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Exploring the Use of Templates in
 Creative and Academic Writing
              Dr. Gerald Graff
        Dr. Cathy Birkenstein Graff
               Cecilia Pinto
              Eileen Murphy
The Problem
• Students need to understand and express complex ideas.

• Students from English Language Learners (ELLs) to Academic
  Language Learners (ALLs,) are often unnecessarily bewildered
  by academic literacy.

• Current methods to address this bewilderment are often
  inadequate.
Templates as Tools
• Students need to understand and express complex ideas.
   Templates help students read and write more powerfully.

• Students from English Language Learners (ELLs) to Academic
  Language Learners (ALLs,) are often unnecessarily bewildered
  by academic literacy.

• Current methods to address this bewilderment are often
  inadequate.
Templates as Tools
• Students need to understand and express complex ideas.
   Templates help students read and write more powerfully.

• Students from English Language Learners (ELLs) to Academic
  Language Learners (ALLs,) are often unnecessarily bewildered
  by academic literacy.
      Templates help demystify texts and text structures.

• Current methods to address this bewilderment are often
  inadequate.
Templates as Tools
• Students need to understand and express complex ideas.
   Templates help students read and write more powerfully.

• Students from English Language Learners (ELLs) to Academic
  Language Learners (ALLs,) are often unnecessarily bewildered
  by academic literacy.
      Templates help demystify texts and text structures.

• Current methods to address this bewilderment are often
  inadequate.
     Templates help teachers provide the scaffolding students
          need to understand and express complexities.
The Panelists
•   Dr. Gerald Graff
•   Dr. Cathy Birkenstein Graff
•   Cecilia Pinto
•   Eileen Murphy
Reading the Past, Writing the Future
Although fierce debates have raged over
____templates that promote formulaic
writing_, the opponents all share a
commitment to templates which are
inherent to creativity and critical thinking
that they may not recognize.


               3 Artifacts
Classical and Renaissance Imitation
• “collections of
  commonplaces, figures, proverbs, and all the
  rest served as a source of approved material
  which could be inserted directly or altered to
  fit individual needs.“
Abbott, Don Paul. "Rhetoric and Writing in the Renaissance." A Short History of Writing
   Instruction: from Ancient Greece to Modern America. Ed. James J. Murphy. Mahwah, NJ:
   Hermagoras, 2001. 160. Print.
Arguments, History, and Literary
             Templates
• “Dictators ride to and fro upon tigers from which
  they dare not dismount.’”
                                –Churchill
• “Those who foolishly sought power by riding the
  back of the tiger ended up inside.”
                                —Kennedy
McKay’s Sonnet and Churchill
“If We Must Die” by Claude McKay

If we must die—let it not be like hogs
Hunted and penned in an inglorious spot,
While round us bark the mad and hungry dogs,
Making their mock at our accursed lot.
If we must die—oh, let us nobly die,
So that our precious blood may not be shed
In vain; then even the monsters we defy
Shall be constrained to honor us though dead!
Oh, Kinsmen! We must meet the common foe;
Though far outnumbered, let us show us brave,
And for their thousand blows deal one deathblow!
What though before us lies the open grave?
Like men we'll face the murderous, cowardly pack,
Pressed to the wall, dying, but fighting back!
Return to Old School?: Of Course Not

“Write the murder scene. When you have
written it, turn to Oliver Twist, Chapter
47, and see where and why Dickens’ account
is more thrilling than yours” (6)

    --Primer of Literary Criticism (1924)
Used Well, Templates Can Be An
             Excellent Tool
Demystifying Genres across Disciplines

English Language Learners (ELLs)

Academic Language Learners (ALLs)

Building student resources for responding to rigorous
  reading and writing tasks in CCSS
CCSS Not All New

“Discuss the ways in which O’Brien uses a
particular character, image, or storytelling
technique in The Things They Carried in order
to comment on the nature of storytelling.”
         --Murphy’s A. P. English Assignment
Elements in Claims for Describing Text
• Choice-maker-Who (Author, Speaker)
• Element-What (Detail, Character, Image, etc.)
• Choice-How (How the element is manipulated by the
  author)
• Verbs for Describing Text
• Interpreted Meanings-Why/So What (Ideas and
  Themes Readers Construct)
Describing Text Template
“_______ , the author of _______ uses _____________
(choice-maker)           (title)    (literary element)

to show (or another verb) _______________.”
                  (Interpreted meaning)
Where My Template Went Terribly
           Wrong
“I’m confused…is that what you asked for?

