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An Introduction
Presented by Randye Jones, Soprano/researcher
Assisted by Marlys Grimm, piano
Wednesday, April 8, 2015
Bucksbaum 152, Grinnell College, Grinnell, Iowa
 Options for Melodic or Rhythmic
Improvisation
 How much Dialect should be used
 Nature of the text
 Composer’s approach to song
 Technical challenges for performers
 Finding comfort zone
 - Published 1964
 - Last movement of cycle
 - Limited improvisation
 - Limited dialect
 - High energy, technically challenging
 Deep River – Harry T. Burleigh
 I Want To Die Easy – Hale Smith
 Sweet Little Jesus Boy – Robert MacGimsey
 Toccata (from Cantata) – John Carter
 Witness – Hall Johnson
Questions
?
 Burleigh, H. T. The Spirituals of Harry T. Burleigh. Melville, NY:
Belwin-Mills, 1984. M1670 .S751x 1984 (High voice), M1670 .S752x
1984 (Low voice)
 Patterson, Willis, comp. The New Negro Spiritual Collection . [S.l. :
Willis C. Patterson], c2002. M1670 .N49x 2002
 MacGimsey, Robert. “Sweet Little Jesus Boy.” New York: Carl Fischer,
1934.
 Carter, John. Cantata. New York: Southern Music Publishing, 1964.
 Johnson, Hall. The Hall Johnson Collection. New York: Carl Fischer,
2003. M1670.J63 H35x 2003
 “Deep River”: Marian Anderson, Prima Voce, 1996 by Nimbus, NI
7882, compact disc. Call no. An21p1
 “I Want to Die Easy”: Donnie Ray Albert, In Recital, 2003 by Cinnabar
Records, CNB1402, compact disc.
 “Sweet Little Jesus Boy”: Kathleen Battle, Angel’s Glory, 1996 by Sony
Classical, SK 62723, compact disc.
 “Toccata”: Videmus, Sence You Went Away, 1998 by Albany Records,
TROY 388, compact disc. Call no. Se4911
 “Witness”: Leontyne Price, Return to Carnegie Hall, 1996 by RCA
Victor Red Seal, 09026-68435, compact disc.
Randye Jones
Email: research@artofthenegrospiritual
www.artofthenegrospiritual.com

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Interpreting Negro Spiritual Art Songs

  • 1. An Introduction Presented by Randye Jones, Soprano/researcher Assisted by Marlys Grimm, piano Wednesday, April 8, 2015 Bucksbaum 152, Grinnell College, Grinnell, Iowa
  • 2.  Options for Melodic or Rhythmic Improvisation  How much Dialect should be used
  • 3.  Nature of the text  Composer’s approach to song  Technical challenges for performers  Finding comfort zone
  • 4.
  • 5.
  • 6.
  • 7.
  • 8.
  • 9.
  • 10.
  • 11.  - Published 1964  - Last movement of cycle  - Limited improvisation  - Limited dialect  - High energy, technically challenging
  • 12.
  • 13.
  • 14.
  • 15.  Deep River – Harry T. Burleigh  I Want To Die Easy – Hale Smith  Sweet Little Jesus Boy – Robert MacGimsey  Toccata (from Cantata) – John Carter  Witness – Hall Johnson
  • 17.  Burleigh, H. T. The Spirituals of Harry T. Burleigh. Melville, NY: Belwin-Mills, 1984. M1670 .S751x 1984 (High voice), M1670 .S752x 1984 (Low voice)  Patterson, Willis, comp. The New Negro Spiritual Collection . [S.l. : Willis C. Patterson], c2002. M1670 .N49x 2002  MacGimsey, Robert. “Sweet Little Jesus Boy.” New York: Carl Fischer, 1934.  Carter, John. Cantata. New York: Southern Music Publishing, 1964.  Johnson, Hall. The Hall Johnson Collection. New York: Carl Fischer, 2003. M1670.J63 H35x 2003
  • 18.  “Deep River”: Marian Anderson, Prima Voce, 1996 by Nimbus, NI 7882, compact disc. Call no. An21p1  “I Want to Die Easy”: Donnie Ray Albert, In Recital, 2003 by Cinnabar Records, CNB1402, compact disc.  “Sweet Little Jesus Boy”: Kathleen Battle, Angel’s Glory, 1996 by Sony Classical, SK 62723, compact disc.  “Toccata”: Videmus, Sence You Went Away, 1998 by Albany Records, TROY 388, compact disc. Call no. Se4911  “Witness”: Leontyne Price, Return to Carnegie Hall, 1996 by RCA Victor Red Seal, 09026-68435, compact disc.