156009 final.pdf

S
Shimu3
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Traditional Handloom And Crafts Center At Tangail Project Brief Project Name : Traditional Handloom and Crafts center , at Tangail. Location : Nolsodha, Pathrail, Tangail . Site Area : 7.67 Acre ( 334,105 Sft ) Financial Authority : UBINIG ID- 156009
MIDDLEMAN MAHAJAN LOCAL CONNECTION ARTISIANS PROBLEM (PRODUCT EXPORT TO CUSTOMERS) THEIR HAVE NO CONNECTION WITH CUSTOMERS Creating a platform for traditional handloom and crafts at Tangail UBINIG This project is lead by this organization UBINIG is a policy and action research organization in Bangladesh, formed in 1984 by a group of activists to support peoples' movement for social, economic, political and cultural transformation. UBINIG is an organization set up to promote and preserve traditional skills of Bangladesh and improving working possibilities for workers. UBINIG Aim And Objectives For This Project • To create a platform where Tangail traditional handloom and crafts represent and preserve their culture . • Where our new generation can gain knowledge about working process of handloom weavers and crafts . • Increasing the attraction about cultural costume and also increase awareness about culture . Fig :UBINIG Guest House Fig :UBINIG office UBINIG Work With Some Traditional Craft Community 1. Pathrail, Nakshibuti community 2. Gomjani, Clay craft community 3. Bohrni, Bamboo craft community 4. Mahmudpur, Nakshikatha community 5. Hinganagar, Shitolpati community 6. Nolsodha,, tant and jamdani community Project Introduction Project Background Tangail is a city with unique traditions, foods and music. Tangail is well known for its rich heritage of various crafts. One of its main attractions is handloom sarees. These crafts are part of our traditional heritage , but now a days all this traditional crafts are decreasing day by day . : Problem To Be Address • No exposure • No support • No way to direct communicate Significance Of This Project By this platform we can explore our crafts and tradition throughout the world and create direct communication with customers sellers Distribution of products Buyers International market Local market
Site Location • Bangladesh map • District map • Upazillah map • Site location • Dhaka to Pathrail • 92.2 km from Dhaka • 3h 11 mins • .Tangail bus terminal to Pathrail • 9 km from terminal • 21 mins • Tangail Station to Pathrail • 10.2 km from station • 18 mins Joydebpur - Tangail - Jamalpur highway Nolsodha Bazar Road Tagail - Delduar Road site entry Road Road network • Dhaka divisions Road network DHAKA -TANGAIL ROAD TANGAIL DELDUAR ROAD GHIOR-DOULATPUT TANGAIL ROAD Tangail Station Tangail bus terminal Tangail Sadar Site Site Analysis
Tant (nakshibuti ) 7-8 family and 5-6 members Mainly muslim religions Tant (tant ) 5-6 family Tant (tant ) 10-12 family and 5-6 members Mainly hindu religions Male (weavers) Female( spinning) Tant (jamdani ) 7-8 family and 4-5 members Mainly hindu religions Virpushia Bazar Nolshada Bazar Pathrail Bazar Site Korotia Bazar Agricultural Land Agricultural Land Ubinig office Ubinig Guest House Site view Site Surrounding Site Analysis
Norshada kali mondir Baitul Mamur jame moshjid Pathrail high school Pathrail post office local family house ( tati) ) Korotia haat Local house Field view Ubinig office Field view Site Surrounding photograph • Site is surrounded by residential area and agricultural fields. • Site front road is 20 ft wide • And backside road is 16 ft wide Guest house Site Analysis
Positive : 1. The site is surrounded by local tant Polli. 2. Three main handloom bazar is located near the site. 3. Easy accessibility. 4. Noise free . Site Information Fig- Bazar and haat location in the site Fig - korotia haat temporary tent type space in the outer side . it is a 200 years old bazar of Tangail sarees Fig-sun Path Diagram North- West winter wind South-East summer wind Fig- existing section Site Analysis SWOT Analysis • Site is surrounding by green field. • Traditional Tat polli ( tanti family ), kormokar para and clay craft communities are nearby the site. Strength Weakness • Site is far distant from tangail main town . Opportunity • Tangail Handloom and other crafts tradition will get an opportunity to enrich. • Because of these locality this project will be get opportunity to stablished. • Local people will get work facility. Threat • The site and its surrounding land can turn into a dense like Dhaka. Findings Negative : 1. Site is far distant from Tangail town.
Tangail craft study Handloom Saree: Nakshibuti Tant Jamdani Chittaranjan Literature Review Handloom is a wood or iron made device, used for producing woven fabric. It is generally run by man with hand and foot without any electric motor Year Number of handloom number of weavers 1992 100,000 1,50,000 2008 37,222 70,000 2013 60,000 35,000 Now a day’s the number of handlooms decreases day by day due to increasing price of raw materials, insufficient transport facilities their have no communication with the customers Tangail Clay Craft Clay craft community are also suffer from many problem . they have no proper space and also financial conditions are not good . they have proper skills and knowledge but they have no opportunity to explore their skills throughout the world and have not benefited to sell their product . Fig :storage material Fig :present situations of clay crafts community Courtyard storage Kitchen Residential space Shitalpati And Bamboo Crafts : shitalpati, is a kind of mat which feels cold by nature. It is made from murta plants, bamboo and shitalpati crafts are also decreases day by day because they can not earn profit .
