This slideshow is used for partial completion of a .5 semester credit of fine art, occupational education, or elective credit. Some of the font and the instructional pieces did not convert very well, but are in place when I downlaoded the file.

2. Principles of Photography I

4. S ettings & Symbols 2 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons This type of screen is often found on the top or back of a camera.

5. S ettings & Symbols 3 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons The shutter speed determines how crisp or blurred an image is. The higher the number, the faster and more clean the photo. Nighttime photos will need slower shutter speeds to allow more light.

6. S ettings & Symbols 3 Shutter Speed The shutter speed determines how crisp or blurred an image is. The higher the number, the faster and more clean the photo. Nighttime photos will need slower shutter speeds to allow more light. A slow shutter speed was used to make the background blurred while following the cyclist. A high shutter speed was used to stop the water splash in mid air. Well placed lights make this possible.

7. S ettings & Symbols 4 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons This indicates the amount of battery power remaining. Using a flash will use up battery power quickly. You may also want to check your camera for power saving settings like automatic shutdown when the camera has been left on.

8. S ettings & Symbols 5 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons Exposure control can be selected for Programmed ( Automatic (the camera averages all settings) Shutter speed, or Manual (the photographer provides all settings). Each of these produce a different effect on your photo.

9. S ettings & Symbols 6 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons The light from the sun , clouds , incandescent (standard home light bulbs) , fluorescent , and tungsten (commonly used in photo studios) all affect the colors in your photographs. White balance settings balance those affects so that your colors are more true.

14. S ettings & Symbols 7 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons This makes the flash fire off several times before the main flash fires. This makes the pupils constrict and reduces red glare coming from the back of the eye in low light settings when a flash is used. With red eye reduction Without red eye reduction

15. S ettings & Symbols 8 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons This allows the camera to be set on a timer or to take several pictures in a row as long as the shutter button is being held down.

16. S ettings & Symbols 9 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons Most automatic cameras do not allow manual focus, but if you can, this is good for close ups of flowers, bugs, or other photos with a shallow depth of field.

17. S ettings & Symbols 10 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons This sets the size of the photo file saved onto your memory card. The larger the size, the better quality picture you will produce. Smaller file sizes are better for uses like email and websites.

18. S ettings & Symbols 11 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons Memory cards have a limit on the number of pictures they can save. Changing the settings to smaller image size will allow more photos, but also sacrifice quality.

19. S ettings & Symbols 12 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons The ISO establishes the camera’s sensitivity to light. Low numbers are good for brightly lit and very clear images. Higher numbers are used in low light and fast motion settings, but often increases fuzziness called “camera noise”.

20. S ettings & Symbols 13 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons

21. S ettings & Symbols 14 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons Color settings allow a choice of black & white photos, sepia (old fashioned brown tone), negative, and more.

22. S ettings & Symbols 15 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons The contrast setting can improve dull or gray settings that come from over cast or some indoor photos. Like all of these settings, this must be established before the photo is taken.

23. S ettings & Symbols 16 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons This helps to darken bright sunlight or lighten dark scenes. Brightening dark scenes may produce photos that are washed out. This can be adjusted by using the contrast setting.

24. S ettings & Symbols 16 Exposure Setting Subject Icons This helps to darken bright sunlight or lighten dark scenes. Brightening dark scenes may produce photos that are washed out. This can be adjusted by using the contrast setting. This photo is underexposed because the camera adjusted for the light behind him. This photo is washed out and over exposed. The exposure setting is determined by the size of the camera’s aperture (hole that lets the light in).

25. S ettings & Symbols 17 Shutter Speed Battery Life Exposure Mode White Balance Red Eye Reduction Drive Mode Manual Focus Image Size Pictures Remaining Sensitivity Flash Setting Color Setting Contrast Setting Exposure Setting Subject Setting Subject Icons Identifies which automatic subject setting is selected.

27. S ettings & Symbols 19 Section Summary Before going heavy on photo taking, review your owner manual and your camera. Using the tools it comes with will make you a more skilled photographer and make this class go smoother.

