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How to get the most for your event entertainment dollar


© Michael Neaylon 2010

ENTERTAINME is a division of MCME Pty Ltd

P + 61 2 9331 8135

info@mcme.com.au

www.mcme.com.au
Entertainment is a crucial component in any event.

Whether you’re looking to inform, affirm, educate or inspire, chances are
you’ll use some form of entertainment to do it.

You might entertain your audience with a well placed story woven through
your opening speech, perhaps have a prize draw, roast a colleague, play
music or simply meet and greet your guests with a friendly smile; it’s all
entertainment.

But what makes event entertainment sing?




                      THAT’S ENTERTAINMENT!               Page 2
Entertainment with Purpose.

This is the key factor in getting the entertainment mix right on the night - or
day for that matter. By knowing your purpose, all the other questions can be
answered in less time and to more effect. Questions such as –

      What type of entertainment do we need? Roving? Centre stage?
       Comedian? Magician? Band? MC? A hoax perhaps?
      Should we use a star, or at least a name?
      Will the audience like it?
      Can we put our reputation behind it?
      Should the entertainment be funny or serious?
      Should we have something written, or just wing it?
      How can we make it fun and functional?
      What if the client doesn’t like it?
      How much should we spend?
      How will we know if we’ve achieved the right result?




                                THAT’S ENTERTAINMENT!            Page 3
Is There an Easier Way?

There is! The questions we’ve just asked were about results, or effects. They’re
decisions that are far easier to make - and get right - if you have a clearly
defined reason for the entertainment being on the event early on. In short
entertainment strategies such as:

      Who is our audience?
      What purpose does the entertainment need to serve?
      Why are we using entertainment to enhance this event?
      What type of entertainment will best reach this audience?
      What time will entertainment have the most impact?
      What’s our message, what’s our theme?
      How can the entertainment enhance and support the message?
      How does the event environment affect the entertainment?




                              THAT’S ENTERTAINMENT!              Page 4
The Devil’s in the Detail.
Some of those strategy questions you would no doubt have asked already.

However, we’ll use them as catalysts to explore a range of events and the
entertainment solutions that support them.

There is no one solution. But there are options that suit an event better than
others. The more informed those options are, the better the strategy and the
better

Ok. Let’s go!




         I was once booked on an event where the Event Manager asked for an act that
         wasn’t ‘too outrageous’. But itS E N T E Rbe A I N M E N Tenergizing 5
                              THAT’
                                        needed to T interactive, !      Page
                                                                              and a lot of fun.
         Many of our acts fall into this category, and can be tailored to do just that, so we
Who is Our Audience?
It might sound obvious. In fact, I’m sure it does. However, I’ll share a quick story.
We were once asked by an Event Manager to perform an act that was hugely
popular on the event circuit. Our characters were over the top European Fashion
Designers. They were funny and fabulous, and had many audiences up dancing in
mismatched combos that made the Village People look sedate. Crowds loved
them.


The right crowds. Usually crowds with over 50% women and a few metrosexuals.


What wasn’t identified in the brief was that this audience were predominantly
blokes. Beer swilling, fun loving, blokes. 90% blokes. There was no way they
were going to feel even vaguely comfortable up there on a catwalk. To their
absolute credit, these guys played well. Yet had we known there were going to be
that many guys we would have had it hosted by 2 women playing the characters
or changed the act completely. No matter how ‘hot’ an act might be, if it doesn’t
suit your audience then it’s not a good fit.




                              THAT’S ENTERTAINMENT!              Page 6
What Purpose Does the Entertainment Need to Serve?

   a) The client?

   b) The event?

   c) The budget?

   Answer: All 3

Entertainment needs to fit the brand, the audience and the event. It also needs to
work within the confines of a budget. The brief for the character on the left was
for the Australian Swimming Championships and subsequent Commonwealth
Games held in Melbourne in 2006. The character needed to wear a costume that
was reminiscent of the Aquaman cartoon character and have elements of the
swimsuits made famous by Ian Thorpe. Apart from being a ‘cool’ mascot
(e.g. not a furry animal), he also had to be a hero, as there was tie in campaign
that encouraged visitors to vote for their favourite swimming ‘hero’. With many
committees and sponsors involved, ‘Captain Fintastic’ also had to have mass
appeal, be costumed in brand colours and come in on budget. He did.




