17. Nude Descending a Staircase, No. 2 (1912), by French artist Marcel Duchamp synthesis of two modern-art styles: cubism and futurism. In creating this painting, he may have been influenced by Eadweard Muybridge’s experiments with movement. When it was shown in the famous 1913 Armory Show in New York, the painting created a sensation because it was considered too radical.
20. LA NOVIA PUESTA AL DESNUDO POR SUS SOLTEROS, AUN… 1915 – 1923 (FILADELFIA, MUSEO DE ARTE) 2.77 X 1.75 CMS ENTRE 2 PLACAS DE CRISTAL (EL GRAN VIDRIO)
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29. In Berlin during the 1890s he executed a series of pictures called The Frieze of Life, described by himself as 'a poem of life, love and death'. The Scream from this series - with its strong expression of conflict and tension - has become the very symbol of the alienation of modern man.
52. LA ESPOSA DEL VIENTO 1914 181 X 220 BASILEA KUNST MUSEUM
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59. MARX ERNST (1891-1976 ) The Kiss (Le Baiser), 1927. Oil on canvas, 129 x 161.2 cm. Peggy Guggenheim Collection.
60. The Hat Makes the Man . 1920. Gouache, pencil, ink, and cut-and-pasted collotypes, (35.6 x 45.7 cm). MOMA "seed-covered stacked-up man seedless waterformer (‘edelformer') well-fitting nervous system also tightly fitted nerves! (the hat makes the man) (style is the tailor),"
61. Napoleon in the Wilderness . (1941) Oil on canvas, 18 1/4 x 15" (46.3 x 38.1 cm) The Museum of Modern Art, New York.
62. JOAN MIRO (1893-1983) Personage Throwing a Stone at a Bird
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