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SSG Benjamin Simon
What Are Feature Stories?
•Feature stories are human-interest
articles that focus on particular people,
places and events.
•Feature stories are journalistic,
researched, descriptive, colorful,
thoughtful, reflective, thorough writing
about original ideas.
•Feature stories cover topics in depth,
going further than mere hard news
coverage by amplifying and explaining the
most interesting and important elements
of a situation or occurrence.
•Feature stories are popular content
elements of newspapers, magazines,
blogs, websites, newsletters, television
broadcasts and other mass media.
While journalists reporting late-breaking
hard news don't have enough
preparation time and copy length to
include much background and
description, writers of features have the
space and time to evoke imagery in their
stories and fill in details of the
circumstances and atmosphere.
•A feature story is not meant to report the latest
breaking news, but rather an in-depth look at a
subject.
•Feature articles range from the news feature that
provides sidebar background to a current event
hard news story, to a relatively timeless story that
has natural human interest.
•Features generally are longer than hard-news
articles because the feature penetrates deeper into
its subject, expanding on the details rather than
trying to concentrate on a few important key
points.
•In hard news stories, often referred to as
inverted pyramid style, the reporter makes the
point, sets the tone, and frames the issue in the
first paragraph or two.
•In a feature story, on the other hand, the writer
has the time and space to develop the theme,
but sometimes postpones the main point until
the end. The whole story does not have to be
encapsulated in the lead.
Typical Types of Features
There are many kinds of feature stories. Here are
some popular types:
•Human Interest: The best-known kind of feature
story is the human-interest story that discusses
issues through the experiences of another.
•Profiles: A very common type of feature is the
profile that reveals an individual's character and
lifestyle. The profile exposes different facets of
the subject so readers will feel they know the
person.
•How-To: These articles help people learn by
telling them how to do something. The writer
learns about the topic through education,
experience, research or interviews with experts.
•Historical Features: These features
commemorate important dates in history or
turning points in our social, political and cultural
development. They offer a useful juxtaposition of
then and now. Historical features take the reader
back to revisit an event and issues surrounding
it. A variation is the this date in history short
feature, which reminds people of significant
events on a particular date.
•Seasonal Themes: Stories about holidays and
the change of seasons address matters at
specific times of a year. For instance, they cover
life milestones, social, political and cultural
cycles and business cycles.
•Behind the Scenes: Inside views of unusual
occupations, issues and events give readers a
feeling of penetrating the inner circle or being a
mouse in a corner. Readers like feeling privy to
unusual details and well kept secrets about
procedures or activities they might not
ordinarily be exposed to or allowed to
participate in.
Non-Fiction Stories
•Feature stories are journalistic reports. They are
not opinion essays or editorials. They should not
be confused with creative writing or works of
fiction. The writer's opinions and attitudes are
not important to the story.
•The writer keeps herself or himself out of the
story.
•Writing in the third person helps maintain the
necessary distance.
Telling Stories
Hard news stories report very timely events
that have just occurred.
Feature stories, on the other hand, are soft
news because they are not as timely, not as
swiftly reported.
Feature writers have the extra time to
complete background research, interviews
and observation for their stories.
Suggestions for polishing feature writing skills
and developing an eye for feature story ideas:
•Feature stories give readers information in a
pleasing, entertaining format that highlights an
issue by describing the people, places, events
and ideas that shape it.
•Feature stories are really more like nonfiction
short stories than hard news stories.
•While there should a news peg for the
existence of a story at a particular time, the
immediacy of the event is secondary in a
feature story. In fact, sometimes there is no
immediate event.
•The power of a feature story lies in its ability to
amplify the focus on an issue through first-rate
story telling, irony, humor, human appeal,
atmosphere and colorful details.
•Features have a clear beginning, middle and
end and are longer than hard-news stories.
Gathering Data
Journalists use three tools to gather information
for stories:
Observation
Interview
Background Research
After completing these, the writer brings the
story to life through colorful description,
meaningful anecdotes and significant quotes.
These elements are obtained when
interviewing and observing by jotting down
everything encountered – smells, noises,
colors, textures, emotions, details seen and
heard in the surroundings.
The journalist keeps an open mind while
interviewing subjects and researching sources.
The writer avoids steering the story or imposing
personal ideas on the sources.
The writer avoids deciding on the theme of the
story until sufficient information has been
gathered to show a direction or point of view.
Story Format
The information in a feature is organized differently
from hard news stories. Sometimes a writer uses several
paragraphs of copy at the outset to engage the reader
before getting on with the main elements of the story.
