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MUSIC VIDEO
ROLES
• Producer 
• CGI & Effects 
• Director of photography 
• Director 
• Location Scout 
• Prop Master 
• Assistant Director 
• Costume Stylist 
• Lighting Designer
CHOICE
Pitch Old Money
THE SONG
Pitch Old Money
LYRICS
Where have you been? Where did you go? 
Those summer nights seem long ago, 
And so is the girl you used to call, 
The Queen of New York City. 
The power of youth is on my mind, 
Sunsets, small town, I'm out of time. 
Will you still love me when I shine, 
From words but not from beauty? 
But if you send for me you know I'll come, 
And if you call for me you know I'll run. 
I'll run to you, I'll run to you, I'll run, run, run. 
I'll come to you, I'll come to you, I'll come, come,
NARRATIVE
The video begins with an elderly woman 
bursting into a church. 
She walks down the centre through the pews 
and comes face to face with an old TV, showing 
a static screen. 
We see her insert an old VHS into the TV and 
the television starts to show old memories from 
her life. 
Her young self and her now deceased partner 
are shown in flashes from the past. We see a 
variety of scenarios, which demonstrate how 
much they were there for one another and how 
much they loved each other.
Scenarios include: 
• Moving out/in together 
• Lifting heavy items 
• Afternoon tea/picnic 
• Babies/children 
• Proposal/Marriage 
We see her looking a mirror as a young woman, 
yet the reflection is that of her older self 
showing that she still believes herself to be 
youthful and energetic. 
This allows the audience to fully understand 
what is going on and to feel emotion for the 
woman and to sympathise with her. 
The video ends with running back to church.
PERFORMANCE
Pitch Old Money
LOCATIONS
Location is a vital part of the aesthetic of the music video and so whatever we 
choose needs to be “spot-on” and must be able to convey a certain 
feeling/atmosphere. 
Preferably, a white walled room would be used for 
the performance so that the projected images are 
clear and show up well. 
Many people see church as being a safe place as it is 
the house of God and many people seek comfort in 
this and to seek comfort in the end of an era – as the 
woman comes to terms with her age - would be 
fitting.
KILLER-SHOTS
Pitch Old Money
ARTIST NAME
For the artist name we decided on ‘Valerie’. 
Valerie works as a tribute to the late Amy 
Winehouse who has influenced a lot of modern day 
music with her unique voice and power. 
Using just one name adds punch and is memorable 
for anyone looking to find the artist on iTunes or 
simply wanting to tell their friends about the new 
music they just discovered. 
Other names we thought of included foreign 
influences, double-barrels and personal takes on 
existing stage names.
HAIR & MAKE-UP
A soft, simple make-up look for the performer is ideal as we wanted to dress her 
all in white, so that the projections appear clearly. 
However, we could play with pops of colour, such as that with red lipstick so that 
this is the only really vibrant colour we see at that time, creating an interesting 
contrast. 
For hair, either a loose up-do or long curls would be the best option, because it’s 
not too formal and looks relaxed, giving off a calm vibe, matching the song.
Pitch Old Money
COLOUR CONNOTATIONS
In order to create a contrast between the old and young (in all respects), an aspect 
we will take into account is colour and using that to portray different things. 
For example, we have proposed to dressing the older woman in black, with 
connotations of sadness, despair and death – symbolising the death of her 
relationship with her partner and the death of her husband himself. 
In contrast, we would clothe the younger version of the woman in white, in 
accordance with innocence, purity and heaven. This would work as the woman 
would be in “heaven”, classing her love and relationship as pure bliss and a state of 
happiness and good health.

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Pitch Old Money

  • 3. • Producer • CGI & Effects • Director of photography • Director • Location Scout • Prop Master • Assistant Director • Costume Stylist • Lighting Designer
  • 9. Where have you been? Where did you go? Those summer nights seem long ago, And so is the girl you used to call, The Queen of New York City. The power of youth is on my mind, Sunsets, small town, I'm out of time. Will you still love me when I shine, From words but not from beauty? But if you send for me you know I'll come, And if you call for me you know I'll run. I'll run to you, I'll run to you, I'll run, run, run. I'll come to you, I'll come to you, I'll come, come,
  • 11. The video begins with an elderly woman bursting into a church. She walks down the centre through the pews and comes face to face with an old TV, showing a static screen. We see her insert an old VHS into the TV and the television starts to show old memories from her life. Her young self and her now deceased partner are shown in flashes from the past. We see a variety of scenarios, which demonstrate how much they were there for one another and how much they loved each other.
  • 12. Scenarios include: • Moving out/in together • Lifting heavy items • Afternoon tea/picnic • Babies/children • Proposal/Marriage We see her looking a mirror as a young woman, yet the reflection is that of her older self showing that she still believes herself to be youthful and energetic. This allows the audience to fully understand what is going on and to feel emotion for the woman and to sympathise with her. The video ends with running back to church.
  • 16. Location is a vital part of the aesthetic of the music video and so whatever we choose needs to be “spot-on” and must be able to convey a certain feeling/atmosphere. Preferably, a white walled room would be used for the performance so that the projected images are clear and show up well. Many people see church as being a safe place as it is the house of God and many people seek comfort in this and to seek comfort in the end of an era – as the woman comes to terms with her age - would be fitting.
  • 20. For the artist name we decided on ‘Valerie’. Valerie works as a tribute to the late Amy Winehouse who has influenced a lot of modern day music with her unique voice and power. Using just one name adds punch and is memorable for anyone looking to find the artist on iTunes or simply wanting to tell their friends about the new music they just discovered. Other names we thought of included foreign influences, double-barrels and personal takes on existing stage names.
  • 22. A soft, simple make-up look for the performer is ideal as we wanted to dress her all in white, so that the projections appear clearly. However, we could play with pops of colour, such as that with red lipstick so that this is the only really vibrant colour we see at that time, creating an interesting contrast. For hair, either a loose up-do or long curls would be the best option, because it’s not too formal and looks relaxed, giving off a calm vibe, matching the song.
  • 25. In order to create a contrast between the old and young (in all respects), an aspect we will take into account is colour and using that to portray different things. For example, we have proposed to dressing the older woman in black, with connotations of sadness, despair and death – symbolising the death of her relationship with her partner and the death of her husband himself. In contrast, we would clothe the younger version of the woman in white, in accordance with innocence, purity and heaven. This would work as the woman would be in “heaven”, classing her love and relationship as pure bliss and a state of happiness and good health.

Notas do Editor

  1. Reflective old woman, young couple summer nights, “Power of youth”, “i’m out of time” running out of time. Nothing can stand in the way- partnership, romance
  2. Home-made video style footage – shaky perhaps All hand held
  3. Reflective old woman, young couple summer nights, “Power of youth”, “i’m out of time” running out of time. Nothing can stand in the way- partnership, romance