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LIGHT Basic Design – I
LIGHT IS ENERGY   LIGHT  IS  ONE  OF  THE  FIVE   FUNDAMENTAL ELEMENTS ( PANCHAMAHABHUTAS)   LIGHT IS ESSENTIAL FOR BIOLOGICAL GROWTH ,[object Object],[object Object]
VISUAL  ARTS  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
SUN IS EARTH’S ONLY SOURCE OF NATURAL LIGHT VISIBLE  SUNLIGHT  IS  A  SMALL  BAND  WITHIN  THE   ELECTROMAGNETIC  SPECTRUM  OF  SOLAR  ENERGY ,[object Object],[object Object],[object Object]
THE  SUN  MOVES  FROM  EAST  TO  WEST THROUGH  THE  DAY ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],E W N S E E
Qualities of Natural Light
[object Object],[object Object]
[object Object],[object Object]
[object Object]
[object Object],[object Object]
LIGHT ning
5/41 Intoxicating Light
[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],ELEMENT OF SURPRISE & HOPE
[object Object],[object Object],[object Object],[object Object],ENHANCING  THE VISUAL IMPACT
DESIRED  QUALITY OF LIGHT   Leaves filtering light and casting shadows Mhaskar Pada,  Aine  CREATES  A  NATURAL  SHELTER
[object Object]
ARCHITECTURE LIGHT  &  MOVEMENT ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
ARCHITECTURE, INSIDE / OUTSIDE ,[object Object],[object Object],[object Object],[object Object],[object Object]
LIGHT  reveals  the  form  in  space.
THE FORM REVEALED & ENHANCED High Court (Chandigarh)  Ar. Le Corbusier
FORM  of  Bani, Village Cluster in Rajasthan.
[object Object],Bright Light reveals the Internal Space
Transient Light  creates, Cool, Comfortable,  Relaxing, Space. ,[object Object],[object Object]
[object Object],[object Object],Reveals  the  humble  Space at  Aine , Dahanu
Brick Texture  Vithalwadi Pune  Stone Texture  IUCAA Pune
[object Object],[object Object]
Light Shade & Shadow Reveals the detail Also  Conceals the joints in stone masonary
Light  enhances the decoration colour & details
[object Object],[object Object],[object Object]
Light,Colour & Space
Coloured light  for Special effect
LIGHT  & ARCHITECTURE         MOVEMENT OF THE SUN ( LIGHT, SHADE & SHADOWS,) CREATES EVERCHANGING PATTERNS, AND ANIMATES THE SPACE. The Daylight in the interior space depends upon the area of openings. Area of Openings for, Daylight requirement in a room is  1/8 th  or 1/10 th  of the area of the  floor  space. NO SPACE, ARCHITECTURALLY, IS A SPACE UNLESS IT HAS NATURAL LIGHT
DIFFERENT DEGREES OF ENCLOSURES signify  DIFFERENT INTENSITIES OF LIGHT (QUALITIES)  IN THE INTERIOR SPACE
Degree of Enclosure and Levels of illumination Pravesh  Chowky Sabhamandap Garbhagriha ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],Pravesh  Chowky Sabhamandap ,[object Object],[object Object],Garbhagriha
 
 
Loyola Chapel, near Trivandrum,1971  Ar. Laurie Baker
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
CHAPLE AT RONCHAMP 1955  Ar. LE CORBUSIER
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],“  As you imagine, I use light  freely; Light for me is  the fundamental basis of Architecture, I compose with Light”   Le Corbusier
LIGHT & ARCHITECTURE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
DESIGN  ELEMENTS  THAT  CONTROL THE QUALITY OF LIGHT OPENINGS – DEPENDING ON SIZE, LOCATION, ORIENTATION ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
IN  THE  INTERIOR  SPACE ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
WINDOW IN THE CENTRE OF THE WALL DIRECT LIGHT
WINDOWS AT THE EDGES OF WALL LIGHTING UP THE SIDE WALLS DIRECT & REFLECTED LIGHT
[object Object],Villa  Savoie, at Poissy  Ar. Le Corbusier
Full glass wall – Opening up the interior  CROWN HALL, School of Architecture, Chicago  Ar. Mies van Der Rohe
[object Object],Full Wall Opening Establish Transparency Between Interior & Exterior
CORNER WINDOW OPENING UP THE VISTA
Corner Window – Opening up the Vista
Kanchanjunga Ar. Charles Correa OPENING UP THE CORNER TO THE LIMIT OF BREAKING THE BARRIOR BETWEEN THE INSIDE & THE OUTSIDE
View from inside out And Outside in
[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