Toni Morrison uses dialogue, characterization
and internal conflict in the context of Beloved
to explore the differences between men and
women.
               -sara”
Training Wheels for Complexity:
       Student Writing as Data

“In The Things They Carried actions aren’t taken for the sake
of actions, but for the sake of anticipated reactions. Using the
character Tim O’Brien, O’Brien shows how reality-changing
decisions are executed based almost exclusively on fiction. In
“On the Rainy River” he demonstrates the mind’s fabrication
of an audience on which to test out potential courses of
action; this audience’s reaction takes priority to staying true to
oneself. “
                     --Kristen G.
Templates: Old Practices Rendered
                New
• Exploring templates and “the moves” in
  mentor texts (Literary and Discipline-Specific
  /Informational texts)

• Practice expressing complex ideas aloud and
  informally (imaginative and academic claims)
Scaffolding Accountable Discourse:
              Think-Aloud
“Read and discuss imagery in small groups.”

  --“This makes me picture …”
      (Visualizing Imagery)

  --“I imagine the speaker’s voice sounding
  like…”
       (Exploring Tone)
Scaffolding Accountable Discourse:
         Workshop Templates
“Peer Workshop your paper/poems”

    Writing or speaking about each other’s
    work as authors instills the habit of
    thinking about author’s purpose and
    author’s craft, of seeing readings as
    writings.
“Approved Sources?” Not in the 21st
            Century!
We will not impart most of the most
important knowledge our students will gain in
this century; therefore, it is imperative to
equip them to be both critical consumers of
text and skillful communicators.
Connecting the Past to Our Future
• Instilling desire and skill to communicate
  powerfully in our democracy is the core of our
  common work.
The Special Place of Argument in the Standards
From Common Core State Standards for English Language Arts & Literacy in
   History/Social Studies, Science, and Technical Subjects
Appendix A: Research Supporting Key Elements of the Standards

• …the Standards put particular emphasis on students’ ability to write
  sound arguments on substantive topics and issues, as this ability is
  critical to college and career readiness. English and education professor
  Gerald Graff (2003) writes that “argument literacy” is fundamental to
  being educated. The university is largely an “argument culture,” Graff
  contends….He claims that because argument is not standard in most
  school curricula, only 20 percent of those who enter college are prepared
  in this respect….When teachers ask students to consider two or more
  perspectives on a topic or issue, something far beyond surface
  knowledge is required: students must think critically and deeply, assess
  the validity of their own thinking, and anticipate counterclaims in
  opposition to their own assertions.
In recent discussions of___________, a controversial issue has been

whether _____________. On the one hand, some argue that____________.

From this perspective,____________________. On the other

hand, however, others argue that________________. In the words of one of this

view’s main proponents, “______________________.” According to this

view,_________.

In sum, then, the issue is whether____________or_____________________.

   My own view is that______________________. Though I concede

that_____________, I still maintain that_________________. For

example,_________________________. Though some might object that__

_________________________________, I reply that______________. The issue is

important because___________________________________.
Debate Templates
1. Although it is often said________, I argue ____________________. [DISAGREE]

2. X argues __________________, and I agree because _______________. [AGREE]

3. On the surface, this text suggests _________. But a closer analysis shows _____.
                                     [COUNTERINTERPRETATION]

4. I used to think that _____. Having read___, however, I now see ____________.
                               *I WAS LOST BUT NOW I’M FOUND+

5. X argues ____, and I have mixed feelings about it. On the one hand, ____. On
  the other hand, ____.                        *I’M OF TWO MINDS+

6. X can’t have it both ways. At the same time she says _____, she also says_____.
                                     [CONTRADICTION SPOTTER]

