SlideShare uma empresa Scribd logo
1 de 2
Baixar para ler offline
Common-Places and Common-Non-Places:

   The Notion of “Place” and the Changing Topographies of Knowledge

                                 Dvořák, Tomáš (Charles University in Prague)

The doctrine of “places” is as ancient as the history of rhetoric and logic. The term “place” (topos, locus) generally
served in the tradition of rhetoric as a synonym for topic, thesis, passage, or oration. When it was formally defined
(for example by Aristotle in his Rhetoric), it designated a storehouse for ideas, a seat of argument – a heading, under
which one finds an argument – that can be used in a speech one is composing. Another, more implicit, meaning of
the term defines a commonplace as a “speech-within-a-speech.” It is a ready-made textual fragment, which can be
drawn from a repository of similar fragments and reused in a new oration (usually towards the end of it when the
subject of the speech was recapitulated and amplified to persuade the audience). As the usage of such
commonplaces diffused and expanded (rhetorical training was directed towards techniques of imitation, which
included the habit of making notes while reading: collecting words, phrases, metaphors, and passages from
speeches), they ceased to be seats of arguments and rather became a series of themes to be followed in the
expansion of any subject. Each part of the speech could be developed separately without regard to logical order
because its place was determined beforehand in a traditional series of topics.

For Aristotle, the places constituted a psychological area in which arguments were grouped according to their kind.
However, there was no uniform way of classifying and arranging them: they rather constituted a loose agglomerate
where different kinds of places overlapped and could be used for different cases under different circumstances. (The
only attempts at their systematization were made in the encyclopedic works of the Middle Ages and the
Renaissance, which were topically arranged and the order of their exposition was usually governed by some
overarching pattern, such as was the cosmological chain of being.) The structuring of commonplaces was rather
pragmatic and situational, governed by the “Art of Memory,” where things were recollected by being mentally
connected with successive real or imagined places.

In the Renaissance, first written and latter even printed commonplace books or copybooks became popular as
reservoirs of knowledge that constituted the basis of humanist learning. By the seventeenth century, however,
commonplace books became to merge with encyclopedias and other forms of compilations and the Enlightenment
encyclopedism took over as the dominant form of knowledge structuring. Commonplacing was still pursued but
became much more hidden, being considered a private, provisional, and preliminary practice. With the modern
notions of authorship and originality, use of similar techniques was considered inappropriate and disguised as a
practice of quotation and the notion of place itself was redefined: from Bacon on, the “places of proof” were
substituted by the “places of enquiry,” headings for receptacles never yet filled that would function as prompters to
research into the further questions which are raised by each new advance in knowledge.

In the 1920s, then, Walter Benjamin could provocatively state that “the book is already, as the present mode of
scholarly production demonstrates, an outdated mediation between two different filing systems” – the card index of
the writer and the card index of the reader. As if the books or articles, the finalized products of scholarly enterprise,
were in fact provisional vehicles for setting in motion a vast, underlying
reservoir of textual fragments, which, of course, can no longer be
mastered by a single mind. The “work” in this sense constitutes a non-
space, which is defined by Marc Augé as something “to be passed
through,” as something that can be quantified and measured (citation
index), as a space of transition and commerce. Although Augé’s analysis
comes from a very different field, it can be (including its anthropological
dimension) put well in use when dealing with the problem of the
structuring of knowledge. Not in the sense that an old doctrine of places is being replaced by one of non-places but
rather in the emphasis upon the interrelationship of both principles (“the first is never completely erased, the
second never totally completed”) and the changing tensions between them throughout history. The contemporary
virtual knowledge spaces can then be reconsidered in regard to the undercurrent of “places” and the practices of
their collecting and recollecting.

