9 Henri Cartier Bresson

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Cartier-Bresson was a pioneering French photojournalist and photographer known for developing street photography as an art form in the early 20th century. He helped popularize the style of candid, spontaneous photos capturing everyday life and "real" moments. His work emphasized composition and capturing the significance of an event in a fleeting moment, showing that even small human details and the everyday can be art.

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In all of art history, it’s a challenge to find a term or a genre name that is as deceptively simple as street photography – this subgenre of photo making proved to be one of the most adaptive and malleable techniques of the last two centuries. It can still be a valid picture of this kind if it’s taken in a public environment in which one captures shots of by passers and regular surroundings, hunting the exact moment in time when the ordinary becomes extraordinary.

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I am NOT a photographer. I am a Professor of Communication and visual communication or images forms a sub-text of my study. Like Mr. Bean who said : I sit in the corner and look at paintings. I look at photographs. What I like about photographs is that they capture a moment. You don't make a photograph just with a camera. You bring to the act of photography all the pictures you have seen, the books you have read, the music you have heard, the people you have loved.

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Art and Photography History of Photography C. Jabez Hughes � : photography into three classes •  1) Mechanical photography •  2) Art photography •  3) A photograph that can “instruct, purify and ennoble.” •  Depiction vs imagination •  Objective description vs moral uplift •  Entertainment vs. Education (textbook 3.6) Etienne Carjat, Charles Baudelaire, c. 1862. Woodburytype. Nadar (Gaspard-Félix Tournachon), Portrait of Charles Baudelaire, c. 1863. 3.7. Nadar, Panthéon Nadar, 1854. Lithographic print, George Eastman House, Rochester, New York. Nadar, “Revolving” Self-Portrait, c. 1865. Nadar, pseudonym of Gaspard-Félix Tournachon, (1820 - , 1910), French writer, caricaturist and photographer. -best known for his photographic portraits. Nadar, Paris from above in 1858. 3.9. Nadar, Theophilie Gautier, 1854-55. Albumen salted paper print, mounted on Bristol board, Musee d’Orsay, Paris. *Gautier: proponent of art for art’s sake and author of the novel about Parisian bohemian life, Mademoiselle de Maupin (1835) *the writer’s antagonism toward the bourgeois. *Nadar’s photographic studio became a fashionable intellectual salon. 3.10. Nadar, The Sewers of Paris, 1864-65. Modern print from a glass negative. Nadar, Catacombs, c. 1860. Nadar, Sarah Bernhardt, c. 1860. Nadar, Victor Hugo at Deathbed. 1885. Tableaux Vivants (living pictures) William Lake Price, An Interior, 1858. High Art Photography Tableux vivants 3.12. William Lake Price, Don Quixote in His Study. Early 1850s. Albumen print from a wet collodion negative. [Miguel de Cervante] Tableux vivants High Art Photography (textbook 3.13) Oscar Rejlander, The Two Ways of Life, 1857. Combination Albumin print. High Art Photography Raphael, School of Athens 1509-1511, Vatican City Thomas Couture, The Romans of Decadence, 1855. (see also your textbook for the scale of this painting, page 461. 13.31. Thomas Struth, Musee d’Orsay, Paris, 1989) 3.14. Henry Peach Robinson, Group with Recumbent Figure (Sketch with cut-out), 1860. Albumen print and pastel collage on paper. Gernsheim Collection. Henry Peach Robinson (1830 – 1901) Self-portrait, 1895. Henry Peach Robinson, When Day’s Work is Done, 1877. A combination print made from six different negatives. Henry Peach Robinson, Figures in Landscape, early 1890s, Combination albumen print 3.15. Henry Peach Robinson, Fading Away, 1858, Albumen composite print (Combination Print), Science Museum, London. •  Robinson, Henry Peach: “Pictorial Effect In Photography: Being Hints On Composition And Chiaroscuro For Photographers.” Piper & Carter, 1869 •  Robinson, Henry Peach: “The Elements of a Pictorial Photograph”. Lund, 1896. •  Video: combination printing darkroom techniques. Julia Margaret Cameron (1815 – 1879) Henry Hersschel Hay Cameron, Julia Margaret.

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