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On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 1 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 ECCGECCGECCGECCG VxÄxáà|tÄ hÜv{|ÇVxÄxáà|tÄ hÜv{|ÇVxÄxáà|tÄ hÜv{|ÇVxÄxáà|tÄ hÜv{|Ç gÉâÜgÉâÜgÉâÜgÉâÜ
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 2 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Project Task List - Outline Sound System Description ..........................................................................................................................................................................................................6 dB SPL Calculation Sheet ...........................................................................................................................................................................................................7 FOH Crossover/Processor Block Diagram..................................................................................................................................................................................8 Power Distribution Text/Block Diagram.......................................................................................................................................................................................9 Power Distribution Diagram (w/feeder cables) ..........................................................................................................................................................................10 System Gain Structure Chart.....................................................................................................................................................................................................11 Front of House - Speaker Cabinets...........................................................................................................................................................................................12 Front of House – Transducer Details.........................................................................................................................................................................................13 Front of House – Amplifier details .............................................................................................................................................................................................14 Front of House – Control System ..............................................................................................................................................................................................15 Front of House – House Left / House Right Speaker Diagram (Front View)............................................................................................................................16 Front of House – House Left / House Right Speaker Diagram (Top View)..............................................................................................................................17 Front of House – House Left / House Right Speaker Diagram (Side View).............................................................................................................................18 Front of House – House Left / House Right Speaker Diagram (Rear View) ............................................................................................................................19 Front of House – Amp Rack detail.............................................................................................................................................................................................20 Front of House – Wiring Diagram..............................................................................................................................................................................................21 Front of House – Self Powered Cabinets ..................................................................................................................................................................................22 Powered versus Component Style Speaker Systems...............................................................................................................................................................23 Front of House – Rigging Description........................................................................................................................................................................................24 Front of House – Rigging Diagram (Block view) .......................................................................................................................................................................25 Front of House – Rigging Diagram (Side View) ........................................................................................................................................................................26 Front of House – Rigging Diagram (Top View) .........................................................................................................................................................................27 Front of House – Road Cases (Main PA)..................................................................................................................................................................................28 Front of House – Mix Position ...................................................................................................................................................................................................29 Front of House – Riser Diagram................................................................................................................................................................................................30 Front of House – Console Description.......................................................................................................................................................................................31 Front of House – Outboard Equipment Description ..................................................................................................................................................................32 Front of House – Outboard Equipment Rack Detail..................................................................................................................................................................33 Front of House – Power Supply Unit Rack Detail......................................................................................................................................................................34 Front of House – Signal Flow Block Diagram............................................................................................................................................................................35 Front of House – Road Cases (Mix Position) ............................................................................................................................................................................36 Main Snake System - Description .............................................................................................................................................................................................37 Main Snake System - Diagram..................................................................................................................................................................................................38 Main Snake System – Road Cases...........................................................................................................................................................................................39
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 3 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System - Description ....................................................................................................................................................................................................40 Monitor System – Riser Details .................................................................................................................................................................................................41 Monitor System – Floor Wedges ...............................................................................................................................................................................................42 Monitor System – Mix Position Diagram....................................................................................................................................................................................43 Monitor System – Wireless In Ear System ................................................................................................................................................................................44 Monitor System - Amplifiers.......................................................................................................................................................................................................45 Monitor System – Signal Flow Diagram ....................................................................................................................................................................................46 Monitor System – Wedge Diagram (Front View).......................................................................................................................................................................47 Monitor System – Wedge Diagram (Side View) ........................................................................................................................................................................48 Monitor System – Amp Rack Diagram ......................................................................................................................................................................................49 Monitor System – Monitor Mix Block Diagram ..........................................................................................................................................................................50 Monitor System – Wireless In Ear System Block Diagram........................................................................................................................................................51 Monitor System – A.C. Power on Stage (Edison) .....................................................................................................................................................................52 Monitor System – Rigging .........................................................................................................................................................................................................53 Monitor System – Road Cases..................................................................................................................................................................................................54 Microphone Inventory List .........................................................................................................................................................................................................55 Microphone Cable Inventory List...............................................................................................................................................................................................56 Microphone (Direct Input) Inventory List....................................................................................................................................................................................57 Microphone Stand Inventory List...............................................................................................................................................................................................58 Microphone Inventory – Road Cases ........................................................................................................................................................................................59 Audio Intercom Equipment - Description...................................................................................................................................................................................60 Audio Intercom Equipment - Diagram .......................................................................................................................................................................................61 Audio Intercom Equipment – Road Cases ................................................................................................................................................................................62 Remote Recording Mix Position - Description...........................................................................................................................................................................63 Remote Recording Mix Position – Console Description............................................................................................................................................................64 Artist Stage Chart and Input List................................................................................................................................................................................................65 Audio Measurement System – Block Diagram..........................................................................................................................................................................66 Video Production (Capture) - Description..................................................................................................................................................................................67 Video Production (Capture) – Detail Diagram ...........................................................................................................................................................................68 Video Production (Capture) – Cost............................................................................................................................................................................................69 Video Projection System (Image Magnification)........................................................................................................................................................................70 Video Production System – Cost...............................................................................................................................................................................................71 Venue Plot - Stage.....................................................................................................................................................................................................................72 Venue Advance Sheet...............................................................................................................................................................................................................73 Venue Plot – Topographical Site View ......................................................................................................................................................................................74 Venue Plot – Top View (w/ Production Items)...........................................................................................................................................................................75 Staging - Indoor Stage Description............................................................................................................................................................................................76 Staging - Indoor Stage Diagram................................................................................................................................................................................................77