Mais conteúdo relacionado

Semelhante a Dvorak Common Places

Ewrt 1 c class 2 post qhq
Ewrt 1 c class 2 post qhq Ewrt 1 c class 2 post qhq
Ewrt 1 c class 2 post qhq jordanlachance
 
Take the quiz to discover what poem you have been assigned to discus.docx
Take the quiz to discover what poem you have been assigned to discus.docxTake the quiz to discover what poem you have been assigned to discus.docx
Take the quiz to discover what poem you have been assigned to discus.docxbriankimberly26463
 
Hartman 2004 Deconstructing the Reader
Hartman 2004 Deconstructing the ReaderHartman 2004 Deconstructing the Reader
Hartman 2004 Deconstructing the ReaderDouglas K. Hartman
 
Bunge - critica a dialectica
Bunge - critica a dialecticaBunge - critica a dialectica
Bunge - critica a dialecticaEmerson Salinas
 
Ansell pearson 2_pli_9
Ansell pearson 2_pli_9Ansell pearson 2_pli_9
Ansell pearson 2_pli_9Teresa Levy
 
Collapsing the borderline a deep semantic study of rilke’s “elegy ii”
Collapsing the borderline a deep semantic study of rilke’s “elegy ii”Collapsing the borderline a deep semantic study of rilke’s “elegy ii”
Collapsing the borderline a deep semantic study of rilke’s “elegy ii”Alexander Decker
 
Comparative study of structuralism & deconstruction
Comparative study of structuralism & deconstructionComparative study of structuralism & deconstruction
Comparative study of structuralism & deconstructionAmrita Sharma
 
Gerard genett structuralism and literary Criticism
Gerard genett structuralism and literary CriticismGerard genett structuralism and literary Criticism
Gerard genett structuralism and literary CriticismBaldaniya Vanita
 
The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...
The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...
The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...QUESTJOURNAL
 
The Unexamined God is Not Worth Worshipping
The Unexamined God is Not Worth WorshippingThe Unexamined God is Not Worth Worshipping
The Unexamined God is Not Worth WorshippingCorbin Nall
 
Cover letter for annotated biblio 410 nic grosjean
Cover letter for annotated biblio 410 nic grosjeanCover letter for annotated biblio 410 nic grosjean
Cover letter for annotated biblio 410 nic grosjeanNic Grosjean
 
1607023995-post-structuralism.ppt
1607023995-post-structuralism.ppt1607023995-post-structuralism.ppt
1607023995-post-structuralism.pptYasirAslam20
 
Poetics as system, by claudio guillen
Poetics as system, by claudio guillenPoetics as system, by claudio guillen
Poetics as system, by claudio guillenMariane Farias
 

Semelhante a Dvorak Common Places (20)

Revisioning Medieval Rhetoric
Revisioning Medieval RhetoricRevisioning Medieval Rhetoric
Revisioning Medieval Rhetoric
 
Ewrt 1 c class 2 post qhq
Ewrt 1 c class 2 post qhq Ewrt 1 c class 2 post qhq
Ewrt 1 c class 2 post qhq
 
Take the quiz to discover what poem you have been assigned to discus.docx
Take the quiz to discover what poem you have been assigned to discus.docxTake the quiz to discover what poem you have been assigned to discus.docx
Take the quiz to discover what poem you have been assigned to discus.docx
 
Hartman 2004 Deconstructing the Reader
Hartman 2004 Deconstructing the ReaderHartman 2004 Deconstructing the Reader
Hartman 2004 Deconstructing the Reader
 
Bunge - critica a dialectica
Bunge - critica a dialecticaBunge - critica a dialectica
Bunge - critica a dialectica
 
Ansell pearson 2_pli_9
Ansell pearson 2_pli_9Ansell pearson 2_pli_9
Ansell pearson 2_pli_9
 
Paper 7 assignment
Paper 7 assignmentPaper 7 assignment
Paper 7 assignment
 
Collapsing the borderline a deep semantic study of rilke’s “elegy ii”
Collapsing the borderline a deep semantic study of rilke’s “elegy ii”Collapsing the borderline a deep semantic study of rilke’s “elegy ii”
Collapsing the borderline a deep semantic study of rilke’s “elegy ii”
 
Comparative study of structuralism & deconstruction
Comparative study of structuralism & deconstructionComparative study of structuralism & deconstruction
Comparative study of structuralism & deconstruction
 
Paper 7
Paper 7 Paper 7
Paper 7
 
Gerard genett structuralism and literary Criticism
Gerard genett structuralism and literary CriticismGerard genett structuralism and literary Criticism
Gerard genett structuralism and literary Criticism
 
Noeth
NoethNoeth
Noeth
 
The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...
The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...
The Skepticism and the Dialectic as Instruments of Apprehension of Knowledge:...
 
