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Alexey Turchin
Art
and digital
immortality
Foundation Science for Life Extension
alexeiturchin@gmail.com
We have a problem: death
And we have a hope: AI

Superintelligence
Self-improving
Exceed collective intelligence of humanity
Unite all planet
May appear in the 21 century
Digital immortality is plan C of reaching
immortality

Plan A is to
survive until
immortality via
fighting aging
Plan B is
cryonics
Two meanings of the digital immortality
а) Preservation of the human informational traces with
the hope that future AI will resurrect him - right one
б) Brain scanning of a living human
AI will be able to reconstruct a persobality
of a diseased person

AI was able to reconstruct
a poetry of a dead
musician (Letov)
Son created a chat-bot of his father

I suppouse that some level of needed fidelity
of a copy exists, like one night difference

But there is a mindkiller problem:
the problem of the personal identity

- But the copy will not be me?

- Yes.
-It will be like your nearest relative
- And may be you after all
More details here:
To reconstruct the personality we need
a lot of information

Passively collected information
is not enough

We don’t need all information

Information criteria:
1. Predicting – predict future behaviour
2.Valuable: related to the human values
3.Unique – predict individuality


Examples:
- Predicting but not unique: number of the fingers of the palm
- Unique but not valuable: the shape of the nail on the little
finger
- Valuable, but not unique: pin-code from the card
The main thesis: The work of art
meets the requirements of importance,
uniqueness and predictive value.
The story of my self-description in 1990
In 1990, I made my first self-description, on which I spent 2
months. Its elements:
1) Texts: a) diary, b) memoirs c) declaration of properties d)
automatic letters e) table of associations f) works of fiction
2) Drawings - an encyclopaedia of non-verbal images;
collection of children's drawings
3) Photos of important places
4) Voice recording of voice
5) Samples of fabric


The Story of
My Self
Description
in 1990
Encyclopedia
of things


The Story of
My Self
Description
in 1990
Encyclopedia of
people I know

The Story of
My Self
Description
in 1990
The story of my
life told from the
inside
(analogous to
"Confession" of
Rousseau)
The Story of
My Self
Description
in 1990
Encyclopedia
of things


The Story of
My Self
Description
in 1990
Encyclopedia of
things


The Story of
My Self
Description
in 1990
Encyclopedia of
things


The Story of
My Self
Description
in 1990
Encyclopedia of
things


The Story of
My Self
Description
in 1990
Encyclopedia of
things


The Story of
My Self
Description
in 1990
“The thing"
A novell

The Story of
My Self
Description
in 1990
"Association
tables"
Any attempt to deliberately unload information from
yourself, self-description, leads to the creation of art. For
some artists, art became an escape from Shoushenk (A.
Lobanov, spent his entire life in a mental hospital)
Style as a personal hash function or digital signature
The style is unique and everyone has his own.
The correct copy will create objects in the same style.


The idea of the digital immortality became
fashionable in 2010s, but only as a passive
reconstruction based on social networks

The idea of digital immortality became
fashionable in 2010, but only as a passive
reconstruction based on social data.
networks
The idea of digital immortality became
fashionable in 2010, but only as a passive
reconstruction based on social networks
In the film "Transcendence" it is the
digital immortality used to create the
personality model of the protagonist
The world is constantly collecting more and more data
about people using the Internet and video surveillance,
as well as investing in the storage of these data. But
this is only passive information, and there is little
essential and individual in it.
At the same time, people are dying,
information is lost and no one is interested
in correctly collecting this information
2015
“Digital Immortality Now"
Uploading protocol
creation

Digital
immortality now
The basis of the
protocol: to
encourage people
to create works of
art in order to fix
their individuality
Digital
immortality now
Why do we need
self-taughts:
trained in the
Academy skill will
not tell much
about the
personality

Digital
immortality now
Spontaneous
drawing transmits
images of the
unconscious
+ art therapy,
+ construction of
the worlds
+ active
imagination
+ drawing dreams

Digital
immortality now
Drawing from
nature acts as an
information filter,
and so we learn
what kind of filter
it is.