House pattern analysis Jamdani Literature Review Built Form Home stead Mud plinth Weaving Storage Residence Courtyard Courtyard Weaving Residence Storage Weaving Residence Weaving Courtyard ( used for spinning and coloring ) Drying yarn in courtyard Spinning yarn in courtyard High window Kacha road
House pattern analysis Tant Literature Review Built form Mud plinth Long window Weaving Outer courtyard Inner courtyard Coloring shade Main entry Residence Home stead
Store Weaving Coloring Residence Temple Residence Nakshibuti Literature Review House pattern analysis Home stead Using for cutting Weaving Outer courtyard spinning Residence
Literature Review House pattern analysis Bamboo and shitolpati community Outer court Bamboo work space Residence
Yarn Cone to hangs ( kon vangano ) Market Hangs ready for dye (ghati koron ) Boiling or washing Dyeing Work Flow For Weaving Making Drying yarn Hand spinning (charka ) Making bobbin Warping ( dram from bobbin ) Pulling Beam or natai Sana bow Working Process Of Crafts
Weaving Cutting Stitching Marketing Work Flow For Pottery Clay preparation Shape making Drying Burning Dying Glazing Outdoor requirement Indoor and semi outdoor requirement Clay preparation Shape making Drying Burning Glazing Dying Working Process Of Crafts
Raw material bamboo preparation Sun Drying Product making Glazing Raw material Fiber preparation Fiber Drying Mat preparation Dying Outdoor requirement Drying Work Flow For Sitolpati Craft Raw material bamboo preparation Sun Drying Product making Glazing Outdoor requirement Indoor and semi outdoor requirement Work Flow for bamboo craft Raw material Fiber preparation Fiber Drying Mat preparation Dying Drying Working Process Of Crafts
Tangail Building Analysis Mud is one of the main material for weaver house because they need mud plinth for their machine, boiling process, weaving . In previous year mud is the main element of their house . Weavers are feeling comfortable for these . Now a days 35% of house made of mud . Mud is suitable for the making of saree to keep its moisture perfect. • Dhamrai ,pathrail and madhupur house are made of mud • Weavers choose mud because of their plinth Tangail pathrail house • Plinth high • Plinth is made with mud • Weaving space also made with mud Long window Pitch roof Mud plinth Literature Review Why pitch roof is need? Vertical fiber has to be hanged for a height. Window allow sunlight for work High plinth for machine mechanisms. Finding Fig : Weavers Performance চৈত্র সংক্রান্তি Fig : Pohela Boishak Mela Baishakh - Baishakhi Mela – 1st Baishakh - Jamai Mela – 11th – 13th Baishakh Joistho - Modhu Mela Kartik – Agrahan - Mela For Nobanno Utshob Poush – Maagh - Pitha Puli Utshob - Traditional Tant Mela Chaitra - Chaitra Songkrinti Mela Falgun - Bosonto Boron Utshob -1st Falgun Fig : Durga Puja Traditional Mela of Tangail District Fig :Jamai Mela
Concept and Issue to be address Issue to be address The project should be design on the local basic context which is represent their culture Creating a central axis where all crafts connect together and experience the journey of their culture Concept Experience of culture By creating of • Traditional haat in the central space that is a heart of this place which is connected to all crafts • By the exhibition space we can preserve and revive our crafts. By creating of the • Expose Tangail traditional housing pattern for weaving and other crafts that connected with central space • All people can meet together and experience artisans journey of daily life Mud building courtyard Pond side clay work space Conceptual section Concept Analysis Exhibition space Traditional residential layout connect with axial pathway
International case study Khamir artisan village Khamir artisan village is located at 16km from Bhuj, in Kutch, Gujarat. It is a place which promotes, expands and aids the traditional skills and knowledge of Kutch art, culture, heritage and national resources. The artisan communities include • Embroideries, • Leather works • Lacquer work, • Rogan work, • Copper Bell making, • traditional pottery, • wood carvings and much more. (Designed by neelkanth chaya ) Zoning Administration area Workshop area Residential area Circulation • Here interconnected between closed , semi open and open space for natural and fresh environment • Connect with narrow pathway • Courtyard are connected bye shaded pathway • In plan same modules repeat to form clusters which represent kutch village Material analysis 1. Wattle and daub panels • The walls of the first floor were made with Wattle and Daub Panels. • ‘Daub’ is a combination of material such as wet soil, clay, sand, lime, animal dung and dried grass. 2. Rammed earth • The ground floor of this Craft Facility is constructed in rammed earth. • Natural raw materials such as earth ,chalk ,lime and gravel are used. Detail of wattle and daub Wattle and daub panels used as partition wall • There are number of courtyards connected by pathways. • Trees are planted in front of windows to create proper screening. • Many levels are created for people to have interesting pathways. . Landscape Literature Review • Using of courtyard • Using of local materials • Sufficient natural ventilation and lighting • Proper zoning between residential zone and workshops Findings
Literature Review NATIONAL HANDLOOM AND CRAFT MUSEUM, INDIA Basic Information : Location : New Delhi , India. Architect : Charles Correa Built In Between : 1975-1990 ▪ There are more than 25,000 items of folk & tribal arts, crafts & textiles in the permanent collection. ▪ Less than half of the total floor area of 5500 sq. meters is open to the public. ▪ The rest of the collection is stored in special areas for the use of the very finest crafts man who are selected from all over India to come & study these archives. kullu hut Angan Manch Theatre Crafts Demonstration Area Entrance for Crafts Museum Galleries Angan Manch Theatre Gallery courtyard Library Restaurant Entry of complex craft demonstration area Courtyard Restaurant Gallery Amphitheatre Administration Library Temple Gallery Textiles Gallery Display of looms in Textiles Gallery ▪ Rural residential layout formed by mass and spaces. ▪ Different open spaces as traditional scheme as courtyard. ▪ Here the architect follows traditional space with contemporary build form respecting present. Findings