                             THAT’S ENTERTAINMENT!               Page 7
Why Are We Using Entertainment To Enhance This Event?

No doubt you’ve thought of one of the reasons below, but could the entertainment
fulfil another function on your event? It helps leverage time and talent for greater
effect. On the left are reasons why you might be using entertainment. On the right
are some simple, engaging solutions.

     Why?                           How?

    Create atmosphere             Character performers to meet & greet / mingle

    Award employees               Have MCs pre-tape interviews with nominees,
                                    meet and greet on red carpet as Hollywood TV
                                    hosts and then host Gala Awards

    Direct traffic                Themed characters that accompany guests on
                                    the journey between venues.

    Have employees sing           Rewrite pop songs to include latest products or
     the company’s praises          services and hold an ‘Idol’ type competition.
                                    Use those products as prizes.




                             THAT’S ENTERTAINMENT!              Page 8
What Type of Entertainment Will Best Reach this Audience?

Ok. So we’ve identified this audience and we’ve explored some options to what we
think might work for them. How can we ascertain what would really connect with our
audience?

Simple answer: ask.

If you can, find out what’s worked with this audience in the past. Generally you’ll find
the most effective results are in 2 categories. They’re either experiences that -

   1. Give an audience a familiar experience in a new way.

   2. Give a new experience in a new way.

For those who like the familiar, see if there’s a recurring activity they like, and would
enjoy again, then give it a twist. One client recently told me that his fashion industry
incentive group loved song and dance routines. Great. All we need to do is find out
what ways they’ve been delivered in the past and find new ways to give them that.
Alternately the audience that enjoys ‘new experiences in new ways’ opens up more
options. But remember… beware of blokes in dresses on catwalks.




                                  THAT’S ENTERTAINMENT!               Page 9
What Times Will Entertainment Have the Most Impact?

There are many variables depending on the event, so here’s a quick checklist to
guide you. Some of the cardinal virtues of good timing are -

     Have band play sets between              Don’t have roving entertainment
      meals – and after, of course              during dinner

     Start strong                             Finish stronger

     Get people dancing early for balls       Keep them dancing late *

     Audiences like a reveal – they           If you do have big revel, don’t give
      love to see someone or                    away too much too early – stagger
      something change                          acts for maximum effect

     Establish your MC as early as            If you’re blending serious content
      possible to build rapport                 and entertainment, start serious
                                                and then switch to the celebratory.



* Dancers and roving performers are a great way to get dancing going.




                                  THAT’S ENTERTAINMENT!           Page 10
What’s Our Message, What’s Our Theme?

The message needs to be clear to everyone involved. Especially the performers, as
they’re the face of the event and will be literally embodying your message, so that
it sticks.

If the message is ‘beating our personal best’, then I’d be setting up a teambuilding
activity that gives everyone the opportunity to do just that. I’d include coaches
that support every single person in that goal, along with a mix of activities that
challenge both men and women and are somehow relevant to the theme. One of
the most satisfying experiences of this was a recent event with the theme ‘Mission
Possible’.

Being bald, I played Doctor Evil taking new sales teams through their presenting
paces to sell a ‘Golden’ product as the ‘Million, Billion, Trillion Dollar’ offering to the
other teams. Everyone had to present. Everyone had to perform. Everyone had to
brainstorm marketing ideas and participate, and they did it all with gusto. It wasn’t
just a feel good exercise in team building. It had purpose and was related to their
conference theme, skill set and core competencies.

For more on messaging and staying on brand, please check out BrandME.


                                  THAT’S ENTERTAINMENT!                 Page 11
How Can Entertainment Enhance and Support the Message?

