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For BBC Three
DOCUMENTARY
RESEARCH
BBC THREE DOCUMENTARIES
• Documentaries made by BBC Three are made to appeal to their
younger audiences, therefore they make them about subjects that
would interest or be relatable to this age range of 16-24.
• These documentaries include “The Instagram Effect”, “Jamie: Drag
Queen at 16”, “When nudes are stolen”, “Transitioning Teens”, “Plastic
Surgery Undressed”, “Tagged”, “Is Uni Racist?” and many more. All
about issues, struggles and experiences that people of this target
audience may have gone through or relate to and how they can be
helped.
DOCUMENTARIES
• A documentary is a motion picture (can be a film or a series of episodes)
consisting of interviews, video footage, pictures, voice overs and re-
enactments of true events. They involve real people and real events,
whether the documentary is recalling the events that happened through
secondary or primary footage that they have collected.
• The purpose of a documentary is to document reality, primarily for the
purposes of instruction, education or maintaining a historical record.
Article
title:
Documentary - Simple English Wikipedia, the free encyclopedia
Website
title:
Wikipedia
URL:
https://simple.wikipedia.org/wiki/Documentary#:~:text=From%20Simple%20English%20Wikipedia%2C%20the%20
free%20encyclopedia%20A,recording%2C%20such%20as%20a%20movie%20or%20radio%20program.
MODES OF DOCUMENTARY FILM
• In 2010 Bill Nichols released a seminal text titled Introduction to Documentary in which he
discussed six different frequently cited sub-genres used in documentary film making, otherwise
know as ‘modes’.
• These six modes were poetic, expository, participatory, observational, reflexive and
performative.
• Poetic was described as non-linear, abstract and lacked a clear narrative thrust and therefore
rely on juxtaposition of images and sound to help create the mood and tone that they desire. It
is said that this mode was most popular during the 1920s. This mode of documentary means it
is quite open to interpretation, however you are more likely to feel a certain way as certain tones
are used and certain things are said to make you feel a certain way, influencing your emotions,
e.g. source of Nazi propaganda to fuel patriotism within Germany.
MODES OF DOCUMENTARY FILM
• Expository was a form of documentary that was also popular during the 1920s. This mode
of documentary contains a clear narrative that is used in a lot of nature documentaries,
including the BBC’s Blue Planet and Planet Earth. In Expository documentaries, interviews,
illustrative visuals, a voice over narrative and sometimes graphics and photographs are
often used. The voice over acts explains to you what the documentary is about and heavily
influences the viewers opinions, as the viewer can only judge their opinion off what the
narrator says, meaning a preferred meaning is constructed, meaning the narration is
possibly not the reality. Overall, the expository mode directs the audience through a means
of emphasised visuals and poetical manipulation to get a particular conclusion.
MODES OF DOCUMENTARY FILM
• Participatory mode shows the direct relationship between the filmmaker and the subject of the
documentary. It originated in the 60’s however gained its main popularity in the 80s and onwards.
Successful examples of participatory documentaries include Morgan Spurlock’s Supersize Me and
Louis Theroux’s My Scientology Movie.
• Observational documentaries started in the 60’s and took advantage of smaller cameras and faster
lenses to shoot in low light and attempted to film their subjects with as little intrusion and intervention as
possible. This form of documentary means that audiences are aren’t guided about what opinions to
have on the subject and therefore are able to produce their own conclusions as individuals. It is said
that observational documentaries portray a more accurate representation of reality in comparison to
other modes as in these documentaries the audience is not manipulated by visuals or voice-overs and
are just simply viewing observations that have been subtly recorded (however it is not guaranteed that
the subject didn’t see the cameras and didn't know that they were being recorded)
MODES OF DOCUMENTARY FILM
• Reflexive mode evolved during the 1980s with the idea of getting audiences to question
the authenticity of documentary in general. This mode of documentary challenges
assumptions and expectations about the form itself, meaning that often their focus is on the
process of asking the film, how and why it is constructed this way (the behind the scenes).
This mode documents the filmmaker's ‘journey’ where this shares the same space as the
film's referent elements.