39. R ealism Amanda Lilly Delaware dancing - Lyntha Eiler Bride - David Lloyd Click on the picture below that you think represents realism. 12

40. R ealism Click Here To Continue Correct! The girl is shown in a natural setting. No one is calling to her to, “Smile” or, “Say cheese”. Put a +1 at the top of your paper. 13

41. R ealism Click Here To Continue The bride is beautiful, but it is definitely aimed at being “perfect.” This image is based on idealism. The flowers are held perfectly, the makeup is all in place, and a fill-flash was used to help the lighting. The photo of the girl is the one with realism. 13

50. E xpressionism Observer - Travis Klug Untitled – Travis Klug Click on the picture below that you think represents expressionism. 7

51. E xpressionism Click Here To Continue Correct! The photographer leaves the true nature of the image up to the viewer. The invitation to create meaning is shown by leaving the photo “Untitled”. Put a +1 at the top of your paper. 8

52. E xpressionism Click Here To Continue Definitely an interesting photo with great composition. Unfortunately it provides distinct images of the river and individual in deep thought. The untitled photo is the best example of expressionism. 8

57. E xpressionism Out of a Box – Christopher Delaney Sisters – Rob Jensen Click on the picture below that you think represents expressionism. 13

58. E xpressionism Click Here To Continue Correct! By proper framing, the photographer has reduced a waterfall into the basic forms of a box with water and shadow creating an arc. This photo was enhanced in Photoshop by pushing it to high contrast. Put a +1 at the top of your paper. 14

59. E xpressionism Click Here To Continue The photograph shows plenty of emotion. Unfortunately the emotion comes from the photograph and not from the viewer. Out of a Box is the best example of expressionism. 14

72. E mphasis Cactus after Rain - Jennifer Valencia 10

73. E mphasis Tubes - Eric Noel 11

74. E mphasis Space Needle - Eric Noel 12

106. T itles 1 Next to the slide number, write your title to this photo. Tim Pratt This photo uses balance because the child’s face is in a power position and emphasis because of light and color.

107. T itles 2 Next to the slide number, write your title to this photo. Wanda Burgner This photo uses realism and emphasis because of light

108. T itles 3 Sara Gettys Next to the slide number, write your title to this photo. This photo uses emphasis by focus

109. T itles 4 Next to the slide number, write your title to this photo. Kevin Brady This photo uses realism, emphasis and implied movement

110. T itles 5 Next to the slide number, write your title to this photo. Abigail Rhodes This photo uses realism and emphasis because of focus

111. T itles 6 Next to the slide number, write your title to this photo. Avain Winthrop This photo uses realism, emphasis because of focus and blurred movement

112. T itles 7 Sara Gettys Next to the slide number, write your title to this photo. This photo uses realism and a balance of horizontal thirds

113. T itles 8 Sara Gettys Next to the slide number, write your title to this photo. This photo uses expressionism and balance by a top right power position

114. T itles 9 Next to the slide number, write your title to this photo. Antonio Reins This photo uses realism and blurred movement

115. T itles 10 Next to the slide number, write your title to this photo. Ethan Polk This photo uses realism, emphasis because of focus, implied movement and balance by vertical thirds

116. T itles 11 Next to the slide number, write your title to this photo. Ethan Polk This photo uses emphasis because of focus

117. T itles 12 Andy Keller Next to the slide number, write your title to this photo. This photo uses realism, emphasis because of light and blurred movement

118. T itles 13 Andy Keller Next to the slide number, write your title to this photo. This photo uses balance by horizontal thirds and emphasis because of light

119. T itles 14 Next to the slide number, write your title to this photo. Hannah Gregorich This photo uses balance by lining up the subject with a power line

120. T itles 15 Next to the slide number, write your title to this photo. Hannah Gregorich This photo uses emphasis because of light, color and focus

121. T itles 16 Next to the slide number, write your title to this photo. Ethan Polk This photo uses realism, balance because the golfers are placed along the vertical power lines and emphasis because of light and color

122. T itles 17 Next to the slide number, write your title to this photo. Kristina Rawlins This photo uses realism, a horizontal balance and emphasis most of the photo is grey with the color of the buildings standing out.

123. T itles 18 Whitney Gress This photo uses realism and a vertical balance. Next to the slide number, write your title to this photo.

124. T itles 19 Whitney Gress This photo uses realism. Next to the slide number, write your title to this photo.

125. T itles 20 Next to the slide number, write your title to this photo. Whitney Gress This photo uses a focused emphasis by having a macro setting that blurs the background.

126. T itles 21 Next to the slide number, write your title to this photo. Mike Carlson This photo is expressionism because the stripe of color and the cropping distort the reality of the whole image for an emotional effect.

127. T itles 22 Next to the slide number, write your title to this photo. Mike Carlson This photo uses realism with an emphasis on naturalism. It displays nature as it really is with no effort to idealize it.

128. T itles 23 Mike Carlson This photo uses realism with an emphasis on naturalism. It displays nature as it really is with no effort to idealize it. Next to the slide number, write your title to this photo.

129. T itles 24 Next to the slide number, write your title to this photo. Mike Carlson This photo uses emphasis by creating a focus on the first fishing pole and leaving the others out of focus.

130. T itles 25 Next to the slide number, write your title to this photo. Mike Carlson This photo uses emphasis of light with a silhouette.