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 4 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design - Description............................................................................................................................................................................................................78 Set Design – Materials List........................................................................................................................................................................................................79 Set Design – Construction Diagram ..........................................................................................................................................................................................80 Set Design - Estimate Setup Time and Labor ...........................................................................................................................................................................81 Set Design – Road Cases .........................................................................................................................................................................................................82 Special Effects - Description......................................................................................................................................................................................................83 Special Effects – Detail Diagram...............................................................................................................................................................................................84 Special Effects – Power Requirements .....................................................................................................................................................................................85 Special Effects – Special Instructions (Permits / Fire Codes) ...................................................................................................................................................86 Special Effects – Road Cases ...................................................................................................................................................................................................87 Promoters and Promoters Staff.................................................................................................................................................................................................88 Box Office Description and Location .........................................................................................................................................................................................89 Catering Crew Rider ..................................................................................................................................................................................................................90 Technical Show Rider................................................................................................................................................................................................................91 Dressing Room Assignments ....................................................................................................................................................................................................92 Site Advance Sheet ...................................................................................................................................................................................................................93 Security Staff Description ..........................................................................................................................................................................................................94 Touring Production Crew Description........................................................................................................................................................................................95 Touring Production Crew Description – Cont’d .........................................................................................................................................................................96 Touring Production Crew Description – Cont’d .........................................................................................................................................................................97 Touring Production Crew Description – Cont’d .........................................................................................................................................................................98 Production Crew - Salaries........................................................................................................................................................................................................99 Local Labor Description...........................................................................................................................................................................................................100 Cargo Loading Chart ...............................................................................................................................................................................................................101 Cargo Loading Diagram ..........................................................................................................................................................................................................102 Communication Templates......................................................................................................................................................................................................103 Communications Plan..............................................................................................................................................................................................................104 Lighting System - Description..................................................................................................................................................................................................105 Lighting System – Plot.............................................................................................................................................................................................................106 Lighting System – Plot (Front View) ........................................................................................................................................................................................107 Lighting System – Plot (Side View) .........................................................................................................................................................................................108 Lighting System – Plot (Isometric)...........................................................................................................................................................................................109 Lighting System – Preliminary Cue List...................................................................................................................................................................................110 Lighting System – Instrument Schedule..................................................................................................................................................................................111 Lighting System – Instrument Schedule - Contd.....................................................................................................................................................................112 Lighting System – Instrument Schedule..................................................................................................................................................................................113 Lighting System – Instrument Schedule..................................................................................................................................................................................114 Lighting System – Instrument Schedule..................................................................................................................................................................................115 Lighting System – Instrument Schedule..................................................................................................................................................................................116
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 5 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Lighting System – Channel Hook-Up ......................................................................................................................................................................................117 Lighting System – Channel Hook-Up ......................................................................................................................................................................................118 Lighting System – Channel Hook-Up ......................................................................................................................................................................................119 Lighting System – Channel Hook-Up ......................................................................................................................................................................................120 Lighting System – Channel Hook-Up ......................................................................................................................................................................................121 Lighting System – Patch Sheet ...............................................................................................................................................................................................122 Lighting System – Patch Sheet ...............................................................................................................................................................................................123 Lighting System – Patch Sheet ...............................................................................................................................................................................................124 Lighting System – Patch Sheet ...............................................................................................................................................................................................125 Lighting System – Patch Sheet ...............................................................................................................................................................................................126 Lighting System – Patch Sheet ...............................................................................................................................................................................................127 Lighting System – Patch Sheet ...............................................................................................................................................................................................128 Lighting System – Power Requirements .................................................................................................................................................................................129 Lighting System – Circuit Counts ............................................................................................................................................................................................130 Lighting System – Weight By Position.....................................................................................................................................................................................131 Lighting System – Spare Lamp Count.....................................................................................................................................................................................132 Lighting System – Color Count................................................................................................................................................................................................133 Lighting System – Gobo Count................................................................................................................................................................................................134 Lighting System – Spare Fixture Count...................................................................................................................................................................................135 Lighting System – Console Description...................................................................................................................................................................................136 Lighting System - Dimmers .....................................................................................................................................................................................................137 Lighting System – Cable Package...........................................................................................................................................................................................138 Lighting System – Intercom System........................................................................................................................................................................................139 Lighting System – Power and Distribution System..................................................................................................................................................................140 Lighting System – Feeder Cable Requirements......................................................................................................................................................................141 Lighting Rigging System - Description.....................................................................................................................................................................................142 Lighting Rigging System – Block Diagram ..............................................................................................................................................................................143 Lighting Rigging System – Diagram (Side View).....................................................................................................................................................................144 Lighting Rigging System – Diagram (Top View)......................................................................................................................................................................145 Lighting Power/Rigging – Road Cases....................................................................................................................................................................................146 Cost Summary Spreadsheet ...................................................................................................................................................................................................147
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 6 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Sound System Description The house sound system will consist of a three way Stereo Left/Right Mains and Center Cluster with downfills able to provide coverage for an auditorium 3000-5000 people. Main PA will be driven by TurboSound Loudspeakers with a combination of the (6) 760Ht Floodlight series cabinets, the (12) TQ440 cabinets and the (4)TCS40 series for sides, center and downfill, respectively. To provide a solid low end foundation, (6) Turbosound TSW-718 dual 18” low frequency cabinets will be used. The general sound parameters include: Front Of House System SoundCraft MH4 Console (56Ch.) Tascam Playback / Record Equipment Ashly Equalization Drawmer Signal Processing Lexicon Effects Units DBX Loudspeaker Management QSC Amps TurboSound Loudspeaker System Monitor System SoundCraft MH4 Console (56Ch.) Drawmer Signal Processing Ashly Equalization DBX In Ear Monitor System DBX Speaker Management QSC Amps TurboSound Monitors to support 10 stage mixes Microphone Package General Components 3-way Snake Splitter System / Cable Harness Package Intercom Package Audio System Measurement Racks and Flight Cases A1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 7 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 dB SPL Calculation Sheet TFL-760Ht ( Frequency Response 180Hz – 20kHz) Sensitivity HF: 107 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 107dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 76.89dB SPL 96.89dB = 76.89dB + (10 x log (100watts / 1 watt) Sensitivity HMF: 108 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 108dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 77.89dB SPL 100.90dB = 77.89dB + (10 x log (200watts / 1 watt) Sensitivity LMF: 105 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 105dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 74.89dB SPL 101.88dB = 74.89dB + (10 x log (500watts / 1 watt) TQ-440 QLight (Frequency Response 75Hz – 20kHz) Sensitivity HF/MF: 104dB 1 watt @ 1 meter dB SPL @ 32 Meters = 104dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 73.89dB SPL 98.66dB = 73.89dB + (10 x log (300watts / 1 watt) Sensitivity LF: 103dB 1 watt @ 1 meter dB SPL @ 32 Meters = 103dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 72.89dB SPL 100.88dB = 72.89dB + (10 x log (600watts / 1 watt) A2 TSW-718 (Frequency Response 50Hz – 250Hz) Sensitivity: 105 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 105dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 74.89dB SPL 106.93dB = 74.89dB + (10 x log (1600watts / 1 watt) TCS40 (Frequency Response 75Hz – 20kHz) Sensitivity: 96dB 1 watt @ 1 meter dB SPL @ 32 Meters = 96dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 65.89dB SPL 92.70dB = 65.89dB + (10 x log (480watts / 1 watt) TQ-440SP QLight (Frequency Response 75Hz – 20kHz) *note self powered, so sensitivity may vary from TQ-440 Sensitivity HF/MF: 104dB 1 watt @ 1 meter dB SPL @ 32 Meters = 104dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 73.89dB SPL 98.66dB = 73.89dB + (10 x log (300watts / 1 watt) Sensitivity LF: 103dB 1 watt @ 1 meter dB SPL @ 32 Meters = 103dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 72.89dB SPL 100.88dB = 72.89dB + (10 x log (600watts / 1 watt)
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 8 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 DBX DriveRack480 Speaker Mgt System QSC 218 AMP QSC 218 AMP QSC 236 AMP QSC 224 AMP QSC 236 AMP QSC 236A AMP QSC 236A AMP TurboSound TFL-760Ht 3-way medium dispersion TurboSound TQ-440 3-way bi-amp Full Range TurboSound TSW-718 Low Frequency Subs Crossover 8kHz High Pass 24dB/octave Linkwitz-Riley Crossover 1k3Hz High Pass 24dB/octave Linkwitz-Riley Crossover 180Hz High Pass 24dB/octave Linkwitz-Riley System Frequency Response 180Hz - 20kHz +-4dB Crossover 1k3Hz High Pass 24dB/octave Linkwitz-Riley Crossover 75Hz High Pass 24dB/octave Linkwitz-Riley Crossover 180Hz Low Pass 24dB/octave Linkwitz-Riley Crossover 75Hz High Pass 24dB/octave Linkwitz-Riley System Frequency Response 75Hz - 20kHz +- 4dB QSC 218 AMP TurboSound TCS-40 Front/Center Fill System Frequency Response 50Hz - 250Hz +- 4dB System Frequency Response 75Hz - 20kHz +- 4dB 1 2 3 4 5 6 7 8 FOH Crossover/Processor Block DiagramA3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 9 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Power Distribution Text/Block DiagramA4 Drum Riser HousePA Motor Control Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock Quad Box for Powered Center Fill QuadBox Distro Power Distribution (Audio)
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 10 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 11 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 -90 21 -92 22 -82 20 -90 22 -103 22 -120 -100 -80 -60 -40 -20 0 20 40 dBU Soundcraft Mh4 Ashly GQX-3102 Drawmer DL241XLR DBX DriveRack 480 QSC PL236 FOH System Components Output dBU 21 22 20 22 22 System Noise -90 -92 -82 -90 -103 Soundcraft Mh4 Ashly GQX-3102 Drawmer DL241XLR DBX DriveRack 480 QSC PL236 SystemDynamicRange 62dB System Max Output System Noise Floor System Gain Structure ChartA6