Jonathan Culler on Literary Theory
Jonathan Culler on Literary TheoryJonathan Culler on Literary Theory
Jonathan Culler on Literary Theory
 
Essay
EssayEssay
Essay
 
Miki
MikiMiki
Miki
 
The Unexamined God is Not Worth Worshipping
The Unexamined God is Not Worth WorshippingThe Unexamined God is Not Worth Worshipping
The Unexamined God is Not Worth Worshipping
 
Cover letter for annotated biblio 410 nic grosjean
Cover letter for annotated biblio 410 nic grosjeanCover letter for annotated biblio 410 nic grosjean
Cover letter for annotated biblio 410 nic grosjean
 
1607023995-post-structuralism.ppt
1607023995-post-structuralism.ppt1607023995-post-structuralism.ppt
1607023995-post-structuralism.ppt
 
Poetics as system, by claudio guillen
Poetics as system, by claudio guillenPoetics as system, by claudio guillen
Poetics as system, by claudio guillen
 

Mais de Joerg Hartmann

Abstract Suominen Second Lives Of Digital Game Products
Abstract Suominen Second Lives Of Digital Game ProductsAbstract Suominen Second Lives Of Digital Game Products
Abstract Suominen Second Lives Of Digital Game ProductsJoerg Hartmann
 
Feyersinger Memories Of Materiality
Feyersinger  Memories Of  MaterialityFeyersinger  Memories Of  Materiality
Feyersinger Memories Of MaterialityJoerg Hartmann
 
Abs morr, charly nostalgic architecture in postmodern movies
Abs morr, charly    nostalgic architecture in postmodern moviesAbs morr, charly    nostalgic architecture in postmodern movies
Abs morr, charly nostalgic architecture in postmodern moviesJoerg Hartmann
 
Morr, charly nostalgic architecture inpostmodern movies
Morr, charly    nostalgic architecture inpostmodern moviesMorr, charly    nostalgic architecture inpostmodern movies
Morr, charly nostalgic architecture inpostmodern moviesJoerg Hartmann
 
Morr nostalgic architecture in postmodern movies
Morr  nostalgic architecture in postmodern moviesMorr  nostalgic architecture in postmodern movies
Morr nostalgic architecture in postmodern moviesJoerg Hartmann
 
Feyersinger Memories Of Materiality
Feyersinger Memories Of MaterialityFeyersinger Memories Of Materiality
Feyersinger Memories Of MaterialityJoerg Hartmann
 
Morr Nostalgic Architecture In Postmodern Movies
Morr Nostalgic Architecture In Postmodern MoviesMorr Nostalgic Architecture In Postmodern Movies
Morr Nostalgic Architecture In Postmodern MoviesJoerg Hartmann
 
Maryl Luddites And Vandals
Maryl Luddites And VandalsMaryl Luddites And Vandals
Maryl Luddites And VandalsJoerg Hartmann
 
Mayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective NostalgiaMayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective NostalgiaJoerg Hartmann
 
Klapcsik Cannibalizing
Klapcsik CannibalizingKlapcsik Cannibalizing
Klapcsik CannibalizingJoerg Hartmann
 
Abstract Dvorak Common Places
Abstract Dvorak Common PlacesAbstract Dvorak Common Places
Abstract Dvorak Common PlacesJoerg Hartmann
 
Workshop Technological Nostalgia Program
Workshop Technological Nostalgia ProgramWorkshop Technological Nostalgia Program
Workshop Technological Nostalgia ProgramJoerg Hartmann
 
