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Jen Stark




Workimage _ escultura em papel
  avançar com clic          Ligar o som
Degrees Of Lightness
           Jen Stark
Degrees Of Lightness installation, 40 ft. wall, construction paper 2006
                                                               Jen Stark
Production Line ALL
           Jen Stark
Line ALL : Two-dimensional circles jumping out of the frame Detail of Production Line: Triangle, Circle, Square
                                                                                                        Jen Stark
3




    Half Circle
       Jen Stark
3




    Half Circle ROLL
            Jen Stark
Do you have a
certain method of
cutting?

For example, how
did you achieve
these multiple
layers in
“Anatomical         11 x 14, hand-cut stack
Evolution”?           of construction paper
Afterglow
  Jen Stark
I cut each layer of paper
one by one and then put
them together.

I always cut by hand using
an X-Acto knife. It is a bit
time-consuming, but I like
it!                            Resembling geographic depictions of differences in altitude: “Microscopic Entry.”
                                                                                                        Jen Stark
Look at these
intriguing, repetitive
shapes like eruptions
by Miami-based Jen
Stark:


Her three-
dimensional,
kaleidoscopic paper
art is simply hand-made
with dozens of layers of
thick coloured paper.
With her abstract
geometrical patterns
just shown in the new
Tactile book by DGV
Peephole
 Jen Stark
Peephole
 Jen Stark
Peephole
 Jen Stark
Triangle
 Jen Stark
Triangle Roll
    Jen Stark
Square
Jen Stark
Square Roll
   Jen Stark
Circle
Jen Stark
Circle Roll
  Jen Stark
Intricate paper works resembling three-dimensional objects   PRIMARIES-all Red Blue Yellow
                                                                                   Jen Stark
Roughly
how many layers
goes into
one piece?        PRIMARIES - Blue
                           Jen Stark
It can range from
about thirty to eighty,
depending on the
piece.                    PRIMARIES - Blue
                                   Jen Stark
And how
do you choose
the order of the
colours in the
stack?             PRIMARIES - Red
                           Jean Stark
I usually buy a stack
and then arrange it
how I think the
colours look good
together.               PRIMARIES - Red
                               Jean Stark
I try to spread them
out a bit so they are
mixed up and
contrasting colours
are next to each
                        PRIMARIES - Yellow
other.
                                   Jen Stark
PRIMARIES - Yellow
          Jen Stark
Color Gradient card stock mounted on archival art
                                         Jen Stark
Tendency of any
body on the
Earth’s surface
to drift to the
side due to the
planet’s rotation
is called the
“Coriolis Effect “   Coriolis Effect ROLL
                                 Jen Stark
Here, we see paper drifting to many sides Coriolis Effect ROLL
                                                      Jen Stark
Coriolis Effect DETAIL
              Jen Stark
Coriolis Effect DETAIL ROLL
                   Jen Stark
Point Of Exposure
          Jen Stark
Point Of Exposure Roll
              Jen Stark
Cone Ambiguous
      Jen Satrk
The “Cylinder
Paper Cut”
with a solid surface
that’s cut open
caught my eye:

Could we see the
paper layers as a
symbolic
representation of the
inner layers of           A metaphor for
people, or objects…?            people’s
                          multiple inside
Definitely. You are one          layers…
of the first people to       “Cylinder”:
mention this.                  Paper Cut
                                 Jen Stark
I like to make the
insides very colourfully
confusing.

You can relate it to
people or things being
so complicated and
elaborate on the inside.
Yet the outside layer is
usually white to show
that something may
look simple and
ordinary on the outside
– but the inside is
                           Cynlinder Roll
beaming with colour!
                                 Jen Stark
About the
mysterious
“Untitled”:
Is it inspired by
kind of a
Mandala?
How do you
develop it?

It is mainly inspired
by geometric
patterns. I just cut
a shape and slowly
change it as the
layers progress.
With these kind of
sculptures I usually
don’t know what
the end design will
look like.
                        The Mandala-style “Untitled.” Sculpture 03
                                                          Jen Stark
The Mandala-style “Untitled.”
                    Sculpture
                     Jen Stark
Paper Anomaly
      Jen Stark
Paper Anomaly Roll
          Jen Stark
Sculpture Burst
       Jen Stark
Sculpture Burst Roll
            Jen Stark
Piece of an Infinite Whole
                  Jen Stark
Piece of an Infinite Whole Roll And the same hole - with a depth of 4 ft and a diameter of 2 ft
                                                                                      Jen Stark
I like the fact that it is so common and usually used two-dimensionally… and I’m trying to show what it can do




       View Inside Peephole ALL: sculpturally and how much it can be transformed with such little changes.
                                                                                                      Jen Stark
View Inside Peephole … and the awesome, illuminated
                                            Jen Stark
Peephole01 ROLL
        Jen Stark
Peephole02
   Jen Stark
Peephole02 ROLL
        Jen Stark
Peephole03
   Jen Stark
Peephole03 ROLL
        Jen Stark
When did you start with
your…
can I call it
                             A beautiful “Mold Study.”
“kaleidoscope paper art” ?
                                              Jen Stark
I began making paper
sculptures when I went to
study in France for a
semester.