Broad program analysis Function Area Of (Sft ) Reception And Lobby 436 Sft Administration 2161 Sft Workshop 44392 Sft Library 3497 Sft Research Facility 2017 Sft Exhibition Space 9191 Sft Multipurpose Hall 6240 Sft Cafeteria 4144 Sft Display Area 5000 Sft Training Facility 3114 Sft Guest House Haat 5317 Sft 5000 Sft Clay Work Bamboo Work Sitolpati 11800 Sft 9100 Sft 9100 Sft Parking 2560 Sft 1, 1% 2, 2% 20, 23% 3, 4% 2, 2% 12, 14% 5, 6% 10, 11% 3, 3% 7, 8% 15, 17% 6, 7% 2, 2% Reception & lobby administration workshop Library Research facility Exhibition multipurpose cafeteria Display area training facility Guest house clay workshop fair or haat parking Total 1,23,069 sft Program Analysis
Reception Program Analysis Function Detail Oua lity No Of Perso n Requi red Area Receptio n Lobby 1 50 (50x2) =100 Sft Waiti ng 30 (30x1. 2) =36 Sft Desk 1 200 Sft Sub Total 336 Sft Circul ation 30% 100.8 Sft Total 436.8 Sft Function No Of Person Area Per Perso n Quant ity Total Area Lobby And Waiting 30 6.5 Sft 195 Sft Toilet 8 30 Sft 240 Sft Director Room+ Toilet 89sft 30 Sft 1 119 Sft Account Section 2 1 200 Sft Maintena nce Sec. 2 1 200 Sft Service 100 Sft 100 Sft Conferen ce 15 1 500 Sft Sub Total 1663 Sft Circulatio n 30% 498 Sft Total 2161 Sft Administration Fig : Office Room Area Page-786 Functio n Detail Quantit y user Total area Library Lobby 1 10 200 sft Counter 1 200 sft Reading space 30 (30x36) =1080 sft Shelf area 5 270 sft Librarian 1 200 sft Store 200 sft Sub total 2690 sft Circulati on 30% 807 sft Total 3497 sft Library Fig : Reading Room Area Page-266
Fig : Display Area Page-339 Exhibition Program Analysis Functio n Visitors User Staff Total Area Lobby 80 800 sft Ticket counter 2 person 150 sft Toilet 120 sft Permane nt gallery 2000 sft Tempora ry gallery 2000 sft Technica l support room 500 sft Worksho p 500 sft Storage 1000 sft Sub .total 7070 sft Circulati on 30% 2121 sft Total 9191 sft Research Facility Function User detail User no Area Lobby 200 sft Research co. room 1 200 sft Research room Toilet (384+50) =434 sft Books space (54x2) =108 sft Study area 12 (30x12) =360 sft Store 100 sft Conference room 10 250 sft Sub total 1552 sft Circulation 30% 465 sft Total 2017 sft Display Area Function total Quantity Total area Display area 1 for 50 person (50x50) = 2500 sft Staff area 200 sft Toilet 200 sft Public toilet 800 sft Sub total 6220 sft Circulation 30% 1866 sft total 8086 sft
Guest House Multipurpose hall Training center Program Analysis Function No of room Area Lobby 200 sft Administration 400 sft Single room + toilet 3 (150 x 3)+ 100 sft = 550 sft Double room + toilet 3 ( 300 x 3)+100 = 1000 sft Dining 200 sft Kitchen 840 sft Sub total 4090 sft Circulation 30% 1227 sft Total 5317 sft Function User total Area Lobby 150 ( 10x150) =1500 sft Waiting 80 (10x80) = 800 sft Hall area 2000 sft Stage 500 sft Sub total 4800 sft Circulation 30% 1440 sft Total 6240 sft Function User Net area Total Lobby 10 (6x10) 60 sft Lounge 15 (14.4x15) 216 sft Trainer room (10x12) 120 sft Workshop 1000 sft Computer application 500 sft Motif desigh 500 sft Sub total 2396 sft Circulation 30% 718 sft Total 3114 sft
workshops ( Tant + jamdani ) spining and warping coloring weaving karu vangano - 3 room - 8 workers - total user 24 - 42 sft per person ghati koron - 3room - 10 workers - total user 30 - 10sft coloring - 3 room - 10 workers - total user 40 - 20 sft pulling - 4 room - 10 workers - total user 40 - 30 sft spooling - 4 room - 10 workers - total user 40 - 30 sft weaving - 3 room -8 workers - total user 24 - 60 sft cutting and finishing - 3 room - 10 workers - total user 30 - 42 sft warping - 1 room - 10 workers - total user 10 - 248 sft Weaving ( nakshibuti ) weaving - 3 room - 8 workers - total user 24 - 60 sft Stitching - 3 room - 10 workers - total user 30 - 10 sft Program Analysis Coloring space Warping Pulling
Program analysis Tant (spinning ) Fig – spinning Program Analysis Function No Of Room No Of User Per Room Total User Per Person Space Req. Total Karu Vangano 3 8 24 42 Sft 1008 Sft Ghati Koron 3 10 30 10 Sft 300 Sft Boiling 3 10 30 10 Sft 300 Sft Warping Room 1 10 10 248 Sft 2480 Sft Instructor Room 1 1000 Sft Maintenance Room 2 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 7288 Sft Circulation 30% 2186 Sft Total 9474 Sft Fig –Ghati Koron Fig -Warping Fig –spinning
Program Analysis Tant (coloring ) Fig - coloring Program Analysis Function No of room No of user per room Total user Per person space req. Total Coloring 3 10 30 20sft 600 sft Pulling 3 10 30 30 sft 900 sft Spooling / natai 3 10 30 30 sft 900 sft Instructor room 1 1000 sft Toilet 600 sft store 1000 sft Sub total 5800 sft Circulation 30% 1740 sft Total 7540 sft Fig – pulling 26’-6’’ 26’-10’’
Program analysis Tant + jamdani (weaving ) Fig – weaving Program Analysis Function No Of Room No Of User Per Room Total User Per Person Sft Total Sft Weaving 4 12 48 60 Sft 2880 Sft Cutting And Finishing 3 10 30 42 Sft 1260 Sft Instructor Room 1 1000 Sft Common Room 1 20 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 7340 Sft Circulatio n 30% 2202 Sft Toilet 9542 Sft Function No Of Room No Of User Per Room Total User Per Person Sft Total Sft Weaving 4 12 48 60 Sft 2880 Sft Stitching 3 10 30 10 Sft 300 Sft Instructor Room 1 1000 Sft Common Room 1 20 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 6380 Sft Circulation 30% 1914 Sft Toilet 8294 Sft Nakshibuti (weaving )
Program Analysis Clay workshop Function Quantity Total area Clay preservation area 2000 sft Clay preparation area 2000 sft Craft making area 2500 sft Mud oven 900 sft Making place for god 2000 sft Store 1800 sft Toilet 600 sft Sub total 11800 sft Circulation 30% 3540 sft Total 15340 sft 4’- 0’’ 3’- 6’’ 6’-0’’ Function No of user total area Store for Raw material 2000 sft Store for craft 1000 sft Workshop 2000 sft courtyard 2000 sft Sub total 7000 sft Circulation 30% 2100 sft Total 9100 sft Bamboo Workshop And Sitolpati Workshop
