This document summarizes a BISG webcast that took place on December 9, 2009. It provides an overview of BISAC subject headings, including how they are developed and maintained by the BISG committee to standardize subject metadata for the book industry supply chain. Guidance is given on choosing appropriate subject headings by focusing on the primary content of books rather than other attributes like format or audience.
1. This BISG WEBCAST took place
Wednesday, December 9, 2009 at 3:00 p.m. ET
To register for future BISG Webcasts, please visit:
http://www.bisg.org/event-cat-6-webcasts.php
This BISG Webcast was sponsored by
BISG WEBCAST
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2. āWorking to create a more
informed,
informed empowered and efficient
book industry supply chain
for both physical and digital products ā
products.
www.bisg.org
b
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3. ANGELA BOLE
Deputy Executive Director, Book Industry Study Group, Inc.
Director Group Inc
Angela Bole is Deputy Executive Director of the Book Industry Study Group, Inc. (BISG).
Based in New York City, BISG is an industry trade association working to create a more
informed, empowered and efficient book industry supply chain for both digital and
physical products.
CONNIE HARBISON
Director of Authority Control, Database Management, Baker & Taylor
Connie has worked in the publishing industry for over 20 years. Sheās been involved in
the BISAC Executive Committee since 2004, when she took on the role of BISAC Subject
2004
Codes Committee Chair. She also serves as BISAC Secretary and is a member of the
BISAC Metadata Committee. Connie lives in New Jersey with her husband, three children
and two dogs.
Ummm...notĀ really...
RENEE REGISTER
Senior Product Manager, OCLC
Renee and her staff are responsible for partnering with publishers, vendors and other
content providers in the creation and distribution of title metadata to libraries, the
publisher supply chain and end users. Prior to joining OCLC in 2005, she spent ten
years with Ingram Book Group, wholesaler and data provider to retailers and libraries,
first as Manager of Cataloging Services and then as Director of Classification and
Bibliographic Control for the organizationās MARC and non-MARC metadata.
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4. RENEE REGISTER
Senior Product Manager
Founded in 1967, OCLC is a nonprofit, membership, computer library service
and research organization dedicated to the public purposes of furthering
access to the world s information and reducing information costs.
world's
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5. ļ½ OCLC Metadata Services for Publishers
Automatically adds BISAC Subject Headings to
publisher data by mapping from Dewey Decimal
Classification
http://publishers.oclc.org
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6. ļ½ OCLC researchers and Dewey editors are
collaborating on a project to add DDC
numbers to authority records for BISAC
subject headings
ļ½ BISAC subject headings, including usage
notes, are coded according t th MARC 21
t d d di to the
format for authority data
ļ½ Dewey numbers f
b from DDC 22, the l
h latest
edition of Dewey, are applied to the records
by the Dewey team
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7. ļ½ Selected fields from a BISAC authority record:
ā¦ 083 04 158.1 ā”2 22 ā”5 OCoLC-D
ā¦ 150 SELF-HELP ā”x General
ā¦ 680 ā”i Use subjects in this section for works on
personal growth, or works aimed at helping people
deal with personal problems, including mental
illnesses and dependencies. For works written to help
dependencies
people deal with issues involving child rearing or
relationships, use subjects in the ā”a FAMILY &
RELATIONSHIPS ā”i section For scholarly works
section. works,
serious lay studies, or works aimed at psychology
professionals, use subjects in the ā”a PSYCHOLOGY ā”i
section.
section
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9. ļ½ An industry-approved list of terms used to
describe the content of a book
ļ½ 52 main subject areas
j
ā¦ e.g. Computers, Family & Relationships,
Juvenile Fiction and Juvenile Nonfiction, Nature
ļ½ Over 3,600 distinct terms
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10. ļ½ Developed to standardize electronic transfer
of subject information
ļ½ First version issued in the 1990s
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11. ļ½ Developed to standardize electronic transfer
of subject information
ļ½ First version issued in the 1990s
1.0 (~1995) 2.7 (June 2003)
2.0 (Nov 1997) 2.8 (March 2004)
2.1 (May 1999) 2.9 (May 2005)
2.2 (Jan 2000) 2006 (Sept 2006)
2.3 (May 2000) 2007 (Sept 2007)
2.4 (Jan 2001) 2008 (Nov 2008)
2.5 (July 2001) 2009 (Nov 2009)
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12. ļ½ To transmit subject information between
trading partners using a consistent syntax
ļ½ To provide a common language for sales
g g
reporting
ļ½ As search terms in bibliographic databases
ļ½ As access points in online search
ļ½ As bricks-and-mortar shelving guides
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13. ļ½ Major businesses within the book industry,
including:
ā¦ Major retailers, especially those who sell online
ļ B&N A
B&N, Amazon
ā¦ Data aggregators
ļ Baker & Taylor, Bowker, Ingram
y , , g
ā¦ Increasing numbers of publishers
ā¦ Wholesalers
ā¦ Nielsen BookScan
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14. Who sets the standard?...
