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Chapter 8

 Photography
Look at the things around you, the
 immediate world around you. If you
 are alive, it will mean something to you,
 and if you care enough about
 photography, and if you know how to
 use it, you will want to photograph that
 meaning.
                – Edward Weston
Introduction
• Technology has revolutionized the visual arts
• Throughout history, artists have tried to
  imitate nature.
• Since the early 19th century, people have
  been able to capture nature due to
  technological advancements.
PHOTOGRAPHY
• Photography is science and art.
• Photography is a matter of selection and
  interpretation.
• The word photography comes from the Greek
  word meaning “to write with light”.
• Photosensitive
• Lens
• Prints
Cameras
The camera is similar to the human eye (as shown in figure 8-4)
• Aperture - the opening in the camera through which light
  passes.
• Shutter - the mechanism that opens and closed the aperture.
• Stop - the size of the aperture.
• Candid - a photograph in which real life and motion is
  captured.
• Film - a type of photosensitive surface which is used for
  recording photographs.
• Telephoto lenses - magnify far away objects and tend to collapse
  space.
• Wide-angle lenses - allow a broad view of objects within a
  confined area.
Film
• Emulsion - an active layer of small particles of a
  photosensitive silver salt suspended in gelatin.
• Negative - film which has been exposed to light and
  chemically treated.
   – Areas of light and dark are reversed on a negative.
2 types of color film: both contain 3 light
   sensitive layers
• Color reversal film
• Color negative film
Digital Photography
Digital photography - translates visual images to digital
  information, which is recorded on a disk.
Advantages:
• No need to deal with film.
• Immediate gratification.
• Can manipulate the images on the computer.
• Can print them yourself.
Disadvantages:
• Can not achieve the sharpness of film, unless you can
  afford a very expensive digital camera.
• Files are large.
• Can not always obtain the quality of film.
History of Photography

1.   The Camera Obscura
2.   Photosensitive Surfaces
3.   Heliography
4.   The Daguerreotype
5.   The Negative
6.   Portraits
7.   Photojournalism
8.   Photography as an Art Form
The Camera Obscura
• Was literally a covered box or a
  darkened room with a pin hole to
  project light and an image on the
  opposite wall.
• The image was projected upside down.
• Used to trace a scene and get correct
  perspective.
The Camera Obscura




   Figure 8.4, p.153: The camera obscura.
The Daguerreotype
• Invented in 1829 by Niepce and Louis-
  Jacques-Mande Daguerre.
• Used a thin sheet of silver-plated copper.
Drawbacks:
• Long exposures: 5 - 40 minutes.
• Image reverses left to right.
• Very delicate, had to be sealed behind glass.
• No negative, therefore no copies could be
  made.
Daguerreotype




Figure 8.5, p.154: LOUIS-JACQUES-MANDÉ DAGUERRE. The Artist’s Studio (1837).
The Negative

Invented in 1839 by British scientist William Henry Fox
    Talbot.

How:
1. Placed an object on a piece of light sensitive paper.
2. Exposed the arrangement to light.
3. Called them photogenic drawings.
4. Image was reversed and inverted. Black and white
   reversed.
   •   Talbot also made the the first contact print by placing the
       negative on a second sheet of light sensitive paper and
       exposing both of them to light.
The Negative




Figure 8.6, p.155: WILLIAM HENRY FOX TALBOT. Botanical Specimen (1839). Photogenic drawing.
Portraits
Figure 8.17, p.161: CINDY SHERMAN. Untitled (1984). Color photograph. 71” x 48 1⁄2”.
Landscape
Figure 8.2, p.151: Crescent Earth, seen by Apollo 17.
Figure 8.1, p.150: ANSEL ADAMS. Moon and Half Dome, Yosemite National Park, California (1960).
Photojournalism
Photojournalism




Figure 8.10, p.157: ALEXANDER GARDNER. Home of a Rebel Sharpshooter, Gettysburg (July 1863).
Wet-plate photograph.
Figure 8.11, p.157: DOROTHEA LANGE. Migrant Mother, Nipomo, California (1936). Gelatin silver print.
12 1⁄2” x 9 7⁄8”.
Figure 8.12, p.158: MARGARET BOURKE-WHITE. The Living Dead of Buchenwald, April 1945 (1945).
Digital Art

• Digital Art - the production of images by
  artists with the assistance of the computer.
• Current computer graphics software offers
  palettes of more than 16 million colors.
• Colors can be selected and produced on the
  monitor instantaneously. Effects and lighting
  can be added, images distorted, etc…
• Artists not only appropriate the technology of
  the day, but they also appropriate images that
  have special meaning within a culture.
Documentational
Chapter8 photo
Chapter8 photo
Chapter8 photo
Chapter8 photo
Chapter8 photo

