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Caravaggio was one of the most extraordinary characters in the history of art. He was the prototype of the turbulent Bohemian artist, his explosive personality helping to obscure the traditional elements of his paintings. His dramatic use of light and shade and uncompromising realism creating a new pictorial vocabulary for European art. From c1599 he drew on High Renaissance and even antique models, with his decorum defying realism. His influence was indeed greatest on artists in areas of Flemish artistic ascendancy. It is almost impossible to overestimate the influence of Caravaggio. He was not only the most powerful and influential Italian painter of the 17C, but also one of the prototypes of the idea of the artist as a rebel outside the normal conventions of society, punctuated by disputes with patrons about his unconventional treatment of religious themes. Caravaggio was one of the few real revolutionaries who really changed the history of painting. His aggressively realistic and dramatically lit paintings swept away the remains of the late Renaissance Mannerist style. He marked the beginning of the Baroque painting. Fiercely original Caravaggio had left us a basket of rotting fruits and an aging Madonna that no artist had followed.
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Heys people, these are our slides that we did last time, iet me know on fb if urall can download it
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This is the first of four Powerpoint on US gallery to be released on the next few day. In 1974 Norton Simon agreed to take over the Pasadena Art Museum, giving his collection a permanent home. In 1995, the museum began a major renovation and design. It also included a new theatre. Norton Simon started collecting seriously in 1964, when he purchased the entire European collection of the Duveen Brot. Today, his collection on European paintings is broadly based and methodological. The collection covers the whole span of European painting developments from the early Renaissance to modern days. All the mainstream movements are represented by works from the masters. However, one noticeable absence are paintings from America. In 1970s the collection started to include Asian Arts. Today, there are some 4,000 works in the collection. On European paintings the collection would complement to that of the more well-known Paul Getty Museum. Ion paintings, it must rank as one of the best on the west coast of America.
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Caravaggio was one of the most extraordinary characters in the history of art. He was the prototype of the turbulent Bohemian artist, his explosive personality helping to obscure the traditional elements of his paintings. His dramatic use of light and shade and uncompromising realism creating a new pictorial vocabulary for European art. From c1599 he drew on High Renaissance and even antique models, with his decorum defying realism. His influence was indeed greatest on artists in areas of Flemish artistic ascendancy. It is almost impossible to overestimate the influence of Caravaggio. He was not only the most powerful and influential Italian painter of the 17C, but also one of the prototypes of the idea of the artist as a rebel outside the normal conventions of society, punctuated by disputes with patrons about his unconventional treatment of religious themes. Caravaggio was one of the few real revolutionaries who really changed the history of painting. His aggressively realistic and dramatically lit paintings swept away the remains of the late Renaissance Mannerist style. He marked the beginning of the Baroque painting. Fiercely original Caravaggio had left us a basket of rotting fruits and an aging Madonna that no artist had followed.
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This is the first of four Powerpoint on US gallery to be released on the next few day. In 1974 Norton Simon agreed to take over the Pasadena Art Museum, giving his collection a permanent home. In 1995, the museum began a major renovation and design. It also included a new theatre. Norton Simon started collecting seriously in 1964, when he purchased the entire European collection of the Duveen Brot. Today, his collection on European paintings is broadly based and methodological. The collection covers the whole span of European painting developments from the early Renaissance to modern days. All the mainstream movements are represented by works from the masters. However, one noticeable absence are paintings from America. In 1970s the collection started to include Asian Arts. Today, there are some 4,000 works in the collection. On European paintings the collection would complement to that of the more well-known Paul Getty Museum. Ion paintings, it must rank as one of the best on the west coast of America.
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There were many Western female artists and paintings in history. It is not possible to do them all in a single slideshow. Here is my selection mapped out the more well-known Western female painters in history. I have also given priority for those have a portrait of the artist. This is one of the more difficult slideshows to make because these female painters are relatively unknown. Their high quality of paintings, are difficult to find. Surprisingly many of these high-quality paintings came from auction houses. 26.10.2021
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Although the museum is one of the youngest in the United States, it is fairly large and comprehensive museum, a significant representation of European art, ranging from antiquity to the present day. The museum was inaugurated only in 1965. However, a large part of the collection came from the Los Angeles Museum of History, Science and Art, which was established a century earlier. The museum is also known for its Modern art items as well.