structure Analysis structure Analysis Mud house is one of the traditional housing type in Tangail district. This building type is typically one or two stories and perfectly used for single family housing. 1. Mud house is cool in summer (inside building temperature is about 24°c to 26°c ) and warm in winter 2. Automatic control temperature by passive colling system ,which is most important for weavers. 3. Suck external dry air and throw the humidified cool air into interior . 4. Bamboo is use as a material of post in building . Mud preparation and wall making • Wet earth mixed with straw and 5% cement • For better strength mixture is improve by adding RHA (Rice husk Ash),jute and straw , • Applied in a layer in a cob system • mud is dried for few days • Finally the wall thickness will be 18 inch Consideration in mud house Step -1 Step -2 Step -3 Step -4 Step -5 • After a couple of days mud walls are drying and then trimmed the wall in a shape that will be expose and create a smooth surface • If thickness of the wall is 20” after trimming it become 18’’. • Plastering is essential for the protection from rain ,rat and insects • Mixture is made with clay + grass+ 15% boric acid + glue Step -1( plaster with clay and grass mixture ) Step -2( clay paint with water ) Step -3( clay liquids) Step -4( fine sand ) Step -5( mixture of clay ,sand and glue) Wall polishing and finishing
structure Analysis Bamboo Rod Concrete Aluminum cap Foundation detail Bamboo column used in foundation Bamboo chemical treatment process Method of treatment Traditional treatment method Chemical treatment method Leaching Lime washing Smoking Long term No pressure (Boric acid : borax (1:1.4)) Pressure o Prepare solution of water- borne preservatives like boric acid :borax (1:1.4) in a container or tank o Depending on the length , keep the bamboo immersed for 7-14 days o After that bamboo pulled from pool and stacked Vertically so the preservation solution can drain from bamboo o Next dry in the sun for 1 week o Prepare solution of CCA (1:3:4) and CCB(1.5:3:4) o Create vacuum pressure in bamboo o Then dry in the sun Joints of bamboo Top cord joint Verandah support by angular Bamboo joint Beam column joints Bracing joint Bamboo wall Bamboo Stair Folding door Railing Wooden window Tile roof Bamboo top chord Bamboo column Gutter for rain water collecting Rain water collection system
Zoning Of Masterplan Guest House And Dining Traditional Haat Bamboo and shitalpati crafts Administration Exhibition Handloom Masterplan Clay crafts zone Multipurpose Library And Research Facility Dining
Master Plan Development Master plan considerations • Rural residential layout formed into the composition • Create axial pathway which connecting all the function and people can go through this pathway and experience their traditional work process • All function are arrange around the courtyard 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Ground Floor Plan 25 1. Cultural/ display courtyard 2. Exhibition 3. Multipurpose 4. Admin 5. Library 6. Research and training 7. Dining 8. Guest house 9. Haat space 10. Clay finish product 11. Clay indoor workshop 12. Glazing and policing room +tools store 13. Shitalpati indoor workshop 14. Bamboo workshop 15. Storage for bamboo craft 16. Dining 17. Coloring 18.Spining 19. design card ( jacquard) 20. Warping 21. Pulling field 22. Weaving (nakshibuti) 23. Weaving (tant) 24. finish product sarees 25. Cutting Legend Scale: 160’ 80’ 120’ 40’
25 26 27 28 29 30 31 32 33 34 35 25.Temporary exhibition 26. instructor room 27. Instructor room 28. Dining 29. Instructor room 30. Spinning 31. Motif design 32. Maintenance room 33. Director room 34 Trainer room 35.Guest house First Floor Plan Master Plan Development Legend Scale: 160’ 80’ 120’ 40’
Blow up plans 1. Display courtyard 2. Exhibition 3. Multipurpose 4. Admin 5. Library 6. Research and training 7. Dining 8. Guest house 9. Haat space Ground Floor Plan First Floor Plan 1 2 3 4 5 6 7 8 9 Legend Scale: 100’ 50’ 75’ 25’ Register room Maintenance room Account section Library Research lab Conference Researcher room Dining
Blow up plans Ground Floor Plan ( Clay, Bamboo And Shitalpati Crafts) 10. Clay finish product 11. Clay indoor workshop 12. Glazing and policing room +tools store 13. Shital pati indoor workshop 14. Bamboo workshop 15. Storage for bamboo craft 16. Dining Outdoor activity space for pottery Outdoor activity space for bamboo and shitalpati craft 10 11 12 13 14 15 16 Legend Scale: 80’ 40’ 60’ 20’
Blow up sections Clay craft indoor workshop Clay craft store Shitalpati indoor workshop Bamboo craft workshop A’ A B’ B B’ B SECTION A-A’ SECTION B-B’
17. Coloring 18.Spining 19. Design Card ( Jacquaed) 20. Warping 21. Pulling Field 22. Weaving For Nakshibuti 23.Weaving For Jamdani And Tant 24. Finish Product Store Sarees 25. Cutting 17 18 19 20 21 22 23 25 24 Ground Floor Plan ( Handloom) Blow up plans Legend Scale: 60’ 30’ 45’ 15’
35 32 33 34 32. Instructor room 33. Spinning 34. Motif design 35. Instructor room First Floor Plan ( Handloom space) Blow up plans Scale: 60’ 30’ 45’ 15’
Blow up sections Weaving Finish product store Coloring C C’ D D’ SECTION C-C’ SECTION D-D’ Spinning Jacquaed C C’ D D’
Elevations Multipurpose hall Main entry exhibition Clay crafts sore Clay crafts indoor space Dining space Coloring Finish product store Weaving jacquaed Weaving Spinning Store for bamboo craft Bamboo workshop exhibitions Haat space Guest house NORTH ELEVATION SOUTH ELEVATION N S E W Guest house Dining Research and training Library Administration Multipurpose hall jacquaed Weaving Weaving Tools storage and instructor Clay workshop Cutting WEST ELEVATION EAST ELEVATION
Dining Shitalpati Workshop Dining For Workers Weaving workshop Haat Weaving For Tant Store Coloring Workshop Clay workshop Exhibition Research facility Dining Cutting Sections F F’ E E’ SECTION E-E’ SECTION F-F’
Sections H G’ H’ G’ Bamboo workshop Shitalpati workshop Tools storage and instructor Bamboo workshop Outdoor activity space Multipurpose hall Administration Research facility Dining Guest house SECTION G-G’ SECTION H-H’