7. Researchers have long wondered why____. My research suggests an explanation,
  namely, that _____.                      [PROBLEM SOLVING]
Debate Templates Continued
8. Debates over ___ have long obscured the far more important issue of _____.
                                     [DISPLACE THE DEBATE]

9. Seemingly esoteric theory X actually sheds light on the practical matter of _____.
                    *IT’S CLEARER/MORE RELEVANT THAN YOU THINK+

10. Although fierce debates have raged over _____, the opponents all share a
  commitment to ____that they may not recognize.           [OPPOSITES CONVERGE]

11. Until now I’ve been suggesting/it’s been believed that ____. But it’s more
  complicated. For one thing, _____. For another, ____. And complicating
  matters even further, _____.                    *IT’S MORE COMPLEX+

12. Of course it might be objected that _____. And I concede that ___________.
  Nevertheless, I would still maintain that _____.             [NAYSAYER]

13. We all agree nowadays that___________________. Where the agreement ends,
  however, is on_________              [WHERE CONTROVERSY BEGINS]
Questions
Exploring the Use of Creative and Academic Writing
Exploring the Use of Creative and Academic Writing
Exploring the Use of Creative and Academic Writing
Exploring the Use of Creative and Academic Writing
Exploring the Use of Creative and Academic Writing
Exploring the Use of Creative and Academic Writing
Exploring the Use of Creative and Academic Writing
Exploring the Use of Creative and Academic Writing

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Exploring the Use of Creative and Academic Writing