Digital immortality
now
Self-portrait as
presentation of your
idea of Self


Digital immortality now
And not only drawing: singing, a story about life, any
complex unique activity acts as an imprint of personality


Digital immortality now
The mode of free generation by a neural network gives its
structure


Проект 2015 года
Карта цифрового бессмертия



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Digital immortality and art

  • 1. Alexey Turchin Art and digital immortality Foundation Science for Life Extension alexeiturchin@gmail.com
  • 2. We have a problem: death
  • 3. And we have a hope: AI

  • 4. Superintelligence Self-improving Exceed collective intelligence of humanity Unite all planet May appear in the 21 century
  • 5. Digital immortality is plan C of reaching immortality
 Plan A is to survive until immortality via fighting aging Plan B is cryonics
  • 6. Two meanings of the digital immortality а) Preservation of the human informational traces with the hope that future AI will resurrect him - right one б) Brain scanning of a living human
  • 7. AI will be able to reconstruct a persobality of a diseased person

  • 8. AI was able to reconstruct a poetry of a dead musician (Letov)
  • 9. Son created a chat-bot of his father

  • 10. I suppouse that some level of needed fidelity of a copy exists, like one night difference

  • 11. But there is a mindkiller problem: the problem of the personal identity

  • 12. - But the copy will not be me?
 - Yes. -It will be like your nearest relative - And may be you after all
  • 14. To reconstruct the personality we need a lot of information

  • 16. We don’t need all information

  • 17. Information criteria: 1. Predicting – predict future behaviour 2.Valuable: related to the human values 3.Unique – predict individuality 
 Examples: - Predicting but not unique: number of the fingers of the palm - Unique but not valuable: the shape of the nail on the little finger - Valuable, but not unique: pin-code from the card
  • 18. The main thesis: The work of art meets the requirements of importance, uniqueness and predictive value.
  • 19. The story of my self-description in 1990 In 1990, I made my first self-description, on which I spent 2 months. Its elements: 1) Texts: a) diary, b) memoirs c) declaration of properties d) automatic letters e) table of associations f) works of fiction 2) Drawings - an encyclopaedia of non-verbal images; collection of children's drawings 3) Photos of important places 4) Voice recording of voice 5) Samples of fabric 

  • 20. The Story of My Self Description in 1990 Encyclopedia of things 

  • 21. The Story of My Self Description in 1990 Encyclopedia of people I know

  • 22. The Story of My Self Description in 1990 The story of my life told from the inside (analogous to "Confession" of Rousseau)
  • 23. The Story of My Self Description in 1990 Encyclopedia of things 

  • 24. The Story of My Self Description in 1990 Encyclopedia of things 

  • 25. The Story of My Self Description in 1990 Encyclopedia of things 

  • 26. The Story of My Self Description in 1990 Encyclopedia of things 

  • 27. The Story of My Self Description in 1990 Encyclopedia of things 

  • 28. The Story of My Self Description in 1990 “The thing" A novell

  • 29. The Story of My Self Description in 1990 "Association tables"
  • 30. Any attempt to deliberately unload information from yourself, self-description, leads to the creation of art. For some artists, art became an escape from Shoushenk (A. Lobanov, spent his entire life in a mental hospital)
  • 31. Style as a personal hash function or digital signature The style is unique and everyone has his own. The correct copy will create objects in the same style. 

  • 32. The idea of the digital immortality became fashionable in 2010s, but only as a passive reconstruction based on social networks

  • 33. The idea of digital immortality became fashionable in 2010, but only as a passive reconstruction based on social data. networks
  • 34. The idea of digital immortality became fashionable in 2010, but only as a passive reconstruction based on social networks
  • 35. In the film "Transcendence" it is the digital immortality used to create the personality model of the protagonist
  • 36. The world is constantly collecting more and more data about people using the Internet and video surveillance, as well as investing in the storage of these data. But this is only passive information, and there is little essential and individual in it.
  • 37. At the same time, people are dying, information is lost and no one is interested in correctly collecting this information
  • 39. Digital immortality now The basis of the protocol: to encourage people to create works of art in order to fix their individuality
  • 40. Digital immortality now Why do we need self-taughts: trained in the Academy skill will not tell much about the personality

  • 41. Digital immortality now Spontaneous drawing transmits images of the unconscious + art therapy, + construction of the worlds + active imagination + drawing dreams

  • 42. Digital immortality now Drawing from nature acts as an information filter, and so we learn what kind of filter it is. 

  • 44. Digital immortality now And not only drawing: singing, a story about life, any complex unique activity acts as an imprint of personality 

  • 45. Digital immortality now The mode of free generation by a neural network gives its structure 

  • 46. Проект 2015 года Карта цифрового бессмертия