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7. Joan Miró 7.1. Joan Miró: biographic data and his influence on  Fauvismo
“ What I am looking for... is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what San Juan de la Cruz, I think it was, described with the term 'mute music'.”
Self-Portrait.  1917. Oil on canvas. 61 x 50. Private collection.
The Farmer.  c. 1912-14. Oil on canvas. 65 x 50 cm. Private collection.
Still Life with Rose.  1916. Oil on cardboard. 77 x 74 cm. Private collection.
Paul Cézanne.  Still Life with Apples and Oranges.  c. 1895-1900. Oil on canvas.
Henri Matisse.  Harmony in Red.  1908. Oil on canvas
Vincent van Gogh .  The Starry Night. Saint-Rémy.  June 1889. Oil on canvas.
Romanesque catalan painting
Portrait of E.C. Ricart.  1917. Oil and color print on canvas. 81 x 65 cm. Private collection.
Vincent van Gogh .  Portrait of Père Tanguy.  1887. Oil on canvas.
Portrait of Hiberto Casany. (The Chauffeur).  1918. Oil on canvas. 70 x 62 cm. Private collection.
Prades, the Village.  1917. Oil on canvas. 65 x 72.5 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
Ciurana, the Path.  1917. Oil on canvas. 60 x 73 cm. Private collection.
North-South.  1917. oil on canvas. 62 x 70 cm. Private collection.
The Vegetable Garden with Donkey.  1918. Oil on canvas. 64 x 70 cm. Moderna Museet, Stockholm, Sweden.
 
The  Wagon  Tracks.  1918. Oil on canvas. 75 x 75 cm. Private collection.
Self-Portrait.  1919. Oil on canvas. 75 x 60 cm. Musée Picasso, Paris, France .
The Table (Still Life with Rabbit).  1920. Oil on canvas. 130 x 110 cm. Private collection.
7.2. Miró - from Paris to New York “   My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details  ”
Standing Nude.  1921. Oil on canvas. 130 x 96 cm. Perls Galleries. New York, NY, USA.
The Farm.  1921/22. Oil on canvas. 132 x 147 cm. The National Gallery of Art, Washington, DC, USA.
The Farmer's Wife.  1922/23. Oil on canvas. 81 x 65 cm. Private collection.
 
The Tilled Field.  1923/24. Oil on canvas. 66 x 92.7 cm. The Solomon R. Guggenheim Museum, New York, NY, USA. 
Codex Biblicus Legionensis ,  Spain 960 Sant Climent de Teull. David and Goliat (detail)
Catalonian Ceramics
CIRCLE OF THE MASTER OF PEDRET  Apse of Santa Maria d’Aneu End of 11th century – beginning of 12th century
Ideogram :  (from Greek ἰδέα idea "idea" + γράφω grafo "to write")   Graphic symbol that represents an idea or concept   木 ×2 =   林 l í n 木 ×3 =   森 sēn 人 + 木   =   休 xiū two trees ->   grove three trees ->   forest a man leaning against a tree ->   rest
Catalan Landscape (The Hunter).  1923/24. Oil on canvas. 64.8 x 100.3 cm. The Museum of Modern Arts, New York, NY
 
Harlequin's Carnival.  1924-25. Oil on canvas. 66 x 93 cm. Albright-Knox Art Gallery, Buffalo, NY, USA. 
EL REI CARNESTOLTES
LA VELLA QUARESMA
 
Pieter Bruegel the Elder.   The Fight between Carnival and Lent.  1559. Oil on panel. Kunsthistorisches Museum, Vienna, Austria
 