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 12 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht Long Throw 3- way Cabinet TurboSound TQ-440 Medium Throw 3-way Full Range TurboSound TSW-718 Low Fequency SubWoofers TurboSound TQ-440SP Center Cluster TurboSound TCS-40 Front Fil / Down Fill The Main PA will consist of (6) 760Ht Floodlight series, (6) TQ-440 Qlights for sides and (6) TQ-440SP for center fill all flown to trim height 28'. For primary low frequency support, (8) TSW-718 Subwoofers will be floor stacked. (2) TCS-40s have been selected for front and down fill. * As an upgrade option for the TQ-440, substitute (6) more 760Ht Floodlight series. Front of House - Speaker CabinetsF1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 13 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht Long Throw 3- way Cabinet TurboSound TQ-440 Medium Throw 3-way Full Range TurboSound TSW-718 Low Fequency SubWoofers TurboSound TQ-440SP Center Cluster TurboSound TCS-40 Front Fil / Down Fill The Main PA will consist of (6) 760Ht Floodlight series, (6) TQ-440 Qlights for sides and (6) TQ-440SP for center fill all flown to trim height 28'. For primary low frequency support, (8) TSW-718 Subwoofers will be floor stacked. (2) TCS-40s have been selected for front and down fill. * As an upgrade option for the TQ-440, substitute (6) more 760Ht Floodlight series. The TFL-760Ht is a tri-amped, three way active trapezodial type consisting of one 305mm (12") low-mid frequency loudspeaker loaded with an Axehead device, one 6.5" (165mm) high-mid frequency loudspeaker loaded with an Axehead device, and one 1" (25mm) high frequency compression driver. The TQ-440 is bi-amped, three way type, consisting of one reflex loaded 12" (305mm) low frequency loudspeaker, one 6.5 (165mm) mid frequency loudspeaker loaded with TurboMid device, and a 1" (25) high frequency compression driver mounted co- axially to the low frequncy loudspeaker. The TSW-718 is a low frequency consisting of two 18" low frequency loudspeakers loaded with patented TurboBass devices. The TQ-440 is bi-amped, three way type, consisting of one reflex loaded 12" (305mm) low frequency loudspeaker, one 6.5 (165mm) mid frequency loudspeaker loaded with TurboMid device, and a 1" (25) high frequency compression driver mounted co- axially to the low frequncy loudspeaker. The TCS-40 is a two-way passive type consisting of two 8" (203mm) low frequency loudspeakers and one 1" (25mm) high frquency driver. Front of House – Transducer DetailsF2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 14 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 QSC Audio PoweLight 2 Series Amplifier The FOH Amplifiers used are based on the QSC Audio Powerlight Series Amplifiers. (6) QSC 218 Base (2) QSC 224 Base (4) QSC 236 Base (4) QSC 236A The PowerLight 2 Series is a high performance line of amplifiers designed exclusively for the touring and live sound professional. Front of House – Amplifier detailsF3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 15 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Control SystemACTR1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 16 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht FloodLight Series (3-wide) TurboSound TQ-440 QLight Series (3-wide) TurboSound TQ-440SP QLight Series (Self-Powered) TurboSound TSW-718 Subs (floor-stacked 2-high/2wide) TurboSound TCS-40 Series (Front Fill) Front of House – House Left / House Right Speaker Diagram (Front View)F4
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 17 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right House Left Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Drive Lines Red - signal to speakers Burgandy - Snake Splitter Lines Front of House – House Left / House Right Speaker Diagram (Top View)F5
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 18 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht FloodLight Series (3-wide) TurboSound TQ-440 QLight Series (3-wide) 1-ton Chain Motor TurboSound TSW-718 Subs (floor-stacked 2-high/2wide) TurboSound TCS-40 Series (Front Fill) Amp to Speaker Cable Amp Rack Front of House – House Left / House Right Speaker Diagram (Side View)F6
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 19 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht FloodLight Series (3-wide) TurboSound TQ-440 QLight Series (3-wide) 1-ton Chain Motor TurboSound TSW-718 Subs (floor-stacked 2-high/2wide) TurboSound TCS-40 Series (Front Fill) Amp to Speaker Cable Amp Rack TurboSound TQ-440SP QLight Series Self Powered (3-wide / 2 high) Front of House – House Left / House Right Speaker Diagram (Rear View)F7
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 20 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 House Left PA Amp Rack House Right PA Amp Rack Front of House – Amp Rack detailF8
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 21 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 DBX DriveRack480 Speaker Mgt System QSC 218 AMP QSC 218 AMP QSC 236 AMP QSC 224 AMP QSC 236 AMP QSC 236A AMP QSC 236A AMP TurboSound TFL-760Ht 3-way medium dispersion TurboSound TQ-440 3-way bi-amp Full Range TurboSound TSW-718 Low Frequency SubsBridged Out (3700W) QSC 218 AMP TurboSound TCS-40 Front/Center Fill 1 2 3 4 5 6 7 8 Bridged Out (3700W) Bridged Out (650W) Bridged Out (1500W) Bridged Out (900W) Bridged Out (1500W) Bridged Out (650W) Mono Out (310W) + + + + + + + + + ++ + ++ + + + + + + + + + + + + + + + + + Front of House – Wiring DiagramF9
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 22 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Matrix 1 Out from FOH Console Matrix 1 Return to splitter from FOH console for powered Center Fill Input from FOH Matrix 1 (via return lines) TurboSound TQ-440SP Center Cluster The Main PA will consist of (6) 760Ht Floodlight series, (6) TQ-440 Qlights for sides and (6) TQ-440SP for center fill all flown to trim height 28'. For primary low frequency support, (8) TSW-718 Subwoofers will be floor stacked. (2) TCS-40s have been selected for front and down fill. Front of House – Self Powered CabinetsF10
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 23 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Powered versus Component Style Speaker SystemsF11 The active loudspeaker system has a practical performance advantage that one should point out to those who could consider multiple dedicated amplifiers an extravagance or even hindrance when one would do, particularly if that one could be more expensive per channel. This point is the relationship of the loudspeaker to the amplifier, and it's got nothing to do with passive crossover components. When a manufacturer builds a high performance outboard amplifier, the amplifier MUST accommodate a wide range of loudspeaker impedances, some of which may be very unusual. In order to do this, the manufacturer needs not only good big, heavy, and expensive. Unfort effort. For example, my own big, outboard, muscled continuously into each channel, or in other words, cruise into 2 ohms at 800 watts, twice, for 1600 watts of continuous output, assuming my wall socket can hang in there. If we tie that kind of output with premium sound quality, that ability costs mucho dollars. My particular amp is from a no frills manufacturer, so it's still relatively cost effective for what it is, but not so cheap as I'd like so that I could buy a few more. The extreme low impedance output capability is nice to talk about, and handy when in use as a reference amp so that it's ready to drive any review sample that comes in the door, but until I actually use a loudspeaker that gets to 2 ohms over any substantial part of the higher energy portion of the audio spectrum, i.e., mid into clipping distortion by exceeding it's substantial voltage swing capacity. It was 'optimized' for the most strenuous current delivery scenarios possible. If the designer of my particular beast of an amp had a specific loudspeaker in mind, he could have designed the amplifier to deliver that full 800 watt capability for real, without worrying whether something stranger might happen along. However, what I'm actually getting with most speakers is an amplifier capable of an easy and stable 400 500 watts/channel, because that's what the impedance of most loudspeakers allows the r delivery of 400 500 watts into that load since the power supply remains more stable when it never goes beyond 60% of its real capacity, but that's only because it can't. While I consider it better to err on the side of clipping the voltage rail a little sooner (only a problem for the duration of clipping) by under vs. exhausting the power reserves (a problem until the transformer can refill the capacitors) by over winding the secondary of the transformer for excessive voltage capability and impressive "peak" output levels, a "perfect" match is more ideal than either situation. ring an under powered receiver, but by using massively overbuilt products, we often use and pay for more than et less from what we put in than if the same amplifier were designed ers found in typical receivers. In many cases, particularly at higher output levels, the extra juice pays off big time, not only in sheer volume, but clarity. What I'm trying to say is that even if the active system uses smaller power supplies and less output devices, system are truly part of a known whole, they can offer the same raw performance as big, huge outboard amplifiers when used in that specific scenario for which they were intended, or for that matter, even possibly perform better than the 'bigger' outboard counterpart. Does that its own chassis? Of course not. If there ever were a universal truth in audio, it would be, "It depends." Comments from - Colin Miller -
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 24 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Rigging Description The Front of House PA Rigging will consist of (1) CM Loadstar 1 ton (1000lbs) motors per cluster. For the sides, TurboSound will provide the compliment flying system for the TFL-760Ht which will includes the use of steel bars (or ‘swords’) which slide through slots machined in the enclosure, and are held captive with 7.5mm safety linch-pins through holes in the swords. The flying system eliminates the needs for flying hardware as integral parts on the enclosure. This allows various configurations while not allowing the cabinet to play no structural part in the flying. The TQ-440 will use suspension bar and chains to ensure we have the appropriate splay angle for front and center seating. (See diagram below) The Left and Right Cluster will require the following: TurboSound Standard Triple Bar (TB-760) TurboSound “D” ring (DR-760) TurboSound Chain Bridle (CB-760/2) TurboSound Double Clevis Coupler (DC-760) TurboSound Safety Tube Clip (ST-760) The Center Cluster will require the following: TurboSound Suspension Bar (FB-58) TurboSound Suspension Chains (FC-77) TurboSound Tilt Straps TurboSound Eyebolt for TCS-40 (EB 1035) R1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 25 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Rigging Diagram (Block view)R2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 26 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Rigging Diagram (Side View)R3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 27 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right House Left Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Front of House – Rigging Diagram (Top View)R4
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 28 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Standard Multicore Cases FOH Console Case Standard Multicore Cases Effects and Amp Racks Motor Box Cases Front of House – Road Cases (Main PA)CS1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 29 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Mix Position The Front of House Mix position is located in the rear of the seating audience (about 2/3 back from the center). The FOH engineer will have access to the main desk (SoundCraft MH4) as well as two (21U) racks of effects and FOH playback components. The engineer will have a two channels of COM to communicate to the production team or other audio staff. There will be a total of 36 inputs from the stage via snake splitter system and 56 total channels available for mix into to main stereo outs and the matrix for left, right and center clusters via return lines. The Mix position will be contained on (3) 4’ x 8’ risers 1’6” high to allow for line of sight above the heads of the audience. Power to the FOH mix position will be supplied via 300’ feeder cable from the audio distribution box. F12 FOH Rack 1 - System Processing / Playback FOH Rack 2 - Effects / Signal Processing
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 30 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 (3) 4' x 8' Risers FOH Effects Racks FOH Console (Side View) Front of House – Riser Diagram The Mix position will be contained on (3) 4’ x 8’ risers 1’6” high to allow for line of sight above the heads of the audience. F13
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 31 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Console DescriptionF14
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 32 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Outboard Equipment Description The Front of House outboard equipment will consist of components from Tascam, Drawmer, Ashly, Lexicon, TC Electronics and DBX product manufacturers. The FOH Rack 1 will consist of the following components: • Furman Power Conditioner (PL-PRO) • Ashly Dual 31 Band Equalizer (GQX-3102) • Ashly Mono 31 Band Equalizer (GQX-3101) • Tascam Production Cassette Desk (112mkII) • Tascam Professional CD Player (CD-450) • Tascam Professional Mini-Disc Player (MD-301mkII) • Tascam DAT Recorder / Player (DA-40) • DBX DriveRack 240 • Middle Atlantic 3-RU Drawer The FOH Rack 2 will consist of the following components: • Furman Power Conditioner (PL-PRO) • Lexicon Dual Reverb Processor (PCM91) • Lexicon 24-bit Dual Channel Effects (MPX550) • TC Electronics Digital Delay (D-Two) • TC Electronics M-One XL Effects (M-1XL) • (7) Drawmer Two Channel Compressor/Limiter/Gate (DL241) • (5) Drawmer Quad Auto Compressor/Limiter (DL441) • Middle Atlantic 4-RU Drawer F15
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 33 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 FOH Rack 1 - System Processing / Playback FOH Rack 2 - Effects / Signal Processing Front of House – Outboard Equipment Rack DetailF16
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 34 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 PSU Rack for FOH Console Redundant Power Supply for MH4 Console Front of House – Power Supply Unit Rack DetailF17
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 35 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right Split to FOH Split to Recording Split to Monitor Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Drive Lines Red - Insert Snakes Burgandy - Snake Splitter Lines FOH Rack 1 FOH Rack 2 FOH Console SoundCraft MH4 Console PSU 10' Twist Lock Send/Return Insert Snake (Effects) Drive / Playback Snake Return Snake to Splitter (Drive Line) Power Connector (*SoundCraft proprietary cable) 40 Channel FOH Split from Splitter Front of House – Signal Flow Block DiagramF18
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 36 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Standard Multicore Cases FOH Console Case Standard Multicore Cases Effects and Amp Racks Motor Box Cases Front of House – Road Cases (Mix Position)CS2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 37 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 The main part of the snake system is the stage box where the mic lines are connected into the system and where microphone splitting may take place - either parallel or with transformer isolation. Provisions can be made for ground lift switches, multipin subsnake inputs and return lines sent back to the stage from the mix position. The Rack panel will be mounted in a standard EIA 19” rack. The rack panels are .090" thick aluminum and available with or without backbox enclosure and boxes are 14-gauge cold rolled steel with black powder coat finish. Multiplin to multipin cables will be used to connect and distribute the signal to the various split locations (FOH, Monitor and Remote Recording). These cables use the Whirlwind’s inline W-Series multipin connector (W3 up to 40 channels). The mating configuration of these cables is a male multipin MASS connector wired as an INPUT on one end and a MASS connector wired as an OUTPUT on the other. The “fanouts” interconnects the channels from a multipin input to individual connectors. The are required on the ends of each multipin to multipin to connect each input to the console input channels including FOH, Monitor and Recording. Main Snake System - Description The Main Snake System will be comprised of touring standard components from Whirlwind. The system will consist of the following: - 3-way split mass connecter stage box (40 inputs / 16 returns) - (3) Multiline to Multiline Interconnects - (3) FM Series Multipin to Fanout XLRs - (2) 16 Input / 6 Return Medusa Standard Sub Snakes - (1) 12 Input Medusa Standard Sub Snake S1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 38 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right Split to FOH Split to Recording Split to Monitor Drive Lines to Amps Return / Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Return / Drive Lines Red - Insert / Sub Snakes / Inputs Burgandy - Snake Multiline Interconnects FOH Rack 1 FOH Rack 2 FOH Console SoundCraft MH4 Console PSU 10' Twist Lock Send/Return Insert Snake (Effects) Drive / Playback Snake Return Snake to Splitter (Drive Line) Power Connector (*SoundCraft proprietary cable) 40 Channel FOH Split from Splitter Sub Snake A Sub Snake B 3-way split MultiChannel Rack Box 40 Channel send / 16 Channel return FOH Split (300ft) Monitor Split (100ft) Remote Recording Split (300ft) other Stage Inputs (Homeruns) to House Left PA Amp to House Right PA Amp to Center Cluster PA other outputs for coms and controls Sub Snake A Sub Snake B Main Snake System - DiagramS2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 39 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Standard Multicore Cases FOH Console Case Standard Multicore Cases Effects and Amp Racks Motor Box Cases Main Snake System – Road CasesCS3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 40 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System - Description The Monitor System will typically be located upstage Left where possible and relatively close to the main audio power distro. The Monitor engineer will have access to the main desk (48 channel SoundCraft MH4) as well as four (21U) racks for amps, processing and components to support 10 mixes of bi- amped wedges and 1 stereo mix of wireless in-ear equipment. The engineer will have a two channels of COM to communicate to the production team or other audio staff. There will be a total of 40 inputs from the stage via snake splitter system and 16 return line channels which can be used to send signals from other split locations. M1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 41 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Riser Details NO Monitor Risers required for this tour. This page left intentionally blank. M2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 42 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound THL-2 HiLight TurboSound TFM Series 450 Monitor System – Floor WedgesM3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 43 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Mix Position DiagramM4 Front Of House Lighting Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill Mix 8 Mix 1 Mix 2 Mix 3 Mix 9 Mix 4 Mix 6 Mix 7 Mix 5 Key Wedge Mix 10 Raised Stage
