Social Spaces: Lessons from Radical Architects

SOCIAL SPACES ONLINE AND OFF <ul><li>Lessons from Radical Architects </li></ul>

B=f(P+E) - Lewin’s Equation B ehavior is a f unction of a P erson and his E nvironment You can’t control the person, but you can design the environment to change behavior

The New Third Place? <ul><li>“ All great societies provide informal meeting places, like the Forum in ancient Rome or a contemporary English pub. But since World War II, America has ceased doing so. The neighborhood tavern hasn't followed the middle class out to the suburbs...” -- Ray Oldenburg </li></ul>

A SHORT HISTORY OF ARCHITECTURE

Cave

Hut

Stone Age City

VITRUVIUS <ul><li>firmitas , utilitas , venustas : : durability, convenience, beauty </li></ul>

Durability “ Durability will be assured when foundations are carried down to the solid ground and materials wisely and liberally selected” Vitruvius

Frank Lloyd Wright’s Imperial Hotel, Japan, survived an earthquake The reflecting pool provided a source of water for fire-fighting; Cantilevered floors and balconies provided extra support for the floors; A copper roof, cannot fall on people below the way a tile roof can; Seismic separation joints, located about every 20 m along the building; Tapered walls, thicker on lower floors, increasing their strength; Suspended piping and wiring, instead of being encased in concrete, smooth curves, making them more resistant to fracture.

Technical Earthquakes Slow loading javascript fails on low bandwidth, and can cause users to accidently search for the label inside your search box. Is your site designed to be robust when things break (for example, filter out the label from the query. Or don’t place labels in fields; it reduces usage anyhow.) I’m searching for “my architect, not “movies, directors, actors”

Social Earthquakes If people post jobs in discussion areas, any user can move them to job board If people use connection invites to spam/market, they can be reported.

Prepare for <ul><li>Technical Tremors </li></ul><ul><li>Execution </li></ul><ul><li>Maintenance </li></ul><ul><li>Scale </li></ul><ul><li>Bandwidth </li></ul><ul><li>Social Faultlines </li></ul><ul><li>Innocents/Idiots </li></ul><ul><li>Trolls </li></ul><ul><li>Spammers </li></ul><ul><li>Criminals </li></ul>

Convenience <ul><li>“ When the arrangement of the apartments is faultless and presents no hindrance to use , and when each class of building is assigned to its suitable and appropriate exposure” Vitruvius </li></ul>Sound familiar? We’re talking usability!

“ Early in life I had to choose between honest arrogance and hypocritical humility. I chose honest arrogance and have seen no occasion to change.” Frank Lloyd Wright Usonian houses were beautiful, human scaled.. And didn’t have closet space. Should we choose beauty over usability sometimes?

Human Human The Facebook Inbox is chock full of annoying non-human mails, despite the fact they know who is human and who I am connected to. Not convenient.

Bilbao did not leak. I was so proud.

I call it the "Then What?" Okay, you solved all the problems, you did all the stuff, you made nice, you loved your clients, you loved the materials, you loved the city, you're a good guy, you're a good person... and then what? What do you bring to it? See his great TED talk http://www.ted.com/talks/frank_gehry_asks_then_what.html

Beauty (delight) “ when the appearance of the work is pleasing and in good taste, and when its members are in due proportion according to correct principles of symmetry.” Vitrvius

“ Less is more.” ~ Mies

SEAGRAM BUILDING (Philip Johnson did interiors, 1957) <ul><li>This logical and elegant 38-story skyscraper (525' H) has alternating horizontal bands of bronze plating and bronze-tinted glass and decorative bronze I-beams which emphasize its verticality. Placed to the rear of its site and set back from Park Avenue, it incorporates a large plaza in the front as part of the design--thus avoiding the need for set-backs. It uses granite pillars at the base and has a two-story glass-enclosed lobby. </li></ul>Seagram Building New York City 1957 Is this Beautiful?

“ Less is a bore.” ~ Venturi

Is this Beautiful?

Do we dictate what is beautiful by constraining user choice?

Or support passionate use that may not meet our aesthetic standards?

