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Funding Models for Museum Technology Projects
JANE ALEXANDER, CHIEF INFORMATION OFFICER, THE CLEVELAND MUSEUM OF ART
DOUGLAS HEGLEY, DIRECTOR OF MEDIA AND TECHNOLOGY, MINNEAPOLIS INSTITUTE OF ART
AGNES STAUBER, CREATIVE DIRECTOR OF DIGITAL MEDIA, LACMA
LAURA MANN, PRINCIPAL, FRANKLY, GREEN + WEBB
#mcn2016
INTRODUCTIONS
MCN 201602
Introductions
MCN 20163
Jane Alexander
Chief Information/Digital Officer, Cleveland Museum of Art
@janecalexander
Douglas Hegley
Director of Media and Technology, Mia
@dhegley
Agnes Stauber
Creative Director of Digital Media, LACMA
@agnesstauber
Laura Mann
Principal, Frankly, Green + Webb
@lhmann
WHY ARE WE HERE?
MCN 20164
Current Funding Models
MCN 20165
Funding Model
● Extended timeline
● Specific
deliverables
● Risk averse
● Project-based
● New projects
Technology
● Rapid change
● Iteration
● Failure
● Process-oriented
● Ongoing
maintenance and
sustainability
HORROR STORIES
Digital projects that spurred the need for
better funding models
MCN 20166
Mia - Two Examples
MCN 20167
1. Inherited: Grant-funded project eVolvelle
a. Lacked clear goals “How did this get
funded?”
b. “Innovation” implied, but no measure of
impact
1. Grant applications without digital staff involved
a. Sudden demand for technical resources
b. With no funding available
Image Source: Image Source: http://www.acting-man.com/blog/media/2016/06/HL_Mencken.jpg
Beta Gallery: Turning an Obsolete Grant
into an Opportunity
LACMA
MCN 20169
Multimedia Tour 2009
Irvine Foundation
● Grant written for production in
Flash for Blackberry
● iPhone emerged halfway
through grant
● Production had to re-start, grant
deadlines had to be kept, funds
ran out for maintenance and
content production
APPLYING
what was learned to
improve funding
approaches
MCN 201610
Cleveland Museum of
Art
MCN 201611
Initial Funding for Gallery One
• $10 million donation from
the Maltz Family
Foundation, with $3 million
towards interactives,
hardware, and fabrication
and design
• Tiny NEH grant
• Included Studio Play,
Gallery One proper,
ArtLens app, Collections
Wall
MCN 201612
• 39% increase in attendance
the year after opening
• 31% increase in families
visiting
• Testbed for museum-wide
digital strategy
• Focused national and
international attention on
CMA’s collection
Gallery One Successes
MCN 201613
But funding for sustainability and scalability
are still a challenge
● Starting from scratch while
fitting into current institutional
capabilities
● Initial funding didn’t account
for the next steps
“Didn’t we already do
a website?”
MCN 201614
Technology Funding
• Plan for unexpected/rapid change
• 3-year rolling technology budget
• Project funding preferences
-Outside funding/grants: for evaluation, interpretation, media
• -Corporation partnerships
-Fyxxxx budget assignment
-Digital Initiatives set-aside fund (need an endowment)
MCN 201615
Mia
MCN 201616
There is no “digital strategy” at Mia
MCN 201617
“For every complex
problem there is an
answer that is clear,
simple, and wrong”
H. L. Mencken
Image Source: http://www.acting-man.com/blog/media/2016/06/HL_Mencken.jpg
Potential Pitfalls of a Digital
Strategy
MCN 201618
● Confirms digital as separate, in a silo - someone else’s job
● Confirms digital as “extra” or “not core to mission”
● Sounds really, really expensive
● Implies that digital must have it’s own, separate funding
● Implies that digital is only a series of projects - a checklist
Image Source: https://nic4bags.files.wordpress.com/2014/10/investingfeaturedaccutechblog.png?w=700
Strategy with a capital S
MCN 201619
Of course, back in 2011 ...
