Too often, funding models for museum projects are at odds with the adaptability, risk-taking, and agility required to support truly innovative, iterative technology initiatives. What's more, the emphasis of grant-makers on funding digital projects can undermine the ability of an organization to build and sustain long-term capacity. In this session, we'll look at a few real-life horror stories of mis-alignment between funding models and institutional objectives, hear in detail about three successful case studies that point the way toward alternative means of supporting innovation, and talk through a checklist for helping your tech and digital team work with development and funders to build and sustain capacity.
Funding models for museum technology projects #MCN2016
1. Funding Models for Museum Technology Projects
JANE ALEXANDER, CHIEF INFORMATION OFFICER, THE CLEVELAND MUSEUM OF ART
DOUGLAS HEGLEY, DIRECTOR OF MEDIA AND TECHNOLOGY, MINNEAPOLIS INSTITUTE OF ART
AGNES STAUBER, CREATIVE DIRECTOR OF DIGITAL MEDIA, LACMA
LAURA MANN, PRINCIPAL, FRANKLY, GREEN + WEBB
#mcn2016
3. Introductions
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Jane Alexander
Chief Information/Digital Officer, Cleveland Museum of Art
@janecalexander
Douglas Hegley
Director of Media and Technology, Mia
@dhegley
Agnes Stauber
Creative Director of Digital Media, LACMA
@agnesstauber
Laura Mann
Principal, Frankly, Green + Webb
@lhmann
7. Mia - Two Examples
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1. Inherited: Grant-funded project eVolvelle
a. Lacked clear goals “How did this get
funded?”
b. “Innovation” implied, but no measure of
impact
1. Grant applications without digital staff involved
a. Sudden demand for technical resources
b. With no funding available
Image Source: Image Source: http://www.acting-man.com/blog/media/2016/06/HL_Mencken.jpg
9. LACMA
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Multimedia Tour 2009
Irvine Foundation
● Grant written for production in
Flash for Blackberry
● iPhone emerged halfway
through grant
● Production had to re-start, grant
deadlines had to be kept, funds
ran out for maintenance and
content production
12. Initial Funding for Gallery One
• $10 million donation from
the Maltz Family
Foundation, with $3 million
towards interactives,
hardware, and fabrication
and design
• Tiny NEH grant
• Included Studio Play,
Gallery One proper,
ArtLens app, Collections
Wall
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13. • 39% increase in attendance
the year after opening
• 31% increase in families
visiting
• Testbed for museum-wide
digital strategy
• Focused national and
international attention on
CMA’s collection
Gallery One Successes
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14. But funding for sustainability and scalability
are still a challenge
● Starting from scratch while
fitting into current institutional
capabilities
● Initial funding didn’t account
for the next steps
“Didn’t we already do
a website?”
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15. Technology Funding
• Plan for unexpected/rapid change
• 3-year rolling technology budget
• Project funding preferences
-Outside funding/grants: for evaluation, interpretation, media
• -Corporation partnerships
-Fyxxxx budget assignment
-Digital Initiatives set-aside fund (need an endowment)
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17. There is no “digital strategy” at Mia
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“For every complex
problem there is an
answer that is clear,
simple, and wrong”
H. L. Mencken
Image Source: http://www.acting-man.com/blog/media/2016/06/HL_Mencken.jpg
18. Potential Pitfalls of a Digital
Strategy
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● Confirms digital as separate, in a silo - someone else’s job
● Confirms digital as “extra” or “not core to mission”
● Sounds really, really expensive
● Implies that digital must have it’s own, separate funding
● Implies that digital is only a series of projects - a checklist
Image Source: https://nic4bags.files.wordpress.com/2014/10/investingfeaturedaccutechblog.png?w=700
20. Of course, back in 2011 ...
“The “nursing home of museum technology”
- Anonymous staff-person
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Interactive Learning Stations
21. Vision
● Create an industry-leading model
● Focus on audience engagement
● Clear interpretative strategy
● Meaningful content to inspire and delight museum audiences
● Innovation, agility and experimentation
● Leading to sustainable practice
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23. Funding
Four key components - at least IMHO
1. “Gravitas” - the weight of your
bearing, experience and network
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Source: http://www.alexkstevens.com/wp-content/uploads/2014/10/gravitas.jpg
24. Funding
Four key components - at least IMHO
1. “Gravitas”
2. Passion - do you believe in the initiative? Can you
sell it with energy and eloquence?
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25. Funding
Four key components - at least IMHO
1. “Gravitas”
2. Passion
3. Partnership - with Development, with Funders
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26. Funding
Four key components - at least IMHO
1. “Gravitas”
2. Passion
3. Partnership
4. Don’t ask for money … ask for advice
MCN 201626 Image Source: https://3beards-website.s3.amazonaws.com/uploads/post/image/107/1450199051-14-9235/asking-for-money_banner.jpg
27. Sailing
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“The pessimist complains about the wind, the optimist expects it to
change, the realist adjusts the sails” - William Arthur Ward
Image Source: http://www.ettridgewindturbine.com/sailboat_with_spinnaker_1.JPG
Running (with the wind) Tacking (“against” the wind)
Image Source: http://www.bibliotecapleyades.net/imagenes_ciencia2/conscioussociopol193_01.jpg
43. CLEVELAND MUSEUM OF ART
How Integrating
Digital/Technology into the
Museum-Wide Strategic Plan
Changes Funding
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44. Aligning with Other Departments
• Part of the Executive Team
• Establishing that Tech/Digital
innovation is dynamic and ever-
changing
• Development person assigned to
each department
• Lead the cross-collaborative
Steering Committee
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45. Relationship with Your Development Team
• Assigned, dedicated Development
Officer
• Translate “tech talk” into donor
interests
• Potential donors
• Advocating for Tech/Digital next to
Curatorial, Education, Interpretation,
Exhibitions
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46. Funding Goals and Creating a Funding Menu
• Outlines technology priorities and projects
• Support is not just for public-facing innovation: also back-end projects, e-
commerce, business, website, applications, interactives
• Always being revised, shared with Development Officer and the board
• Seek funders to endow positions (chairs)
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47. Relationship with the Board
• The board understands their role
• Board member on the Advisory
Committee
• Advisory Committee for technology: good
or bad?
• Galvanizing board members with an
interest in technology
• Value of a board member for advocacy
and expertise in tech
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48. Collaborating with Other Museums
• Stop recreating the wheel
• Spreading costs by creating and
sharing with each other
• Increase visitor understanding of
public-facing technology across
different museums
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53. Wish List
MCN 201653 Image Source: http://sparkexperience.com/wp-content/uploads/2015/06/wishlist-notepad.jpg
54. Wish List, part two
● Clear path from funded to operational
● Shiny may not be important
● Strong collaboration, please
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Source: https://d13yacurqjgara.cloudfront.net/users/53712/screenshots/964040/untitled-1.gif
55. Takeaways
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1. Plan for rapid change
2. Alignment
a. Org strategy
b. Funders
c. Internal team
3. Path from funded to
operational
4. Create a funding menu
5. Seek endowment
6. Collaborate with other
institutions
7. Focus on
outcomes/impact not the
shiny object