Paolini No Unleaded Petrol Please
Paolini No Unleaded Petrol PleasePaolini No Unleaded Petrol Please
Paolini No Unleaded Petrol PleaseJoerg Hartmann
 
Mayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective NostalgiaMayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective NostalgiaJoerg Hartmann
 
Klapcsik Cannibalizing
Klapcsik CannibalizingKlapcsik Cannibalizing
Klapcsik CannibalizingJoerg Hartmann
 
Kit Workshop Mg Conference Venue Accommodation Zkm
Kit Workshop Mg Conference Venue Accommodation ZkmKit Workshop Mg Conference Venue Accommodation Zkm
Kit Workshop Mg Conference Venue Accommodation ZkmJoerg Hartmann
 
Redewiedergabe Erzähltextanalyse Lahn,Meister
Redewiedergabe Erzähltextanalyse Lahn,MeisterRedewiedergabe Erzähltextanalyse Lahn,Meister
Redewiedergabe Erzähltextanalyse Lahn,MeisterJoerg Hartmann
 

Mais de Joerg Hartmann (20)

Quiz i
Quiz iQuiz i
Quiz i
 
The schedule
The scheduleThe schedule
The schedule
 
Abstract Suominen Second Lives Of Digital Game Products
Abstract Suominen Second Lives Of Digital Game ProductsAbstract Suominen Second Lives Of Digital Game Products
Abstract Suominen Second Lives Of Digital Game Products
 
Feyersinger Memories Of Materiality
Feyersinger  Memories Of  MaterialityFeyersinger  Memories Of  Materiality
Feyersinger Memories Of Materiality
 
Abs morr, charly nostalgic architecture in postmodern movies
Abs morr, charly    nostalgic architecture in postmodern moviesAbs morr, charly    nostalgic architecture in postmodern movies
Abs morr, charly nostalgic architecture in postmodern movies
 
Morr, charly nostalgic architecture inpostmodern movies
Morr, charly    nostalgic architecture inpostmodern moviesMorr, charly    nostalgic architecture inpostmodern movies
Morr, charly nostalgic architecture inpostmodern movies
 
Morr nostalgic architecture in postmodern movies
Morr  nostalgic architecture in postmodern moviesMorr  nostalgic architecture in postmodern movies
Morr nostalgic architecture in postmodern movies
 
Feyersinger Memories Of Materiality
Feyersinger Memories Of MaterialityFeyersinger Memories Of Materiality
Feyersinger Memories Of Materiality
 
Morr Nostalgic Architecture In Postmodern Movies
Morr Nostalgic Architecture In Postmodern MoviesMorr Nostalgic Architecture In Postmodern Movies
Morr Nostalgic Architecture In Postmodern Movies
 
Maryl Luddites And Vandals
Maryl Luddites And VandalsMaryl Luddites And Vandals
Maryl Luddites And Vandals
 
Mayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective NostalgiaMayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective Nostalgia
 
Klapcsik Cannibalizing
Klapcsik CannibalizingKlapcsik Cannibalizing
Klapcsik Cannibalizing
 
Abstract Dvorak Common Places
Abstract Dvorak Common PlacesAbstract Dvorak Common Places
Abstract Dvorak Common Places
 
Workshop Technological Nostalgia Program
Workshop Technological Nostalgia ProgramWorkshop Technological Nostalgia Program
Workshop Technological Nostalgia Program
 
Paolini No Unleaded Petrol Please
Paolini No Unleaded Petrol PleasePaolini No Unleaded Petrol Please
Paolini No Unleaded Petrol Please
 
Mayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective NostalgiaMayer Restorative And Reflective Nostalgia
Mayer Restorative And Reflective Nostalgia
 
Klapcsik Cannibalizing
Klapcsik CannibalizingKlapcsik Cannibalizing
Klapcsik Cannibalizing
 
Kit Workshop Mg Conference Venue Accommodation Zkm
Kit Workshop Mg Conference Venue Accommodation ZkmKit Workshop Mg Conference Venue Accommodation Zkm
Kit Workshop Mg Conference Venue Accommodation Zkm
 