Sections I’ I J’ J Spinning Cutting Coloring Coloring SECTION I-I’ SECTION J-J’
3D VIEWS Main entry view
3D VIEWS Main entry view
3D VIEWS Haat space view
3D VIEWS Clay craft workspace view
3D VIEWS Plaza view
3D VIEWS Handloom space
3D VIEWS Shitalpati work space
3D VIEWS Shitalpati work space
3D VIEWS Handloom space
3D VIEWS Top view
Thank you
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156009 final.pdf

  • 1. Traditional Handloom And Crafts Center At Tangail Project Brief Project Name : Traditional Handloom and Crafts center , at Tangail. Location : Nolsodha, Pathrail, Tangail . Site Area : 7.67 Acre ( 334,105 Sft ) Financial Authority : UBINIG ID- 156009
  • 2. MIDDLEMAN MAHAJAN LOCAL CONNECTION ARTISIANS PROBLEM (PRODUCT EXPORT TO CUSTOMERS) THEIR HAVE NO CONNECTION WITH CUSTOMERS Creating a platform for traditional handloom and crafts at Tangail UBINIG This project is lead by this organization UBINIG is a policy and action research organization in Bangladesh, formed in 1984 by a group of activists to support peoples' movement for social, economic, political and cultural transformation. UBINIG is an organization set up to promote and preserve traditional skills of Bangladesh and improving working possibilities for workers. UBINIG Aim And Objectives For This Project • To create a platform where Tangail traditional handloom and crafts represent and preserve their culture . • Where our new generation can gain knowledge about working process of handloom weavers and crafts . • Increasing the attraction about cultural costume and also increase awareness about culture . Fig :UBINIG Guest House Fig :UBINIG office UBINIG Work With Some Traditional Craft Community 1. Pathrail, Nakshibuti community 2. Gomjani, Clay craft community 3. Bohrni, Bamboo craft community 4. Mahmudpur, Nakshikatha community 5. Hinganagar, Shitolpati community 6. Nolsodha,, tant and jamdani community Project Introduction Project Background Tangail is a city with unique traditions, foods and music. Tangail is well known for its rich heritage of various crafts. One of its main attractions is handloom sarees. These crafts are part of our traditional heritage , but now a days all this traditional crafts are decreasing day by day . : Problem To Be Address • No exposure • No support • No way to direct communicate Significance Of This Project By this platform we can explore our crafts and tradition throughout the world and create direct communication with customers sellers Distribution of products Buyers International market Local market
  • 3. Site Location • Bangladesh map • District map • Upazillah map • Site location • Dhaka to Pathrail • 92.2 km from Dhaka • 3h 11 mins • .Tangail bus terminal to Pathrail • 9 km from terminal • 21 mins • Tangail Station to Pathrail • 10.2 km from station • 18 mins Joydebpur - Tangail - Jamalpur highway Nolsodha Bazar Road Tagail - Delduar Road site entry Road Road network • Dhaka divisions Road network DHAKA -TANGAIL ROAD TANGAIL DELDUAR ROAD GHIOR-DOULATPUT TANGAIL ROAD Tangail Station Tangail bus terminal Tangail Sadar Site Site Analysis
  • 4. Tant (nakshibuti ) 7-8 family and 5-6 members Mainly muslim religions Tant (tant ) 5-6 family Tant (tant ) 10-12 family and 5-6 members Mainly hindu religions Male (weavers) Female( spinning) Tant (jamdani ) 7-8 family and 4-5 members Mainly hindu religions Virpushia Bazar Nolshada Bazar Pathrail Bazar Site Korotia Bazar Agricultural Land Agricultural Land Ubinig office Ubinig Guest House Site view Site Surrounding Site Analysis
  • 5. Norshada kali mondir Baitul Mamur jame moshjid Pathrail high school Pathrail post office local family house ( tati) ) Korotia haat Local house Field view Ubinig office Field view Site Surrounding photograph • Site is surrounded by residential area and agricultural fields. • Site front road is 20 ft wide • And backside road is 16 ft wide Guest house Site Analysis
  • 6. Positive : 1. The site is surrounded by local tant Polli. 2. Three main handloom bazar is located near the site. 3. Easy accessibility. 4. Noise free . Site Information Fig- Bazar and haat location in the site Fig - korotia haat temporary tent type space in the outer side . it is a 200 years old bazar of Tangail sarees Fig-sun Path Diagram North- West winter wind South-East summer wind Fig- existing section Site Analysis SWOT Analysis • Site is surrounding by green field. • Traditional Tat polli ( tanti family ), kormokar para and clay craft communities are nearby the site. Strength Weakness • Site is far distant from tangail main town . Opportunity • Tangail Handloom and other crafts tradition will get an opportunity to enrich. • Because of these locality this project will be get opportunity to stablished. • Local people will get work facility. Threat • The site and its surrounding land can turn into a dense like Dhaka. Findings Negative : 1. Site is far distant from Tangail town.
  • 7. Tangail craft study Handloom Saree: Nakshibuti Tant Jamdani Chittaranjan Literature Review Handloom is a wood or iron made device, used for producing woven fabric. It is generally run by man with hand and foot without any electric motor Year Number of handloom number of weavers 1992 100,000 1,50,000 2008 37,222 70,000 2013 60,000 35,000 Now a day’s the number of handlooms decreases day by day due to increasing price of raw materials, insufficient transport facilities their have no communication with the customers Tangail Clay Craft Clay craft community are also suffer from many problem . they have no proper space and also financial conditions are not good . they have proper skills and knowledge but they have no opportunity to explore their skills throughout the world and have not benefited to sell their product . Fig :storage material Fig :present situations of clay crafts community Courtyard storage Kitchen Residential space Shitalpati And Bamboo Crafts : shitalpati, is a kind of mat which feels cold by nature. It is made from murta plants, bamboo and shitalpati crafts are also decreases day by day because they can not earn profit .