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 44 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wireless In Ear System The in-ear monitors system will be a combination of the Shure PSM 700 IEM System and the DBX IEM Processor. M5 IEM Signal Flow Diagram Stereo Mix Out MH4 Monitor Console IEM Transmitter Input Shure PSM700 Transmit to Receiver Input from Transmitter
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 45 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System - AmplifiersM6 QSC Audio PowerLight Series Amplifier The Monitor Amplifiers used are based on the QSC Audio Powerlight Series Amplifiers. (4) QSC PL 1.0 (2) QSC PL 1.4 (2) QSC PL 2.0 (4) QSC PL 3.4 The PowerLight Series is a high performance line of amplifiers designed exclusively for the touring and live sound professionals.
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 46 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Signal Flow DiagramM7 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL2.0 HV QSC PL1.4 QSC PL2.0 HV QSC PL1.4 + + + + + + + + + + + + + + + + + + + + + + + + Mix 1 TFM450 Mix 2 TFM450 Mix 3 TFM450 Mix 4 TFM450 Mix 5 (Drums) THL-2 Mix 6 TFM450 Mix 7 TFM450 Mix 10 TFM450 Mix 8 TFL-760Ht (SideFill) Mix 9 TFL-760t (SideFill) Key Wedge TFM450
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 47 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wedge Diagram (Front View) TurboSound TFM-450 M8
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 48 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wedge Diagram (Side View) TurboSound THL-2 M9
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 49 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Amp Rack DiagramM10 Monitor Amp Rack 1 Mix 1 - 4 Monitor Amp Rack 2 Mix 6, 7, 10 & Key Wedge Monitor Amp Rack 3 Mix 5, 8 & 9
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 50 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL2.0 HV QSC PL1.4 QSC PL2.0 HV QSC PL1.4 + + + + + + + + + + + + + + + + + + + + + + + + Mix 1 TFM450 Mix 2 TFM450 Mix 3 TFM450 Mix 4 TFM450 Mix 5 (Drums) THL-2 Mix 6 TFM450 Mix 7 TFM450 Mix 10 TFM450 Mix 8 TFL-760Ht (SideFill) Mix 9 TFL-760t (SideFill) Key Wedge TFM450 SoundCraft MH4 Monitor Console Monitor Amp Rack 1 Monitor Amp Rack 2 Monitor Amp Rack 3 Aux Output from console Aux Output from console Monitor System – Monitor Mix Block DiagramM11
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 51 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wireless In Ear System Block DiagramM12
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 52 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 53 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Rigging NO Rigging Required for monitors…. This page left intentionally blank. M14
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 54 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Road CasesCS4 Monitor Console Case Standard Trunk Case Effects and Amp Racks
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 55 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Inventory List Standard Package Whirlwind Direct Box IMP2 15 Shure Cardioid Condenser Kick Drum Microphone BETA91 2 Shure KickDrum Microphone BETA52A 2 Shure Instrument Microphone BETA57A 6 Shure Instrument Microphone SM57 6 Shure Cardioid Condensor w/10 dB Attenuator SM81-LC 6 Shure Clip-On Condenser Drum Microphone (Toms) BETA98D/S 5 Shure Drum Microphone (Floor Tom) BETA56A 4 Shure Vocal Microphone (Wired) BETA58A 6 Shure ULX Professional Handheld System w/BETA58 Microphone ULXP24/BETA58 1 Microphone Package M I C 1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 56 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Cable Inventory List Standard Package M I C 2 Microphone Cables Rapco 100' Microphone Cable NQP100 4 Rapco 30' Microphone Cable NQP30 4 Rapco 25' Microphone Cable NQP25 30 Rapco 15' Microphone Cable NQP15 20 Rapco 15' Instrument Cable NG15 20
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 57 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone (Direct Input) Inventory ListM I C 3 Whirlwind Direct Box IMP2 15
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 58 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Stand Inventory ListM I C 4 Microphone Stands Ultimate K&M Tripod Stand Package - Tall Boom (Combines 20130B Stand with 21100B Boom) 21020B 10 Ultimate K&M Short Weighted Base Stand 23200B-Black 1 Ultimate K&M Short Tripod Base Stand 25910B-Black 6 Shure Mic Stand adapter for SM58®, SM57, SM87A, Beta 87A A25D 12 Shure Mic Stand adapter for SM81-LC A57F 8 Shure Drum Microphone Stand Adapter A98D 5
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 59 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Inventory – Road Cases Grundorf Microphone Cases CS5
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 60 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Intercom Equipment - Description Audio Intercom will be integrated into Lighting Intercom (to be described later in this documents. The system will include components from Clearcom, to include the following: I1 Clearcom 2 Channel Intercom Station MS-232 1 Clearcom 4 Channel Remote Station RM-440 1 Clearcom 18" Gooseneck Microphone (for MS-222,MS-440) GM-18 2 Clearcom Headset (Single Muff) CC-95 2 Clearcom Beltpack (Two-Channel Listen / Dual Out) RS-522 2 Intercom Package
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 61 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Intercom Equipment - DiagramI2 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right House Left Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Drive Lines Burgandy - Snake Splitter Lines Clearcom Intercom Stations for Audio MS-232 Master Station *Power provided via audio distro **Com signal routed through return/drive lines RM-220 Remote Station *Power provided via audio distro **Com signal routed through return/drive lines
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 62 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Intercom Equipment – Road Cases All major Intercom Equipment will be rack-mounted in the FOH and Monitor Cases.. All minor components will be stored in the rack drawer units or other cases. This space left intentionally blank. CS6
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 63 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Remote Recording Mix Position - Description Remote Recording is NOT currently included in the scope for this tour. HOWEVER, the following details should be considered as an upgrade option. SIM1 Apple MAC G5 Computer System Apple 23" Cinema HD Display Monitor ProTools HD3 Core System PTCoreHD3 192 Ditial IO Audio Interface for PT/HD 192ioAudio Sync IO for PT/HD SyncIO Digi PRE Mic PreAamp DigiPre ProTools Mixer Control | 24 ProTools Custom Keyboard Genelec 1030ASin Near Field Monitor 1030ASin Genelec 12" Subwoofer 7070A TDM Platinum Plug-in-Bundle TDMPlatinum DUY Global TDM Bundle DUYTDMGlob Sony Oxford Plugin for TDM OXFR3TDM Altiverb Audio Ease Reverb Plug-in Bundle AltiverbTDM Bias Peak TDM 2-Track Editing Software PeakTDM Antares TDM Tuning Plug-in AutoTuneTDM Glyph Trip 2 w/VXA Drive Glyph 120 Gig Trip 2 Drive DigiSnake 25' (DB25 - DB25) MH085 ProControl DigiSnake 25' (DB25-DB25R) MH086 DigiSnake 12' (DB25-XLR M) MH081 DigiLink 12' Cable DigiLink12 ADC to VGA Cable Ethernet 8-port Hub CAT 5 10' Cable Remote Recording / Simulcast Audio Record Tascam Production Cassette Deck 112mkII Sony Compact Disc Player CDPD11 Sony Compact-Disc Recorder CDRW66 Sony Mini Disc Recorder MDSE10 Tascam 24-bit DAT Recorder DA-45HR Studio Microphones Audio Technica Condenser Tube Mic AT4060 AKG Condenser Microphone C414BULS Electro Voice Dynamic Vocal Mic RE20 Neumann Condenser Mic - Black KM184 Blue Condenser Mic BabyBottle Sennheiser Cardiod Professional Mic MD421 AKG Kick Drum/Bass Microphone D112 Neumann Stuido Large Diaphram Microphone TLM103 Effects Machines Lexicon Dual Reverb Processor PCM91 Eventide Harmonizer Effects Processor H3000-D/SE Lexicon 24-bit Dual Channel Effects MPX550 TC Electronics M-One XL Effects M-1XL
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 64 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Remote Recording Mix Position – Console DescriptionSIM3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 65 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Artist Stage Chart and Input ListSC1 S.Box FOH MON INSTRUMENT MIC / DI / GEAR STAND Cable 1 Cable 2 FOH MON FOH MON 1 1 1 B1 Kick Drum (S.R.) Shure Beta91 N/A XLR25' 241 Gate 1&8 1 2 2 2 B2 Kick Drum (S.R. - D.I) IMP2 N/A XLR15' TRS10' 2 Gate 1&8 1 3 3 3 B3 Kick Drum (S.L.) Shure Beta 52A Short Base XLR25' 241 4 4 4 B4 Kick Drum (S.L. - D.I) IMP2 N/A XLR15' TRS15' 2 5 5 5 B5 Snare (Top) Shure Beta 57A Short Boom XLR25' 241 Gate 1&8 1 6 6 6 B6 Snare (D.I.) IMP2 N/A XLR15' TRS15' 2 Gate 1&8 1 7 7 7 B7 Hi-Hat Shure SM81-LC Short Boom XLR25' 241 1&8 1 8 8 8 B8 Rack Tom 1 Shure Beta 98D/S N/A XLR25' 2 Gate 1&8 1 9 9 9 B9 Rack Tom 2 Shure Beta 98D/S N/A XLR25' 241 Gate 1&8 1 10 10 10 B10 Rack Tom 3 Shure Beta 98D/S N/A XLR25' 2 Gate 1&8 1 11 11 11 B11 Floor Tom 1 Shure 56A Short Boom XLR25' 241 Gate 1&8 1 12 12 12 B12 Floor Tom 2 Shure 56A Short Boom XLR25' 2 13 13 13 B13 Chimes Shure Beta 57A Tall Boom XLR25' 14 14 14 B14 Overhead (S.R.) Shure SM81-LC Tall Boom XLR25' 241 1&8 1 15 15 15 B15 Overhead (S.L.) Shure SM81-LC Tall Boom XLR25' 2 1&8 1 16 16 16 A1 Guitar Wireless D.I. IMP2 N/A XLR15' TRS15' 441 2&8 17 17 17 A2 Guitar Rack D.I. IMP2 N/A XLR15' TRS15' 2 2&8 18 18 18 A3 Guitar Effect Return IMP2 N/A XLR15' TRS15' 3 2&8 19 19 19 A4 Guitar Set Cabinet Shure Beta 57A Tall Boom XLR25' 4 2&8 20 20 20 C1 Jimmy Vocal Wired Shure Beta 58A Tall Boom XLR30' 441 2&8 21 21 21 C2 Jimmy Vocal Wireless Shure Beta 58A (Wireless) Tall Boom XLR6' 2 22 22 22 C3 Vocal (S.R.) Shure Beta 58A Tall Boom XLR30' 3 23 23 23 C4 Herman Vocal (S.L.) Shure Beta 58A Tall Boom XLR30' 4 24 24 24 A5 Drum Vocal Shure Beta 58A Tall Boom XLR25' 441 25 25 25 A6 Bass Cabinet Shure Beta 52A Short Boom XLR25' 2 26 26 26 A7 Bass D.I. IMP2 N/A XLR15' TRS15' 3 27 27 27 A8 Keys Rack D.I. Left IMP2 N/A XLR15' TRS15' 441 2&8 28 28 28 A9 Keys Rack D.I. Right IMP2 N/A XLR15' TRS15' 2 3&8 2 29 29 29 A10 Keys Mixer Left SoundCraft E6 N/A XLR25' 3 3&8 2 30 30 30 A11 Keys Mixer Right SoundCraft E6 N/A XLR25' 4 3&8 2 31 31 31 A12 Keys Cabinet Lo Shure Beta91 Short Boom XLR25' 441 3&8 2 32 32 32 A13 Keys Cabinet Hi Shure Beta 57A Tall Boom XLR25' 2 3&8 33 X 33 A14 Click Left IMP2 (click track device) N/A XLR15' TRS15' 4&8 3 34 X 34 A5 Click Right IMP2 (click track device) N/A XLR15' TRS15' 35 33 35 C5 Audience HL Shure SM81-LC N/A XLR100' 36 34 36 C6 Audience HR Shure SM81-LC N/A XLR100' R1 35 37 N/A Show Intro - Left (Mono) Tascam CD Player - L R2 36 X N/A Show Intro - Right Tascam CD Player - R 4&8 3 X 37 X N/A Effects LexPCM91 - Left X 38 X N/A Effects LexPCM91 - Right X 39 X N/A Effects LexMPX550 - Left X 40 X N/A Effects LexMPX550 - Right X 41 X N/A Effects TC M-One XL - Left X 42 X N/A Effects TC M-One XL - Right X 43 X N/A Effects Harmonizer - Right X 44 X N/A Effects Harmonizer - Left R3 45 38 N/A Cassette - Left (Mono) Tascam Cassette 112mkII R4 46 X N/A Cassette - Right Tascam Cassette 112mkII R5 47 39 N/A MiniDisc - Left (Mono) Tascam Mini-Disc MD-301mkII R6 48 X N/A MiniDisc - Right Tascam Mini-Disc MD-301mkII R7 49 40 N/A DAT - Left (Mono) Tascam DAT DA-40 R8 50 X N/A DAT - Right Tascam DAT DA-40 INSERT VCAPatch Channels Sub Snake Input List Faxed from Artist Management Revised Input List
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 66 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Measurement System – Block Diagram Audio System Measurement is NOT currently included in the scope. The following details should be considered as an upgrade option only. ANA1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 67 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production (Capture) - Description Video Production is NOT currently included in the scope. The following details should be considered as an upgrade option only. VID1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 68 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production (Capture) – Detail Diagram Video Production (Capture) is NOT currently included in the scope. The following details should be considered as an upgrade option only. To accommodate Production Cameras, several updates will be required for video and communications gear.. See sample detail below. VID2 SAP612 BTR-800 RTS Rack C C U 1 MCE32 5 C C U 2 C C U 3 C C U 4 BP325 PH-1 Technical Director (Headset Only) PH-1 Video Director BP325 PH-1 Engineer (Shader) Com Snake SPK300 (Headset Only) PH-1 RTS Engineer (Headset Only) PH-1 Broadcast Engineer Video Control Remote Recording Recording Fan Out COM Snake Fan Out Return Lines 3-way Splitter Box BP325 PH-1 Stage Manager TW5W BP325 PH-1 Monitor Engineer MonitorDesk Monitor Rack Return Lines 10, 11, 12 Main Stage Cam 4 Cam 1 Cam 2 Cam 3 Spot HR Spot HL Conventional Lights Desk Moving Lights Desk FOH Desk BP325 PH-1 Camera Operator 4 BP325 PH-2 Camera Operator 1 BP325 PH-2 Camera Operator 2 BP325 PH-2 Camera Operator 3 BP325 PH-2 SpotLight Operator 1 BP325 PH-2 SpotLight Operator 1 TW5W BP325 PH-1 Moving Light Operator BP325 PH-1 Conventional Operator BP325 PH-1 FOH Engineer Monitor Front Of House Lighting FOH Split Return Lines RecordingDesk Return Lines 10, 11, 12 Return Lines FOH Rack TR-800 PH-1 Executive Producer (Audio Instructor) TR-800 PH-1 Associate Producer (Video Instructor) TR-800 PH-1 Associate Producer (Lighting Instructor) TR-800 PH-1 Production Manager Management Recording Split Drive Lines Com Lines Audio Splits Snakes Legend BP325 PH-1 Lighting Director
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 69 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production (Capture) – Cost Video Production is NOT currently included in the scope. The following details should be considered as an upgrade option only. VID3 Cameras / Camcorder Sony Video Switcher DFS700A 1 $18,398.85 $18,398.85 Sony Studio Pack, Includes DSR570WSL, DFX51, CA370, CCUD50, RMM7G DSR570WSDPAC2 3 $23,872.80 $71,618.40 Sony Digital Camcorder DCR-VX2000 1 $2,940.00 $2,940.00 Sony DV Cam Recorder DSR1500 2 $5,635.00 $11,270.00 Sony Rack Kit for DV Cam Recorder RKSSDNA28 1 $258.50 $258.50 Sony Analog Input Board DSBK1504 1 $787.25 $787.25 Sony Digital I/O Board DSBK1501 2 $1,010.50 $2,021.00 Panasonic S-VHS Recorder AG7350 2 $2,138.50 $4,277.00 Kramer UXGA Scan Converter VP706SC 2 $1,733.13 $3,466.26 Sony9" Color Monitors PVM9L2 10 $861.27 $8,612.70 Sony Rack Kit for Color Monitors RKM9L2 5 $146.87 $734.35 Sony 20" Color Monitors PVM20L2 2 $2,242.50 $4,485.00 Custom Rack Mount for 20" Color Monitors RKPM1954 2 $182.13 $364.26 Panasonic DVD recorder DMRT3040 1 $922.38 $922.38 Panasonic 5" Triple B/W Monitor WVBM503 2 $1,039.88 $2,079.76 Canare Video Remote Cable A2V2L 1 $310.20 $310.20 Mackie Monitor Board 1402 VLX Pro 1 $520.45 $520.45 Ashly Line Level Mixer LX308B 1 $405.73 $405.73 Panasonic SVHS Deck PV-VS4821 1 $205.63 $205.63 Canare Digital Patchbay 262UDVJW 1 $875.00 $875.00 Knox Matrix Routing Switcher RS16X16YC/B 1 $6,924.00 $6,924.00 Aja Firewire Breakout Box AJA-EYEO 1 $2,198.90 $2,198.90 Ocean Matrix 6x1 Firewire Switcher OMX-PSW6F 1 $218.90 $218.90 VideoTek TVM-675 1 $4,131.30 $4,131.30 Lowell Gangable 44 Space Rack, 32' Deep L278-77 3 $713.78 $2,141.34 Mackie 2-Way Studio Reference Monitor HR824 2 $752.46 $1,504.92 Video Cable Harnessing 1 $7,900.00 $7,900.00 $159,572Video Production V ideo Production (Capture)
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 70 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Projection System (Image Magnification) The Video Projection System often referred to as Image Magnification is the base component of the Video Production System . The following details are in scope and should be considered as part of the set design which video projection is a critical creative element for visual effects. VID4
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 71 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production System – Cost The Video Projection System often referred to as Image Magnification is the base component of the Video Production System . The following details are in scope and should be considered as part of the set design which video projection is a critical creative element for visual effects. VID6 Christie Digital XGA 6000 Lumen DLP Projector Roadster X6 38- DMD13-08 2 $32,891.75 $65,783.50 Christie Digital 1.5-2.2:1 Zoom Lens for X6 Projector 38-809017-01 2 $4,776.15 $9,552.30 Chief Mounting Bracket for Roadster X6 Projector VCM-90C 2 $274.18 $548.36 Chief Mounting Plate for RPA Bracket CMA-110 2 $63.80 $127.60 Da-Lite Cinema Contour Projection Screen with Da-Tex Material, 108” x 144” 87135 2 $1,506.52 $3,013.04 Analog Way Smart Fade Video Scaler and Seamless Switcher SMF-251A 1 $4,436.54 $4,436.54 FSR 1x4 RGBHV Distribution Amplifier RGB-DA4 1 $718.44 $718.44 FSR 1x2 Computer Distribution Amplifier CDA-2 1 $155.59 $155.59 FSR 1x4 Composite Distribution Amplifier CVD-4 1 $213.25 $213.25 FSR Video Down Converter MDC-MKI 1 $843.81 $843.81 RL Drake Fixed Channel Video Modulator VM600 1 $193.66 $193.66 RL Drake Fixed Channel Video Modulator Power Supply RMM4 1 $188.53 $188.53 Furman Rack Rider RR-15 2 $82.60 $165.20 FSR A Series 2 – RGB High Density – VGA Male to 5 BNC Male 10 ft Cable CSV - HD5BMM - 10 HD - 15 to 5 BNC Cable 1 $41.65 $41.65 FSR BNC (M) Plug to RCA Plug (M) Video Cable B-PP-C-6 8 $16.00 $128.00 FSR 5 BNC to 5 BNC 10ft Patch Cable CSV - 5BMM - 10 5 BNC to 5 BNC Cable 1 $44.23 $44.23 West Penn Five Pair RGBHV Cable (400’) WP6355 2 $832.00 $1,664.00 West Penn Single RG-6 Cable (1000') 841 1 $97.50 $97.50 West Penn Control Wire for IR Repeater (1000') 291-GY 1 $102.50 $102.50 Lowell 7RU Desk Turret Rack L40-12 1 $171.05 $171.05 Lowell 10 RU Equipment Rack L253.17LD 1 $342.13 $342.13 Patch Cables to Owner Provided Equipment 1 $70.00 $70.00 Terminations For all Cable 1 $400.00 $400.00 Rigging Hardware 4 $325.00 $1,300.00 Stage Monitors 27" TV's 2 $375.00 $750.00 Playback / Presentation Equipment Denon DVD Audio/Video Player DVD-900 1 $305.99 $305.99 MediaShout 2.5 + Learn to Shout + Service Designer (combo) 1 $300.00 $300.00 Dell PC Computer System w/two video cards 1 $2,000.00 $2,000.00 MAG LCD 18" Monitor Screen HD Series 872V 2 $500.00 $1,000.00 $94,657Image Magnification Video Projection (Image Magnification)
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 72 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Plot - StageV1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 73 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Advance SheetV2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 74 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Plot – Topographical Site ViewV3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 75 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Plot – Top View (w/ Production Items)V4 Audience Area Front of House Lighting Monitor Stage Raised Platform SAP612 BTR-800 RTS Rack C C U 1 MCE32 5 C C U 2 C C U 3 C C U 4 BP325 PH-1 Technical Director (Headset Only) PH-1 Video Director BP325 PH-1 Engineer (Shader) SPK300 (Headset Only) PH-1 RTS Engineer (Headset Only) PH-1 Broadcast Engineer Recording Fan Out RecordingDesk Video Production Remote Recording *If required *If required Dressing rooms & BackStage FOH PA Loading Dock Area House Power & Disconnect Panels Balcony Area Above