“The “nursing home of museum technology”
- Anonymous staff-person
MCN 201620
Interactive Learning Stations
Vision
● Create an industry-leading model
● Focus on audience engagement
● Clear interpretative strategy
● Meaningful content to inspire and delight museum audiences
● Innovation, agility and experimentation
● Leading to sustainable practice
MCN 201621
TDX
MCN 201622
Funding
Four key components - at least IMHO
1. “Gravitas” - the weight of your
bearing, experience and network
MCN 201623
Source: http://www.alexkstevens.com/wp-content/uploads/2014/10/gravitas.jpg
Funding
Four key components - at least IMHO
1. “Gravitas”
2. Passion - do you believe in the initiative? Can you
sell it with energy and eloquence?
MCN 201624
Funding
Four key components - at least IMHO
1. “Gravitas”
2. Passion
3. Partnership - with Development, with Funders
MCN 201625
Funding
Four key components - at least IMHO
1. “Gravitas”
2. Passion
3. Partnership
4. Don’t ask for money … ask for advice
MCN 201626 Image Source: https://3beards-website.s3.amazonaws.com/uploads/post/image/107/1450199051-14-9235/asking-for-money_banner.jpg
Sailing
MCN 201627 Diagram Source: http://lrsailingcenter.com/wp-content/uploads/2013/02/upwind.jpg
“The pessimist complains about the wind, the optimist expects it to
change, the realist adjusts the sails” - William Arthur Ward
Image Source: http://www.ettridgewindturbine.com/sailboat_with_spinnaker_1.JPG
Running (with the wind) Tacking (“against” the wind)
Image Source: http://www.bibliotecapleyades.net/imagenes_ciencia2/conscioussociopol193_01.jpg
LACMA
MCN 201628
Art + Technology Lab
MCN 201629
Art + Tech Lab today
lacma.org/lab
Annina Ruest
Sponsors as Advisors
John Craig Freeman working with DAQURI
Contribution to program
funding
+ in-kind support of artist
projects
WHAT DOES THIS
MEAN FOR YOU?
MCN 201642
CLEVELAND MUSEUM OF ART
How Integrating
Digital/Technology into the
Museum-Wide Strategic Plan
Changes Funding
MCN 201643
Aligning with Other Departments
• Part of the Executive Team
• Establishing that Tech/Digital
innovation is dynamic and ever-
changing
• Development person assigned to
each department
• Lead the cross-collaborative
Steering Committee
MCN 201644
Relationship with Your Development Team
• Assigned, dedicated Development
Officer
• Translate “tech talk” into donor
interests
• Potential donors
• Advocating for Tech/Digital next to
Curatorial, Education, Interpretation,
Exhibitions
MCN 201645
Funding Goals and Creating a Funding Menu
• Outlines technology priorities and projects
• Support is not just for public-facing innovation: also back-end projects, e-
commerce, business, website, applications, interactives
• Always being revised, shared with Development Officer and the board
• Seek funders to endow positions (chairs)
MCN 201646
Relationship with the Board
• The board understands their role
• Board member on the Advisory
Committee
• Advisory Committee for technology: good
or bad?
• Galvanizing board members with an
interest in technology
• Value of a board member for advocacy
and expertise in tech
MCN 201647
Collaborating with Other Museums
• Stop recreating the wheel
• Spreading costs by creating and
sharing with each other
• Increase visitor understanding of
public-facing technology across
different museums
MCN 201648
Visibility Matters: Using
Community/National Events
Mia
MCN 201650
MCN 201651
What she said ...