 
Head of a catalan peasant , 1925 Head of a catalan peasant , 1924
Maternity.  Oil on canvas. 92 x 73 cm. 1924. Private collection.
The Birth of the World  1925 Oil on canvas
Red on Orange . Mark Rothko. Colección Beyeler 1968 oil on canvas
Antoni Tàpies Grey and Black Cross. No. XXVI 1955
Jackson Pollock.  Number 1A, 1948 .1948. Oil and enamel paint on canvas
Photo: This is the Color of My Dreams.  Oil on canvas. 96 x 130 cm. 1925. Private collection.
Stars in Snails' Sexes.  Oil on canvas. 130 x 97 cm. 1925. Private collection.
Dancer.  1925. Oil on canvas. 115.5 x 88.5 cm. Galerie Rosengart, Lucerne, Switzerland.
Siesta.  1925. Oil on canvas. 113 x 144 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
Bathing Woman.  1925. Oil on canvas. 73 x 92 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
Person Throwing a Stone at a Bird.  1926. Oil on canvas. 73.7 x 92 cm. The Museum of Modern Arts, New York, NY, USA.
Hans Arp
Man playing the lute - Hendrick Martensz Sorgh 1661
Dutch Interior I.  1928. Oil on canvas. 91.8 x 73 cm. The Museum of Modern Arts, New York, NY, USA.
The dancing lesson of the cat  - Hendrick Martensz Sorgh 1661
Dutch Interior II.  1928. oil on canvas. 92 x 73 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
“ Painting or poetry is made as one makes love - a total embrace, prudence thrown to the winds, nothing held back  “
7.3. Miró and his Majorcan Period: Between France and Spain. The murder of painting.
THE MURDER OF PAINTING - Cubism sentenced illusionistic art to the Death by the Fourth Dimension. - Dadaism was the first anti-art movement wich main objective was destroying art conventions and values.  - Surrealism let the killer instinct run through dreams, libido and fantasy.  That aimed Miró. He attacked painting….
Composition . Oil on canvas, plaster cast and coal. 1930
Men and woman . Oil on tabel and metalic elements, 1931
Swallow/Love.  1934. Oil on canvas. 199.3 x 247.6 cm. The Museum of Modern Arts, New York, NY, USA.
Rope and People I.  1935. oil and rope on cardboard, stuck to a wooden board. 104.7 x 74.6 cm. The Museum of Modern Arts, New York, NY, USA.
Composition . Oil, casein, sand and tar on masonite. 1936
Still Life with Old Shoe.  1937. The Museum of Modern Arts, New York, NY, USA.
«Aidez l’Espagne» 1937
«El segador» 1937
Head . Pastel, gauche, ink, drawing on paper. 1937
Woman in front of the sun . (detail) Oil in canvas. 1938
Head of a woman . Oil in canvas. 1938
A Dew Drop Falling from a Bird's Wing Wakes Rosalie, who Has Been Asleep in the Shadow of a Spider's Web.  1939. Oil on canvas. 65.4 x 91.7 cm. The University of Iowa Museum of Art, The Mark Pamney Memorial Fund, Iowa, IA, USA.
The Escape Ladder.  1939. Oil on canvas. 73 x 54 cm. Private collection.
The Nightingale's Song at Midnight and the Morning Rain.  1940. Gouache and terpentine paint on paper. 38 x 46 cm. Perls Galleries. New York, NY, USA.
Constellation: The Morning Star.  1940. Gouache and terpentine paint on paper.  38 x 46 cm. Private collection.
The beatiful bird revealing the unknown to a pair of lovers . Gauche, oil wash and charcoal on paper  1941
 
Blue II.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
Blue III.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
The Lark's Wing, Encircled with Golden Blue, Rejoins the Heart of the Poppy Sleeping on a Diamond-Studded Meadow.  1967. Oil on canvas. 195 x 130 cm. Private collection.
The Gold of the Azure.  1967. oil on canvas. 205 x 173.5 cm. Fundació Joan Miró, Barcelona, Spain
May 1968.  1973. Acrylic on canvas. 200 x 200 cm. Fundació Joan Miró, Barcelona, Spain.
Joan Miró working in his workshop. As his grand son said during an intreview: « He got very angry If moved anything in his workshop. He remembered the place of every single thing »
 
You never finish a painting, you never strart a painting. A painting is like the wind, someting which is always walking without rest.
The Hope of the Man Condemned to Death I . 1974
The Hope of the Man Condemned to Death II . 1974
The Hope of the Man Condemned to Death III . 1974
 
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4 reyes conjunto gótico y crecimiento hasta siglo xiii2 inglés
4 reyes conjunto gótico y crecimiento hasta siglo xiii2 inglés4 reyes conjunto gótico y crecimiento hasta siglo xiii2 inglés
4 reyes conjunto gótico y crecimiento hasta siglo xiii2 inglés
 