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 76 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Staging - Indoor Stage Description The indoor stage will consist of standard 4’ x 8’ portable stage platform with 16ga. steel frame and ¾” deck. The decking is ½” thick solid plywood core with 1/8” tempered hardboard laminated on both top and bottom to create a wear and moisture resistant surface. Polyproplene flooring. See details below. ST1A
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 77 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Staging - Indoor Stage Diagram (70) 4' x 8' Risers Main Stage (3) 4' x 8' Risers FOH Riser (2) 4' x 8' Risers Lighting Riser (16) 4' x 8' Risers Band 3'-4" High 2'-0" High 1'-6" High ST2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 78 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design - Description The concept for the set design centers around physical elements that allow for allow for a lot of projection and light effects. With the foundation of a 60’ x 40’ sharksktooth scrim, the other set pieces are set pieces are set symmetrically to allow for different viewing angles and a little character on the stage. The center of the set is a 40ft Cir. Circular Truss with a translucent scrim material attached, allowing for a variety of light and/or video effects. Also the set has integrated into the design two screens that allow for image magnification or other video based packages. This can be used by the artist to define some creative intent or it can be used to market some information to the audience integrated into the performance.. The sky is the limit.. See set elements below. SD1 Front View Stage Set Sharktooth Scrim 60' x 40' (6) 10' Wide x 8 3/4" Tri Truss with Quick Connect (4) AlpTek 6500 Mobil Tech Crank System Thomas 40ft Curve 12' x 12' GP (2) Da-Lite Cinema Contour Projection Screens (w/ Da-Tex Materials) *if video option selected, video images will be projected on these screens for imagae magnification and other video effects. Red = Band Risers Green = Stage Risers 5ft Floor Stand Truss 2.5ft Floor Stand Truss
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 79 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design – Materials ListSD2 Portable Stage Deck 4'x8'x18" - PolyDeck 70 $421 0% $421 $29,470 $29,470 Portable Stage Deck 4'x8'x24" - Carpeted Deck 8 $421 0% $421 $3,368 $3,368 Portable Stage Deck 4'x8'x40" - Carpeted Deck 8 $421 0% $421 $3,368 $3,368 4ft High Stairs 2 $470 0% $470 $940 $940 Black fabric (23 feet of box pleat Wyndham Skirting) 96 $8 0% $8 $744 $744 Black fabric (39 feet of box pleat Wyndham Skirting) w/loop velcro 64 $10 0% $10 $608 $608 Black fabric (15 feet of box pleat Wyndham Skirting) w/loop velcro 216 $4 0% $4 $864 $864 15 Deck Flat Cart 4 x 8 w/4 Swivel Casters & Push Rail 5 $415 0% $415 $2,075 $2,075 White Shark Tooth Scrim (60' x 24') RoseBrand 1 $1,232 0% $1,232 $1,232 $1,232 Thomas Box 10" Box Truss 5' 4 $400 0% $400 $1,600 $1,600 Thomas Box 10" Box Truss 2.5 3 $275 0% $275 $825 $825 Thomas 40ft Curve Truss 8 $500 0% $500 $4,000 $4,000 APLTEK 6500 Mobil Crank Up Lift APLTEK6500 4 $2,290 0% $2,290 $9,160 $9,160 Mobil Tech 250/300 8 to 12 inch Truss 3 $69 0% $69 $207 $207 10 Foot Wide x 8 3/4" TRI Truss with Quick Connect 6 $235 0% $235 $1,410 $1,410 Site / Staging Details
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 80 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design – Construction DiagramSD3 FOH View Above Monitor View Aerial View from Catwalk
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 81 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design - Estimate Setup Time and Labor The Stage and Set setup is estimated to take up to 45 minutes with the augmentation of local labor. Depending on availability, we will require a minimum of 6 local helpers. The scrim and backdrop will require a rigger to connect and supporting cables to support the ground based structures. A site assessment will be necessary before each show. SD4
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 82 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design – Road Cases A large part of the cases for the set design will consist of storage carts to accommodate transporting the portable stages. CS9
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 83 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects - Description As described in the video section, the core effects theme will be based on mostly on video production content. However a very basic effects package will be implemented to support the lighting program which includes 2 floor mounted stage hazers from Martin, accompanied by the Martin/Jem DMX Fan. SP1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 84 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Detail Diagram As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No diagram required. The space left intentionally blank. SP2
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 85 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Power Requirements As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No Power Requirements Required. The space left intentionally blank. SP3
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 86 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Special Instructions (Permits / Fire Codes) As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No special instructions required. The space left intentionally blank. SP4
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 87 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Road Cases As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No road cases required. CS10
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 88 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Promoters and Promoters Staff Description of the Promoter It is the job of the event and concert promoter to present entertainment in various venues. Promoters raise the funds that are necessary for financing events. It is the responsibility of a promoter to take an event from the beginning stages of planning and organizing to the final entertainment production. An event or concert promoter must negotiate contracts with artists and providers of concessions. The promoter must schedule the performances, coordinate media efforts, advertise and publicize the events in order to sell tickets. Also it is their job to hire support personnel such as security, stage management, and technicians. They must do all of this while staying within the established budget. The main objective for event and concert promoters is to entertain people & bring them the best quality of entertainment possible, for every event or show. It is the position of On Purpose Productions that we will assist in the task associated with the promoter, however the actual person probably should be someone associated in some fashion the venue or local area where concert is being held. The runner must also be and moreso a locally staffed position working under the promoter. PROMO
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 89 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Box Office Description and Location Venue Box Office Location: The Paramount Theatre box office is located on the corner of 9th Avenue and Pine Street on the west side of The Paramount Theatre. For driving directions, go to Paramount Parking and Directions. Hours: The Paramount Theatre box office is open Monday through Friday 10am - 6pm and beginning 90 minutes prior to showtime. For special extended hours during Broadway at The Paramount performances, please call the recorded information line at 206.682.1414. For information on purchasing advance tickets to Paramount Theatre events, go to How to Purchase Tickets. TicketMaster Box Office BOX1
On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 90 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Catering Crew Rider Items required for Crew: Bottled Water Sodas Coffee Assortment of Juices Dinner should be provided after the sound check and prior to the scheduled start time. Below is a list of menu suggestions for the band. Here are a few simple options: Olive Garden: Chicken Fettuccine Alfredo (broccoli on the side), Salad, Breadsticks TGI Friday’s/Ruby Tuesdays: Chicken Tenders, Fries, Cheese Sticks Chick-fil-a: Chicken Nugget/Strip Party Tray, Sandwiches (pickles on side), Fries, Sweet Tea Chili’s/Pappasito’s/ or Mexican Restaurants: Fajitas (beef/chicken combo), Chips and Hot Sauce/Queso Pizza Hut (#1 Choice for Pizza): 2 LG. Pan Pepperoni, 1 LG. Pan Hamburger, 1 LG. Thin Crust Cheese Domino’s (#2 Choice): 2 LG. Pepperoni, 1 LG. Hamburger, 1 LG. Cheese RIDER1
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ShowProductionFinalProject_121003_v15

  • 1. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 1 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 ECCGECCGECCGECCG VxÄxáà|tÄ hÜv{|ÇVxÄxáà|tÄ hÜv{|ÇVxÄxáà|tÄ hÜv{|ÇVxÄxáà|tÄ hÜv{|Ç gÉâÜgÉâÜgÉâÜgÉâÜ
  • 2. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 2 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Project Task List - Outline Sound System Description ..........................................................................................................................................................................................................6 dB SPL Calculation Sheet ...........................................................................................................................................................................................................7 FOH Crossover/Processor Block Diagram..................................................................................................................................................................................8 Power Distribution Text/Block Diagram.......................................................................................................................................................................................9 Power Distribution Diagram (w/feeder cables) ..........................................................................................................................................................................10 System Gain Structure Chart.....................................................................................................................................................................................................11 Front of House - Speaker Cabinets...........................................................................................................................................................................................12 Front of House – Transducer Details.........................................................................................................................................................................................13 Front of House – Amplifier details .............................................................................................................................................................................................14 Front of House – Control System ..............................................................................................................................................................................................15 Front of House – House Left / House Right Speaker Diagram (Front View)............................................................................................................................16 Front of House – House Left / House Right Speaker Diagram (Top View)..............................................................................................................................17 Front of House – House Left / House Right Speaker Diagram (Side View).............................................................................................................................18 Front of House – House Left / House Right Speaker Diagram (Rear View) ............................................................................................................................19 Front of House – Amp Rack detail.............................................................................................................................................................................................20 Front of House – Wiring Diagram..............................................................................................................................................................................................21 Front of House – Self Powered Cabinets ..................................................................................................................................................................................22 Powered versus Component Style Speaker Systems...............................................................................................................................................................23 Front of House – Rigging Description........................................................................................................................................................................................24 Front of House – Rigging Diagram (Block view) .......................................................................................................................................................................25 Front of House – Rigging Diagram (Side View) ........................................................................................................................................................................26 Front of House – Rigging Diagram (Top View) .........................................................................................................................................................................27 Front of House – Road Cases (Main PA)..................................................................................................................................................................................28 Front of House – Mix Position ...................................................................................................................................................................................................29 Front of House – Riser Diagram................................................................................................................................................................................................30 Front of House – Console Description.......................................................................................................................................................................................31 Front of House – Outboard Equipment Description ..................................................................................................................................................................32 Front of House – Outboard Equipment Rack Detail..................................................................................................................................................................33 Front of House – Power Supply Unit Rack Detail......................................................................................................................................................................34 Front of House – Signal Flow Block Diagram............................................................................................................................................................................35 Front of House – Road Cases (Mix Position) ............................................................................................................................................................................36 Main Snake System - Description .............................................................................................................................................................................................37 Main Snake System - Diagram..................................................................................................................................................................................................38 Main Snake System – Road Cases...........................................................................................................................................................................................39