  • 8. House pattern analysis Jamdani Literature Review Built Form Home stead Mud plinth Weaving Storage Residence Courtyard Courtyard Weaving Residence Storage Weaving Residence Weaving Courtyard ( used for spinning and coloring ) Drying yarn in courtyard Spinning yarn in courtyard High window Kacha road
  • 9. House pattern analysis Tant Literature Review Built form Mud plinth Long window Weaving Outer courtyard Inner courtyard Coloring shade Main entry Residence Home stead
  • 10. Store Weaving Coloring Residence Temple Residence Nakshibuti Literature Review House pattern analysis Home stead Using for cutting Weaving Outer courtyard spinning Residence
  • 11. Literature Review House pattern analysis Bamboo and shitolpati community Outer court Bamboo work space Residence
  • 12. Yarn Cone to hangs ( kon vangano ) Market Hangs ready for dye (ghati koron ) Boiling or washing Dyeing Work Flow For Weaving Making Drying yarn Hand spinning (charka ) Making bobbin Warping ( dram from bobbin ) Pulling Beam or natai Sana bow Working Process Of Crafts
  • 13. Weaving Cutting Stitching Marketing Work Flow For Pottery Clay preparation Shape making Drying Burning Dying Glazing Outdoor requirement Indoor and semi outdoor requirement Clay preparation Shape making Drying Burning Glazing Dying Working Process Of Crafts
  • 14. Raw material bamboo preparation Sun Drying Product making Glazing Raw material Fiber preparation Fiber Drying Mat preparation Dying Outdoor requirement Drying Work Flow For Sitolpati Craft Raw material bamboo preparation Sun Drying Product making Glazing Outdoor requirement Indoor and semi outdoor requirement Work Flow for bamboo craft Raw material Fiber preparation Fiber Drying Mat preparation Dying Drying Working Process Of Crafts
  • 15. Tangail Building Analysis Mud is one of the main material for weaver house because they need mud plinth for their machine, boiling process, weaving . In previous year mud is the main element of their house . Weavers are feeling comfortable for these . Now a days 35% of house made of mud . Mud is suitable for the making of saree to keep its moisture perfect. • Dhamrai ,pathrail and madhupur house are made of mud • Weavers choose mud because of their plinth Tangail pathrail house • Plinth high • Plinth is made with mud • Weaving space also made with mud Long window Pitch roof Mud plinth Literature Review Why pitch roof is need? Vertical fiber has to be hanged for a height. Window allow sunlight for work High plinth for machine mechanisms. Finding Fig : Weavers Performance চৈত্র সংক্রান্তি Fig : Pohela Boishak Mela Baishakh - Baishakhi Mela – 1st Baishakh - Jamai Mela – 11th – 13th Baishakh Joistho - Modhu Mela Kartik – Agrahan - Mela For Nobanno Utshob Poush – Maagh - Pitha Puli Utshob - Traditional Tant Mela Chaitra - Chaitra Songkrinti Mela Falgun - Bosonto Boron Utshob -1st Falgun Fig : Durga Puja Traditional Mela of Tangail District Fig :Jamai Mela
  • 16. Concept and Issue to be address Issue to be address The project should be design on the local basic context which is represent their culture Creating a central axis where all crafts connect together and experience the journey of their culture Concept Experience of culture By creating of • Traditional haat in the central space that is a heart of this place which is connected to all crafts • By the exhibition space we can preserve and revive our crafts. By creating of the • Expose Tangail traditional housing pattern for weaving and other crafts that connected with central space • All people can meet together and experience artisans journey of daily life Mud building courtyard Pond side clay work space Conceptual section Concept Analysis Exhibition space Traditional residential layout connect with axial pathway
  • 17. International case study Khamir artisan village Khamir artisan village is located at 16km from Bhuj, in Kutch, Gujarat. It is a place which promotes, expands and aids the traditional skills and knowledge of Kutch art, culture, heritage and national resources. The artisan communities include • Embroideries, • Leather works • Lacquer work, • Rogan work, • Copper Bell making, • traditional pottery, • wood carvings and much more. (Designed by neelkanth chaya ) Zoning Administration area Workshop area Residential area Circulation • Here interconnected between closed , semi open and open space for natural and fresh environment • Connect with narrow pathway • Courtyard are connected bye shaded pathway • In plan same modules repeat to form clusters which represent kutch village Material analysis 1. Wattle and daub panels • The walls of the first floor were made with Wattle and Daub Panels. • ‘Daub’ is a combination of material such as wet soil, clay, sand, lime, animal dung and dried grass. 2. Rammed earth • The ground floor of this Craft Facility is constructed in rammed earth. • Natural raw materials such as earth ,chalk ,lime and gravel are used. Detail of wattle and daub Wattle and daub panels used as partition wall • There are number of courtyards connected by pathways. • Trees are planted in front of windows to create proper screening. • Many levels are created for people to have interesting pathways. . Landscape Literature Review • Using of courtyard • Using of local materials • Sufficient natural ventilation and lighting • Proper zoning between residential zone and workshops Findings
  • 18. Literature Review NATIONAL HANDLOOM AND CRAFT MUSEUM, INDIA Basic Information : Location : New Delhi , India. Architect : Charles Correa Built In Between : 1975-1990 ▪ There are more than 25,000 items of folk & tribal arts, crafts & textiles in the permanent collection. ▪ Less than half of the total floor area of 5500 sq. meters is open to the public. ▪ The rest of the collection is stored in special areas for the use of the very finest crafts man who are selected from all over India to come & study these archives. kullu hut Angan Manch Theatre Crafts Demonstration Area Entrance for Crafts Museum Galleries Angan Manch Theatre Gallery courtyard Library Restaurant Entry of complex craft demonstration area Courtyard Restaurant Gallery Amphitheatre Administration Library Temple Gallery Textiles Gallery Display of looms in Textiles Gallery ▪ Rural residential layout formed by mass and spaces. ▪ Different open spaces as traditional scheme as courtyard. ▪ Here the architect follows traditional space with contemporary build form respecting present. Findings