MCN 201652
Wish List
MCN 201653 Image Source: http://sparkexperience.com/wp-content/uploads/2015/06/wishlist-notepad.jpg
Wish List, part two
● Clear path from funded to operational
● Shiny may not be important
● Strong collaboration, please
MCN 201654
Source: https://d13yacurqjgara.cloudfront.net/users/53712/screenshots/964040/untitled-1.gif
Takeaways
MCN 201655
1. Plan for rapid change
2. Alignment
a. Org strategy
b. Funders
c. Internal team
3. Path from funded to
operational
4. Create a funding menu
5. Seek endowment
6. Collaborate with other
institutions
7. Focus on
outcomes/impact not the
shiny object
Q&A
MCN 201656
Thank You
@lhmann
@janecalexander
@agnesstauber
@dhegley
MCN 201657

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Funding models for museum technology projects #MCN2016

  • 1. Funding Models for Museum Technology Projects JANE ALEXANDER, CHIEF INFORMATION OFFICER, THE CLEVELAND MUSEUM OF ART DOUGLAS HEGLEY, DIRECTOR OF MEDIA AND TECHNOLOGY, MINNEAPOLIS INSTITUTE OF ART AGNES STAUBER, CREATIVE DIRECTOR OF DIGITAL MEDIA, LACMA LAURA MANN, PRINCIPAL, FRANKLY, GREEN + WEBB #mcn2016
  • 3. Introductions MCN 20163 Jane Alexander Chief Information/Digital Officer, Cleveland Museum of Art @janecalexander Douglas Hegley Director of Media and Technology, Mia @dhegley Agnes Stauber Creative Director of Digital Media, LACMA @agnesstauber Laura Mann Principal, Frankly, Green + Webb @lhmann
  • 4. WHY ARE WE HERE? MCN 20164
  • 5. Current Funding Models MCN 20165 Funding Model ● Extended timeline ● Specific deliverables ● Risk averse ● Project-based ● New projects Technology ● Rapid change ● Iteration ● Failure ● Process-oriented ● Ongoing maintenance and sustainability
  • 6. HORROR STORIES Digital projects that spurred the need for better funding models MCN 20166
  • 7. Mia - Two Examples MCN 20167 1. Inherited: Grant-funded project eVolvelle a. Lacked clear goals “How did this get funded?” b. “Innovation” implied, but no measure of impact 1. Grant applications without digital staff involved a. Sudden demand for technical resources b. With no funding available Image Source: Image Source: http://www.acting-man.com/blog/media/2016/06/HL_Mencken.jpg
  • 8. Beta Gallery: Turning an Obsolete Grant into an Opportunity
  • 9. LACMA MCN 20169 Multimedia Tour 2009 Irvine Foundation ● Grant written for production in Flash for Blackberry ● iPhone emerged halfway through grant ● Production had to re-start, grant deadlines had to be kept, funds ran out for maintenance and content production
  • 10. APPLYING what was learned to improve funding approaches MCN 201610
  • 12. Initial Funding for Gallery One • $10 million donation from the Maltz Family Foundation, with $3 million towards interactives, hardware, and fabrication and design • Tiny NEH grant • Included Studio Play, Gallery One proper, ArtLens app, Collections Wall MCN 201612
  • 13. • 39% increase in attendance the year after opening • 31% increase in families visiting • Testbed for museum-wide digital strategy • Focused national and international attention on CMA’s collection Gallery One Successes MCN 201613
  • 14. But funding for sustainability and scalability are still a challenge ● Starting from scratch while fitting into current institutional capabilities ● Initial funding didn’t account for the next steps “Didn’t we already do a website?” MCN 201614
  • 15. Technology Funding • Plan for unexpected/rapid change • 3-year rolling technology budget • Project funding preferences -Outside funding/grants: for evaluation, interpretation, media • -Corporation partnerships -Fyxxxx budget assignment -Digital Initiatives set-aside fund (need an endowment) MCN 201615
  • 17. There is no “digital strategy” at Mia MCN 201617 “For every complex problem there is an answer that is clear, simple, and wrong” H. L. Mencken Image Source: http://www.acting-man.com/blog/media/2016/06/HL_Mencken.jpg
  • 18. Potential Pitfalls of a Digital Strategy MCN 201618 ● Confirms digital as separate, in a silo - someone else’s job ● Confirms digital as “extra” or “not core to mission” ● Sounds really, really expensive ● Implies that digital must have it’s own, separate funding ● Implies that digital is only a series of projects - a checklist Image Source: https://nic4bags.files.wordpress.com/2014/10/investingfeaturedaccutechblog.png?w=700