  • 3. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 3 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System - Description ....................................................................................................................................................................................................40 Monitor System – Riser Details .................................................................................................................................................................................................41 Monitor System – Floor Wedges ...............................................................................................................................................................................................42 Monitor System – Mix Position Diagram....................................................................................................................................................................................43 Monitor System – Wireless In Ear System ................................................................................................................................................................................44 Monitor System - Amplifiers.......................................................................................................................................................................................................45 Monitor System – Signal Flow Diagram ....................................................................................................................................................................................46 Monitor System – Wedge Diagram (Front View).......................................................................................................................................................................47 Monitor System – Wedge Diagram (Side View) ........................................................................................................................................................................48 Monitor System – Amp Rack Diagram ......................................................................................................................................................................................49 Monitor System – Monitor Mix Block Diagram ..........................................................................................................................................................................50 Monitor System – Wireless In Ear System Block Diagram........................................................................................................................................................51 Monitor System – A.C. Power on Stage (Edison) .....................................................................................................................................................................52 Monitor System – Rigging .........................................................................................................................................................................................................53 Monitor System – Road Cases..................................................................................................................................................................................................54 Microphone Inventory List .........................................................................................................................................................................................................55 Microphone Cable Inventory List...............................................................................................................................................................................................56 Microphone (Direct Input) Inventory List....................................................................................................................................................................................57 Microphone Stand Inventory List...............................................................................................................................................................................................58 Microphone Inventory – Road Cases ........................................................................................................................................................................................59 Audio Intercom Equipment - Description...................................................................................................................................................................................60 Audio Intercom Equipment - Diagram .......................................................................................................................................................................................61 Audio Intercom Equipment – Road Cases ................................................................................................................................................................................62 Remote Recording Mix Position - Description...........................................................................................................................................................................63 Remote Recording Mix Position – Console Description............................................................................................................................................................64 Artist Stage Chart and Input List................................................................................................................................................................................................65 Audio Measurement System – Block Diagram..........................................................................................................................................................................66 Video Production (Capture) - Description..................................................................................................................................................................................67 Video Production (Capture) – Detail Diagram ...........................................................................................................................................................................68 Video Production (Capture) – Cost............................................................................................................................................................................................69 Video Projection System (Image Magnification)........................................................................................................................................................................70 Video Production System – Cost...............................................................................................................................................................................................71 Venue Plot - Stage.....................................................................................................................................................................................................................72 Venue Advance Sheet...............................................................................................................................................................................................................73 Venue Plot – Topographical Site View ......................................................................................................................................................................................74 Venue Plot – Top View (w/ Production Items)...........................................................................................................................................................................75 Staging - Indoor Stage Description............................................................................................................................................................................................76 Staging - Indoor Stage Diagram................................................................................................................................................................................................77
  • 4. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 4 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design - Description............................................................................................................................................................................................................78 Set Design – Materials List........................................................................................................................................................................................................79 Set Design – Construction Diagram ..........................................................................................................................................................................................80 Set Design - Estimate Setup Time and Labor ...........................................................................................................................................................................81 Set Design – Road Cases .........................................................................................................................................................................................................82 Special Effects - Description......................................................................................................................................................................................................83 Special Effects – Detail Diagram...............................................................................................................................................................................................84 Special Effects – Power Requirements .....................................................................................................................................................................................85 Special Effects – Special Instructions (Permits / Fire Codes) ...................................................................................................................................................86 Special Effects – Road Cases ...................................................................................................................................................................................................87 Promoters and Promoters Staff.................................................................................................................................................................................................88 Box Office Description and Location .........................................................................................................................................................................................89 Catering Crew Rider ..................................................................................................................................................................................................................90 Technical Show Rider................................................................................................................................................................................................................91 Dressing Room Assignments ....................................................................................................................................................................................................92 Site Advance Sheet ...................................................................................................................................................................................................................93 Security Staff Description ..........................................................................................................................................................................................................94 Touring Production Crew Description........................................................................................................................................................................................95 Touring Production Crew Description – Cont’d .........................................................................................................................................................................96 Touring Production Crew Description – Cont’d .........................................................................................................................................................................97 Touring Production Crew Description – Cont’d .........................................................................................................................................................................98 Production Crew - Salaries........................................................................................................................................................................................................99 Local Labor Description...........................................................................................................................................................................................................100 Cargo Loading Chart ...............................................................................................................................................................................................................101 Cargo Loading Diagram ..........................................................................................................................................................................................................102 Communication Templates......................................................................................................................................................................................................103 Communications Plan..............................................................................................................................................................................................................104 Lighting System - Description..................................................................................................................................................................................................105 Lighting System – Plot.............................................................................................................................................................................................................106 Lighting System – Plot (Front View) ........................................................................................................................................................................................107 Lighting System – Plot (Side View) .........................................................................................................................................................................................108 Lighting System – Plot (Isometric)...........................................................................................................................................................................................109 Lighting System – Preliminary Cue List...................................................................................................................................................................................110 Lighting System – Instrument Schedule..................................................................................................................................................................................111 Lighting System – Instrument Schedule - Contd.....................................................................................................................................................................112 Lighting System – Instrument Schedule..................................................................................................................................................................................113 Lighting System – Instrument Schedule..................................................................................................................................................................................114 Lighting System – Instrument Schedule..................................................................................................................................................................................115 Lighting System – Instrument Schedule..................................................................................................................................................................................116
  • 5. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 5 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Lighting System – Channel Hook-Up ......................................................................................................................................................................................117 Lighting System – Channel Hook-Up ......................................................................................................................................................................................118 Lighting System – Channel Hook-Up ......................................................................................................................................................................................119 Lighting System – Channel Hook-Up ......................................................................................................................................................................................120 Lighting System – Channel Hook-Up ......................................................................................................................................................................................121 Lighting System – Patch Sheet ...............................................................................................................................................................................................122 Lighting System – Patch Sheet ...............................................................................................................................................................................................123 Lighting System – Patch Sheet ...............................................................................................................................................................................................124 Lighting System – Patch Sheet ...............................................................................................................................................................................................125 Lighting System – Patch Sheet ...............................................................................................................................................................................................126 Lighting System – Patch Sheet ...............................................................................................................................................................................................127 Lighting System – Patch Sheet ...............................................................................................................................................................................................128 Lighting System – Power Requirements .................................................................................................................................................................................129 Lighting System – Circuit Counts ............................................................................................................................................................................................130 Lighting System – Weight By Position.....................................................................................................................................................................................131 Lighting System – Spare Lamp Count.....................................................................................................................................................................................132 Lighting System – Color Count................................................................................................................................................................................................133 Lighting System – Gobo Count................................................................................................................................................................................................134 Lighting System – Spare Fixture Count...................................................................................................................................................................................135 Lighting System – Console Description...................................................................................................................................................................................136 Lighting System - Dimmers .....................................................................................................................................................................................................137 Lighting System – Cable Package...........................................................................................................................................................................................138 Lighting System – Intercom System........................................................................................................................................................................................139 Lighting System – Power and Distribution System..................................................................................................................................................................140 Lighting System – Feeder Cable Requirements......................................................................................................................................................................141 Lighting Rigging System - Description.....................................................................................................................................................................................142 Lighting Rigging System – Block Diagram ..............................................................................................................................................................................143 Lighting Rigging System – Diagram (Side View).....................................................................................................................................................................144 Lighting Rigging System – Diagram (Top View)......................................................................................................................................................................145 Lighting Power/Rigging – Road Cases....................................................................................................................................................................................146 Cost Summary Spreadsheet ...................................................................................................................................................................................................147
  • 6. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 6 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Sound System Description The house sound system will consist of a three way Stereo Left/Right Mains and Center Cluster with downfills able to provide coverage for an auditorium 3000-5000 people. Main PA will be driven by TurboSound Loudspeakers with a combination of the (6) 760Ht Floodlight series cabinets, the (12) TQ440 cabinets and the (4)TCS40 series for sides, center and downfill, respectively. To provide a solid low end foundation, (6) Turbosound TSW-718 dual 18” low frequency cabinets will be used. The general sound parameters include: Front Of House System SoundCraft MH4 Console (56Ch.) Tascam Playback / Record Equipment Ashly Equalization Drawmer Signal Processing Lexicon Effects Units DBX Loudspeaker Management QSC Amps TurboSound Loudspeaker System Monitor System SoundCraft MH4 Console (56Ch.) Drawmer Signal Processing Ashly Equalization DBX In Ear Monitor System DBX Speaker Management QSC Amps TurboSound Monitors to support 10 stage mixes Microphone Package General Components 3-way Snake Splitter System / Cable Harness Package Intercom Package Audio System Measurement Racks and Flight Cases A1
  • 7. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 7 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 dB SPL Calculation Sheet TFL-760Ht ( Frequency Response 180Hz – 20kHz) Sensitivity HF: 107 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 107dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 76.89dB SPL 96.89dB = 76.89dB + (10 x log (100watts / 1 watt) Sensitivity HMF: 108 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 108dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 77.89dB SPL 100.90dB = 77.89dB + (10 x log (200watts / 1 watt) Sensitivity LMF: 105 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 105dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 74.89dB SPL 101.88dB = 74.89dB + (10 x log (500watts / 1 watt) TQ-440 QLight (Frequency Response 75Hz – 20kHz) Sensitivity HF/MF: 104dB 1 watt @ 1 meter dB SPL @ 32 Meters = 104dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 73.89dB SPL 98.66dB = 73.89dB + (10 x log (300watts / 1 watt) Sensitivity LF: 103dB 1 watt @ 1 meter dB SPL @ 32 Meters = 103dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 72.89dB SPL 100.88dB = 72.89dB + (10 x log (600watts / 1 watt) A2 TSW-718 (Frequency Response 50Hz – 250Hz) Sensitivity: 105 dB 1 watt @ 1 meter dB SPL @ 32 Meters = 105dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 74.89dB SPL 106.93dB = 74.89dB + (10 x log (1600watts / 1 watt) TCS40 (Frequency Response 75Hz – 20kHz) Sensitivity: 96dB 1 watt @ 1 meter dB SPL @ 32 Meters = 96dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 65.89dB SPL 92.70dB = 65.89dB + (10 x log (480watts / 1 watt) TQ-440SP QLight (Frequency Response 75Hz – 20kHz) *note self powered, so sensitivity may vary from TQ-440 Sensitivity HF/MF: 104dB 1 watt @ 1 meter dB SPL @ 32 Meters = 104dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 73.89dB SPL 98.66dB = 73.89dB + (10 x log (300watts / 1 watt) Sensitivity LF: 103dB 1 watt @ 1 meter dB SPL @ 32 Meters = 103dB + (20 x log(1m/32m) dB SPL @ 32 Meters = 72.89dB SPL 100.88dB = 72.89dB + (10 x log (600watts / 1 watt)
  • 8. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 8 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 DBX DriveRack480 Speaker Mgt System QSC 218 AMP QSC 218 AMP QSC 236 AMP QSC 224 AMP QSC 236 AMP QSC 236A AMP QSC 236A AMP TurboSound TFL-760Ht 3-way medium dispersion TurboSound TQ-440 3-way bi-amp Full Range TurboSound TSW-718 Low Frequency Subs Crossover 8kHz High Pass 24dB/octave Linkwitz-Riley Crossover 1k3Hz High Pass 24dB/octave Linkwitz-Riley Crossover 180Hz High Pass 24dB/octave Linkwitz-Riley System Frequency Response 180Hz - 20kHz +-4dB Crossover 1k3Hz High Pass 24dB/octave Linkwitz-Riley Crossover 75Hz High Pass 24dB/octave Linkwitz-Riley Crossover 180Hz Low Pass 24dB/octave Linkwitz-Riley Crossover 75Hz High Pass 24dB/octave Linkwitz-Riley System Frequency Response 75Hz - 20kHz +- 4dB QSC 218 AMP TurboSound TCS-40 Front/Center Fill System Frequency Response 50Hz - 250Hz +- 4dB System Frequency Response 75Hz - 20kHz +- 4dB 1 2 3 4 5 6 7 8 FOH Crossover/Processor Block DiagramA3
  • 9. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 9 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Power Distribution Text/Block DiagramA4 Drum Riser HousePA Motor Control Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock Quad Box for Powered Center Fill QuadBox Distro Power Distribution (Audio)
  • 10. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 10 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
  • 11. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 11 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 -90 21 -92 22 -82 20 -90 22 -103 22 -120 -100 -80 -60 -40 -20 0 20 40 dBU Soundcraft Mh4 Ashly GQX-3102 Drawmer DL241XLR DBX DriveRack 480 QSC PL236 FOH System Components Output dBU 21 22 20 22 22 System Noise -90 -92 -82 -90 -103 Soundcraft Mh4 Ashly GQX-3102 Drawmer DL241XLR DBX DriveRack 480 QSC PL236 SystemDynamicRange 62dB System Max Output System Noise Floor System Gain Structure ChartA6
  • 12. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 12 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht Long Throw 3- way Cabinet TurboSound TQ-440 Medium Throw 3-way Full Range TurboSound TSW-718 Low Fequency SubWoofers TurboSound TQ-440SP Center Cluster TurboSound TCS-40 Front Fil / Down Fill The Main PA will consist of (6) 760Ht Floodlight series, (6) TQ-440 Qlights for sides and (6) TQ-440SP for center fill all flown to trim height 28'. For primary low frequency support, (8) TSW-718 Subwoofers will be floor stacked. (2) TCS-40s have been selected for front and down fill. * As an upgrade option for the TQ-440, substitute (6) more 760Ht Floodlight series. Front of House - Speaker CabinetsF1
  • 13. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 13 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht Long Throw 3- way Cabinet TurboSound TQ-440 Medium Throw 3-way Full Range TurboSound TSW-718 Low Fequency SubWoofers TurboSound TQ-440SP Center Cluster TurboSound TCS-40 Front Fil / Down Fill The Main PA will consist of (6) 760Ht Floodlight series, (6) TQ-440 Qlights for sides and (6) TQ-440SP for center fill all flown to trim height 28'. For primary low frequency support, (8) TSW-718 Subwoofers will be floor stacked. (2) TCS-40s have been selected for front and down fill. * As an upgrade option for the TQ-440, substitute (6) more 760Ht Floodlight series. The TFL-760Ht is a tri-amped, three way active trapezodial type consisting of one 305mm (12") low-mid frequency loudspeaker loaded with an Axehead device, one 6.5" (165mm) high-mid frequency loudspeaker loaded with an Axehead device, and one 1" (25mm) high frequency compression driver. The TQ-440 is bi-amped, three way type, consisting of one reflex loaded 12" (305mm) low frequency loudspeaker, one 6.5 (165mm) mid frequency loudspeaker loaded with TurboMid device, and a 1" (25) high frequency compression driver mounted co- axially to the low frequncy loudspeaker. The TSW-718 is a low frequency consisting of two 18" low frequency loudspeakers loaded with patented TurboBass devices. The TQ-440 is bi-amped, three way type, consisting of one reflex loaded 12" (305mm) low frequency loudspeaker, one 6.5 (165mm) mid frequency loudspeaker loaded with TurboMid device, and a 1" (25) high frequency compression driver mounted co- axially to the low frequncy loudspeaker. The TCS-40 is a two-way passive type consisting of two 8" (203mm) low frequency loudspeakers and one 1" (25mm) high frquency driver. Front of House – Transducer DetailsF2
  • 14. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 14 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 QSC Audio PoweLight 2 Series Amplifier The FOH Amplifiers used are based on the QSC Audio Powerlight Series Amplifiers. (6) QSC 218 Base (2) QSC 224 Base (4) QSC 236 Base (4) QSC 236A The PowerLight 2 Series is a high performance line of amplifiers designed exclusively for the touring and live sound professional. Front of House – Amplifier detailsF3
  • 15. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 15 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Control SystemACTR1
  • 16. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 16 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht FloodLight Series (3-wide) TurboSound TQ-440 QLight Series (3-wide) TurboSound TQ-440SP QLight Series (Self-Powered) TurboSound TSW-718 Subs (floor-stacked 2-high/2wide) TurboSound TCS-40 Series (Front Fill) Front of House – House Left / House Right Speaker Diagram (Front View)F4
  • 17. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 17 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right House Left Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Drive Lines Red - signal to speakers Burgandy - Snake Splitter Lines Front of House – House Left / House Right Speaker Diagram (Top View)F5
  • 18. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 18 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht FloodLight Series (3-wide) TurboSound TQ-440 QLight Series (3-wide) 1-ton Chain Motor TurboSound TSW-718 Subs (floor-stacked 2-high/2wide) TurboSound TCS-40 Series (Front Fill) Amp to Speaker Cable Amp Rack Front of House – House Left / House Right Speaker Diagram (Side View)F6
  • 19. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 19 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound TFL-760Ht FloodLight Series (3-wide) TurboSound TQ-440 QLight Series (3-wide) 1-ton Chain Motor TurboSound TSW-718 Subs (floor-stacked 2-high/2wide) TurboSound TCS-40 Series (Front Fill) Amp to Speaker Cable Amp Rack TurboSound TQ-440SP QLight Series Self Powered (3-wide / 2 high) Front of House – House Left / House Right Speaker Diagram (Rear View)F7
  • 20. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 20 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 House Left PA Amp Rack House Right PA Amp Rack Front of House – Amp Rack detailF8
  • 21. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 21 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 DBX DriveRack480 Speaker Mgt System QSC 218 AMP QSC 218 AMP QSC 236 AMP QSC 224 AMP QSC 236 AMP QSC 236A AMP QSC 236A AMP TurboSound TFL-760Ht 3-way medium dispersion TurboSound TQ-440 3-way bi-amp Full Range TurboSound TSW-718 Low Frequency SubsBridged Out (3700W) QSC 218 AMP TurboSound TCS-40 Front/Center Fill 1 2 3 4 5 6 7 8 Bridged Out (3700W) Bridged Out (650W) Bridged Out (1500W) Bridged Out (900W) Bridged Out (1500W) Bridged Out (650W) Mono Out (310W) + + + + + + + + + ++ + ++ + + + + + + + + + + + + + + + + + Front of House – Wiring DiagramF9
  • 22. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 22 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Matrix 1 Out from FOH Console Matrix 1 Return to splitter from FOH console for powered Center Fill Input from FOH Matrix 1 (via return lines) TurboSound TQ-440SP Center Cluster The Main PA will consist of (6) 760Ht Floodlight series, (6) TQ-440 Qlights for sides and (6) TQ-440SP for center fill all flown to trim height 28'. For primary low frequency support, (8) TSW-718 Subwoofers will be floor stacked. (2) TCS-40s have been selected for front and down fill. Front of House – Self Powered CabinetsF10
  • 23. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 23 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Powered versus Component Style Speaker SystemsF11 The active loudspeaker system has a practical performance advantage that one should point out to those who could consider multiple dedicated amplifiers an extravagance or even hindrance when one would do, particularly if that one could be more expensive per channel. This point is the relationship of the loudspeaker to the amplifier, and it's got nothing to do with passive crossover components. When a manufacturer builds a high performance outboard amplifier, the amplifier MUST accommodate a wide range of loudspeaker impedances, some of which may be very unusual. In order to do this, the manufacturer needs not only good big, heavy, and expensive. Unfort effort. For example, my own big, outboard, muscled continuously into each channel, or in other words, cruise into 2 ohms at 800 watts, twice, for 1600 watts of continuous output, assuming my wall socket can hang in there. If we tie that kind of output with premium sound quality, that ability costs mucho dollars. My particular amp is from a no frills manufacturer, so it's still relatively cost effective for what it is, but not so cheap as I'd like so that I could buy a few more. The extreme low impedance output capability is nice to talk about, and handy when in use as a reference amp so that it's ready to drive any review sample that comes in the door, but until I actually use a loudspeaker that gets to 2 ohms over any substantial part of the higher energy portion of the audio spectrum, i.e., mid into clipping distortion by exceeding it's substantial voltage swing capacity. It was 'optimized' for the most strenuous current delivery scenarios possible. If the designer of my particular beast of an amp had a specific loudspeaker in mind, he could have designed the amplifier to deliver that full 800 watt capability for real, without worrying whether something stranger might happen along. However, what I'm actually getting with most speakers is an amplifier capable of an easy and stable 400 500 watts/channel, because that's what the impedance of most loudspeakers allows the r delivery of 400 500 watts into that load since the power supply remains more stable when it never goes beyond 60% of its real capacity, but that's only because it can't. While I consider it better to err on the side of clipping the voltage rail a little sooner (only a problem for the duration of clipping) by under vs. exhausting the power reserves (a problem until the transformer can refill the capacitors) by over winding the secondary of the transformer for excessive voltage capability and impressive "peak" output levels, a "perfect" match is more ideal than either situation. ring an under powered receiver, but by using massively overbuilt products, we often use and pay for more than et less from what we put in than if the same amplifier were designed ers found in typical receivers. In many cases, particularly at higher output levels, the extra juice pays off big time, not only in sheer volume, but clarity. What I'm trying to say is that even if the active system uses smaller power supplies and less output devices, system are truly part of a known whole, they can offer the same raw performance as big, huge outboard amplifiers when used in that specific scenario for which they were intended, or for that matter, even possibly perform better than the 'bigger' outboard counterpart. Does that its own chassis? Of course not. If there ever were a universal truth in audio, it would be, "It depends." Comments from - Colin Miller -
  • 24. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 24 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Rigging Description The Front of House PA Rigging will consist of (1) CM Loadstar 1 ton (1000lbs) motors per cluster. For the sides, TurboSound will provide the compliment flying system for the TFL-760Ht which will includes the use of steel bars (or ‘swords’) which slide through slots machined in the enclosure, and are held captive with 7.5mm safety linch-pins through holes in the swords. The flying system eliminates the needs for flying hardware as integral parts on the enclosure. This allows various configurations while not allowing the cabinet to play no structural part in the flying. The TQ-440 will use suspension bar and chains to ensure we have the appropriate splay angle for front and center seating. (See diagram below) The Left and Right Cluster will require the following: TurboSound Standard Triple Bar (TB-760) TurboSound “D” ring (DR-760) TurboSound Chain Bridle (CB-760/2) TurboSound Double Clevis Coupler (DC-760) TurboSound Safety Tube Clip (ST-760) The Center Cluster will require the following: TurboSound Suspension Bar (FB-58) TurboSound Suspension Chains (FC-77) TurboSound Tilt Straps TurboSound Eyebolt for TCS-40 (EB 1035) R1
