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Seijo Univ. Hideo Imai
 Kabuki started from 1603 『かぶき者』=2 meanings 1. “strange things” “the crazy ones” “outlaw” 2.「かぶき」＝傾く(lean)  Dancer (歌舞伎踊...
（１６２９） か ぶ き おどり おんな か ぶ き
女歌舞伎 （Women-kabuki) 男歌舞伎• やろう歌舞伎 (Men-Kabuki) 若衆歌舞伎 （Youngman- Kabuki ) 400 y/o
1. 立役(Tachi-yaku) Tachi-yaku represents hero who saves woman’s life. They are usually young and good-looking men. They are...
2. 女方(Onna-gata) Male acts for female character with lady’s voice, behavior and emotions.
3.お嬢吉三 (Ojou-kissa) woman  man (thief) [The picture was taken from 『三人吉三廓初買』] Change
COLORS In Kabuki, face colors are very important to understand their characteristics. COLOR Skin Face Paint
WHITE RED Skin •Young •Good man •Handsome guy (いけめん) •Noble (e.g. King, くげ） •Bad man or •Energetic (e.g. 金太郎）
White-Blue Brown Skin •Good man  Bad man (disguise) •Lower class •Old man •Evil ※Not famous actors 民谷伊右衛門 四谷怪談
Face Paint (Hero) (Villain) (Demon/Monster)
Three evidences
女歌舞伎 （Women-KABUKI) 男歌舞伎• やろう歌舞伎 (Men-KABUKI) 若衆歌舞伎 （Youngman- KABUKI ) KABUKI (1603~) < NOH (1375~)
<能（Noh)>  Noh represents DANCE. e.g.) 「能の舞（まい）」 踊り（＝Dance） <歌舞伎(Kabuki)>  「かぶき者」= 「傾く（lean)」 Dance かぶ
<Kabuki> Stage は な み ち SeatsSeat <Noh> Stage はしがかり Seats Seats resemble
•Presumably, Kabuki immerged from Noh. However, both play have different way to attract people. •Both Kabuki and Noh still...
『歌舞伎の世界』, 1989, 藤波隆之(講談社） 『歌舞伎にアクセス』, 2002, 伊達なつめ 『歌舞伎への誘い』〜歌舞伎の歴史〜 http://www2.ntj.jac.go.jp/unesco/kabuki/j p/2/index.ht...
Introduction to Kabuki
Introduction to Kabuki
Introduction to Kabuki
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Introduction to Kabuki

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Kabuki is well-known for Japanese traditional act. This slide covers the basic knowledge of kabuki, which may help your understanding of the play.

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Introduction to Kabuki

  1. 1. Seijo Univ. Hideo Imai
  2. 2.  Kabuki started from 1603 『かぶき者』=2 meanings 1. “strange things” “the crazy ones” “outlaw” 2.「かぶき」＝傾く(lean)  Dancer (歌舞伎踊り） 歌舞伎踊り 『阿国歌舞伎図屏風』 (Kabuki-dance) かぶ
  3. 3. （１６２９） か ぶ き おどり おんな か ぶ き
  4. 4. 女歌舞伎 （Women-kabuki) 男歌舞伎• やろう歌舞伎 (Men-Kabuki) 若衆歌舞伎 （Youngman- Kabuki ) 400 y/o
  5. 5. 1. 立役(Tachi-yaku) Tachi-yaku represents hero who saves woman’s life. They are usually young and good-looking men. They are not evil and old.
  6. 6. 2. 女方(Onna-gata) Male acts for female character with lady’s voice, behavior and emotions.
  7. 7. 3.お嬢吉三 (Ojou-kissa) woman  man (thief) [The picture was taken from 『三人吉三廓初買』] Change
  8. 8. COLORS In Kabuki, face colors are very important to understand their characteristics. COLOR Skin Face Paint
  9. 9. WHITE RED Skin •Young •Good man •Handsome guy (いけめん) •Noble (e.g. King, くげ） •Bad man or •Energetic (e.g. 金太郎）
  10. 10. White-Blue Brown Skin •Good man  Bad man (disguise) •Lower class •Old man •Evil ※Not famous actors 民谷伊右衛門 四谷怪談
  11. 11. Face Paint (Hero) (Villain) (Demon/Monster)
  12. 12. Three evidences
  13. 13. 女歌舞伎 （Women-KABUKI) 男歌舞伎• やろう歌舞伎 (Men-KABUKI) 若衆歌舞伎 （Youngman- KABUKI ) KABUKI (1603~) < NOH (1375~)
  14. 14. <能（Noh)>  Noh represents DANCE. e.g.) 「能の舞（まい）」 踊り（＝Dance） <歌舞伎(Kabuki)>  「かぶき者」= 「傾く（lean)」 Dance かぶ
  15. 15. <Kabuki> Stage は な み ち SeatsSeat <Noh> Stage はしがかり Seats Seats resemble
  16. 16. •Presumably, Kabuki immerged from Noh. However, both play have different way to attract people. •Both Kabuki and Noh still exist as Japanese traditional performance act. Thus, it must be necessary to inherit or protect these wonderful culture for the future generations.
  17. 17. 『歌舞伎の世界』, 1989, 藤波隆之(講談社） 『歌舞伎にアクセス』, 2002, 伊達なつめ 『歌舞伎への誘い』〜歌舞伎の歴史〜 http://www2.ntj.jac.go.jp/unesco/kabuki/j p/2/index.html Interviewee: Mr.Yonekichi-Nakamura, 中村米吉 (2014)

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