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Visual Ethnography
    Fall 2008


   9   13   2008
p. kerim friedman
       kerim.oxus.net
ci.ndhu.edu.tw
savageminds.org
fournineandahalf.com
Visual Ethnography


 Fall       Theory



Spring    Production
Visual Ethnography
     (Fall 2008)
Visual Literacy
The Gaze
The Documentary
    Tradition
    (in Anthropology)
Indigenous Films
New Media
Visual Literacy

• Narrative
• Mise en Scene
• Editing
• Alternative Forms
Narrative
Three-Act Structure
When Harry Met Sally
Boys Don't Cry
Mise en Scene
Interpreting the Frame
Citizen Kane
Goodfellas
Editing
Structure
Battleship Potemkin
Breathless
Alternative Forms
Avant Garde
Run Lola Run
Flowers of Shanghai
Meshes in the Afternoon
The Gaze


• The Gendered Gaze
• The Western Gaze
The Gendered Gaze
• Berger, J. 1977. Ways of seeing.
• hooks, bell. 1993. The oppositional gaze.
• Metz, Christian. 1986. The imaginary
  signifier.

• Mulvey, Laura. 1975. Visual Pleasure and
  Narrative Cinema.
Rear Window
Red Road
The Western Gaze
• Cohn, B. 1996. Colonialism and its forms of
  knowledge.

• Fabian, J. 1983. Time and the other.
• Said, E. 1979. Orientalism.
• Williamson, J. 1986. Woman is an Island.
Black Narcissus
The Lover
The Documentary
       Tradition
• Kino-Pravda
• Changing Rules
• Transcultural Cinema
• Jean Rouch
Kino Pravda
• Barnouw, E. 1993. Documentary.
• MacDougall, D. 1998. Transcultural cinema.
  (Chapters 1 & 2)

• Ruby, J. 1995. Out of Sync:The Cinema of Tim
  Asch.

• ———. 2000. The Aggie Must Come First:
  Robert Flaherty's Place in Ethnographic Film
  History.
Nanook of the North
Man with a Movie Camera
Changing Rules
• MacDougall, D. 1998. Transcultural cinema.
  (Chapters 3-6)

• Nichols, B. 1991. The Ethnographer's Tale.
• Ruby, J. 1991. Speaking For, Speaking About,
  Speaking With, or Speaking Alongside.
The Ax Fight
Lorang's Way
Dead Birds
Transcultural Cinema
• MacDougall, D. 1998. Transcultural cinema.
  (Chapters 7-13)
Cannibal Tours
N!ai       :
The Story of a !Kung Woman
Jean Rouch
• Loizos, P. 1993. Innovation in ethnographic
  film: From innocence to self-consciousness.

• Stoller, P. 1992. The cinematic griot:The
  ethnography of jean rouch.
Les Maitres Fous
Moi un Noir
Jaguar
Indigenous Films
• Ginsburg, F. 1991. Indigenous Media: Faustian
  Contract or Global Village?

• Michaels, E. 1994a. Aboriginal Content:Who's
  Got It - Who Needs It?

• ———. 1994b. For a Cultural Future: Francis
  Jupurrurla Makes TV at Yuendumu.

• Turner, T. 1992. Defiant Images:The Kayapo
  Appropriation of Video.
Video in the Villages Presents
   Itself
Marangmotxingmo Mirang
The Fast Runner
New Media
• Friedman, P. 2008. Massively Multiplayer
  Online Anthropology.

• Shirky, C. 2008. Here comes everybody:The
  power of organizing without organizations.
The Machine is Us/Ing Us
Steal This Film II
Student Presentations
    Taiwanese Documentary Films
!
slideshare.com/kerim
Note: The following Creative Commons license only refers to the
original work I have contributed to this slide show. It does not cover
  the images used for each of the films mentioned in my syllabus, as
they are copyrighted works and are reproduced here under fair use.




      This work is licensed under the Creative Commons Attribution-Noncommercial-
       Share Alike 3.0 United States License. To view a copy of this license, visit http://
         creativecommons.org/licenses/by-nc-sa/3.0/us/ or send a letter to Creative
       Commons, 171 Second Street, Suite 300, San Francisco, California, 94105, USA.

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TAVE 2008