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Chapter8 photo

  • 2. Look at the things around you, the immediate world around you. If you are alive, it will mean something to you, and if you care enough about photography, and if you know how to use it, you will want to photograph that meaning. – Edward Weston
  • 3. Introduction • Technology has revolutionized the visual arts • Throughout history, artists have tried to imitate nature. • Since the early 19th century, people have been able to capture nature due to technological advancements.
  • 4. PHOTOGRAPHY • Photography is science and art. • Photography is a matter of selection and interpretation. • The word photography comes from the Greek word meaning “to write with light”. • Photosensitive • Lens • Prints
  • 5. Cameras The camera is similar to the human eye (as shown in figure 8-4) • Aperture - the opening in the camera through which light passes. • Shutter - the mechanism that opens and closed the aperture. • Stop - the size of the aperture. • Candid - a photograph in which real life and motion is captured. • Film - a type of photosensitive surface which is used for recording photographs. • Telephoto lenses - magnify far away objects and tend to collapse space. • Wide-angle lenses - allow a broad view of objects within a confined area.
  • 6. Film • Emulsion - an active layer of small particles of a photosensitive silver salt suspended in gelatin. • Negative - film which has been exposed to light and chemically treated. – Areas of light and dark are reversed on a negative. 2 types of color film: both contain 3 light sensitive layers • Color reversal film • Color negative film
  • 7.
  • 8. Digital Photography Digital photography - translates visual images to digital information, which is recorded on a disk. Advantages: • No need to deal with film. • Immediate gratification. • Can manipulate the images on the computer. • Can print them yourself. Disadvantages: • Can not achieve the sharpness of film, unless you can afford a very expensive digital camera. • Files are large. • Can not always obtain the quality of film.
  • 9.
  • 10. History of Photography 1. The Camera Obscura 2. Photosensitive Surfaces 3. Heliography 4. The Daguerreotype 5. The Negative 6. Portraits 7. Photojournalism 8. Photography as an Art Form
  • 11. The Camera Obscura • Was literally a covered box or a darkened room with a pin hole to project light and an image on the opposite wall. • The image was projected upside down. • Used to trace a scene and get correct perspective.
  • 12.
  • 13. The Camera Obscura Figure 8.4, p.153: The camera obscura.
  • 14. The Daguerreotype • Invented in 1829 by Niepce and Louis- Jacques-Mande Daguerre. • Used a thin sheet of silver-plated copper. Drawbacks: • Long exposures: 5 - 40 minutes. • Image reverses left to right. • Very delicate, had to be sealed behind glass. • No negative, therefore no copies could be made.
  • 15.
  • 16. Daguerreotype Figure 8.5, p.154: LOUIS-JACQUES-MANDÉ DAGUERRE. The Artist’s Studio (1837).
  • 17. The Negative Invented in 1839 by British scientist William Henry Fox Talbot. How: 1. Placed an object on a piece of light sensitive paper. 2. Exposed the arrangement to light. 3. Called them photogenic drawings. 4. Image was reversed and inverted. Black and white reversed. • Talbot also made the the first contact print by placing the negative on a second sheet of light sensitive paper and exposing both of them to light.
  • 18.
  • 19. The Negative Figure 8.6, p.155: WILLIAM HENRY FOX TALBOT. Botanical Specimen (1839). Photogenic drawing.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25.
  • 26.
  • 27.
  • 28.
  • 29.
  • 30. Figure 8.17, p.161: CINDY SHERMAN. Untitled (1984). Color photograph. 71” x 48 1⁄2”.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36.
  • 37.
  • 38.
  • 39.
  • 41. Figure 8.2, p.151: Crescent Earth, seen by Apollo 17.
  • 42. Figure 8.1, p.150: ANSEL ADAMS. Moon and Half Dome, Yosemite National Park, California (1960).
  • 43.
  • 44.
  • 45.
  • 46.
  • 47.
  • 48.
  • 49.
  • 50.
  • 51.
  • 52.
  • 54. Photojournalism Figure 8.10, p.157: ALEXANDER GARDNER. Home of a Rebel Sharpshooter, Gettysburg (July 1863). Wet-plate photograph.
  • 55. Figure 8.11, p.157: DOROTHEA LANGE. Migrant Mother, Nipomo, California (1936). Gelatin silver print. 12 1⁄2” x 9 7⁄8”.
  • 56. Figure 8.12, p.158: MARGARET BOURKE-WHITE. The Living Dead of Buchenwald, April 1945 (1945).
  • 57.
  • 58.
  • 59.
  • 60.
  • 61.
  • 62.
  • 63.
  • 64.
  • 65.
  • 66.
  • 67.
  • 68.
  • 69.
  • 70.
  • 71.
  • 72.
  • 73.
  • 74.
  • 75.
  • 76.
  • 77. Digital Art • Digital Art - the production of images by artists with the assistance of the computer. • Current computer graphics software offers palettes of more than 16 million colors. • Colors can be selected and produced on the monitor instantaneously. Effects and lighting can be added, images distorted, etc… • Artists not only appropriate the technology of the day, but they also appropriate images that have special meaning within a culture.
  • 78.
  • 79.
  • 80.
  • 81.
  • 82.
  • 83.
  • 84.
  • 85.
  • 86.
  • 87.
  • 88.
  • 89.