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Now here’s  real  a “ PARADOX ”…
But first, a  real  “ Pair o’ Docks”…
“ Beauty is Truth and Truth Beauty, That is All Ye Know on Earth and All Ye Need to Know.”  Keats What is the difference between…
“ Beauty is Truth and Truth Beauty, That is All Ye Know on Earth and All Ye Need to Know.”  Keats What is the difference between… the truth  and
“ Beauty is Truth and Truth Beauty, That is All Ye Know on Earth and All Ye Need to Know.”  Keats What is the difference between… the truth  and   T ruth  ?
The eternal  paradox  of literature: Art  always tells the  Truth
John Malkovich as himself in  Being John Malkovich 1999 The eternal  paradox  of literature: Art  always tells the  Truth even when it’s lying.
The eternal  paradox  of literature: What’s  T rue need not be true.
The eternal  paradox  of literature: Although a story is fictional… Its THEME is always True.
THEME equals Truth EPISTEMOLOGY
When reading literature… Art Says…
Truth doesn’t come easily. Art Says…
Using your powers of  inference… Art Says…
… you have to “urn” it. Art Says…
What we obtain too cheap, we esteem too lightly.   Thomas Paine Says… (1737-1809) Writer and Revolutionary
Authors rarely come right out and TELL you the story’s THEME.
Art Says… By imagining, struggling, sympathizing, as we read, we make the life lesson more personally meaningful .
AND more memorable.  Art Says…
Greek Theater
 
 
 
496-406 B.C.  “ Fortunate Sophocles who after a long life died, a happy and a gifted man after writing many fine tragedies he made a good end, having endured no evil. ” Phrynichas, Greek Comic Poet
Arete Rewarded: The Cast Party
 
Tragic  Form
Aristotle TRUTH  can be found by analyzing nature.
Aristotle Some people call me the father of the scientific method.
Aristotle The method influenced my approach to  literary criticism.
Aristotle BEAUTY  can be found by analyzing art and determining its underlying form.
From Aristotle’s  Poetics “  TRAGEDY, then, is a representation of an action that is worth serious attention,  complete  in itself, and of some amplitude; in language enriched by a variety of  artistic devices  appropriate to the several  parts of the play ; presented in the form of  action , not narration; by means of  pity and fear  bringing about the  purgation  of such emotions.
From Aristotle’s  Poetics The Six Aspects of Tragedy
From Aristotle’s  Poetics The Six Aspects of Tragedy ,[object Object],[object Object],[object Object]
From Aristotle’s  Poetics The Six Aspects of Tragedy 4.  Artful Diction:  Purposeful use of style 5.  Unity of Action:   “ Triangle-formed” plot which includes  peripeteia 6.  Spectacle:  Viewable
# 1 CATHARSIS
CHORUS :  Sang to arouse emotion in the audience.   ULTIMATE PURPOSE :  ARETE for the POLIS # 1 ACTION :  Real enough to allow for vicarious experience.
HUBRIS # 2
STOCK Topic: HUBRIS STOCK Theme:  Pride Precedes a Fall # 2
# 2
# 3 Universality and  Historical Roots
Corinth # 3
Corinth # 3
Corinth # 3
Corinth # 3
# 3
Oedipus and the Sphynx # 3
Oedipus and the Sphynx # 3
Oedipus and the Sphynx # 3
Oedipus’ Lineage:  The House of Thebes THE PAST # 3
[object Object],[object Object],[object Object],[object Object],# 4
ARTFUL DICTION   # 4
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],# 4
# 5 “  FEAR and PITY may be aroused by spectacular means; but they may also result from the  INNER STRUCTURE  of the piece, which is the  better way , and indicates a superior poet. For the plot ought to be so constructed that, even  without  the aid of the eye, he who hears the tale told will thrill with horror and melt to pity at what takes place. ” Poetics XIV
# 5
Contemporary Short Story Pattern
# 6 “ But to produce this effect by the mere spectacle alone is a LESS artistic method, and dependent on extraneous aids. Those who employ spectacular means to create a sense not of the terrible but only of the monstrous, are strangers to the purpose of Tragedy; for  we must not demand of Tragedy any and every kind of pleasure, but only that which is proper to it .”   Poetics
# 6 SPECTACLE
# 6
SPECTACLE:  Staging # 6
SPECTACLE:  Skene  (SKA-nay) # 6
SPECTACLE # 6
SPECTACLE:  Staging # 6
SPECTACLE:  Staging # 6
SPECTACLE:  Staging # 6
SPECTACLE:  Staging # 6
SPECTACLE:  Chorus # 6
SPECTACLE:  Chorus # 6
SPECTACLE: Actors # 6
SPECTACLE:  Masks # 6
SPECTACLE: Masks # 6
SPECTACLE # 6
SPECTACLE # 6
SPECTACLE: Music # 6
SPECTACLE: Music # 6
Department of Classics, University of Cincinnati Sacred Fragments
[object Object],[object Object],[object Object],[object Object],[object Object]
LOGIC Patterns of Persuasion (Form) Logic
“  The duty and office of rhetoric is to apply  reason  to  imagination  for the better moving of the will. ”
 
 

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