Workshop Schedule
Workshop ScheduleWorkshop Schedule
Workshop Schedule
 
Redewiedergabe Erzähltextanalyse Lahn,Meister
Redewiedergabe Erzähltextanalyse Lahn,MeisterRedewiedergabe Erzähltextanalyse Lahn,Meister
Redewiedergabe Erzähltextanalyse Lahn,Meister
 

Dvorak Common Places

  • 1. Common-Places and Common-Non-Places: The Notion of “Place” and the Changing Topographies of Knowledge Dvořák, Tomáš (Charles University in Prague) The doctrine of “places” is as ancient as the history of rhetoric and logic. The term “place” (topos, locus) generally served in the tradition of rhetoric as a synonym for topic, thesis, passage, or oration. When it was formally defined (for example by Aristotle in his Rhetoric), it designated a storehouse for ideas, a seat of argument – a heading, under which one finds an argument – that can be used in a speech one is composing. Another, more implicit, meaning of the term defines a commonplace as a “speech-within-a-speech.” It is a ready-made textual fragment, which can be drawn from a repository of similar fragments and reused in a new oration (usually towards the end of it when the subject of the speech was recapitulated and amplified to persuade the audience). As the usage of such commonplaces diffused and expanded (rhetorical training was directed towards techniques of imitation, which included the habit of making notes while reading: collecting words, phrases, metaphors, and passages from speeches), they ceased to be seats of arguments and rather became a series of themes to be followed in the expansion of any subject. Each part of the speech could be developed separately without regard to logical order because its place was determined beforehand in a traditional series of topics. For Aristotle, the places constituted a psychological area in which arguments were grouped according to their kind. However, there was no uniform way of classifying and arranging them: they rather constituted a loose agglomerate where different kinds of places overlapped and could be used for different cases under different circumstances. (The only attempts at their systematization were made in the encyclopedic works of the Middle Ages and the Renaissance, which were topically arranged and the order of their exposition was usually governed by some overarching pattern, such as was the cosmological chain of being.) The structuring of commonplaces was rather pragmatic and situational, governed by the “Art of Memory,” where things were recollected by being mentally connected with successive real or imagined places. In the Renaissance, first written and latter even printed commonplace books or copybooks became popular as reservoirs of knowledge that constituted the basis of humanist learning. By the seventeenth century, however, commonplace books became to merge with encyclopedias and other forms of compilations and the Enlightenment encyclopedism took over as the dominant form of knowledge structuring. Commonplacing was still pursued but became much more hidden, being considered a private, provisional, and preliminary practice. With the modern notions of authorship and originality, use of similar techniques was considered inappropriate and disguised as a practice of quotation and the notion of place itself was redefined: from Bacon on, the “places of proof” were substituted by the “places of enquiry,” headings for receptacles never yet filled that would function as prompters to research into the further questions which are raised by each new advance in knowledge. In the 1920s, then, Walter Benjamin could provocatively state that “the book is already, as the present mode of scholarly production demonstrates, an outdated mediation between two different filing systems” – the card index of the writer and the card index of the reader. As if the books or articles, the finalized products of scholarly enterprise, were in fact provisional vehicles for setting in motion a vast, underlying reservoir of textual fragments, which, of course, can no longer be mastered by a single mind. The “work” in this sense constitutes a non- space, which is defined by Marc Augé as something “to be passed through,” as something that can be quantified and measured (citation index), as a space of transition and commerce. Although Augé’s analysis comes from a very different field, it can be (including its anthropological dimension) put well in use when dealing with the problem of the
  • 2. structuring of knowledge. Not in the sense that an old doctrine of places is being replaced by one of non-places but rather in the emphasis upon the interrelationship of both principles (“the first is never completely erased, the second never totally completed”) and the changing tensions between them throughout history. The contemporary virtual knowledge spaces can then be reconsidered in regard to the undercurrent of “places” and the practices of their collecting and recollecting.