  • 1. Exploring the Use of Templates in Creative and Academic Writing Dr. Gerald Graff Dr. Cathy Birkenstein Graff Cecilia Pinto Eileen Murphy
  • 2. The Problem • Students need to understand and express complex ideas. • Students from English Language Learners (ELLs) to Academic Language Learners (ALLs,) are often unnecessarily bewildered by academic literacy. • Current methods to address this bewilderment are often inadequate.
  • 3. Templates as Tools • Students need to understand and express complex ideas. Templates help students read and write more powerfully. • Students from English Language Learners (ELLs) to Academic Language Learners (ALLs,) are often unnecessarily bewildered by academic literacy. • Current methods to address this bewilderment are often inadequate.
  • 4. Templates as Tools • Students need to understand and express complex ideas. Templates help students read and write more powerfully. • Students from English Language Learners (ELLs) to Academic Language Learners (ALLs,) are often unnecessarily bewildered by academic literacy. Templates help demystify texts and text structures. • Current methods to address this bewilderment are often inadequate.
  • 5. Templates as Tools • Students need to understand and express complex ideas. Templates help students read and write more powerfully. • Students from English Language Learners (ELLs) to Academic Language Learners (ALLs,) are often unnecessarily bewildered by academic literacy. Templates help demystify texts and text structures. • Current methods to address this bewilderment are often inadequate. Templates help teachers provide the scaffolding students need to understand and express complexities.
  • 6. The Panelists • Dr. Gerald Graff • Dr. Cathy Birkenstein Graff • Cecilia Pinto • Eileen Murphy
  • 7. Reading the Past, Writing the Future Although fierce debates have raged over ____templates that promote formulaic writing_, the opponents all share a commitment to templates which are inherent to creativity and critical thinking that they may not recognize. 3 Artifacts
  • 8. Classical and Renaissance Imitation • “collections of commonplaces, figures, proverbs, and all the rest served as a source of approved material which could be inserted directly or altered to fit individual needs.“ Abbott, Don Paul. "Rhetoric and Writing in the Renaissance." A Short History of Writing Instruction: from Ancient Greece to Modern America. Ed. James J. Murphy. Mahwah, NJ: Hermagoras, 2001. 160. Print.
  • 9. Arguments, History, and Literary Templates • “Dictators ride to and fro upon tigers from which they dare not dismount.’” –Churchill • “Those who foolishly sought power by riding the back of the tiger ended up inside.” —Kennedy
  • 10. McKay’s Sonnet and Churchill “If We Must Die” by Claude McKay If we must die—let it not be like hogs Hunted and penned in an inglorious spot, While round us bark the mad and hungry dogs, Making their mock at our accursed lot. If we must die—oh, let us nobly die, So that our precious blood may not be shed In vain; then even the monsters we defy Shall be constrained to honor us though dead! Oh, Kinsmen! We must meet the common foe; Though far outnumbered, let us show us brave, And for their thousand blows deal one deathblow! What though before us lies the open grave? Like men we'll face the murderous, cowardly pack, Pressed to the wall, dying, but fighting back!
  • 11. Return to Old School?: Of Course Not “Write the murder scene. When you have written it, turn to Oliver Twist, Chapter 47, and see where and why Dickens’ account is more thrilling than yours” (6) --Primer of Literary Criticism (1924)
  • 12. Used Well, Templates Can Be An Excellent Tool Demystifying Genres across Disciplines English Language Learners (ELLs) Academic Language Learners (ALLs) Building student resources for responding to rigorous reading and writing tasks in CCSS
  • 13. CCSS Not All New “Discuss the ways in which O’Brien uses a particular character, image, or storytelling technique in The Things They Carried in order to comment on the nature of storytelling.” --Murphy’s A. P. English Assignment
  • 14. Elements in Claims for Describing Text • Choice-maker-Who (Author, Speaker) • Element-What (Detail, Character, Image, etc.) • Choice-How (How the element is manipulated by the author) • Verbs for Describing Text • Interpreted Meanings-Why/So What (Ideas and Themes Readers Construct)
  • 15. Describing Text Template “_______ , the author of _______ uses _____________ (choice-maker) (title) (literary element) to show (or another verb) _______________.” (Interpreted meaning)
  • 16. Where My Template Went Terribly Wrong “I’m confused…is that what you asked for? Toni Morrison uses dialogue, characterization and internal conflict in the context of Beloved to explore the differences between men and women. -sara”
  • 17. Training Wheels for Complexity: Student Writing as Data “In The Things They Carried actions aren’t taken for the sake of actions, but for the sake of anticipated reactions. Using the character Tim O’Brien, O’Brien shows how reality-changing decisions are executed based almost exclusively on fiction. In “On the Rainy River” he demonstrates the mind’s fabrication of an audience on which to test out potential courses of action; this audience’s reaction takes priority to staying true to oneself. “ --Kristen G.
  • 18. Templates: Old Practices Rendered New • Exploring templates and “the moves” in mentor texts (Literary and Discipline-Specific /Informational texts) • Practice expressing complex ideas aloud and informally (imaginative and academic claims)
  • 19. Scaffolding Accountable Discourse: Think-Aloud “Read and discuss imagery in small groups.” --“This makes me picture …” (Visualizing Imagery) --“I imagine the speaker’s voice sounding like…” (Exploring Tone)
  • 20. Scaffolding Accountable Discourse: Workshop Templates “Peer Workshop your paper/poems” Writing or speaking about each other’s work as authors instills the habit of thinking about author’s purpose and author’s craft, of seeing readings as writings.
  • 21. “Approved Sources?” Not in the 21st Century! We will not impart most of the most important knowledge our students will gain in this century; therefore, it is imperative to equip them to be both critical consumers of text and skillful communicators.
  • 22. Connecting the Past to Our Future • Instilling desire and skill to communicate powerfully in our democracy is the core of our common work.
  • 23. The Special Place of Argument in the Standards From Common Core State Standards for English Language Arts & Literacy in History/Social Studies, Science, and Technical Subjects Appendix A: Research Supporting Key Elements of the Standards • …the Standards put particular emphasis on students’ ability to write sound arguments on substantive topics and issues, as this ability is critical to college and career readiness. English and education professor Gerald Graff (2003) writes that “argument literacy” is fundamental to being educated. The university is largely an “argument culture,” Graff contends….He claims that because argument is not standard in most school curricula, only 20 percent of those who enter college are prepared in this respect….When teachers ask students to consider two or more perspectives on a topic or issue, something far beyond surface knowledge is required: students must think critically and deeply, assess the validity of their own thinking, and anticipate counterclaims in opposition to their own assertions.
  • 24. In recent discussions of___________, a controversial issue has been whether _____________. On the one hand, some argue that____________. From this perspective,____________________. On the other hand, however, others argue that________________. In the words of one of this view’s main proponents, “______________________.” According to this view,_________. In sum, then, the issue is whether____________or_____________________. My own view is that______________________. Though I concede that_____________, I still maintain that_________________. For example,_________________________. Though some might object that__ _________________________________, I reply that______________. The issue is important because___________________________________.
  • 25. Debate Templates 1. Although it is often said________, I argue ____________________. [DISAGREE] 2. X argues __________________, and I agree because _______________. [AGREE] 3. On the surface, this text suggests _________. But a closer analysis shows _____. [COUNTERINTERPRETATION] 4. I used to think that _____. Having read___, however, I now see ____________. *I WAS LOST BUT NOW I’M FOUND+ 5. X argues ____, and I have mixed feelings about it. On the one hand, ____. On the other hand, ____. *I’M OF TWO MINDS+ 6. X can’t have it both ways. At the same time she says _____, she also says_____. [CONTRADICTION SPOTTER] 7. Researchers have long wondered why____. My research suggests an explanation, namely, that _____. [PROBLEM SOLVING]
  • 26. Debate Templates Continued 8. Debates over ___ have long obscured the far more important issue of _____. [DISPLACE THE DEBATE] 9. Seemingly esoteric theory X actually sheds light on the practical matter of _____. *IT’S CLEARER/MORE RELEVANT THAN YOU THINK+ 10. Although fierce debates have raged over _____, the opponents all share a commitment to ____that they may not recognize. [OPPOSITES CONVERGE] 11. Until now I’ve been suggesting/it’s been believed that ____. But it’s more complicated. For one thing, _____. For another, ____. And complicating matters even further, _____. *IT’S MORE COMPLEX+ 12. Of course it might be objected that _____. And I concede that ___________. Nevertheless, I would still maintain that _____. [NAYSAYER] 13. We all agree nowadays that___________________. Where the agreement ends, however, is on_________ [WHERE CONTROVERSY BEGINS]

