O SlideShare utiliza cookies para otimizar a funcionalidade e o desempenho do site, assim como para apresentar publicidade mais relevante aos nossos usuários. Se você continuar a navegar o site, você aceita o uso de cookies. Leia nosso Contrato do Usuário e nossa Política de Privacidade.
O SlideShare utiliza cookies para otimizar a funcionalidade e o desempenho do site, assim como para apresentar publicidade mais relevante aos nossos usuários. Se você continuar a utilizar o site, você aceita o uso de cookies. Leia nossa Política de Privacidade e nosso Contrato do Usuário para obter mais detalhes.
This is Phillipe Halsman’s Dali Atomicus. What do you see?
It took 28 tries to get this photograph ‘right’. You can see that the water is indeed thrown. It is not ‘fake water’.
No cats or surrealists were harmed during the making of this photograph. But please, be kind to your pets.
This is your task. But what is Magical Realism?
The term was first coined by art critic Franz Koh to refer to post-expressionist artwork that had an ‘inner magic’ - work that suggested there was more to it than meets the eye. “Christina’s World” by Andrew Wyeth is now considered a classic of Magic Realism.
Now however, Magic Realism is understood to suggest work in which the real world comes into contact with something that is supernatural or unbelievable.
This idea of something magic or supernatural coming into contact with the real world might be something that you’ve also seen in the movies.
But not to be confused with surrealism which implies something that is dreamlike and fully beyond our conscious reality.
How can we apply this idea to fast speed photography?
Using high speed photography, we are able to witness people and/or objects caught in mid air in a moment that goes by too fast to be captured by the naked eye. How can you use this technique to create a scene of magical realism in your community?
If it was good enough for Halsman and Dali, its good enough for you!
F L O A T
* PLEASE DO NOT
365/231 All rights reserved by ouzter
Kawoosh All rights reserved by froodmat
Much Love All rights reserved by pete (aka Amanda)
::Water:: All rights reserved by Jeremy Snell
Dust All rights reserved by Unjin Lee & Tom Edwards
A Bird in Hand Can Be a Challenge
All rights reserved by Picaday
Christina’s World by Andrew Wyeth
Finch by Easo Andrews