After the title and opening paragraph grab a reader,
narrative hooks are used to persuade the reader to
continue reading. These hooks are attractive story
elements such as action, mystery, drama or appealing
characters intended to pull the reader forward through
the story. They are complex narratives that come to life
through colorful description, meaningful anecdotes and
significant quotes.
A writer can choose to tell the story out of order to
engage the reader's interest. A story could begin with a
dramatic moment and, once the reader is curious, the
story could flash back to the history needed to
understand it.
•A story-within-a-story could be used with a narrator in
the outer story telling the inner story to satisfy the
curiosity of readers.
•A storyline could alert readers that the story began in a
way that seemed ordinary, but they must follow it to
understand what happened eventually.
As with any news reporting, feature stories are
subject to the journalistic standards of
accuracy, fairness and precision. The quality of
a story is judged on its content, organization
and mechanics.
Features writers use The Associated Press
Stylebook for correct journalistic style.
How Long Are These Articles?
•They are as long as it takes to tell the story.
•Any medium might use a shorter or longer story than
usual, depending on its perceived value.
•Attention spans seem to grow ever shorter so brevity is
valued. More than ever, all writing today needs to be
clear and concise.
Illustrations
Every story is illustrated, usually with one or
more photographs, but the art can be
drawings, paintings, sketches, video or
machinima, colorful graphs and charts or other
creative expressions depending on the
medium for which the feature is packaged for
dissemination.
Is This Just For Print
Journalists?
As newspapers and other print media face
stiffer competition today from Internet news
media, more feature stories are published
because they can be more engaging to read.
Wire services, such as the Associated Press and
Reuters, which once distributed mostly hard
news, now send feature stories to members.
Public relations professionals frequently write
feature articles. For instance, a company
newsletter story profiling Soldiers or Airmen
voluntarily helping the local community could
benefit service members and their families as
well as providing positive visibility to local
civilians.
Reading an article on the Guardsman
down the street could prompt a
discussion about the Guard and create a
better understanding of the military.
How Do you Find
Feature Stories?
•Reading other publications
•Reading on-line blogs
•Reading other stories/news reports
•Listening to those around you
•Knowing your Soldiers/Airmen/Militia Members
•What others post on their Social Media pages
•Editor giving you an assignment
•Hometown News Release Forms
•In Simple Terms: Keeping your eyes and ears
open
Questions?

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UPAR 2017 04 What Makes a Good Story

  • 2. What Are Feature Stories? •Feature stories are human-interest articles that focus on particular people, places and events. •Feature stories are journalistic, researched, descriptive, colorful, thoughtful, reflective, thorough writing about original ideas.
  • 3. •Feature stories cover topics in depth, going further than mere hard news coverage by amplifying and explaining the most interesting and important elements of a situation or occurrence. •Feature stories are popular content elements of newspapers, magazines, blogs, websites, newsletters, television broadcasts and other mass media.
  • 4. While journalists reporting late-breaking hard news don't have enough preparation time and copy length to include much background and description, writers of features have the space and time to evoke imagery in their stories and fill in details of the circumstances and atmosphere.
  • 5. •A feature story is not meant to report the latest breaking news, but rather an in-depth look at a subject. •Feature articles range from the news feature that provides sidebar background to a current event hard news story, to a relatively timeless story that has natural human interest. •Features generally are longer than hard-news articles because the feature penetrates deeper into its subject, expanding on the details rather than trying to concentrate on a few important key points.
  • 6. •In hard news stories, often referred to as inverted pyramid style, the reporter makes the point, sets the tone, and frames the issue in the first paragraph or two. •In a feature story, on the other hand, the writer has the time and space to develop the theme, but sometimes postpones the main point until the end. The whole story does not have to be encapsulated in the lead.
  • 7. Typical Types of Features
  • 8. There are many kinds of feature stories. Here are some popular types: •Human Interest: The best-known kind of feature story is the human-interest story that discusses issues through the experiences of another. •Profiles: A very common type of feature is the profile that reveals an individual's character and lifestyle. The profile exposes different facets of the subject so readers will feel they know the person.
  • 9. •How-To: These articles help people learn by telling them how to do something. The writer learns about the topic through education, experience, research or interviews with experts. •Historical Features: These features commemorate important dates in history or turning points in our social, political and cultural development. They offer a useful juxtaposition of then and now. Historical features take the reader back to revisit an event and issues surrounding it. A variation is the this date in history short feature, which reminds people of significant events on a particular date.