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The National Gallery of Art, and its attached Sculpture Garden, is a national art museum in Washington, D.C., United States, located on the National Mall, between 3rd and 9th Streets, at Constitution Avenue NW. Open to the public and free of charge, the museum was privately established in 1937 for the American people.
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The building was based on the plan, designed by Bertram Goodhue. It layout reminds one of an ancient Roman countryside villa, with several courtyard surrounded by exhibition rooms, with low roofs. Its collection features painting by van Gogh, Gauguin, Monet, the American artists, with emphasize of paintings connected to Hawaii. Because of its racial diversity of Hawaii, it also houses a collection of traditional South Asia & South Asian art, together with Chinese, Japanese and Hawaian art. It also used as a venue for contemporary arts. I particularly enjoyed getting acquaintance of art connected to Hawaii.
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Although the museum is one of the youngest in the United States, it is fairly large and comprehensive museum, a significant representation of European art, ranging from antiquity to the present day. The museum was inaugurated only in 1965. However, a large part of the collection came from the Los Angeles Museum of History, Science and Art, which was established a century earlier. The museum is also known for its Modern art items as well.
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There were many Western female artists and paintings in history. It is not possible to do them all in a single slideshow. Here is my selection mapped out the more well-known Western female painters in history. I have also given priority for those have a portrait of the artist. This is one of the more difficult slideshows to make because these female painters are relatively unknown. Their high quality of paintings, are difficult to find. Surprisingly many of these high-quality paintings came from auction houses. 26.10.2021
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Although the museum is one of the youngest in the United States, it is fairly large and comprehensive museum, a significant representation of European art, ranging from antiquity to the present day. The museum was inaugurated only in 1965. However, a large part of the collection came from the Los Angeles Museum of History, Science and Art, which was established a century earlier. The museum is also known for its Modern art items as well.
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Although the museum is one of the youngest in the United States, it is fairly large and comprehensive museum, a significant representation of European art, ranging from antiquity to the present day. The museum was inaugurated only in 1965. However, a large part of the collection came from the Los Angeles Museum of History, Science and Art, which was established a century earlier. The museum is also known for its Modern art items as well.
Los Angles County Museum of Art 2.0
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Ever since Peter the Great, it was Russian policy to become a major European power. He lead a cultural revolution with an aim to transform the traditional and medieval social and political system into a modern society. In 1764, two years after Catherine the Great on the throne, She brought out Gotzkowski’s collection of 225 paintings, mainly Dutch and Flemish paintings. Politically, Empress Catherine’s patronage would enhance her image of an enlightened monarch. The Gotzkowski’s collection makes up the core of the paintings in Hermitage. In general the Hermitage collection is quite representative of the development of European arts since the 17C. After Catherine the Great, successive monarchs had added to the collection. It is really surprising to find large number of Impressionists paintings and modern paintings in the collection.
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Encouraged by the success of Romanticism in portraying the exceptional and the exotic subjects. Several French painters travelled to North Africa and Middle East painting scenes of ‘Oriental’ history and the contemporary life. Delacroix was one of the first and the most convincing. Many others followed, notably Gerome. Other preferred to used their imagination and let it run wild, depicting their version of the imaging ‘Orient’, like Ingres A particular popular theme was the harem. Since no European man had ever been into a harem their works were mostly frictional. British painters like John Frederic Lewis and William Holman Hunt also embarked on their journey of discovery. Both men also spent part of their life living in the Middle East. They have also bought back images of what they experienced in the ‘Orient’.
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AGNY Study Pack # 1 Tenth Street Studios, 51 West 10th 1857-1956 2 The Heart of the Andes, 1859 Frederic Edwin Church 3 William Merritt Chase, Interior of the Artist’s Studio, 1882 4 James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875 5 Cassatt, Little Girl in a Blue Armchair, 1878 6 Tanner, View of the Seine Looking Toward Nôtre Dame, 1896 7 Romaine Brooks, Self-Portrait, 1922 8 Hopper, Steps in Paris, 1906 9 Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ハEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
galerussel59292
Glenn Hirsch, Instructor www.glennhirsch.com
Finishing Touches in Painting: Detail through Precision and Detail through Im...