  • 19. Broad program analysis Function Area Of (Sft ) Reception And Lobby 436 Sft Administration 2161 Sft Workshop 44392 Sft Library 3497 Sft Research Facility 2017 Sft Exhibition Space 9191 Sft Multipurpose Hall 6240 Sft Cafeteria 4144 Sft Display Area 5000 Sft Training Facility 3114 Sft Guest House Haat 5317 Sft 5000 Sft Clay Work Bamboo Work Sitolpati 11800 Sft 9100 Sft 9100 Sft Parking 2560 Sft 1, 1% 2, 2% 20, 23% 3, 4% 2, 2% 12, 14% 5, 6% 10, 11% 3, 3% 7, 8% 15, 17% 6, 7% 2, 2% Reception & lobby administration workshop Library Research facility Exhibition multipurpose cafeteria Display area training facility Guest house clay workshop fair or haat parking Total 1,23,069 sft Program Analysis
  • 20. Reception Program Analysis Function Detail Oua lity No Of Perso n Requi red Area Receptio n Lobby 1 50 (50x2) =100 Sft Waiti ng 30 (30x1. 2) =36 Sft Desk 1 200 Sft Sub Total 336 Sft Circul ation 30% 100.8 Sft Total 436.8 Sft Function No Of Person Area Per Perso n Quant ity Total Area Lobby And Waiting 30 6.5 Sft 195 Sft Toilet 8 30 Sft 240 Sft Director Room+ Toilet 89sft 30 Sft 1 119 Sft Account Section 2 1 200 Sft Maintena nce Sec. 2 1 200 Sft Service 100 Sft 100 Sft Conferen ce 15 1 500 Sft Sub Total 1663 Sft Circulatio n 30% 498 Sft Total 2161 Sft Administration Fig : Office Room Area Page-786 Functio n Detail Quantit y user Total area Library Lobby 1 10 200 sft Counter 1 200 sft Reading space 30 (30x36) =1080 sft Shelf area 5 270 sft Librarian 1 200 sft Store 200 sft Sub total 2690 sft Circulati on 30% 807 sft Total 3497 sft Library Fig : Reading Room Area Page-266
  • 21. Fig : Display Area Page-339 Exhibition Program Analysis Functio n Visitors User Staff Total Area Lobby 80 800 sft Ticket counter 2 person 150 sft Toilet 120 sft Permane nt gallery 2000 sft Tempora ry gallery 2000 sft Technica l support room 500 sft Worksho p 500 sft Storage 1000 sft Sub .total 7070 sft Circulati on 30% 2121 sft Total 9191 sft Research Facility Function User detail User no Area Lobby 200 sft Research co. room 1 200 sft Research room Toilet (384+50) =434 sft Books space (54x2) =108 sft Study area 12 (30x12) =360 sft Store 100 sft Conference room 10 250 sft Sub total 1552 sft Circulation 30% 465 sft Total 2017 sft Display Area Function total Quantity Total area Display area 1 for 50 person (50x50) = 2500 sft Staff area 200 sft Toilet 200 sft Public toilet 800 sft Sub total 6220 sft Circulation 30% 1866 sft total 8086 sft
  • 22. Guest House Multipurpose hall Training center Program Analysis Function No of room Area Lobby 200 sft Administration 400 sft Single room + toilet 3 (150 x 3)+ 100 sft = 550 sft Double room + toilet 3 ( 300 x 3)+100 = 1000 sft Dining 200 sft Kitchen 840 sft Sub total 4090 sft Circulation 30% 1227 sft Total 5317 sft Function User total Area Lobby 150 ( 10x150) =1500 sft Waiting 80 (10x80) = 800 sft Hall area 2000 sft Stage 500 sft Sub total 4800 sft Circulation 30% 1440 sft Total 6240 sft Function User Net area Total Lobby 10 (6x10) 60 sft Lounge 15 (14.4x15) 216 sft Trainer room (10x12) 120 sft Workshop 1000 sft Computer application 500 sft Motif desigh 500 sft Sub total 2396 sft Circulation 30% 718 sft Total 3114 sft
  • 23. workshops ( Tant + jamdani ) spining and warping coloring weaving karu vangano - 3 room - 8 workers - total user 24 - 42 sft per person ghati koron - 3room - 10 workers - total user 30 - 10sft coloring - 3 room - 10 workers - total user 40 - 20 sft pulling - 4 room - 10 workers - total user 40 - 30 sft spooling - 4 room - 10 workers - total user 40 - 30 sft weaving - 3 room -8 workers - total user 24 - 60 sft cutting and finishing - 3 room - 10 workers - total user 30 - 42 sft warping - 1 room - 10 workers - total user 10 - 248 sft Weaving ( nakshibuti ) weaving - 3 room - 8 workers - total user 24 - 60 sft Stitching - 3 room - 10 workers - total user 30 - 10 sft Program Analysis Coloring space Warping Pulling
  • 24. Program analysis Tant (spinning ) Fig – spinning Program Analysis Function No Of Room No Of User Per Room Total User Per Person Space Req. Total Karu Vangano 3 8 24 42 Sft 1008 Sft Ghati Koron 3 10 30 10 Sft 300 Sft Boiling 3 10 30 10 Sft 300 Sft Warping Room 1 10 10 248 Sft 2480 Sft Instructor Room 1 1000 Sft Maintenance Room 2 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 7288 Sft Circulation 30% 2186 Sft Total 9474 Sft Fig –Ghati Koron Fig -Warping Fig –spinning
  • 25. Program Analysis Tant (coloring ) Fig - coloring Program Analysis Function No of room No of user per room Total user Per person space req. Total Coloring 3 10 30 20sft 600 sft Pulling 3 10 30 30 sft 900 sft Spooling / natai 3 10 30 30 sft 900 sft Instructor room 1 1000 sft Toilet 600 sft store 1000 sft Sub total 5800 sft Circulation 30% 1740 sft Total 7540 sft Fig – pulling 26’-6’’ 26’-10’’
  • 26. Program analysis Tant + jamdani (weaving ) Fig – weaving Program Analysis Function No Of Room No Of User Per Room Total User Per Person Sft Total Sft Weaving 4 12 48 60 Sft 2880 Sft Cutting And Finishing 3 10 30 42 Sft 1260 Sft Instructor Room 1 1000 Sft Common Room 1 20 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 7340 Sft Circulatio n 30% 2202 Sft Toilet 9542 Sft Function No Of Room No Of User Per Room Total User Per Person Sft Total Sft Weaving 4 12 48 60 Sft 2880 Sft Stitching 3 10 30 10 Sft 300 Sft Instructor Room 1 1000 Sft Common Room 1 20 600 Sft Toilet 600 Sft Store 1000 Sft Sub Total 6380 Sft Circulation 30% 1914 Sft Toilet 8294 Sft Nakshibuti (weaving )
  • 27. Program Analysis Clay workshop Function Quantity Total area Clay preservation area 2000 sft Clay preparation area 2000 sft Craft making area 2500 sft Mud oven 900 sft Making place for god 2000 sft Store 1800 sft Toilet 600 sft Sub total 11800 sft Circulation 30% 3540 sft Total 15340 sft 4’- 0’’ 3’- 6’’ 6’-0’’ Function No of user total area Store for Raw material 2000 sft Store for craft 1000 sft Workshop 2000 sft courtyard 2000 sft Sub total 7000 sft Circulation 30% 2100 sft Total 9100 sft Bamboo Workshop And Sitolpati Workshop