  • 19. Strategy with a capital S MCN 201619
  • 20. Of course, back in 2011 ... “The “nursing home of museum technology” - Anonymous staff-person MCN 201620 Interactive Learning Stations
  • 21. Vision ● Create an industry-leading model ● Focus on audience engagement ● Clear interpretative strategy ● Meaningful content to inspire and delight museum audiences ● Innovation, agility and experimentation ● Leading to sustainable practice MCN 201621
  • 23. Funding Four key components - at least IMHO 1. “Gravitas” - the weight of your bearing, experience and network MCN 201623 Source: http://www.alexkstevens.com/wp-content/uploads/2014/10/gravitas.jpg
  • 24. Funding Four key components - at least IMHO 1. “Gravitas” 2. Passion - do you believe in the initiative? Can you sell it with energy and eloquence? MCN 201624
  • 25. Funding Four key components - at least IMHO 1. “Gravitas” 2. Passion 3. Partnership - with Development, with Funders MCN 201625
  • 26. Funding Four key components - at least IMHO 1. “Gravitas” 2. Passion 3. Partnership 4. Don’t ask for money … ask for advice MCN 201626 Image Source: https://3beards-website.s3.amazonaws.com/uploads/post/image/107/1450199051-14-9235/asking-for-money_banner.jpg
  • 27. Sailing MCN 201627 Diagram Source: http://lrsailingcenter.com/wp-content/uploads/2013/02/upwind.jpg “The pessimist complains about the wind, the optimist expects it to change, the realist adjusts the sails” - William Arthur Ward Image Source: http://www.ettridgewindturbine.com/sailboat_with_spinnaker_1.JPG Running (with the wind) Tacking (“against” the wind) Image Source: http://www.bibliotecapleyades.net/imagenes_ciencia2/conscioussociopol193_01.jpg
  • 29. Art + Technology Lab MCN 201629
  • 30.
  • 31.
  • 32.
  • 33. Art + Tech Lab today lacma.org/lab
  • 34.
  • 36.
  • 37.
  • 38.
  • 39.
  • 40.
  • 41. Sponsors as Advisors John Craig Freeman working with DAQURI Contribution to program funding + in-kind support of artist projects
  • 42. WHAT DOES THIS MEAN FOR YOU? MCN 201642
  • 43. CLEVELAND MUSEUM OF ART How Integrating Digital/Technology into the Museum-Wide Strategic Plan Changes Funding MCN 201643
  • 44. Aligning with Other Departments • Part of the Executive Team • Establishing that Tech/Digital innovation is dynamic and ever- changing • Development person assigned to each department • Lead the cross-collaborative Steering Committee MCN 201644
  • 45. Relationship with Your Development Team • Assigned, dedicated Development Officer • Translate “tech talk” into donor interests • Potential donors • Advocating for Tech/Digital next to Curatorial, Education, Interpretation, Exhibitions MCN 201645
  • 46. Funding Goals and Creating a Funding Menu • Outlines technology priorities and projects • Support is not just for public-facing innovation: also back-end projects, e- commerce, business, website, applications, interactives • Always being revised, shared with Development Officer and the board • Seek funders to endow positions (chairs) MCN 201646
  • 47. Relationship with the Board • The board understands their role • Board member on the Advisory Committee • Advisory Committee for technology: good or bad? • Galvanizing board members with an interest in technology • Value of a board member for advocacy and expertise in tech MCN 201647
  • 48. Collaborating with Other Museums • Stop recreating the wheel • Spreading costs by creating and sharing with each other • Increase visitor understanding of public-facing technology across different museums MCN 201648
  • 53. Wish List MCN 201653 Image Source: http://sparkexperience.com/wp-content/uploads/2015/06/wishlist-notepad.jpg
  • 54. Wish List, part two ● Clear path from funded to operational ● Shiny may not be important ● Strong collaboration, please MCN 201654 Source: https://d13yacurqjgara.cloudfront.net/users/53712/screenshots/964040/untitled-1.gif
  • 55. Takeaways MCN 201655 1. Plan for rapid change 2. Alignment a. Org strategy b. Funders c. Internal team 3. Path from funded to operational 4. Create a funding menu 5. Seek endowment 6. Collaborate with other institutions 7. Focus on outcomes/impact not the shiny object