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15. ļ½ Maintained by the BISGās BISAC Subject Codes
Committee
ļ½ Committee consists of volunteers from BISG
member organizations
ā¦ Members include publishers, retailers, wholesalers
and d t aggregators
d data t
ļ½ Changes are annually reviewed and approved
b th f ll BISG M b hi
by the full Membership
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16. ļ½ All requests received from the industry are
discussed and considered by Committee
ļ½ Creation of a Heading is based on 3 factors:
g
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17. ļ½ All requests received from the industry are
discussed and considered by Committee
ļ½ Creation of a Heading is based on 3 factors:
g
ā¦ Does the suggested Heading describe the content of
the book and not the audience, format or language?
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18. ļ½ All requests received from the industry are
discussed and considered by Committee
ļ½ Creation of a Heading is based on 3 factors:
g
ā¦ Does the suggested Heading describe the content of
the book and not the audience, format or language?
ā¦ Are there at least 100 unique titles (from different
publishers) in the supply chain that would have this
Heading?
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19. ļ½ All requests received from the industry are
discussed and considered by Committee
ļ½ Creation of a Heading is based on 3 factors:
g
ā¦ Does the suggested Heading describe the content of
the book and not the audience, format or language?
ā¦ Are there at least 100 unique titles (from different
publishers) in the supply chain that would have this
Heading?
ā¦ Would adding the requested Heading require
extensive expansion of the list (we try to keep the
number of Headings at around 3,000)?
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20. ļ½ Minor revisions to each main subject area are
made on an ongoing basis based on need and
incoming requests
ļ½ Major revisions to each main subject area are
made on a cyclical basis
ļ½ New versions of the list are released on an
annual basis
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21. ļ½ 9-character alphanumeric Code in the form
AAA###### and a Literal of the form SECTION
NAME / Subheading (with further subheadings
possible)
ļ½ Examples:
ā¦ MAT002040 MATHEMATICS/Algebra/Intermediate
l b d
ā¦ PET004010 PETS/Dogs/Breeds
ā¦ TRV028000 TRAVEL/Cruises
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23. PET004010 PETS/Dogs/Breeds
ļ½ Codes
C d (PET004010) are i t d d f electronic
intended for l t i
data interchange (EDI)
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24. PET004010 PETS/Dogs/Breeds
ļ½ Codes
C d (PET004010) are i t d d f electronic
intended for l t i
data interchange (EDI)
ļ½ Literals (PETS/Dogs/Breed) are intended f
for
print/display purposes
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25. PET004010 PETS/Dogs/Breeds
ļ½ Codes
C d (PET004010) are i t d d f electronic
intended for l t i
data interchange (EDI)
ļ½ Literals (PETS/Dogs/Breed) are intended f
for
print/display purposes
ļ½ The first three characters of a code represent
the main subject area
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27. STEP 1:
Determine the main subject area
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28. STEP 1:
Determine the main subject area
STEP 2:
Pick the term within the main subject area that
most closely fits the bookās content
All done! It couldnāt be easier!
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29. Understanding the differences
between Subject Headings
Headings,
Merchandising Themes and Regional
Themes.
Themes
29
30. ļ½ A list of terms representing frequently
requested merchandising themes and topics
ļ½ Can be used in addition to subject codes to
j
denote:
ā¦ An audience to which a work may be of particular
appeall
ā¦ A time of year or event for which a work may be
especially appropriate
ā¦ A frequently requested topic
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31. Although related, Subject Headings
and Merchandising Themes should
not be placed in the same field.