“  THE STRUCTURE IS A DESIGN IN LIGHT.  THE VAULT, THE DOME, THE ARCH, THE COLUMN ARE STRUCTURES RELATED TO THE CHARACTER OF LIGHT .   NATURAL LIGHT GIVES MOOD TO SPACE , BY THE NUANCES OF LIGHT IN THE TIME OF THE DAY AND THE SEASONS OF THE YEAR , AS IT ENTERS AND MODIFIES THE SPACE .”     BY AR. LOUIS .I. KAHN LIGHT & ARCHITECTURE
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
IIM Campus, Ahmedabad Ar. Louis I. Kahn
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object]
Skylight reflected in the granite floor of the atrium MRF HEADQUARTERS, Madras  Ar. Charles Correa
[object Object],[object Object],[object Object]
IN  THE  BUFFER  SPACE ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
ALTERNATE BAYS OF COURTYARDS WITH WATER BODY TO ENHANCE THE QUALITY OF LIGHT   IN THE COVERED BAYS Gandhi Ashram  Ar. Charles Correa
[object Object],Ar. Charles Correa
[object Object]
COURTYARD  PROVIDES  LIGHT TO THE CENTRE OF THE HOUSE Chettinad
Decorations transform the courtyard  to celebrate the family  wedding
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
Ar.  Louis Kahn Hospital, Dhaka, Corridor Buffer Zone
Verandah ( buffer zone) as sitting space  Ar. Laurie Baker
Verandah & Outer Space
This Happens only in Goa Verandah  as the entrance,  in  GOA
Verandah, with additional buffer zone created by pendol of beetlenut trunks.  Dive Agar
[object Object],[object Object]
IN  THE  EXTERIOR  SPACE ,[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Pergola over entrance courtyard British Library, Delhi Ar. Charles Correa
[object Object],[object Object],[object Object],[object Object],[object Object]
THE LARGE  PERGOLA  PROTECTES THE BUILDING FROM THE SUN. MRF HEADQUARTERS, Madras  Ar. Charles Correa
[object Object],[object Object],[object Object]
Pergola over  Court Yard Ar.  Rahul Rawat
Brise Soleil Ar. Le Corbusier Highcourt, Chandigarh Millowner’s Association
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object]
[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object],[object Object]
[object Object],OUTDOOR Artificial Lighting
[object Object],[object Object]
[object Object],[object Object]
[object Object],[object Object]
[object Object]
[object Object]
ARCHITECTURE MUST HAVE THE RELIGION OF LIGHT . A SENSE OF GIVER OF LIGHT AS THE GIVER OF ALL PRESENCES. EVERY BUILDING , EVERY ROOM MUST BE IN NATURAL LIGHT  BECAUSE NATURAL LIGHT GIVES MOOD OF THE DAY. THE SEASON OF THE YEAR IS BROUGHT IN THE ROOM. IT CAN EVEN BE SAID THAT THE SUN NEVER KNEW HOW GREAT IT WAS UNTIL IT STRUCK THE SIDE OF THE BUILDING .  WHEN  LIGHT  ENTERS A ROOM , IT IS YOUR LIGHT AND NOBODY ELSES.  IT BELONGS TO THAT ROOM. Ar.Louis Kahn  LIGHT & ARCHITECTURE
 
 
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Light presentation

  • 2.
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  • 9.
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  • 11.
  • 14.
  • 15.
  • 16.
  • 17. DESIRED QUALITY OF LIGHT Leaves filtering light and casting shadows Mhaskar Pada, Aine CREATES A NATURAL SHELTER
  • 18.
  • 19.
  • 20.
  • 21. LIGHT reveals the form in space.
  • 22. THE FORM REVEALED & ENHANCED High Court (Chandigarh) Ar. Le Corbusier
  • 23. FORM of Bani, Village Cluster in Rajasthan.
  • 24.
  • 25.
  • 26.
  • 27. Brick Texture Vithalwadi Pune Stone Texture IUCAA Pune
  • 28.
  • 29. Light Shade & Shadow Reveals the detail Also Conceals the joints in stone masonary
  • 30. Light enhances the decoration colour & details
  • 31.
  • 33. Coloured light for Special effect
  • 34. LIGHT & ARCHITECTURE         MOVEMENT OF THE SUN ( LIGHT, SHADE & SHADOWS,) CREATES EVERCHANGING PATTERNS, AND ANIMATES THE SPACE. The Daylight in the interior space depends upon the area of openings. Area of Openings for, Daylight requirement in a room is 1/8 th or 1/10 th of the area of the floor space. NO SPACE, ARCHITECTURALLY, IS A SPACE UNLESS IT HAS NATURAL LIGHT
  • 35. DIFFERENT DEGREES OF ENCLOSURES signify DIFFERENT INTENSITIES OF LIGHT (QUALITIES) IN THE INTERIOR SPACE
  • 36.