Joan miró2

  • 1. 7. Joan Miró 7.1. Joan Miró: biographic data and his influence on Fauvismo
  • 2. “ What I am looking for... is an immobile movement, something which would be the equivalent of what is called the eloquence of silence, or what San Juan de la Cruz, I think it was, described with the term 'mute music'.”
  • 3. Self-Portrait.  1917. Oil on canvas. 61 x 50. Private collection.
  • 4. The Farmer.  c. 1912-14. Oil on canvas. 65 x 50 cm. Private collection.
  • 5. Still Life with Rose.  1916. Oil on cardboard. 77 x 74 cm. Private collection.
  • 6. Paul Cézanne.  Still Life with Apples and Oranges.  c. 1895-1900. Oil on canvas.
  • 7. Henri Matisse.  Harmony in Red.  1908. Oil on canvas
  • 8. Vincent van Gogh .  The Starry Night. Saint-Rémy.  June 1889. Oil on canvas.
  • 10. Portrait of E.C. Ricart.  1917. Oil and color print on canvas. 81 x 65 cm. Private collection.
  • 11. Vincent van Gogh .  Portrait of Père Tanguy.  1887. Oil on canvas.
  • 12. Portrait of Hiberto Casany. (The Chauffeur).  1918. Oil on canvas. 70 x 62 cm. Private collection.
  • 13. Prades, the Village.  1917. Oil on canvas. 65 x 72.5 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
  • 14. Ciurana, the Path.  1917. Oil on canvas. 60 x 73 cm. Private collection.
  • 15. North-South.  1917. oil on canvas. 62 x 70 cm. Private collection.
  • 16. The Vegetable Garden with Donkey.  1918. Oil on canvas. 64 x 70 cm. Moderna Museet, Stockholm, Sweden.
  • 17.  
  • 18. The Wagon Tracks.  1918. Oil on canvas. 75 x 75 cm. Private collection.
  • 19. Self-Portrait.  1919. Oil on canvas. 75 x 60 cm. Musée Picasso, Paris, France .
  • 20. The Table (Still Life with Rabbit).  1920. Oil on canvas. 130 x 110 cm. Private collection.
  • 21. 7.2. Miró - from Paris to New York “ My characters have undergone the same process of simplification as the colors. Now that they have been simplified, they appear more human and alive than if they had been represented in all their details ”
  • 22. Standing Nude.  1921. Oil on canvas. 130 x 96 cm. Perls Galleries. New York, NY, USA.
  • 23. The Farm.  1921/22. Oil on canvas. 132 x 147 cm. The National Gallery of Art, Washington, DC, USA.
  • 24. The Farmer's Wife.  1922/23. Oil on canvas. 81 x 65 cm. Private collection.
  • 25.  
  • 26. The Tilled Field.  1923/24. Oil on canvas. 66 x 92.7 cm. The Solomon R. Guggenheim Museum, New York, NY, USA. 
  • 27. Codex Biblicus Legionensis , Spain 960 Sant Climent de Teull. David and Goliat (detail)
  • 29. CIRCLE OF THE MASTER OF PEDRET Apse of Santa Maria d’Aneu End of 11th century – beginning of 12th century
  • 30. Ideogram : (from Greek ἰδέα idea "idea" + γράφω grafo "to write") Graphic symbol that represents an idea or concept 木 ×2 =   林 l í n 木 ×3 =   森 sēn 人 + 木   =   休 xiū two trees ->   grove three trees ->   forest a man leaning against a tree ->   rest
  • 31. Catalan Landscape (The Hunter).  1923/24. Oil on canvas. 64.8 x 100.3 cm. The Museum of Modern Arts, New York, NY
  • 32.  
  • 33. Harlequin's Carnival.  1924-25. Oil on canvas. 66 x 93 cm. Albright-Knox Art Gallery, Buffalo, NY, USA. 
  • 36.  
  • 37. Pieter Bruegel the Elder.   The Fight between Carnival and Lent.  1559. Oil on panel. Kunsthistorisches Museum, Vienna, Austria
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  • 39.  
  • 40. Head of a catalan peasant , 1925 Head of a catalan peasant , 1924
  • 41. Maternity.  Oil on canvas. 92 x 73 cm. 1924. Private collection.
  • 42. The Birth of the World 1925 Oil on canvas
  • 43. Red on Orange . Mark Rothko. Colección Beyeler 1968 oil on canvas
  • 44. Antoni Tàpies Grey and Black Cross. No. XXVI 1955
  • 45. Jackson Pollock.  Number 1A, 1948 .1948. Oil and enamel paint on canvas
  • 46. Photo: This is the Color of My Dreams.  Oil on canvas. 96 x 130 cm. 1925. Private collection.
  • 47. Stars in Snails' Sexes.  Oil on canvas. 130 x 97 cm. 1925. Private collection.