Since I could only take
two suitcases with me for
five months, I decided to
purchase art supplies
when I got there.           Mold Study
                              Jen Stark
The Euro was high
and everything
was pretty expensive,
so I decided to get
the cheapest
but coolest looking
 thing in the art store
– a stack of
construction paper!

I started
experimenting
with what paper
could turn into
and it took off
from there.
About your lovely
eruptive “Assorted
Explosion:” Is it
meant to depict an
explosion in its
early stage?

                     “Assorted Explosion”
                                  Jen Stark
Exactly! Usually,
stacks of
construction paper
are sold in
“assortments” of
colour.

So, I wanted to
play with that word
as well as what it
looks like it’s
doing: exploding.

A very colourful
kind of explosion
and there may be
many paper cuts.

                      Detail of “Assorted Explosion:” imagine how long these most delicate cuts might have taken…

                                                                                                         Jen Stark
How To Become a Millionaire In 100 Days 1,000,000 pieces of hand-cut
paper 2007

Jen Stark crée des morceaux de papier étonnants trés différents de ce
que j’aurais pu dejà voir.

Qui a su que vous pourriez prendre une pile de papier et créez un chef
d’oeuvre ?

The new issue is now on its way…superb cover artwork by Jen Stark




A la recherche de nouveaux papertoys je suis tombé
sur de belles sculptures de papier.




  Jen Stark – Sculpture
Real leaves from the folk’s backyard, meticulously cut out…
                                                 Jen Satrk
Multiple layers as metaphor for the many layers a personality
                                                          may have…
                                        How poetic cardboard can be!
  So, apart from your paper explosions, what inspired your beautiful,
                                  fragile paper leaves as silhouettes?



  I live in Miami, Florida, and these leaves came off of trees from my
                                                     parent’s backyard.
   They are called sea-grape trees because the trees produce grape-
                                                        looking berries.
 I was searching for something to cut into and I decided to try a leaf
                                  because it is pretty thick and strong.

I was inspired by how leaves can naturally turn into skeletons
 over time – losing the green part and keeping only the veins.

                            I wanted to simulate this with my X-Acto.


                                                                 Jen Stark
sketchbook
   Jen Stark
Isb mar08




            Desenho: MattressGiant
                         Jen Stark

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Jen Stark-Esculturas em Papel