  • 37.
  • 38.  
  • 39.  
  • 40. Loyola Chapel, near Trivandrum,1971 Ar. Laurie Baker
  • 41.
  • 42. CHAPLE AT RONCHAMP 1955 Ar. LE CORBUSIER
  • 43.
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  • 45.
  • 46.
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  • 48.
  • 49. WINDOW IN THE CENTRE OF THE WALL DIRECT LIGHT
  • 50. WINDOWS AT THE EDGES OF WALL LIGHTING UP THE SIDE WALLS DIRECT & REFLECTED LIGHT
  • 51.
  • 52. Full glass wall – Opening up the interior CROWN HALL, School of Architecture, Chicago Ar. Mies van Der Rohe
  • 53.
  • 54. CORNER WINDOW OPENING UP THE VISTA
  • 55. Corner Window – Opening up the Vista
  • 56. Kanchanjunga Ar. Charles Correa OPENING UP THE CORNER TO THE LIMIT OF BREAKING THE BARRIOR BETWEEN THE INSIDE & THE OUTSIDE
  • 57. View from inside out And Outside in
  • 58.
  • 59.
  • 60.
  • 61. “ THE STRUCTURE IS A DESIGN IN LIGHT. THE VAULT, THE DOME, THE ARCH, THE COLUMN ARE STRUCTURES RELATED TO THE CHARACTER OF LIGHT . NATURAL LIGHT GIVES MOOD TO SPACE , BY THE NUANCES OF LIGHT IN THE TIME OF THE DAY AND THE SEASONS OF THE YEAR , AS IT ENTERS AND MODIFIES THE SPACE .” BY AR. LOUIS .I. KAHN LIGHT & ARCHITECTURE
  • 62.
  • 63. IIM Campus, Ahmedabad Ar. Louis I. Kahn
  • 64.
  • 65.
  • 66.
  • 67.
  • 68.
  • 69. Skylight reflected in the granite floor of the atrium MRF HEADQUARTERS, Madras Ar. Charles Correa
  • 70.
  • 71.
  • 72.
  • 73. ALTERNATE BAYS OF COURTYARDS WITH WATER BODY TO ENHANCE THE QUALITY OF LIGHT IN THE COVERED BAYS Gandhi Ashram Ar. Charles Correa
  • 74.
  • 75.
  • 76. COURTYARD PROVIDES LIGHT TO THE CENTRE OF THE HOUSE Chettinad
  • 77. Decorations transform the courtyard to celebrate the family wedding
  • 78.
  • 79.
  • 80. Ar. Louis Kahn Hospital, Dhaka, Corridor Buffer Zone
  • 81. Verandah ( buffer zone) as sitting space Ar. Laurie Baker
  • 83. This Happens only in Goa Verandah as the entrance, in GOA
  • 84. Verandah, with additional buffer zone created by pendol of beetlenut trunks. Dive Agar
  • 85.
  • 86.
  • 87.
  • 88. Pergola over entrance courtyard British Library, Delhi Ar. Charles Correa
  • 89.
  • 90. THE LARGE PERGOLA PROTECTES THE BUILDING FROM THE SUN. MRF HEADQUARTERS, Madras Ar. Charles Correa
  • 91.
  • 92. Pergola over Court Yard Ar. Rahul Rawat
  • 93. Brise Soleil Ar. Le Corbusier Highcourt, Chandigarh Millowner’s Association
  • 94.
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  • 100.
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  • 102.
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  • 105.
  • 106.
  • 107.
  • 108.
  • 109. ARCHITECTURE MUST HAVE THE RELIGION OF LIGHT . A SENSE OF GIVER OF LIGHT AS THE GIVER OF ALL PRESENCES. EVERY BUILDING , EVERY ROOM MUST BE IN NATURAL LIGHT BECAUSE NATURAL LIGHT GIVES MOOD OF THE DAY. THE SEASON OF THE YEAR IS BROUGHT IN THE ROOM. IT CAN EVEN BE SAID THAT THE SUN NEVER KNEW HOW GREAT IT WAS UNTIL IT STRUCK THE SIDE OF THE BUILDING . WHEN LIGHT ENTERS A ROOM , IT IS YOUR LIGHT AND NOBODY ELSES. IT BELONGS TO THAT ROOM. Ar.Louis Kahn LIGHT & ARCHITECTURE
  • 110.  
  • 111.