, Rhode Island, Museum School of Design
- 26. De context: het onstaan van het kubisme
- 27. Montmartre • Pablo Picasso • Georges Braque • Amedeo Modigliani • Juan Gris • Otto van Rees Informeel verband vooral rond ateliercomplex ‘Bateau Lavoir’: Raoul Dufy, Jean Metzinger, André Derain, Henri Matisse, Marie Laurencin, Maurice Utrillo, Guillaume Apollinaire, Alfred Jarry, Jean Cocteau, Gustave Coquiot, Gertrude Stein Kunsthandelaren Ambroise Vollard, Daniel-Henry Kahnweiler, Berthe Weil, Clovis Sagot
- 30. Montparnasse - Groupe Puteaux - Section d’Or (Eerste jaren, circa 1910-1914) - Guillaume Apollinaire (1880-1918) Robert Delaunay (1885-1941) Marcel Duchamp (1887-1968) Raymond Duchamp-Villon (1876-1918) Jacques Villon (Gaston Duchamp) (1875-1963) Roger de La Fresnaye (1885-1925) Albert Gleizes (1881-1953) František Kupka (1871-1957) Henri Le Fauconnier (1881-1946) Fernand Léger (1881-1955) Jean Metzinger (1883-1956)
- 31. Belangrijke tentoonstellingen 1911-1913 1911 – april/juni | Salon des Indépendants (Quai d’Orsay) zaal 41 1911 – oktober/november | Salon d’Automne (Grand Paleis) zaal 7 en 8 1912 – Fernand Léger, Galerie Henri Kahnweiler 1912 – maart/mei | Salon des Indépendants (Quai dÓrsay) 1912 – oktober/november | Salon d’Automne – section Maison Cubiste 1912 – oktober | Salon de la Section d’Or, Galerie La Boétie 1913 – januari/februari | Galerie Berthe Weil, Gleizes, Léger, Metzinger 1913 – februari/maart | New York, The Armory Show 1913 – maart/mei | Salon des Indépendants
- 32. Salon d’Automne, 1911 Zalen 7 en 8
- 33. … Then there is Le Fauconnier, who, jealous of the Cubist Metzinger, became trapezoid… and painted something of the sort he titled, I think, L’Abondance… Metzinger himself painted nudes that look like puzzles, the pieces of which are cubes of various sizes; F. Léger lacking originality, adopted stove pipes as a means of reproduction of the human figure… The other, which I have never been able to guess the name, uses small checkerboards, gray and white, white and black, gray and brown, pink and black, and painted an Eiffel Tower flanked on the ground undoubtedly to crush houses, which, while dancing the cancan, stuffed their chimneys through the windows. A talented artist, Albert Gleizes, also allowed himself to try a trianguliste representation of the human figure. This is sad, deeply.
- 34. Salon des Independents, 1912
- 35. Henri Le Fauconnier (1881-1946)
- 41. … Then there is Le Fauconnier, who, jealous of the Cubist Metzinger, became trapezoid… and painted something of the sort he titled, I think, L’Abondance… Metzinger himself painted nudes that look like puzzles, the pieces of which are cubes of various sizes; F. Léger lacking originality, adopted stove pipes as a means of reproduction of the human figure… The other, which I have never been able to guess the name, uses small checkerboards, gray and white, white and black, gray and brown, pink and black, and painted an Eiffel Tower flanked on the ground undoubtedly to crush houses, which, while dancing the cancan, stuffed their chimneys through the windows. A talented artist, Albert Gleizes, also allowed himself to try a trianguliste representation of the human figure. This is sad, deeply.
- 45. … Then there is Le Fauconnier, who, jealous of the Cubist Metzinger, became trapezoid… and painted something of the sort he titled, I think, L’Abondance… Metzinger himself painted nudes that look like puzzles, the pieces of which are cubes of various sizes; F. Léger lacking originality, adopted stove pipes as a means of reproduction of the human figure… The other, which I have never been able to guess the name, uses small checkerboards, gray and white, white and black, gray and brown, pink and black, and painted an Eiffel Tower flanked on the ground undoubtedly to crush houses, which, while dancing the cancan, stuffed their chimneys through the windows. A talented artist, Albert Gleizes, also allowed himself to try a trianguliste representation of the human figure. This is sad, deeply.
- 50. … Then there is Le Fauconnier, who, jealous of the Cubist Metzinger, became trapezoid… and painted something of the sort he titled, I think, L’Abondance… Metzinger himself painted nudes that look like puzzles, the pieces of which are cubes of various sizes; F. Léger lacking originality, adopted stove pipes as a means of reproduction of the human figure… The other, which I have never been able to guess the name, uses small checkerboards, gray and white, white and black, gray and brown, pink and black, and painted an Eiffel Tower flanked on the ground undoubtedly to crush houses, which, while dancing the cancan, stuffed their chimneys through the windows. A talented artist, Albert Gleizes, also allowed himself to try a trianguliste representation of the human figure. This is sad, deeply.
- 54. … Then there is Le Fauconnier, who, jealous of the Cubist Metzinger, became trapezoid… and painted something of the sort he titled, I think, L’Abondance… Metzinger himself painted nudes that look like puzzles, the pieces of which are cubes of various sizes; F. Léger lacking originality, adopted stove pipes as a means of reproduction of the human figure… The other, which I have never been able to guess the name, uses small checkerboards, gray and white, white and black, gray and brown, pink and black, and painted an Eiffel Tower flanked on the ground undoubtedly to crush houses, which, while dancing the cancan, stuffed their chimneys through the windows. A talented artist, Albert Gleizes, also allowed himself to try a trianguliste representation of the human figure. This is sad, deeply.
- 57. Nederlandse kunstenaars in Parijs • 1884-1885 – Jan Toorop • 1886 - Vincent van Gogh • 1889 - Ferdinand Hart Nibbrig • 1897 - Kees van Dongen • 1901 - Dirk Nijland • 1903 - Lodewijk schelfhout • 1904 - Otto van Rees • 1904 - Jacoba van Heemskerk • 1904 – Leo Gestel • 1904 – Jan Sluijters • 1907 Piet van de Hem • 1908 of 1908 - Mommie Schwarz • 1908 of 1908 - Else Berg • 1910 – Kees Maks • 1911 - Jacob Bendien • 1911 - John Rädecker • 1912 – Mondriaan (1911 bij Schelfhout) • 1910 - Conrad Kickert (1912 verhuizing)
- 58. Moderne Kunstkring, Amsterdam Tentoonstellingen in het Stedelijk Museum Opgericht door Conrad Kickert (samen met Jan Sluijters, Jan Toorop, Piet Mondriaan) Tentoonstellingen in 1911, 1912 en 1913 Contact Kickert en Schelfhout (Kickert op de hoogte van de nieuwste onwikkelingen (Café du Dôme) en Café Closerie des Lilas (Montparnasse)
- 59. Jan Sluijters (1881-1957), Interieur, 1913, olieverf op doek, Amsterdam, Stedelijke Museum Jan Sluijters, Oktoberzon, Laren, 1910, olieverf op doek, Haarlem, Frans Hals Museum
- 62. Mommie Schwarz (links) en Leo Gestel (rechts)
- 70. OttovanRees,Compositiemetflesenpijp,1914,olieverfopdoek, gouache,waterverfeninktopkarton,kunsthandel
- 71. Jacob Bendien (1890-1933), Compositie en Twee koppen, 1912, Amsterdam, Stedelijk Museum