  • 1. Jen Stark Workimage _ escultura em papel avançar com clic Ligar o som
  • 3. Degrees Of Lightness installation, 40 ft. wall, construction paper 2006 Jen Stark
  • 5. Line ALL : Two-dimensional circles jumping out of the frame Detail of Production Line: Triangle, Circle, Square Jen Stark
  • 6. 3 Half Circle Jen Stark
  • 7. 3 Half Circle ROLL Jen Stark
  • 8. Do you have a certain method of cutting? For example, how did you achieve these multiple layers in “Anatomical 11 x 14, hand-cut stack Evolution”? of construction paper
  • 10. I cut each layer of paper one by one and then put them together. I always cut by hand using an X-Acto knife. It is a bit time-consuming, but I like it! Resembling geographic depictions of differences in altitude: “Microscopic Entry.” Jen Stark
  • 11. Look at these intriguing, repetitive shapes like eruptions by Miami-based Jen Stark: Her three- dimensional, kaleidoscopic paper art is simply hand-made with dozens of layers of thick coloured paper. With her abstract geometrical patterns just shown in the new Tactile book by DGV
  • 16. Triangle Roll Jen Stark
  • 18. Square Roll Jen Stark
  • 20. Circle Roll Jen Stark
  • 21. Intricate paper works resembling three-dimensional objects PRIMARIES-all Red Blue Yellow Jen Stark
  • 22. Roughly how many layers goes into one piece? PRIMARIES - Blue Jen Stark
  • 23. It can range from about thirty to eighty, depending on the piece. PRIMARIES - Blue Jen Stark
  • 24. And how do you choose the order of the colours in the stack? PRIMARIES - Red Jean Stark
  • 25. I usually buy a stack and then arrange it how I think the colours look good together. PRIMARIES - Red Jean Stark
  • 26. I try to spread them out a bit so they are mixed up and contrasting colours are next to each PRIMARIES - Yellow other. Jen Stark
  • 27. PRIMARIES - Yellow Jen Stark
  • 28. Color Gradient card stock mounted on archival art Jen Stark
  • 29. Tendency of any body on the Earth’s surface to drift to the side due to the planet’s rotation is called the “Coriolis Effect “ Coriolis Effect ROLL Jen Stark
  • 30. Here, we see paper drifting to many sides Coriolis Effect ROLL Jen Stark
  • 32. Coriolis Effect DETAIL ROLL Jen Stark
  • 33. Point Of Exposure Jen Stark
  • 34. Point Of Exposure Roll Jen Stark
  • 35. Cone Ambiguous Jen Satrk
  • 36. The “Cylinder Paper Cut” with a solid surface that’s cut open caught my eye: Could we see the paper layers as a symbolic representation of the inner layers of A metaphor for people, or objects…? people’s multiple inside Definitely. You are one layers… of the first people to “Cylinder”: mention this. Paper Cut Jen Stark
  • 37. I like to make the insides very colourfully confusing. You can relate it to people or things being so complicated and elaborate on the inside. Yet the outside layer is usually white to show that something may look simple and ordinary on the outside – but the inside is Cynlinder Roll beaming with colour! Jen Stark
  • 38. About the mysterious “Untitled”: Is it inspired by kind of a Mandala? How do you develop it? It is mainly inspired by geometric patterns. I just cut a shape and slowly change it as the layers progress. With these kind of sculptures I usually don’t know what the end design will look like. The Mandala-style “Untitled.” Sculpture 03 Jen Stark
  • 39. The Mandala-style “Untitled.” Sculpture Jen Stark
  • 40. Paper Anomaly Jen Stark
  • 41. Paper Anomaly Roll Jen Stark
  • 42. Sculpture Burst Jen Stark
  • 43. Sculpture Burst Roll Jen Stark
  • 44. Piece of an Infinite Whole Jen Stark
  • 45. Piece of an Infinite Whole Roll And the same hole - with a depth of 4 ft and a diameter of 2 ft Jen Stark
  • 46. I like the fact that it is so common and usually used two-dimensionally… and I’m trying to show what it can do View Inside Peephole ALL: sculpturally and how much it can be transformed with such little changes. Jen Stark
  • 47. View Inside Peephole … and the awesome, illuminated Jen Stark
  • 48. Peephole01 ROLL Jen Stark
  • 49. Peephole02 Jen Stark
  • 50. Peephole02 ROLL Jen Stark
  • 51. Peephole03 Jen Stark
  • 52. Peephole03 ROLL Jen Stark
  • 53. When did you start with your… can I call it A beautiful “Mold Study.” “kaleidoscope paper art” ? Jen Stark
  • 54. I began making paper sculptures when I went to study in France for a semester. Since I could only take two suitcases with me for five months, I decided to purchase art supplies when I got there. Mold Study Jen Stark
  • 55. The Euro was high and everything was pretty expensive, so I decided to get the cheapest but coolest looking thing in the art store – a stack of construction paper! I started experimenting with what paper could turn into and it took off from there.
  • 56. About your lovely eruptive “Assorted Explosion:” Is it meant to depict an explosion in its early stage? “Assorted Explosion” Jen Stark
  • 57. Exactly! Usually, stacks of construction paper are sold in “assortments” of colour. So, I wanted to play with that word as well as what it looks like it’s doing: exploding. A very colourful kind of explosion and there may be many paper cuts. Detail of “Assorted Explosion:” imagine how long these most delicate cuts might have taken… Jen Stark
  • 58. How To Become a Millionaire In 100 Days 1,000,000 pieces of hand-cut paper 2007 Jen Stark crée des morceaux de papier étonnants trés différents de ce que j’aurais pu dejà voir. Qui a su que vous pourriez prendre une pile de papier et créez un chef d’oeuvre ? The new issue is now on its way…superb cover artwork by Jen Stark A la recherche de nouveaux papertoys je suis tombé sur de belles sculptures de papier. Jen Stark – Sculpture
  • 59. Real leaves from the folk’s backyard, meticulously cut out… Jen Satrk
  • 60. Multiple layers as metaphor for the many layers a personality may have… How poetic cardboard can be! So, apart from your paper explosions, what inspired your beautiful, fragile paper leaves as silhouettes? I live in Miami, Florida, and these leaves came off of trees from my parent’s backyard. They are called sea-grape trees because the trees produce grape- looking berries. I was searching for something to cut into and I decided to try a leaf because it is pretty thick and strong. I was inspired by how leaves can naturally turn into skeletons over time – losing the green part and keeping only the veins. I wanted to simulate this with my X-Acto. Jen Stark
  • 61. sketchbook Jen Stark
  • 62. Isb mar08 Desenho: MattressGiant Jen Stark