Apart from teambuilding or designing characters to represent the brand, there are
other simple ways that entertainment can support the event’s message.

  1. Script. Have keywords distributed to all performers prior to the event. It might
     also be appropriate for the band to perform a song associated with the brand.

  2. A Good Brief. Take the time to brief everyone on the boundaries of comedy and
     no go zones. Often good messages are not only reinforced by what we say, but
     also what we don’t.

  3. Costume Colours. We always research the brands we work with to see if we
     can fit in with their corporate colours. Sometimes it can be simply the colour of
     the tie the MC wears.

  4. Logos. Some acts can even throw laser images of a logo onto a darkened room
     to give high impact branding at the end of a performance spot. This is great as
     you have the audience on an emotional high – an ideal time to reinforce brand.




                                  THAT’S ENTERTAINMENT!               Page 12
How Does The Event Environment Affect Entertainment?

The event environment plays a big part in the choice of act and what that act can
actually do once it’s on the event. For instance, stilts can be highly visual but
they’re not ideal for all events. Apart form being restricted by their height, they’re
also limited in their mobility and unable to go into a crowd for interaction. That’s
what makes them ideal for openings of parties or festivals. They’re a great photo
opportunity. That said, we have a band who do some great jazz routines on stilts,
and manage to create relationships with their audiences with the added dimension
of music.

Having directed and performed in many event stage shows over the years I find
the ones that work best are the ones we’re called in on early to help with stage
configuration: especially if it’s in a venue where the stage is being created
especially for it. When staging is left to the last minute it can be a disappointing
result for everyone’s effort. Yet it’s easily avoided with just one meeting, phone
call or fax of a floorplan early on that goes that extra mile in giving the client their
money’s worth.



                              THAT’S ENTERTAINMENT!                Page 13
That’s Entertainment!

They’re just some of the ways in which well chosen and well crafted event
entertainment can add value to your next event.

You might still have other decisions to make, such as whether to source a name
act or star for your event. Perhaps you’re thinking of a hoax, or you’d like to have
a centre stage extravaganza. For more complex event entertainment, an
experienced consultancy and agency can make it a seamless experience from brief
to bump out.

We offer 3 services:

   1. Entertainment Agency with a wide network of acts from stilts to dancers,
      comedians to musicians. We even have a hypnotist and magicians, and for
      conferences and seminars supply actors for role plays.

   2. MCs for that vital connection between the stage and the audience or
      Speakers with high content presentations for your audience.

   3. Support ME We offer a unique creative consultation service that offers
      artistic brainstorming, fresh ideas and show direction.


P + 61 2 9331 8135           info@mcme.com.au                   www.mcme.com.au



                             THAT’S ENTERTAINMENT!                Page 14
‘Thank you for your attention to detail and boundless energy.
                     The shows were an unblemished success and you were the star! Thank you so much.’
                                          Thomas Armati, Account Manager. Staging Connections, Sydney




                                  ‘Michael Neaylon is the perfect MC. Intelligent, creative and personable.
 Spending time to research brands and businesses prior to the event, his performance on the day is fluid.
 We never need to have any concerns about punctuality, appearance or content when Michael is involved.
His ability to dress up and become a character, adds an extra dimension to the events that he is involved’.

                                                                     Alex Austin, James Gordon Workshop




                                                                       ‘Thank you. You were outstanding’.
                                                                            Tanya Finley, Director, Veritas




                                                    THAT’S ENTERTAINMENT!              Page 15
About Michael Neaylon

Michael Neaylon is an MC, Presenter, Entertainment Consultant and Presentation Skills Trainer.

He has over 20 years in the entertainment industry, many of which have been spent performing,

designing and marketing events. Michael is the founder and director or MCME, an interactive

marketing, performance and training company that supports you in making your event, your

brand and your people a success.



Share This

Distribute this freely to anybody you like, as long as you distribute it in its entirety, don’t

change it in any way, and don’t charge money for it.

