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Designing Field Kits for Web Video

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Designing Field Kits for Web Video

  1. 1. WEB VIDEO
 FIELD KITS
  2. 2. • Review deliverable requirements • Explore possible field kit builds • Discuss future of web video AGENDA
  3. 3. • Have you produced web video? • What was your role? • What equipment have you used? • What were your issues? CONNECT
  4. 4. B “Pick up a camera. Shoot something. No matter how small, no matter how cheesy, no matter whether your friends and your sister star in it. Put your name on it as director. Now you’re a director. Everything after that you’re just negotiating your budget and your fee.” – James Cameron
  5. 5. DELIVERABLES
  6. 6. • 4:3 - Old Standard • 16:9 - New Standard • 2.35:1 - Anamorphic (Cinema) ASPECT RATIO
  7. 7. CODEC ACQUISITON & EDIT • Broadcast & Film – ProRes & DNxHD • Web – ProRes, DNxHD – H.264, H.265, VP8 DISTRIBUTION • Broadcast = Varies • Film = DCP • Web • H.264, VP9 – H.265/HVEC (emerging)
  8. 8. RESOLUTION ACQUISITON • 1080p = Old Standard • 4K = New Standard • 8K = Bleeding Edge DISTRIBUTION • 720p = Old Standard • 1080p = New Standard • 4K = Bleeding Edge
  9. 9. WHY 4K WEB? • Flexiblility in Post –Push in for tight shots –Multiple ISO “cameras” • Deliver in 1080p
  10. 10. THE BASICS
  11. 11. • Microphone(s) • Boom & Body • Head Phones • Recording Device SOUND
  12. 12. SOUND Why Sound Before Picture? As good as human vision is, our hearing is more important. People will forgive bad video before they forgive bad sound.
  13. 13. • Camera • Lighting • Support • Camera, Lights & Sound PICTURE
  14. 14. DRIVERS Function Aesthetic Cost vs. Value Future Proof Flexibility Portability Reliability Ease Of Use
  15. 15. THE KIT
  16. 16. AUDIO Zoom H4N & R16 Recorders • On-board microphones • Standard XLR inputs • Records to standard SD cards
  17. 17. AUDIO Alternative Recorders • Tascam DR-05 & DR-60 • Edirol R-09 & R-44 • Sound Devices 633 & 788T
  18. 18. AUDIO Microphones • Boom = Rode NTG2 • Body = Audio-Technica AT803B • Good Alternatives Abound
  19. 19. AUDIO Other Audio Gear • XLR Cables = Mogami • 10ft (2), 25ft (2), 50ft (2) • Headphones (Closed Ear Monitors)
  20. 20. CAMERA Panasonic GH4 • Interchangeable Lenses • Small Form Factor • 4K H.264 in Camera
  21. 21. CAMERA Alternative Cameras • BlackMagic Production 4K • Sony A7S (4K) • Canon 5DM3 or 7DM2 (no 4K)
  22. 22. CAMERA Why No Fixed Lens/ENG Camera? • Flexible Framing/Reach • DoF = Production Value • More Accessible Spares
  23. 23. CAMERA Effective Focal Length (EFL) On crop sensor & M43 cameras, lenses do not directly translate to their 35mm equivalent
  24. 24. CAMERA Must-Have Lenses • 20-24mm EFL = Wide Shot • 35-50mm EFL = MCU • 70-200mm EFL = Tight/Reach
  25. 25. SUPPORT Stability & Safety • Camera = Sachtler Ace Tripod • Light & Sound = Matthews/Kupo • Sand Bags
  26. 26. LIGHTING Infinite Options • Understand 3-point lighting • Start with available light • Learn to improvise
  27. 27. • CF/SD Cards & Card Reader • Laptop • Hard Drives • DIT Software (Offload) DIT
  28. 28. MISC • Gaff Tape • C-47s (Clothespins) • Gloves • Flashlight • Multi-tool • Spare Batteries • Spare Cables • Stingers
  29. 29. • Teradek Vidiu (Pro) • Laptop + Wirecast • Matrox Monarch HD • Livestream Broadcaster Mini • LiveU LU Series STREAM
  30. 30. VARIANTS
  31. 31. B-ROLL Base Kit Plus • Macro Lens • Extreme WA Lens • Intervolameter (Time Lapse)
  32. 32. INTERVIEW Base Kit Plus • 1-2 additional cameras • 1-2 additional microphones • Teleprompter (Interrotron)
  33. 33. LIVE STREAM Base Kit Plus • 2-4 additional cameras & mics • Video Switcher & Audio Mixer • Streaming Encoder
  34. 34. NEXT LEVEL
  35. 35. THE FUTURE
  36. 36. B “The Only Thing Constant Is Change “ – Heraclitus
  37. 37. Political Events Sporting Events Corporate Keynotes Media Launches Our Work
  38. 38. Doug Daulton Creative Director & CSO doug@signalworx.com @dougdaulton signalworx.com @signalworx

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