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The Theory of Linear Structure
                Making Media, Chapter 9
Basic Unit: The Shot
Relationships Between Shots
1. Content Relationships

2. Formal Relationships

3. Order

4. Duration
1: Content Relationships
What each shot means:
  Plot events
  Character revelation
2: Formal Relationships
Compare or contrast in terms of movement, space,
 pace, tone, atmospherics or some other basic physical
 or visual quality.
Continuity Style/System
Early single-camera movie production
Parallel Action
Match Cut
Shot Size Sequencing
Deductive Reasoning

Inductive Reasoning
Deductive Reasoning
Wide Shot

Medium Shot

Close Up
Inductive Reasoning
Sequence of close ups that reveal the meaning of a
 scene
Continuity Techniques
Eyeline Match
Screen Direction
180 Degree Rule
The first shot in a scene establishes who is on which
 side of the frame; creates an axis or line

Shot, Reverse Shot
Montage
Juxtaposing many different images or sounds

can expand time, holding a moment and examine it
 from many angles, replaying it, slowing it down
Montage
can suggest a passage of time, jumping through many
 minutes or seasons of the years or event stages of life.

can create a feeling or portray a person place or event,
 through a cascade of images or sounds
Continuity & Montage
Most conventional films use both.

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