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Chasing the Sun
Thoughts on Landscape Photography

      Bert Lim Photography
Equipment
   Camera + Lenses
           DSLR
           Prosumer superzooms
           Compact point and shoot cameras
   Tripod
           Stable and strong enough for weight of setup.
           Do not ignore specs of the head.
           Only as strong as the weakest link.
           Weight vs Stability vs Cost.
   Filters
           ND filters (neutral density)
           GND filters (graduated neutral density)
           Cir-Polarizers
   Others
           Remote shutter release
           L plates
           Panoramic heads and nodal setup
Why Sunrise or Sunset?
   Golden light
   Colors in the sky
   Able to shoot into the sun
   Just plain beautiful
   Dynamic color changes in minutes
Scouting for Sites
 East facing for sunrise
 West facing for sunset
 Water element desired
 Google maps (Satellite view)
 Sun Seeker iphone app
 NEA website (timings and tide)
Remember: Safety First !
   Always bring a torchlight.
   Arrive early and scout the place out.
   When going into water/mud make sure you have
    secure footing.
   Wear proper footwear.
   Make sure rocks are stable where you step and
    setup your camera.
   Spread your tripod legs wider for more stability.
   Be mindful of the CG of your body and setup.
   Go slow and steady.
   If unsure, do not do it.
   If going into thick forest, go in a group.
Composition ideas
   Rule of thirds
Compositional ideas
   Leading / Converging Lines
Composition ideas
   Symmetry
Composition ideas
   Creating Depth
Composition ideas
   Tones and B&W
Dynamic Lighting
 Camera sensors do not have the dynamic
  range to capture sunrise/sunset properly
 Techniques:
     Physically
        GND
        Black   card technique
     Digitally
        HDR  (single or multiple exposures)
        Blending (multiple exposures)
        Exposing to the right
Exposing to the right
   A technique to maximize exposure without
    blowing the highlights in a single exposure.
   Why?
       More details are captured in mid-tones and highlights
        than in shadows.
       It is better to push highlights down in PP, than
        boosting shadows up.
   How?
       Look at the histogram constantly.
       Attempt to expose so that the curve is as close to the
        right edge as possible but not actually merging into
        the right.
       In PP, pull parts of the image back down.
Location ideas
Marina Barrage sunrise
Marina Barrage sunset
Promontory @Marina
Esplanade
Upper Seletar reservoir
Lower Seletar reservoir
Upper Pierce reservoir
Lower Pierce reservoir
Bedok reservior sunrise
Punggol End beach
Sembawang beach
Changi beach (CP6)
Q&A

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Chasing the Sun

  • 1. Chasing the Sun Thoughts on Landscape Photography Bert Lim Photography
  • 2. Equipment  Camera + Lenses  DSLR  Prosumer superzooms  Compact point and shoot cameras  Tripod  Stable and strong enough for weight of setup.  Do not ignore specs of the head.  Only as strong as the weakest link.  Weight vs Stability vs Cost.  Filters  ND filters (neutral density)  GND filters (graduated neutral density)  Cir-Polarizers  Others  Remote shutter release  L plates  Panoramic heads and nodal setup
  • 3. Why Sunrise or Sunset?  Golden light  Colors in the sky  Able to shoot into the sun  Just plain beautiful  Dynamic color changes in minutes
  • 4. Scouting for Sites  East facing for sunrise  West facing for sunset  Water element desired  Google maps (Satellite view)  Sun Seeker iphone app  NEA website (timings and tide)
  • 5. Remember: Safety First !  Always bring a torchlight.  Arrive early and scout the place out.  When going into water/mud make sure you have secure footing.  Wear proper footwear.  Make sure rocks are stable where you step and setup your camera.  Spread your tripod legs wider for more stability.  Be mindful of the CG of your body and setup.  Go slow and steady.  If unsure, do not do it.  If going into thick forest, go in a group.
  • 6. Composition ideas  Rule of thirds
  • 7. Compositional ideas  Leading / Converging Lines
  • 9. Composition ideas  Creating Depth
  • 10. Composition ideas  Tones and B&W
  • 11. Dynamic Lighting  Camera sensors do not have the dynamic range to capture sunrise/sunset properly  Techniques:  Physically  GND  Black card technique  Digitally  HDR (single or multiple exposures)  Blending (multiple exposures)  Exposing to the right
  • 12. Exposing to the right  A technique to maximize exposure without blowing the highlights in a single exposure.  Why?  More details are captured in mid-tones and highlights than in shadows.  It is better to push highlights down in PP, than boosting shadows up.  How?  Look at the histogram constantly.  Attempt to expose so that the curve is as close to the right edge as possible but not actually merging into the right.  In PP, pull parts of the image back down.
  • 13.
  • 14.
  • 15.
  • 29. Q&A