Copyright © 2010 Michael Neaylon



Disclaimer

The material contained in this report is general and is not intended as advice on any

particular matter. The author expressly disclaims all and any liability to any persons

whatsoever in respect of anything done by any such person in reliance, whether in whole

or in part, on this report. Please take appropriate legal advice before acting on any

information in this report.


                                                                      THAT’S ENTERTAINMENT!       Page 16

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That's Entertainment

  • 1. How to get the most for your event entertainment dollar © Michael Neaylon 2010 ENTERTAINME is a division of MCME Pty Ltd P + 61 2 9331 8135 info@mcme.com.au www.mcme.com.au
  • 2. Entertainment is a crucial component in any event. Whether you’re looking to inform, affirm, educate or inspire, chances are you’ll use some form of entertainment to do it. You might entertain your audience with a well placed story woven through your opening speech, perhaps have a prize draw, roast a colleague, play music or simply meet and greet your guests with a friendly smile; it’s all entertainment. But what makes event entertainment sing? THAT’S ENTERTAINMENT! Page 2
  • 3. Entertainment with Purpose. This is the key factor in getting the entertainment mix right on the night - or day for that matter. By knowing your purpose, all the other questions can be answered in less time and to more effect. Questions such as –  What type of entertainment do we need? Roving? Centre stage? Comedian? Magician? Band? MC? A hoax perhaps?  Should we use a star, or at least a name?  Will the audience like it?  Can we put our reputation behind it?  Should the entertainment be funny or serious?  Should we have something written, or just wing it?  How can we make it fun and functional?  What if the client doesn’t like it?  How much should we spend?  How will we know if we’ve achieved the right result? THAT’S ENTERTAINMENT! Page 3
  • 4. Is There an Easier Way? There is! The questions we’ve just asked were about results, or effects. They’re decisions that are far easier to make - and get right - if you have a clearly defined reason for the entertainment being on the event early on. In short entertainment strategies such as:  Who is our audience?  What purpose does the entertainment need to serve?  Why are we using entertainment to enhance this event?  What type of entertainment will best reach this audience?  What time will entertainment have the most impact?  What’s our message, what’s our theme?  How can the entertainment enhance and support the message?  How does the event environment affect the entertainment? THAT’S ENTERTAINMENT! Page 4
  • 5. The Devil’s in the Detail. Some of those strategy questions you would no doubt have asked already. However, we’ll use them as catalysts to explore a range of events and the entertainment solutions that support them. There is no one solution. But there are options that suit an event better than others. The more informed those options are, the better the strategy and the better Ok. Let’s go! I was once booked on an event where the Event Manager asked for an act that wasn’t ‘too outrageous’. But itS E N T E Rbe A I N M E N Tenergizing 5 THAT’ needed to T interactive, ! Page and a lot of fun. Many of our acts fall into this category, and can be tailored to do just that, so we
  • 6. Who is Our Audience? It might sound obvious. In fact, I’m sure it does. However, I’ll share a quick story. We were once asked by an Event Manager to perform an act that was hugely popular on the event circuit. Our characters were over the top European Fashion Designers. They were funny and fabulous, and had many audiences up dancing in mismatched combos that made the Village People look sedate. Crowds loved them. The right crowds. Usually crowds with over 50% women and a few metrosexuals. What wasn’t identified in the brief was that this audience were predominantly blokes. Beer swilling, fun loving, blokes. 90% blokes. There was no way they were going to feel even vaguely comfortable up there on a catwalk. To their absolute credit, these guys played well. Yet had we known there were going to be that many guys we would have had it hosted by 2 women playing the characters or changed the act completely. No matter how ‘hot’ an act might be, if it doesn’t suit your audience then it’s not a good fit. THAT’S ENTERTAINMENT! Page 6