• Performative is the direct opposite of the objective mode, meaning the documentary
emphasises the filmmaker's own involvement with the subject. The filmmaker becomes a
personal guide throughout the documentary, showing and telling the journey like it is with
raw emotion.
TIGER KING
• An American true crime documentary about the life of convicted felon and former zookeeper, Joe Exotic and
his connections with other conservationists and collectors, such as Carole Baskin.
• On Rotten Tomatoes, series one of Tiger King has a high approval rating of 89%, with an average rating of
7.88/10. In the first ten days of the show being released on Netflix, it was watched by 34.3 million people.
• The purpose of this documentary is to explore what really happened to Joe Exotic, Carole Baskin and the
animals that were kept in their care, while also showing the abuse that the animals faced and how change
must be made.
• Due to its themes of bad language, animal harm, drug
misuse and violence, the documentary has an age rating of
15, therefore its desired target audience are people over
this age range who are interested in true crime and possibly
animals.
• Voiceover narration
• Video footage and photographs from the past (that was not recorded for the documentary
but document the necessary events)
• Talking heads (people being interviewed about the topic/events that the subject of the
documentary)
• Real people (Joe Exotic, Carole Baskin, people who worked with them, etc.)
TIGER KING – CODES AND CONVENTIONS
THE INSTAGRAM EFFECT
• This BBC Three documentary is targeted at BBC Three’s normal
target audience of people aged 16-24.
• The documentary talks about how Instagram works, the influence it
has on people and the people and algorithms behind the platform.
• This documentary also analyses the extreme effects that Instagram has and the impact that
it has on peoples lives, such as how people are living in an artificial world, how social media
takes up so much of peoples time, how they are now struggling to differentiate the different
between real and false, how false social media is, and the negative effects that it now has
on people, especially people who are younger.
• Video footage and photographs from the past (that was not recorded for the documentary
but document the necessary events)
• Talking heads (people being interviewed about the topic/events that the subject of the
documentary, specifically past/current employees of Facebook and Instagram as well as
influencers who have high numbers of followers on these platforms)
• Real people (Facebook and Instagram employees, influencers, etc.)
THE INSTAGRAM EFFECT–
CODES AND CONVENTIONS

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BBC Documentary Research

  • 2. BBC THREE DOCUMENTARIES • Documentaries made by BBC Three are made to appeal to their younger audiences, therefore they make them about subjects that would interest or be relatable to this age range of 16-24. • These documentaries include “The Instagram Effect”, “Jamie: Drag Queen at 16”, “When nudes are stolen”, “Transitioning Teens”, “Plastic Surgery Undressed”, “Tagged”, “Is Uni Racist?” and many more. All about issues, struggles and experiences that people of this target audience may have gone through or relate to and how they can be helped.
  • 3. DOCUMENTARIES • A documentary is a motion picture (can be a film or a series of episodes) consisting of interviews, video footage, pictures, voice overs and re- enactments of true events. They involve real people and real events, whether the documentary is recalling the events that happened through secondary or primary footage that they have collected. • The purpose of a documentary is to document reality, primarily for the purposes of instruction, education or maintaining a historical record. Article title: Documentary - Simple English Wikipedia, the free encyclopedia Website title: Wikipedia URL: https://simple.wikipedia.org/wiki/Documentary#:~:text=From%20Simple%20English%20Wikipedia%2C%20the%20 free%20encyclopedia%20A,recording%2C%20such%20as%20a%20movie%20or%20radio%20program.
  • 4. MODES OF DOCUMENTARY FILM • In 2010 Bill Nichols released a seminal text titled Introduction to Documentary in which he discussed six different frequently cited sub-genres used in documentary film making, otherwise know as ‘modes’. • These six modes were poetic, expository, participatory, observational, reflexive and performative. • Poetic was described as non-linear, abstract and lacked a clear narrative thrust and therefore rely on juxtaposition of images and sound to help create the mood and tone that they desire. It is said that this mode was most popular during the 1920s. This mode of documentary means it is quite open to interpretation, however you are more likely to feel a certain way as certain tones are used and certain things are said to make you feel a certain way, influencing your emotions, e.g. source of Nazi propaganda to fuel patriotism within Germany.