  • 48. Dancer.  1925. Oil on canvas. 115.5 x 88.5 cm. Galerie Rosengart, Lucerne, Switzerland.
  • 49. Siesta.  1925. Oil on canvas. 113 x 144 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
  • 50. Bathing Woman.  1925. Oil on canvas. 73 x 92 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
  • 51. Person Throwing a Stone at a Bird.  1926. Oil on canvas. 73.7 x 92 cm. The Museum of Modern Arts, New York, NY, USA.
  • 53. Man playing the lute - Hendrick Martensz Sorgh 1661
  • 54. Dutch Interior I.  1928. Oil on canvas. 91.8 x 73 cm. The Museum of Modern Arts, New York, NY, USA.
  • 55. The dancing lesson of the cat - Hendrick Martensz Sorgh 1661
  • 56. Dutch Interior II.  1928. oil on canvas. 92 x 73 cm. The Solomon R. Guggenheim Museum, New York, NY, USA.
  • 57. “ Painting or poetry is made as one makes love - a total embrace, prudence thrown to the winds, nothing held back “
  • 58. 7.3. Miró and his Majorcan Period: Between France and Spain. The murder of painting.
  • 59. THE MURDER OF PAINTING - Cubism sentenced illusionistic art to the Death by the Fourth Dimension. - Dadaism was the first anti-art movement wich main objective was destroying art conventions and values. - Surrealism let the killer instinct run through dreams, libido and fantasy. That aimed Miró. He attacked painting….
  • 60. Composition . Oil on canvas, plaster cast and coal. 1930
  • 61. Men and woman . Oil on tabel and metalic elements, 1931
  • 62. Swallow/Love.  1934. Oil on canvas. 199.3 x 247.6 cm. The Museum of Modern Arts, New York, NY, USA.
  • 63. Rope and People I.  1935. oil and rope on cardboard, stuck to a wooden board. 104.7 x 74.6 cm. The Museum of Modern Arts, New York, NY, USA.
  • 64. Composition . Oil, casein, sand and tar on masonite. 1936
  • 65. Still Life with Old Shoe.  1937. The Museum of Modern Arts, New York, NY, USA.
  • 68. Head . Pastel, gauche, ink, drawing on paper. 1937
  • 69. Woman in front of the sun . (detail) Oil in canvas. 1938
  • 70. Head of a woman . Oil in canvas. 1938
  • 71. A Dew Drop Falling from a Bird's Wing Wakes Rosalie, who Has Been Asleep in the Shadow of a Spider's Web.  1939. Oil on canvas. 65.4 x 91.7 cm. The University of Iowa Museum of Art, The Mark Pamney Memorial Fund, Iowa, IA, USA.
  • 72. The Escape Ladder.  1939. Oil on canvas. 73 x 54 cm. Private collection.
  • 73. The Nightingale's Song at Midnight and the Morning Rain.  1940. Gouache and terpentine paint on paper. 38 x 46 cm. Perls Galleries. New York, NY, USA.
  • 74. Constellation: The Morning Star.  1940. Gouache and terpentine paint on paper.  38 x 46 cm. Private collection.
  • 75. The beatiful bird revealing the unknown to a pair of lovers . Gauche, oil wash and charcoal on paper 1941
  • 76.  
  • 77. Blue II.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France
  • 78. Blue III.  1961. Oil on canvas. 270 x 355 cm. Musée National d'Art Moderne, Centre Georges Pompidou, Paris, France.
  • 79. The Lark's Wing, Encircled with Golden Blue, Rejoins the Heart of the Poppy Sleeping on a Diamond-Studded Meadow.  1967. Oil on canvas. 195 x 130 cm. Private collection.
  • 80. The Gold of the Azure.  1967. oil on canvas. 205 x 173.5 cm. Fundació Joan Miró, Barcelona, Spain
  • 81. May 1968.  1973. Acrylic on canvas. 200 x 200 cm. Fundació Joan Miró, Barcelona, Spain.
  • 82. Joan Miró working in his workshop. As his grand son said during an intreview: « He got very angry If moved anything in his workshop. He remembered the place of every single thing »
  • 83.  
  • 84. You never finish a painting, you never strart a painting. A painting is like the wind, someting which is always walking without rest.
  • 85. The Hope of the Man Condemned to Death I . 1974
  • 86. The Hope of the Man Condemned to Death II . 1974
  • 87. The Hope of the Man Condemned to Death III . 1974
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