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32. ļ½ Can be used for fiction or nonfiction to
denote the regional setting or the regional
focus of the title
ļ½ Until early 2006, geographic regions were
built into the BISAC Merchandising Themes
ā¦ The Committee saw need to further expand the
h d f h d h
regions within the Merchandising Themes
ā¦ Because there were so many regions to add the
add,
Committee decided to break them out of
Merchandising Themes and develop a new list of
just
j t regions
i
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34. ļ½ If the title has numerous facets, it is
recommended that the process be repeated
for other relevant main subject areas
ļ½ If possible, do a keyword search against the
entire list in order to identify all main subject
areas th t may be appropriate
that b i t
ļ½ If you cannot find a Heading for the
narrowest subject, try to b
b broaden the subject
d h b
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35. ļ½ When assigning multiple Headings, be logicalā¦
ā¦ A title cannot have both a juvenile and an adult
Heading
ā¦ A title cannot have both a fiction and a nonfiction
Heading (this includes juvenile: JUV and JNF headings
should not be mixed)
ļ½ Refer to usage notes found at the beginning of
each main subject area
ļ½ Cross-references may point you to a similar or
related main subject area
j
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36. ļ½ All main subject areas have GENERAL as a
second level term. This can be appliedā¦
ā¦ for books covering the topic at the broadest level
ā¦ f books of a very narrow scope that cannot be
for b k f h b
better described by one of the other terms within
the relevant section
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37. ļ½ All main subject areas have GENERAL as a
second level term. This can be appliedā¦
ā¦ for books covering the topic at the broadest level
ā¦ f books of a very narrow scope that cannot be
for b k f h b
better described by one of the other terms within
the relevant section
Never use GENERAL if youāve
already identified a more
specific Heading.
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38. ļ½ NON000000 Non-Classifiable is reserved for
items that have no subject content (such as
blank books)
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39. ļ½ NON000000 Non-Classifiable is reserved for
items that have no subject content (such as
blank books)
It might be frustrating, but
never default to āNon-
f
Classifiableā (NON) if you canāt
find an appropriate Subject
Heading for your book ā Keep
g
looking!
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40. ļ½ The category you choose should reflect the
primary content of the book
ā¦ It should not describe the format
ā¦ It should not d
h ld t describe th audience
ib the di
ā¦ It should not describe the language
ā¦ Other fields already exist in ONIX for these
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41. ļ½ The category you choose should reflect the
primary content of the book
ā¦ It should not describe the format
ā¦ It should not d
h ld t describe th audience
ib the di
ā¦ It should not describe the language
ā¦ Other fields already exist in ONIX for these
The BISAC Subject Heading
describes
desc bes what t e boo is about
at the book s about.
(Though all rules have exceptionsā¦.)
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43. ļ½ If the audience is grades K-12
ā¦ use āJuvenile Fictionā (JUV) or āJuvenile Nonfictionā
(JNF) Headings
ā¦ the specific grade and age can be supplied in the
Audience Range Composite of the ONIX record
ļ½ If the format is a graphic novel
ā¦ use the āGraphic Novelā (CGN) Headings
ā¦ or, if appropriate, the Juvenile Graphic Novel
Headings
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44. ļ½ Major changes to:
ā¦ SCIENCE
ā¦ MATH
ā¦ BUSINESS & ECONOMICS
S SS CO O CS
ļ½ A closer look at the ā100 book ruleā
ļ½ The beginnings of:
ā¦ universal BIC-to-BISAC mapping
pp g
ā¦ scope note for individual headings
ā¦ best practices
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46. And now for some funā¦
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47. Half Broke Horses:
A True-Life Novel
T Lif N l
by Jeannette Walls
After her shattering memoir,
The Glass Castle, Walls
novelizes th life of her
li the lif f h
indefatigable grandmother,
who rode her pony 500 miles
to her first job.
~From LJ
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48. 1.) BIOGRAPHY & AUTOBIOGRAPHY / Personal Memoirs
2.) FICTION / Biographical
3.) BIOGRAPHY & AUTOBIOGRAPHY / Women
4.) 1
4 ) "1" and "3ā
3
5.) All of the above
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49. FICTION / Biographical
ļ½ Itās
Itā a work of fi ti
k f fiction, not nonfiction
t fi ti
ā¦ Itās a novel based on the life of a real person
ā¦ A nonfiction Heading should never be mixed with a fiction
Heading
ļ½ Of course, every rule has an exceptionā¦
ā¦ Y
You can mix the main subject area āLi
i h i bj āLiterary C ll i
Collectionsā
ā
(LCO) with the main subject area āFictionā (FIC)
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50. The Bonobos:
Ecology, B h i
E l Behavior, and
d
Conservation
by Takeshi Furuichi and Jo Thompson
Once one of the least studied
of the great apes, this new text
f h h
covers the latest research into
these fascinating creatures.
g
~From the publisher
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51. 1.)
1 ) SCIENCE / Life Sciences / Zoology / General
2.) SCIENCE / Life Sciences / General
3.) SCIENCE / Life Sciences / Zoology / Primatology
4.)
4 ) "1" and "2"
d
5.) All of the above
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52. SCIENCE/ Life Sciences/ Zoology/ Primatology
ļ½ All Heading options were part of the same main
g p p
subject area, but only the most specific Heading is
necessary to describe a title
Never use GENERAL if youāve already
identified a more specific Headingā¦unless
it comes from a different main subject area
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53. The Dangerous Days of
Daniel X
by James Patterson and Michael Ledwidge
(Grade 5 and Up)
Billed as a story āfor readers
from ten to a hundred and
f t t h d d d
ten,āā¦the 5th entry in this
series blends Harry Potter and
Men in Black with results likely
to please only die-head
Patterson fans
fans.