  • 10. •Seasonal Themes: Stories about holidays and the change of seasons address matters at specific times of a year. For instance, they cover life milestones, social, political and cultural cycles and business cycles. •Behind the Scenes: Inside views of unusual occupations, issues and events give readers a feeling of penetrating the inner circle or being a mouse in a corner. Readers like feeling privy to unusual details and well kept secrets about procedures or activities they might not ordinarily be exposed to or allowed to participate in.
  • 12. •Feature stories are journalistic reports. They are not opinion essays or editorials. They should not be confused with creative writing or works of fiction. The writer's opinions and attitudes are not important to the story. •The writer keeps herself or himself out of the story. •Writing in the third person helps maintain the necessary distance.
  • 14. Hard news stories report very timely events that have just occurred. Feature stories, on the other hand, are soft news because they are not as timely, not as swiftly reported. Feature writers have the extra time to complete background research, interviews and observation for their stories.
  • 15. Suggestions for polishing feature writing skills and developing an eye for feature story ideas: •Feature stories give readers information in a pleasing, entertaining format that highlights an issue by describing the people, places, events and ideas that shape it. •Feature stories are really more like nonfiction short stories than hard news stories.
  • 16. •While there should a news peg for the existence of a story at a particular time, the immediacy of the event is secondary in a feature story. In fact, sometimes there is no immediate event. •The power of a feature story lies in its ability to amplify the focus on an issue through first-rate story telling, irony, humor, human appeal, atmosphere and colorful details. •Features have a clear beginning, middle and end and are longer than hard-news stories.
  • 18. Journalists use three tools to gather information for stories: Observation Interview Background Research
  • 19. After completing these, the writer brings the story to life through colorful description, meaningful anecdotes and significant quotes. These elements are obtained when interviewing and observing by jotting down everything encountered – smells, noises, colors, textures, emotions, details seen and heard in the surroundings.
  • 20. The journalist keeps an open mind while interviewing subjects and researching sources. The writer avoids steering the story or imposing personal ideas on the sources. The writer avoids deciding on the theme of the story until sufficient information has been gathered to show a direction or point of view.
  • 22. The information in a feature is organized differently from hard news stories. Sometimes a writer uses several paragraphs of copy at the outset to engage the reader before getting on with the main elements of the story. After the title and opening paragraph grab a reader, narrative hooks are used to persuade the reader to continue reading. These hooks are attractive story elements such as action, mystery, drama or appealing characters intended to pull the reader forward through the story. They are complex narratives that come to life through colorful description, meaningful anecdotes and significant quotes.
  • 23. A writer can choose to tell the story out of order to engage the reader's interest. A story could begin with a dramatic moment and, once the reader is curious, the story could flash back to the history needed to understand it. •A story-within-a-story could be used with a narrator in the outer story telling the inner story to satisfy the curiosity of readers. •A storyline could alert readers that the story began in a way that seemed ordinary, but they must follow it to understand what happened eventually.
  • 24. As with any news reporting, feature stories are subject to the journalistic standards of accuracy, fairness and precision. The quality of a story is judged on its content, organization and mechanics. Features writers use The Associated Press Stylebook for correct journalistic style.
  • 25. How Long Are These Articles?
  • 26. •They are as long as it takes to tell the story. •Any medium might use a shorter or longer story than usual, depending on its perceived value. •Attention spans seem to grow ever shorter so brevity is valued. More than ever, all writing today needs to be clear and concise.
  • 28. Every story is illustrated, usually with one or more photographs, but the art can be drawings, paintings, sketches, video or machinima, colorful graphs and charts or other creative expressions depending on the medium for which the feature is packaged for dissemination.
  • 29. Is This Just For Print Journalists?
  • 30. As newspapers and other print media face stiffer competition today from Internet news media, more feature stories are published because they can be more engaging to read. Wire services, such as the Associated Press and Reuters, which once distributed mostly hard news, now send feature stories to members.
  • 31. Public relations professionals frequently write feature articles. For instance, a company newsletter story profiling Soldiers or Airmen voluntarily helping the local community could benefit service members and their families as well as providing positive visibility to local civilians.
  • 32. Reading an article on the Guardsman down the street could prompt a discussion about the Guard and create a better understanding of the military.
  • 33. How Do you Find Feature Stories?
  • 34. •Reading other publications •Reading on-line blogs •Reading other stories/news reports •Listening to those around you •Knowing your Soldiers/Airmen/Militia Members •What others post on their Social Media pages •Editor giving you an assignment •Hometown News Release Forms •In Simple Terms: Keeping your eyes and ears open