Beautiful Convenient Durable Beautiful Convenient Durable

THE LESSON THAT WASN’T <ul><li>Not everyone is as user-centered as Christopher Alexander </li></ul>

205 Structure Follows Social Spaces Conflict No building ever feels right to the people in it unless the physical spaces (defined by columns, walls, and ceilings) are congruent with the social spaces (defined by activities and human groups). Resolution A first principle of construction; on no account allow the engineering to dictate the building's form. Place the load bearing elements- the columns and the walls and floors- according to the social spaces of the building; never modify the social spaces to conform to the engineering structure of the building. Applies directly to Linkedin, Facebook, Mysapce, etc

36. Degrees of publicness Conflict: People are different, and the way they want to place their houses in a neighborhood is one of the most basic kinds of difference. Resolution: Make a clear distinction between three kinds of homes―those on quiet backwaters, those on busy streets, and those that are more or less in-between. Make sure that those on quiet backwaters are on twisting paths, and that these houses are themselves physically secluded; make sure that the more public houses are on busy streets with many people passing by all day long and that the houses themselves are exposed to the passers-by. The in-between houses may then be located on the paths halfway between the other two. Give every neighborhood about an equal number of these three kinds of homes. Applies directly to Linkedin, Facebook, Mysapce, etc

Most Architects are Artists <ul><li>Five Principles for a New Architecture: </li></ul><ul><li>Pilotis elevating the building. </li></ul><ul><li>Free plan </li></ul><ul><li>Free façade </li></ul><ul><li>Long horizontal windows </li></ul><ul><li>Roof garden </li></ul><ul><li>Le courbusier </li></ul>What do we do with that?

LESSONS <ul><li>Radical architects and their </li></ul>

Space You don’t design space, you design objects that then shape the nature of the space

Identity Activity Relationships Social Space Sign-up Invitations Distribution (Viral)

Humans don’t like empty spaces. Create starter objects – newsfeeds can be good.

Site Site

Julia Morgan <ul><li>First Bay Tradition </li></ul><ul><li>Natural material from site </li></ul><ul><li>Traditional Craft </li></ul><ul><li>Integrate in surrounds </li></ul><ul><li>Each building a unique work of art </li></ul>

Site=Context Facebook- Personal LinkedIN - Professional

Structure <ul><li>And if you think of Brick, for instance, and you say to Brick, "What do you want Brick?" And Brick says to you "I like an Arch." And if you say to Brick "Look, arches are expensive, and I can use a concrete lintel over you. What do you think of that?" "Brick?" Brick says: "... I like an Arch"” </li></ul>

Email this Structure of the social network sharing tools affects both reach and relevance. Email is work for user, so value tends to be higher. Consumer Broadcaster

Newsfeed, Network Updates Sharing with your symetrical network has lower relevance but greater reach Consumer Consumer Consumer Consumer Consumer Broadcaster

Groups, Asymmetric Follow Sharing with your asymetrical network is broadcasting; less relevant still but great reach spark

Servant and Served Spaces ‘ I do not like ducts; I do not like pipes. I hate them really thoroughly, but because I hate them so thoroughly, I feel they have to be given their place . If I just hated them and took no care, I think they would invade the building and completely destroy it.’ The Notebooks and Drawings of Louis I. Kahn , 1962

Services (settings, in this case) are separated from served)

Services intergraded with served is easier to comprehend and use

Centre Pompidou was designed with services revealed rather than hidden

Revealing things usually only available to employees, such as statistics can provide interest and beauty inherit to the product.

Views Hey, it’s the Arc de Triomphe! Corbu’s surrealist apartment obscured views, rather than framed them to create interest

Views into people’s lives

Views into the service before you sign up

Proportion <ul><li>The Key Word is: Proportion. … Relative size, not over-all size, is the factor in determining guidelines which will satisfactorily influence attractive appearance. </li></ul>

Ad out of proportion to content

Ads reflect same sizes and shapes used in design

Speed 25mph 5 mph 60mph Medieval architecture designed to be walked by, prairie houses to drive by slowly at suburban speeds, and the strip for freeway speeds

Speed 25mph 5 mph 60mph Consider speed of use in design; do not slow interface with details upon sign up, richer interface for where people linger and socialize

Movement Gehry designed a static building to feel like it’s moving, inspired by dance

Why are our compositions so static? How should the eye move through this?

Games provide hints to new compositions, metaphors for information spaces

Gehry has been inspired recently by fish. What would a website be if it was a fish?

Twistori’s live stream of data reveals and intrigues. Do you need actual movement to engage?

<ul><li>“ Modern Systems! Yes indeed! To approach everything in a strictly methodical manner and not to waver a hair’s breath from preconceived patterns, until genius has been strangled to death and joie de vivre stifled by the system– that is the sign of our time.” Camillo Sitte </li></ul>

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Social Spaces: Lessons from Radical Architects

Christina Wodtke

Social Spaces: Lessons from Radical Architects