  • 7. What Purpose Does the Entertainment Need to Serve? a) The client? b) The event? c) The budget? Answer: All 3 Entertainment needs to fit the brand, the audience and the event. It also needs to work within the confines of a budget. The brief for the character on the left was for the Australian Swimming Championships and subsequent Commonwealth Games held in Melbourne in 2006. The character needed to wear a costume that was reminiscent of the Aquaman cartoon character and have elements of the swimsuits made famous by Ian Thorpe. Apart from being a ‘cool’ mascot (e.g. not a furry animal), he also had to be a hero, as there was tie in campaign that encouraged visitors to vote for their favourite swimming ‘hero’. With many committees and sponsors involved, ‘Captain Fintastic’ also had to have mass appeal, be costumed in brand colours and come in on budget. He did. THAT’S ENTERTAINMENT! Page 7
  • 8. Why Are We Using Entertainment To Enhance This Event? No doubt you’ve thought of one of the reasons below, but could the entertainment fulfil another function on your event? It helps leverage time and talent for greater effect. On the left are reasons why you might be using entertainment. On the right are some simple, engaging solutions. Why? How?  Create atmosphere  Character performers to meet & greet / mingle  Award employees  Have MCs pre-tape interviews with nominees, meet and greet on red carpet as Hollywood TV hosts and then host Gala Awards  Direct traffic  Themed characters that accompany guests on the journey between venues.  Have employees sing  Rewrite pop songs to include latest products or the company’s praises services and hold an ‘Idol’ type competition. Use those products as prizes. THAT’S ENTERTAINMENT! Page 8
  • 9. What Type of Entertainment Will Best Reach this Audience? Ok. So we’ve identified this audience and we’ve explored some options to what we think might work for them. How can we ascertain what would really connect with our audience? Simple answer: ask. If you can, find out what’s worked with this audience in the past. Generally you’ll find the most effective results are in 2 categories. They’re either experiences that - 1. Give an audience a familiar experience in a new way. 2. Give a new experience in a new way. For those who like the familiar, see if there’s a recurring activity they like, and would enjoy again, then give it a twist. One client recently told me that his fashion industry incentive group loved song and dance routines. Great. All we need to do is find out what ways they’ve been delivered in the past and find new ways to give them that. Alternately the audience that enjoys ‘new experiences in new ways’ opens up more options. But remember… beware of blokes in dresses on catwalks. THAT’S ENTERTAINMENT! Page 9
  • 10. What Times Will Entertainment Have the Most Impact? There are many variables depending on the event, so here’s a quick checklist to guide you. Some of the cardinal virtues of good timing are -  Have band play sets between  Don’t have roving entertainment meals – and after, of course during dinner  Start strong  Finish stronger  Get people dancing early for balls  Keep them dancing late *  Audiences like a reveal – they  If you do have big revel, don’t give love to see someone or away too much too early – stagger something change acts for maximum effect  Establish your MC as early as  If you’re blending serious content possible to build rapport and entertainment, start serious and then switch to the celebratory. * Dancers and roving performers are a great way to get dancing going. THAT’S ENTERTAINMENT! Page 10
  • 11. What’s Our Message, What’s Our Theme? The message needs to be clear to everyone involved. Especially the performers, as they’re the face of the event and will be literally embodying your message, so that it sticks. If the message is ‘beating our personal best’, then I’d be setting up a teambuilding activity that gives everyone the opportunity to do just that. I’d include coaches that support every single person in that goal, along with a mix of activities that challenge both men and women and are somehow relevant to the theme. One of the most satisfying experiences of this was a recent event with the theme ‘Mission Possible’. Being bald, I played Doctor Evil taking new sales teams through their presenting paces to sell a ‘Golden’ product as the ‘Million, Billion, Trillion Dollar’ offering to the other teams. Everyone had to present. Everyone had to perform. Everyone had to brainstorm marketing ideas and participate, and they did it all with gusto. It wasn’t just a feel good exercise in team building. It had purpose and was related to their conference theme, skill set and core competencies. For more on messaging and staying on brand, please check out BrandME. THAT’S ENTERTAINMENT! Page 11