Notas do Editor

  1. This needs wordsmithing
  2. This needs wordsmithing
  3. This needs wordsmithing
  4. This needs wordsmithing
  5. Bios
  6. We see the templates of ancient proverbs in the on-going conversations of history.Here are samples of two students of the twentieth century.
  7. Claude McKay, another 20th century student who used a literary template to make an argument.Wrote during the Harlem Renaissance adopts a sonnet template to comment upon racial violence in 1919. In a time when many of his peers were experimenting with modern forms that employed everyday speech patterns, McKay chose to employ a template from the European tradition. Churchill then recited McKay’s in his appeal to Americans in his We Shall Fight on the Beaches speech.Even though large tracts of Europe and many old and famous States have fallen or may fall into the grip of the Gestapo and all the odious apparatus of Nazi rule, we shall not flag or fail. We shall go on to the end. We shall fight in France, we shall fight on the seas and oceans, we shall fight with growing confidence and growing strength in the air, we shall defend our island, whatever the cost may be. We shall fight on the beaches, we shall fight on the landing grounds, we shall fight in the fields and in the streets, we shall fight in the hills; we shall never surrender, and if, which I do not for a moment believe, this island or a large part of it were subjugated and starving, then our Empire beyond the seas, armed and guarded by the British Fleet, would carry on the struggle, until, in God's good time, the new world, with all its power and might, steps forth to the rescue and the liberation of the old.http://en.wikipedia.org/wiki/We_shall_fight_on_the_beaches
  8. This is an actual student exercise from a textbook used by students in Kerry, County Ireland in the 1920s. Kerry was renowned for its education system. My father-in-law, a graduate of it, could recite large tracts of classic literature into his 90’s. His critical literacy instruction involved both recitation and imitation. Later chapters of this book had students comparing “appreciations” of literature, looking for features of the texts that made them more or less effective.
  9. We will not impart most of the most important knowledge our students will gain in this century, so we have to equip them to be critical both and skillful communicators.
  10. Let’s exploit connections to increase engagementLet CCSS warts and all be an occasion to revisit
  11. Graffs and Pinto, can you give me some talking points here?