~From Publishers Weekly
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54. 1.)
1 ) FICTION / Science Fiction / General
2.) JUVENILE FICTION / Science Fiction
3.) FICTION / Action Adventure
4.)
4 ) "1" and "2"
d
5.) "1" and "3"
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55. JUVENILE FICTION / Science Fiction
ļ½ Although itās marketed for all ages, itās a YA novel
ļ½ A juvenile main subject area (JUV or JNF) should
never be mixed with an adult main subject area
ā¦ I th world of S bj t H di
In the ld f Subject Headings, a b k i either written
book is ith itt
for adults or itās written for juveniles
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56. JUVENILE FICTION / Science Fiction
ļ½ The exception to the ruleā¦
ā¦ Some graphic novels written for juveniles are coded as āComics &
Comics
Graphic Novelsā (CGN) rather than āJuvenile Fictionā (JUV) or
āJuvenile Nonfictionā (JNF) if they contain very mature content
But you still wouldnāt mix a juvenile Heading with an adult Heading!
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57. In the Graveyard of
Empires: Americaās War in
Afghanistan
by Seth G Jones
G.
Jones traces the steady
resurgence of the Taliban and
its allies, facilitated by US
neglect and a weak government
in Kabul, after a deceptively
easy overthrow of the Taliban
government in 2001.2001
BISG WEBCAST ~From Booklist
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58. 1.)
1) HISTORY / United States / 21st Century
2.) HISTORY / Military / Afghan War (2001 - )
3.) POLITICAL SCIENCE / Political Freedom & Security / Terrorism
4.)
4) HISTORY / United States / General
5.) "1" and "2" and "3"
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59. HISTORY / United States / 21st Century
HISTORY / Military / Afghan War (2001 - )
POLITICAL SCIENCE / Political Freedom &
Security / Terrorism
ļ½ You donāt have to confine yourself to one Heading
to describe your title
ā¦ All the suggested Headings above described the bookās subject
book s
matter without overlap
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60. HISTORY / United States / 21st Century
HISTORY / Military / Afghan War (2001 - )
POLITICAL SCIENCE / Political Freedom &
Security / Terrorism
ļ½ That said, never use GENERAL if youāve already
identified a more specific Headingā¦unless it comes
from a different main subject area
HISTORY / United States / General
HISTORY / U i d S
United States / 21 C
21st Century
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61. The Joy Luck Club
by Amy Tan
This widely acclaimed
bestseller spans two countries
and two generations, following
a group of Chinese women who
meet to play mah jong, invest
money and tell the secret
stories of their lives. They call
their gathering the Joy Luck
Club.
~From the publisher
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62. 1.)
1 ) FICTION / Literary
2.) FICTON / Sagas
3.) FICTION / Cultural Heritage
4.)
4) All of the above
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63. FICTION / Literary
FICTION / Sagas
FICTION / Cultural Heritage
ļ½ āFictionā (FIC) Headings can (and should) be mixed
to better describe a book
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64. FICTION / Literary
FICTION / Sagas
FICTION / Cultural Heritage
ļ½ āFictionā (FIC) Headings can (and should) be mixed
to better describe a book
Use discretion when using āFICTION /
FICTION
Literaryā ā itās NOT interchangeable with
āFICTION / Generalā
āFICTION / Literaryā should always be used with
more specific FIC Headings whenever possible
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65. El Simbolo Perdido
by Dan Brown
(
(Translated to Spanish)
p )
Da Vinci Code symbologist,
Robert Langdon, returns in Dan
Brown s
Brown's highly anticipated new
thriller, āThe Lost Symbolā.
~From the publisher
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66. 1.)
1) FICTION / Thrillers
2.) FICTION / General
3.) FOREIGN LANGUAGE STUDY / Spanish
4.)
4) LITERARY COLLECTIONS / C ibb
Caribbean & L ti A
Latin American
i
5.) "1" and "3"
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67. FICTION / Thrillers
ļ½ It s stand alone
Itās a stand-alone work of fiction, not a āLiterary
Literary
Collectionā
ļ½ Specifically, itās a āthrillerā
FICTION / General
FICTION / Thrillers
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68. FICTION / Thrillers
ļ½ Also, books should be classified based on their
subject content without regard to the language in
which theyāre written
o āF
āForeign L
i Language St d ā (FOR) i used f works about
Studyā is d for k b t
languages
o There already exists a language composite in the ONIX
record to specif the lang age of the work
specify language ork
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