  • 12. How Can Entertainment Enhance and Support the Message? Apart from teambuilding or designing characters to represent the brand, there are other simple ways that entertainment can support the event’s message. 1. Script. Have keywords distributed to all performers prior to the event. It might also be appropriate for the band to perform a song associated with the brand. 2. A Good Brief. Take the time to brief everyone on the boundaries of comedy and no go zones. Often good messages are not only reinforced by what we say, but also what we don’t. 3. Costume Colours. We always research the brands we work with to see if we can fit in with their corporate colours. Sometimes it can be simply the colour of the tie the MC wears. 4. Logos. Some acts can even throw laser images of a logo onto a darkened room to give high impact branding at the end of a performance spot. This is great as you have the audience on an emotional high – an ideal time to reinforce brand. THAT’S ENTERTAINMENT! Page 12
  • 13. How Does The Event Environment Affect Entertainment? The event environment plays a big part in the choice of act and what that act can actually do once it’s on the event. For instance, stilts can be highly visual but they’re not ideal for all events. Apart form being restricted by their height, they’re also limited in their mobility and unable to go into a crowd for interaction. That’s what makes them ideal for openings of parties or festivals. They’re a great photo opportunity. That said, we have a band who do some great jazz routines on stilts, and manage to create relationships with their audiences with the added dimension of music. Having directed and performed in many event stage shows over the years I find the ones that work best are the ones we’re called in on early to help with stage configuration: especially if it’s in a venue where the stage is being created especially for it. When staging is left to the last minute it can be a disappointing result for everyone’s effort. Yet it’s easily avoided with just one meeting, phone call or fax of a floorplan early on that goes that extra mile in giving the client their money’s worth. THAT’S ENTERTAINMENT! Page 13
  • 14. That’s Entertainment! They’re just some of the ways in which well chosen and well crafted event entertainment can add value to your next event. You might still have other decisions to make, such as whether to source a name act or star for your event. Perhaps you’re thinking of a hoax, or you’d like to have a centre stage extravaganza. For more complex event entertainment, an experienced consultancy and agency can make it a seamless experience from brief to bump out. We offer 3 services: 1. Entertainment Agency with a wide network of acts from stilts to dancers, comedians to musicians. We even have a hypnotist and magicians, and for conferences and seminars supply actors for role plays. 2. MCs for that vital connection between the stage and the audience or Speakers with high content presentations for your audience. 3. Support ME We offer a unique creative consultation service that offers artistic brainstorming, fresh ideas and show direction. P + 61 2 9331 8135 info@mcme.com.au www.mcme.com.au THAT’S ENTERTAINMENT! Page 14
  • 15. ‘Thank you for your attention to detail and boundless energy. The shows were an unblemished success and you were the star! Thank you so much.’ Thomas Armati, Account Manager. Staging Connections, Sydney ‘Michael Neaylon is the perfect MC. Intelligent, creative and personable. Spending time to research brands and businesses prior to the event, his performance on the day is fluid. We never need to have any concerns about punctuality, appearance or content when Michael is involved. His ability to dress up and become a character, adds an extra dimension to the events that he is involved’. Alex Austin, James Gordon Workshop ‘Thank you. You were outstanding’. Tanya Finley, Director, Veritas THAT’S ENTERTAINMENT! Page 15
  • 16. About Michael Neaylon Michael Neaylon is an MC, Presenter, Entertainment Consultant and Presentation Skills Trainer. He has over 20 years in the entertainment industry, many of which have been spent performing, designing and marketing events. Michael is the founder and director or MCME, an interactive marketing, performance and training company that supports you in making your event, your brand and your people a success. Share This Distribute this freely to anybody you like, as long as you distribute it in its entirety, don’t change it in any way, and don’t charge money for it. Copyright © 2010 Michael Neaylon Disclaimer The material contained in this report is general and is not intended as advice on any particular matter. The author expressly disclaims all and any liability to any persons whatsoever in respect of anything done by any such person in reliance, whether in whole or in part, on this report. Please take appropriate legal advice before acting on any information in this report. THAT’S ENTERTAINMENT! Page 16