  • 28. structure Analysis structure Analysis Mud house is one of the traditional housing type in Tangail district. This building type is typically one or two stories and perfectly used for single family housing. 1. Mud house is cool in summer (inside building temperature is about 24°c to 26°c ) and warm in winter 2. Automatic control temperature by passive colling system ,which is most important for weavers. 3. Suck external dry air and throw the humidified cool air into interior . 4. Bamboo is use as a material of post in building . Mud preparation and wall making • Wet earth mixed with straw and 5% cement • For better strength mixture is improve by adding RHA (Rice husk Ash),jute and straw , • Applied in a layer in a cob system • mud is dried for few days • Finally the wall thickness will be 18 inch Consideration in mud house Step -1 Step -2 Step -3 Step -4 Step -5 • After a couple of days mud walls are drying and then trimmed the wall in a shape that will be expose and create a smooth surface • If thickness of the wall is 20” after trimming it become 18’’. • Plastering is essential for the protection from rain ,rat and insects • Mixture is made with clay + grass+ 15% boric acid + glue Step -1( plaster with clay and grass mixture ) Step -2( clay paint with water ) Step -3( clay liquids) Step -4( fine sand ) Step -5( mixture of clay ,sand and glue) Wall polishing and finishing
  • 29. structure Analysis Bamboo Rod Concrete Aluminum cap Foundation detail Bamboo column used in foundation Bamboo chemical treatment process Method of treatment Traditional treatment method Chemical treatment method Leaching Lime washing Smoking Long term No pressure (Boric acid : borax (1:1.4)) Pressure o Prepare solution of water- borne preservatives like boric acid :borax (1:1.4) in a container or tank o Depending on the length , keep the bamboo immersed for 7-14 days o After that bamboo pulled from pool and stacked Vertically so the preservation solution can drain from bamboo o Next dry in the sun for 1 week o Prepare solution of CCA (1:3:4) and CCB(1.5:3:4) o Create vacuum pressure in bamboo o Then dry in the sun Joints of bamboo Top cord joint Verandah support by angular Bamboo joint Beam column joints Bracing joint Bamboo wall Bamboo Stair Folding door Railing Wooden window Tile roof Bamboo top chord Bamboo column Gutter for rain water collecting Rain water collection system
  • 30. Zoning Of Masterplan Guest House And Dining Traditional Haat Bamboo and shitalpati crafts Administration Exhibition Handloom Masterplan Clay crafts zone Multipurpose Library And Research Facility Dining
  • 31. Master Plan Development Master plan considerations • Rural residential layout formed into the composition • Create axial pathway which connecting all the function and people can go through this pathway and experience their traditional work process • All function are arrange around the courtyard 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 Ground Floor Plan 25 1. Cultural/ display courtyard 2. Exhibition 3. Multipurpose 4. Admin 5. Library 6. Research and training 7. Dining 8. Guest house 9. Haat space 10. Clay finish product 11. Clay indoor workshop 12. Glazing and policing room +tools store 13. Shitalpati indoor workshop 14. Bamboo workshop 15. Storage for bamboo craft 16. Dining 17. Coloring 18.Spining 19. design card ( jacquard) 20. Warping 21. Pulling field 22. Weaving (nakshibuti) 23. Weaving (tant) 24. finish product sarees 25. Cutting Legend Scale: 160’ 80’ 120’ 40’
  • 32. 25 26 27 28 29 30 31 32 33 34 35 25.Temporary exhibition 26. instructor room 27. Instructor room 28. Dining 29. Instructor room 30. Spinning 31. Motif design 32. Maintenance room 33. Director room 34 Trainer room 35.Guest house First Floor Plan Master Plan Development Legend Scale: 160’ 80’ 120’ 40’
  • 33. Blow up plans 1. Display courtyard 2. Exhibition 3. Multipurpose 4. Admin 5. Library 6. Research and training 7. Dining 8. Guest house 9. Haat space Ground Floor Plan First Floor Plan 1 2 3 4 5 6 7 8 9 Legend Scale: 100’ 50’ 75’ 25’ Register room Maintenance room Account section Library Research lab Conference Researcher room Dining
  • 34. Blow up plans Ground Floor Plan ( Clay, Bamboo And Shitalpati Crafts) 10. Clay finish product 11. Clay indoor workshop 12. Glazing and policing room +tools store 13. Shital pati indoor workshop 14. Bamboo workshop 15. Storage for bamboo craft 16. Dining Outdoor activity space for pottery Outdoor activity space for bamboo and shitalpati craft 10 11 12 13 14 15 16 Legend Scale: 80’ 40’ 60’ 20’
  • 35. Blow up sections Clay craft indoor workshop Clay craft store Shitalpati indoor workshop Bamboo craft workshop A’ A B’ B B’ B SECTION A-A’ SECTION B-B’
  • 36. 17. Coloring 18.Spining 19. Design Card ( Jacquaed) 20. Warping 21. Pulling Field 22. Weaving For Nakshibuti 23.Weaving For Jamdani And Tant 24. Finish Product Store Sarees 25. Cutting 17 18 19 20 21 22 23 25 24 Ground Floor Plan ( Handloom) Blow up plans Legend Scale: 60’ 30’ 45’ 15’
  • 37. 35 32 33 34 32. Instructor room 33. Spinning 34. Motif design 35. Instructor room First Floor Plan ( Handloom space) Blow up plans Scale: 60’ 30’ 45’ 15’
  • 38. Blow up sections Weaving Finish product store Coloring C C’ D D’ SECTION C-C’ SECTION D-D’ Spinning Jacquaed C C’ D D’
  • 39. Elevations Multipurpose hall Main entry exhibition Clay crafts sore Clay crafts indoor space Dining space Coloring Finish product store Weaving jacquaed Weaving Spinning Store for bamboo craft Bamboo workshop exhibitions Haat space Guest house NORTH ELEVATION SOUTH ELEVATION N S E W Guest house Dining Research and training Library Administration Multipurpose hall jacquaed Weaving Weaving Tools storage and instructor Clay workshop Cutting WEST ELEVATION EAST ELEVATION
  • 40. Dining Shitalpati Workshop Dining For Workers Weaving workshop Haat Weaving For Tant Store Coloring Workshop Clay workshop Exhibition Research facility Dining Cutting Sections F F’ E E’ SECTION E-E’ SECTION F-F’
  • 41. Sections H G’ H’ G’ Bamboo workshop Shitalpati workshop Tools storage and instructor Bamboo workshop Outdoor activity space Multipurpose hall Administration Research facility Dining Guest house SECTION G-G’ SECTION H-H’