  • 5. MODES OF DOCUMENTARY FILM • Expository was a form of documentary that was also popular during the 1920s. This mode of documentary contains a clear narrative that is used in a lot of nature documentaries, including the BBC’s Blue Planet and Planet Earth. In Expository documentaries, interviews, illustrative visuals, a voice over narrative and sometimes graphics and photographs are often used. The voice over acts explains to you what the documentary is about and heavily influences the viewers opinions, as the viewer can only judge their opinion off what the narrator says, meaning a preferred meaning is constructed, meaning the narration is possibly not the reality. Overall, the expository mode directs the audience through a means of emphasised visuals and poetical manipulation to get a particular conclusion.
  • 6. MODES OF DOCUMENTARY FILM • Participatory mode shows the direct relationship between the filmmaker and the subject of the documentary. It originated in the 60’s however gained its main popularity in the 80s and onwards. Successful examples of participatory documentaries include Morgan Spurlock’s Supersize Me and Louis Theroux’s My Scientology Movie. • Observational documentaries started in the 60’s and took advantage of smaller cameras and faster lenses to shoot in low light and attempted to film their subjects with as little intrusion and intervention as possible. This form of documentary means that audiences are aren’t guided about what opinions to have on the subject and therefore are able to produce their own conclusions as individuals. It is said that observational documentaries portray a more accurate representation of reality in comparison to other modes as in these documentaries the audience is not manipulated by visuals or voice-overs and are just simply viewing observations that have been subtly recorded (however it is not guaranteed that the subject didn’t see the cameras and didn't know that they were being recorded)
  • 7. MODES OF DOCUMENTARY FILM • Reflexive mode evolved during the 1980s with the idea of getting audiences to question the authenticity of documentary in general. This mode of documentary challenges assumptions and expectations about the form itself, meaning that often their focus is on the process of asking the film, how and why it is constructed this way (the behind the scenes). This mode documents the filmmaker's ‘journey’ where this shares the same space as the film's referent elements. • Performative is the direct opposite of the objective mode, meaning the documentary emphasises the filmmaker's own involvement with the subject. The filmmaker becomes a personal guide throughout the documentary, showing and telling the journey like it is with raw emotion.
  • 8. TIGER KING • An American true crime documentary about the life of convicted felon and former zookeeper, Joe Exotic and his connections with other conservationists and collectors, such as Carole Baskin. • On Rotten Tomatoes, series one of Tiger King has a high approval rating of 89%, with an average rating of 7.88/10. In the first ten days of the show being released on Netflix, it was watched by 34.3 million people. • The purpose of this documentary is to explore what really happened to Joe Exotic, Carole Baskin and the animals that were kept in their care, while also showing the abuse that the animals faced and how change must be made. • Due to its themes of bad language, animal harm, drug misuse and violence, the documentary has an age rating of 15, therefore its desired target audience are people over this age range who are interested in true crime and possibly animals.
  • 9. • Voiceover narration • Video footage and photographs from the past (that was not recorded for the documentary but document the necessary events) • Talking heads (people being interviewed about the topic/events that the subject of the documentary) • Real people (Joe Exotic, Carole Baskin, people who worked with them, etc.) TIGER KING – CODES AND CONVENTIONS
  • 10. THE INSTAGRAM EFFECT • This BBC Three documentary is targeted at BBC Three’s normal target audience of people aged 16-24. • The documentary talks about how Instagram works, the influence it has on people and the people and algorithms behind the platform. • This documentary also analyses the extreme effects that Instagram has and the impact that it has on peoples lives, such as how people are living in an artificial world, how social media takes up so much of peoples time, how they are now struggling to differentiate the different between real and false, how false social media is, and the negative effects that it now has on people, especially people who are younger.
  • 11. • Video footage and photographs from the past (that was not recorded for the documentary but document the necessary events) • Talking heads (people being interviewed about the topic/events that the subject of the documentary, specifically past/current employees of Facebook and Instagram as well as influencers who have high numbers of followers on these platforms) • Real people (Facebook and Instagram employees, influencers, etc.) THE INSTAGRAM EFFECT– CODES AND CONVENTIONS