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Elated Presentation

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This is a powerpoint presentation that was developed to provide best practices for audio production in e-learning development.

Publicada em: Diversão e humor, Negócios
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Elated Presentation

  1. 1. Custom Audio for e-Learning eLated Presentation:
  2. 2. Sound Makes It Real
  3. 4. Sound adds dimension, increases reach, provides a personality.
  4. 5. Sound helps you stand out from your competition.
  5. 7. Sound brings e-learning to life
  6. 8. Audio helps engage the audience and increases accessibility
  7. 9. And…Audio can be the most affordable media
  8. 11. How can you get custom sound into your e-learning productions?
  9. 12. Bring e-learning content to life with custom audio. Voice Over
  10. 13. Bring e-learning content to life with custom audio. Voice Over <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul>
  11. 16. Bring e-learning content to life with custom audio. Voice Over Music <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul>
  12. 17. Bring e-learning content to life with custom audio. Voice Over Music <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul><ul><li>Custom music </li></ul><ul><li>Stock music </li></ul><ul><li>Good editing </li></ul>
  13. 19. Bring e-learning content to life with custom audio. Voice Over Music Sound Effects <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul><ul><li>Custom music </li></ul><ul><li>Stock music </li></ul><ul><li>Good editing </li></ul>
  14. 20. Bring e-learning content to life with custom audio. Voice Over Music Sound Effects <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul><ul><li>Custom music </li></ul><ul><li>Stock music </li></ul><ul><li>Good editing </li></ul><ul><li>Custom Foley </li></ul><ul><li>Stock effects </li></ul><ul><li>Good editing </li></ul>
  15. 23. Bring e-learning content to life with custom audio. Voice Over Music Sound Effects <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul><ul><li>Custom music </li></ul><ul><li>Stock music </li></ul><ul><li>Good editing </li></ul><ul><li>Custom Foley </li></ul><ul><li>Stock effects </li></ul><ul><li>Good editing </li></ul>Clearly define and understand the story structure.
  16. 24. Bring e-learning content to life with custom audio. Voice Over Music Sound Effects <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul><ul><li>Custom music </li></ul><ul><li>Stock music </li></ul><ul><li>Good editing </li></ul><ul><li>Custom Foley </li></ul><ul><li>Stock effects </li></ul><ul><li>Good editing </li></ul>Define a thematic personality and style for the production.
  17. 25. Bring e-learning content to life with custom audio. Voice Over Music Sound Effects <ul><li>Right voice </li></ul><ul><li>Great script </li></ul><ul><li>Great recording </li></ul><ul><li>Custom music </li></ul><ul><li>Stock music </li></ul><ul><li>Good editing </li></ul><ul><li>Custom Foley </li></ul><ul><li>Stock effects </li></ul><ul><li>Good editing </li></ul>Define a thematic personality and style for the production. Clearly define and understand the story structure.
  18. 26. Wine Dating Game: “the perfect storm”
  19. 27. Scripts
  20. 28. Script Tips <ul><li>The script will be read from a page by: actor, producer, engineer and client </li></ul><ul><li>Script should be perfect, approved and ready to go </li></ul><ul><li>“ Time is money” so don’t waste it with ill prepared scripts </li></ul><ul><li>Use Word or similar program suitable for printing, not excel </li></ul><ul><li>Provide voice over copy alone, not buried with other content </li></ul><ul><li>Legible type face 12 point or large, double line space, wide margins for notes </li></ul><ul><li>Number all lines and segments </li></ul><ul><li>Indicate file name to be used for each voice over segment </li></ul>
  21. 29. Talent & Contracting
  22. 31. Typical talent fees
  23. 32. Typical studio fees <ul><li>An hourly rate </li></ul><ul><ul><li>Fees based on a 12:1 ration </li></ul></ul><ul><ul><li>12 minutes production time for every minute final voice over </li></ul></ul><ul><ul><li>Production time = cast, record, edit, render and upload </li></ul></ul><ul><li>Flat fee option </li></ul><ul><ul><li>Distributes some risk for overage onto studio </li></ul></ul><ul><ul><li>Best for large scale projects or repeat clients </li></ul></ul>
  24. 33. Change Management
  25. 34. Change comes from the top End User Client Subject Matter Expert Management Developer Manager Audio Supplier Video Supplier Animation Supplier Copywriter Graphic Supplier Curriculum Designer Programmer
  26. 35. Intelligent change management <ul><li>There are five primary tools to manage change </li></ul><ul><ul><li>Good proposal </li></ul></ul><ul><ul><li>Development process and tools with clear roles and responsibility </li></ul></ul><ul><ul><li>Clear sign off accountability, milestones and documentation </li></ul></ul><ul><ul><li>Project management process </li></ul></ul><ul><ul><li>Distribution of risk </li></ul></ul><ul><ul><li>Automated process </li></ul></ul>
  27. 36. Working with and audio provider <ul><li>Get client sign off: on script, talent, tone, pace </li></ul><ul><li>Provide scripts in electronic format: Word </li></ul><ul><li>Maintain version control in script file names </li></ul><ul><li>Use revision tracking to highlight change within script </li></ul><ul><li>For large scale recordings. (multiple courses) </li></ul><ul><ul><li>Get client sign off right after each session </li></ul></ul><ul><li>For smaller scale recordings </li></ul><ul><ul><li>Have client listen in on session </li></ul></ul><ul><li>Have a pronunciation / language / culture specialist listen in on session </li></ul>
  28. 37. “ I want to teach… But I don’t want to read” -Jim Gaffigan
  29. 38. Questions?
  30. 39. Thank You

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