6. The meaning of any one visual
element will change as the
elements surrounding it change.
So it's not enough to attend to
formal elements independently of
each other—eventually you need
to bring them into relationship with
each other.
8. Lucas CRANACH the Elder (1472-
1553)
Adam and Eve, 1526
oil on panel
46 x 31.5 inches (117 x 80 cm)
Courtauld Gallery, London
http://courtauld.ac.uk/gallery/collectio
n/renaissance/lucas-cranach-the-
elder-adam-and-eve
9. Charles Saunders PEIRCE (“purse”)
(1839-1914)
American thinker, mathematics, science, logic, semiotics
http://www.iupui.edu/~peirce/
10. three types of signs
types
• icon: represents the
object through some
similarity or
resemblance
• index: represents the
object by being a
physical trace of it
• symbol: represents the
object by convention
(social agreement)
examples
• example of icon: smiley
face, representational
art
• example of index:
fingerprint
• example of symbol:
pretty much all of
language, in which words
have no necessary
relationship to the concept
they represent
17. quick review
• Saussure:
• it links sounds (or images) with mental concepts
• language is arbitrary and culturally bound
• terminology
• every sign consists of two parts:
• a signifier (pattern of letters, sounds, or forms)
• a signified (a set of concepts and associations that those
forms trigger in the viewer's mind
18. quick review
• Peirce ("Purse")
creates terminology for different types of signs
they are differentiated based upon the relationship of the sign
to reality
• symbol (all of language): arbitrary relationship to what it
represents; to understand you have to know the convention
• icon (would include a lot of imagery): in some way looks like
what it represents
• index: is a physical trace of the process that produced it