Finishing Touches in Painting: Detail through Precision and Detail through Im...
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AGNY Study Pack # 1 Tenth Street Studios, 51 West 10th 1857-1956 2 The Heart of the Andes, 1859 Frederic Edwin Church 3 William Merritt Chase, Interior of the Artist’s Studio, 1882 4 James Abbott McNeill Whistler, Nocturne in Black and Gold: The Falling Rocket, ca. 1875 5 Cassatt, Little Girl in a Blue Armchair, 1878 6 Tanner, View of the Seine Looking Toward Nôtre Dame, 1896 7 Romaine Brooks, Self-Portrait, 1922 8 Hopper, Steps in Paris, 1906 9 Edward Hopper: The Paris YearsFebruary 22 - June 1, 2003ハEdward Hopper was the J.D. Salinger of American painters, an extremely private man who granted few interviews. Much of what scholars know about his work comes from his wife Jo Nivison-Hopper's journals. Edward Hopper: The Paris Years, organized by the Whitney Museum of American Art of New York, provides a tantalizing look at the early work of one of America's best known figurative painters. The exhibition of 45 paintings and 10 works on paper opens at Charlotte, NC's Mint Museum of Art on February 22 and runs through June 1, 2003. (left: Edward Hopper (1882-1967), Steps in Paris, 1906, oil on wood, 13 x 9 3/16 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Hopper said little about even his most accomplished paintings, believing the work should speak for itself. Scholars have been left to speculate on influences on his career, from his realist art instructors Robert Henri, William Merritt Chase andKenneth Hayes Miller at the New York School of Art to the psychological reaction of a young man raised in a small town coming to grips with isolation and loss of community in the urban modern age that was New York City at the turn of the century. The answer may be found in Paris, in verse rather than on canvas. (right: Edward Hopper (1882-1967), Notre Dame, No. 2, 1907, oil on canvas, 23 1/2 x 28 3/4 inches, Collection of the Whitney Museum of American Art, New York, from a 1970 bequest from Josephine N. Hopper)Edward Hopper's early talent for drawing and painting was encouraged by his mother Elizabeth. The family's middle class concern for his future financial security influenced Edward to attend The New York School of Illustrating before transferring to the New York School of Art. Hopper would work more than fifteen years as a commercial illustrator, work that he despised. His skill at painting watercolors, however, is attributed to the years spent as an illustrator. He was able to master strokes with the brush and had a remarkable eye for being able to adjust a composition to where it would have the most immediate anddramatic impact on the viewer.After six years of study at the New York School of Art, Hopper left for France in October, 1906. His Paris studies coincided with an exciting era in the history of the Modern movement. Hopper, however, was untouched by Fauvist and Cubist art popular at the time, continuing instead to follow.
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
AGNY Study Pack # 1Tenth Street Studios, 51 West 10th .docx
jack60216
Famous artists
Famous artists
angordon
The National Gallery Scotland is one of the finest in the world. It has a comprehensive collection including works by Italian, French, Flemish & Dutch masters. Its collections covered all the major developments in European paintings between the 15th and the 19h century. Also it includes a rich collection of Scottish paintings. It is a home of Scottish art and painting. The gallery is situated in the heart of Edinburgh. The gallery is also benefit from the exchange program of paintings with the National Gallery London. The gallery is well worth a visit. Within its elegant neoclassical exterior designed by William Henry Playfair, are housed works by the greatest names in Western art including Raphael, Titian, El Greco, Veazquez, Rembrandt, Rubens, Watteau, Tiepolo, Canova and many of the Impressionists and Post impressionists. The Gallery also contains the most comprehensive collection of Scttish art from the 11C to the 19C.
National Gallery of Scotland, Edinburugh
National Gallery of Scotland, Edinburugh
Jerry Daperro
AP ART HISTORY : Other Art Styles of the Late Nineteenth Century. Art Nouveau, Arts and Crafts Movement, Austrian Secession, Symbolism. Artists, architects: Redon, Moreau, Rousseau, Carpeaux, Horta, Gaudi, Tiffany, Klimt
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Apah study guide women artists
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read pp. 425-429 (Feminist Art) GUERILLA GIRLS, Do Women have to be naked? , 1989-2005
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