  • 25. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 25 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Rigging Diagram (Block view)R2
  • 26. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 26 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Rigging Diagram (Side View)R3
  • 27. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 27 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right House Left Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Front of House – Rigging Diagram (Top View)R4
  • 28. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 28 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Standard Multicore Cases FOH Console Case Standard Multicore Cases Effects and Amp Racks Motor Box Cases Front of House – Road Cases (Main PA)CS1
  • 29. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 29 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Mix Position The Front of House Mix position is located in the rear of the seating audience (about 2/3 back from the center). The FOH engineer will have access to the main desk (SoundCraft MH4) as well as two (21U) racks of effects and FOH playback components. The engineer will have a two channels of COM to communicate to the production team or other audio staff. There will be a total of 36 inputs from the stage via snake splitter system and 56 total channels available for mix into to main stereo outs and the matrix for left, right and center clusters via return lines. The Mix position will be contained on (3) 4’ x 8’ risers 1’6” high to allow for line of sight above the heads of the audience. Power to the FOH mix position will be supplied via 300’ feeder cable from the audio distribution box. F12 FOH Rack 1 - System Processing / Playback FOH Rack 2 - Effects / Signal Processing
  • 30. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 30 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 (3) 4' x 8' Risers FOH Effects Racks FOH Console (Side View) Front of House – Riser Diagram The Mix position will be contained on (3) 4’ x 8’ risers 1’6” high to allow for line of sight above the heads of the audience. F13
  • 31. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 31 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Console DescriptionF14
  • 32. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 32 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front of House – Outboard Equipment Description The Front of House outboard equipment will consist of components from Tascam, Drawmer, Ashly, Lexicon, TC Electronics and DBX product manufacturers. The FOH Rack 1 will consist of the following components: • Furman Power Conditioner (PL-PRO) • Ashly Dual 31 Band Equalizer (GQX-3102) • Ashly Mono 31 Band Equalizer (GQX-3101) • Tascam Production Cassette Desk (112mkII) • Tascam Professional CD Player (CD-450) • Tascam Professional Mini-Disc Player (MD-301mkII) • Tascam DAT Recorder / Player (DA-40) • DBX DriveRack 240 • Middle Atlantic 3-RU Drawer The FOH Rack 2 will consist of the following components: • Furman Power Conditioner (PL-PRO) • Lexicon Dual Reverb Processor (PCM91) • Lexicon 24-bit Dual Channel Effects (MPX550) • TC Electronics Digital Delay (D-Two) • TC Electronics M-One XL Effects (M-1XL) • (7) Drawmer Two Channel Compressor/Limiter/Gate (DL241) • (5) Drawmer Quad Auto Compressor/Limiter (DL441) • Middle Atlantic 4-RU Drawer F15
  • 33. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 33 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 FOH Rack 1 - System Processing / Playback FOH Rack 2 - Effects / Signal Processing Front of House – Outboard Equipment Rack DetailF16
  • 34. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 34 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 PSU Rack for FOH Console Redundant Power Supply for MH4 Console Front of House – Power Supply Unit Rack DetailF17
  • 35. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 35 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right Split to FOH Split to Recording Split to Monitor Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Drive Lines Red - Insert Snakes Burgandy - Snake Splitter Lines FOH Rack 1 FOH Rack 2 FOH Console SoundCraft MH4 Console PSU 10' Twist Lock Send/Return Insert Snake (Effects) Drive / Playback Snake Return Snake to Splitter (Drive Line) Power Connector (*SoundCraft proprietary cable) 40 Channel FOH Split from Splitter Front of House – Signal Flow Block DiagramF18
  • 36. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 36 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Standard Multicore Cases FOH Console Case Standard Multicore Cases Effects and Amp Racks Motor Box Cases Front of House – Road Cases (Mix Position)CS2
  • 37. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 37 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 The main part of the snake system is the stage box where the mic lines are connected into the system and where microphone splitting may take place - either parallel or with transformer isolation. Provisions can be made for ground lift switches, multipin subsnake inputs and return lines sent back to the stage from the mix position. The Rack panel will be mounted in a standard EIA 19” rack. The rack panels are .090" thick aluminum and available with or without backbox enclosure and boxes are 14-gauge cold rolled steel with black powder coat finish. Multiplin to multipin cables will be used to connect and distribute the signal to the various split locations (FOH, Monitor and Remote Recording). These cables use the Whirlwind’s inline W-Series multipin connector (W3 up to 40 channels). The mating configuration of these cables is a male multipin MASS connector wired as an INPUT on one end and a MASS connector wired as an OUTPUT on the other. The “fanouts” interconnects the channels from a multipin input to individual connectors. The are required on the ends of each multipin to multipin to connect each input to the console input channels including FOH, Monitor and Recording. Main Snake System - Description The Main Snake System will be comprised of touring standard components from Whirlwind. The system will consist of the following: - 3-way split mass connecter stage box (40 inputs / 16 returns) - (3) Multiline to Multiline Interconnects - (3) FM Series Multipin to Fanout XLRs - (2) 16 Input / 6 Return Medusa Standard Sub Snakes - (1) 12 Input Medusa Standard Sub Snake S1
  • 38. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 38 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right Split to FOH Split to Recording Split to Monitor Drive Lines to Amps Return / Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Return / Drive Lines Red - Insert / Sub Snakes / Inputs Burgandy - Snake Multiline Interconnects FOH Rack 1 FOH Rack 2 FOH Console SoundCraft MH4 Console PSU 10' Twist Lock Send/Return Insert Snake (Effects) Drive / Playback Snake Return Snake to Splitter (Drive Line) Power Connector (*SoundCraft proprietary cable) 40 Channel FOH Split from Splitter Sub Snake A Sub Snake B 3-way split MultiChannel Rack Box 40 Channel send / 16 Channel return FOH Split (300ft) Monitor Split (100ft) Remote Recording Split (300ft) other Stage Inputs (Homeruns) to House Left PA Amp to House Right PA Amp to Center Cluster PA other outputs for coms and controls Sub Snake A Sub Snake B Main Snake System - DiagramS2
  • 39. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 39 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Standard Multicore Cases FOH Console Case Standard Multicore Cases Effects and Amp Racks Motor Box Cases Main Snake System – Road CasesCS3
  • 40. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 40 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System - Description The Monitor System will typically be located upstage Left where possible and relatively close to the main audio power distro. The Monitor engineer will have access to the main desk (48 channel SoundCraft MH4) as well as four (21U) racks for amps, processing and components to support 10 mixes of bi- amped wedges and 1 stereo mix of wireless in-ear equipment. The engineer will have a two channels of COM to communicate to the production team or other audio staff. There will be a total of 40 inputs from the stage via snake splitter system and 16 return line channels which can be used to send signals from other split locations. M1
  • 41. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 41 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Riser Details NO Monitor Risers required for this tour. This page left intentionally blank. M2
  • 42. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 42 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 TurboSound THL-2 HiLight TurboSound TFM Series 450 Monitor System – Floor WedgesM3
  • 43. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 43 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Mix Position DiagramM4 Front Of House Lighting Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill Mix 8 Mix 1 Mix 2 Mix 3 Mix 9 Mix 4 Mix 6 Mix 7 Mix 5 Key Wedge Mix 10 Raised Stage
  • 44. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 44 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wireless In Ear System The in-ear monitors system will be a combination of the Shure PSM 700 IEM System and the DBX IEM Processor. M5 IEM Signal Flow Diagram Stereo Mix Out MH4 Monitor Console IEM Transmitter Input Shure PSM700 Transmit to Receiver Input from Transmitter
  • 45. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 45 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System - AmplifiersM6 QSC Audio PowerLight Series Amplifier The Monitor Amplifiers used are based on the QSC Audio Powerlight Series Amplifiers. (4) QSC PL 1.0 (2) QSC PL 1.4 (2) QSC PL 2.0 (4) QSC PL 3.4 The PowerLight Series is a high performance line of amplifiers designed exclusively for the touring and live sound professionals.
  • 46. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 46 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Signal Flow DiagramM7 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL2.0 HV QSC PL1.4 QSC PL2.0 HV QSC PL1.4 + + + + + + + + + + + + + + + + + + + + + + + + Mix 1 TFM450 Mix 2 TFM450 Mix 3 TFM450 Mix 4 TFM450 Mix 5 (Drums) THL-2 Mix 6 TFM450 Mix 7 TFM450 Mix 10 TFM450 Mix 8 TFL-760Ht (SideFill) Mix 9 TFL-760t (SideFill) Key Wedge TFM450
  • 47. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 47 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wedge Diagram (Front View) TurboSound TFM-450 M8
  • 48. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 48 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wedge Diagram (Side View) TurboSound THL-2 M9
  • 49. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 49 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Amp Rack DiagramM10 Monitor Amp Rack 1 Mix 1 - 4 Monitor Amp Rack 2 Mix 6, 7, 10 & Key Wedge Monitor Amp Rack 3 Mix 5, 8 & 9
  • 50. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 50 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL1.0 QSC PL3.4 QSC PL2.0 HV QSC PL1.4 QSC PL2.0 HV QSC PL1.4 + + + + + + + + + + + + + + + + + + + + + + + + Mix 1 TFM450 Mix 2 TFM450 Mix 3 TFM450 Mix 4 TFM450 Mix 5 (Drums) THL-2 Mix 6 TFM450 Mix 7 TFM450 Mix 10 TFM450 Mix 8 TFL-760Ht (SideFill) Mix 9 TFL-760t (SideFill) Key Wedge TFM450 SoundCraft MH4 Monitor Console Monitor Amp Rack 1 Monitor Amp Rack 2 Monitor Amp Rack 3 Aux Output from console Aux Output from console Monitor System – Monitor Mix Block DiagramM11
  • 51. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 51 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Wireless In Ear System Block DiagramM12
  • 52. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 52 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003
  • 53. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 53 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Rigging NO Rigging Required for monitors…. This page left intentionally blank. M14
  • 54. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 54 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Monitor System – Road CasesCS4 Monitor Console Case Standard Trunk Case Effects and Amp Racks
  • 55. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 55 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Inventory List Standard Package Whirlwind Direct Box IMP2 15 Shure Cardioid Condenser Kick Drum Microphone BETA91 2 Shure KickDrum Microphone BETA52A 2 Shure Instrument Microphone BETA57A 6 Shure Instrument Microphone SM57 6 Shure Cardioid Condensor w/10 dB Attenuator SM81-LC 6 Shure Clip-On Condenser Drum Microphone (Toms) BETA98D/S 5 Shure Drum Microphone (Floor Tom) BETA56A 4 Shure Vocal Microphone (Wired) BETA58A 6 Shure ULX Professional Handheld System w/BETA58 Microphone ULXP24/BETA58 1 Microphone Package M I C 1
  • 56. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 56 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Cable Inventory List Standard Package M I C 2 Microphone Cables Rapco 100' Microphone Cable NQP100 4 Rapco 30' Microphone Cable NQP30 4 Rapco 25' Microphone Cable NQP25 30 Rapco 15' Microphone Cable NQP15 20 Rapco 15' Instrument Cable NG15 20
  • 57. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 57 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone (Direct Input) Inventory ListM I C 3 Whirlwind Direct Box IMP2 15
  • 58. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 58 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Stand Inventory ListM I C 4 Microphone Stands Ultimate K&M Tripod Stand Package - Tall Boom (Combines 20130B Stand with 21100B Boom) 21020B 10 Ultimate K&M Short Weighted Base Stand 23200B-Black 1 Ultimate K&M Short Tripod Base Stand 25910B-Black 6 Shure Mic Stand adapter for SM58®, SM57, SM87A, Beta 87A A25D 12 Shure Mic Stand adapter for SM81-LC A57F 8 Shure Drum Microphone Stand Adapter A98D 5
  • 59. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 59 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Microphone Inventory – Road Cases Grundorf Microphone Cases CS5
  • 60. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 60 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Intercom Equipment - Description Audio Intercom will be integrated into Lighting Intercom (to be described later in this documents. The system will include components from Clearcom, to include the following: I1 Clearcom 2 Channel Intercom Station MS-232 1 Clearcom 4 Channel Remote Station RM-440 1 Clearcom 18" Gooseneck Microphone (for MS-222,MS-440) GM-18 2 Clearcom Headset (Single Muff) CC-95 2 Clearcom Beltpack (Two-Channel Listen / Dual Out) RS-522 2 Intercom Package
  • 61. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 61 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Intercom Equipment - DiagramI2 Front Of House Monitor Keyboard Riser Guitar Riser Drum Riser Center Cluster (Trim 28 feet) House Left Cluster (Trim 28 feet) House Right Cluster (Trim 28 feet) House Left Floor Stack House Right Floor Stack Stage Left Side Fill Stage Right Side Fill 3-way Splitter Box HousePA Motor Control Audio Power Distro Stage Risers 400 AMP Disconnect (x3) 200 AMP Disconnect (ISO) 200 AMP Disconnect Monitor Rack 1 Monitor Rack 1 FOH Rack1 FOH Rack2Console PSU Console PSU House R Amp Rack Motor 1 Motor 2 Motor 3 Motor 4 Motor 5 Motor 6 House L Amp Rack Band Quad Box 100' Twist Lock 50' Twist Lock 10' Twist Lock 50' Twist Lock 50' Twist Lock 300' Twist Lock 10' Twist Lock 100' CamLock Feeder Cables Quad Box for Powered Center Fill House Right House Left Split to FOH Split to Recording Split to Monitors Drive Lines to Amps Drive Line from FOH Amp to Speaker Cables Amp to Speaker Cables Key: Blue - Power Orange - Drive Lines Burgandy - Snake Splitter Lines Clearcom Intercom Stations for Audio MS-232 Master Station *Power provided via audio distro **Com signal routed through return/drive lines RM-220 Remote Station *Power provided via audio distro **Com signal routed through return/drive lines
  • 62. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 62 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Intercom Equipment – Road Cases All major Intercom Equipment will be rack-mounted in the FOH and Monitor Cases.. All minor components will be stored in the rack drawer units or other cases. This space left intentionally blank. CS6
  • 63. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 63 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Remote Recording Mix Position - Description Remote Recording is NOT currently included in the scope for this tour. HOWEVER, the following details should be considered as an upgrade option. SIM1 Apple MAC G5 Computer System Apple 23" Cinema HD Display Monitor ProTools HD3 Core System PTCoreHD3 192 Ditial IO Audio Interface for PT/HD 192ioAudio Sync IO for PT/HD SyncIO Digi PRE Mic PreAamp DigiPre ProTools Mixer Control | 24 ProTools Custom Keyboard Genelec 1030ASin Near Field Monitor 1030ASin Genelec 12" Subwoofer 7070A TDM Platinum Plug-in-Bundle TDMPlatinum DUY Global TDM Bundle DUYTDMGlob Sony Oxford Plugin for TDM OXFR3TDM Altiverb Audio Ease Reverb Plug-in Bundle AltiverbTDM Bias Peak TDM 2-Track Editing Software PeakTDM Antares TDM Tuning Plug-in AutoTuneTDM Glyph Trip 2 w/VXA Drive Glyph 120 Gig Trip 2 Drive DigiSnake 25' (DB25 - DB25) MH085 ProControl DigiSnake 25' (DB25-DB25R) MH086 DigiSnake 12' (DB25-XLR M) MH081 DigiLink 12' Cable DigiLink12 ADC to VGA Cable Ethernet 8-port Hub CAT 5 10' Cable Remote Recording / Simulcast Audio Record Tascam Production Cassette Deck 112mkII Sony Compact Disc Player CDPD11 Sony Compact-Disc Recorder CDRW66 Sony Mini Disc Recorder MDSE10 Tascam 24-bit DAT Recorder DA-45HR Studio Microphones Audio Technica Condenser Tube Mic AT4060 AKG Condenser Microphone C414BULS Electro Voice Dynamic Vocal Mic RE20 Neumann Condenser Mic - Black KM184 Blue Condenser Mic BabyBottle Sennheiser Cardiod Professional Mic MD421 AKG Kick Drum/Bass Microphone D112 Neumann Stuido Large Diaphram Microphone TLM103 Effects Machines Lexicon Dual Reverb Processor PCM91 Eventide Harmonizer Effects Processor H3000-D/SE Lexicon 24-bit Dual Channel Effects MPX550 TC Electronics M-One XL Effects M-1XL
  • 64. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 64 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Remote Recording Mix Position – Console DescriptionSIM3
  • 65. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 65 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Artist Stage Chart and Input ListSC1 S.Box FOH MON INSTRUMENT MIC / DI / GEAR STAND Cable 1 Cable 2 FOH MON FOH MON 1 1 1 B1 Kick Drum (S.R.) Shure Beta91 N/A XLR25' 241 Gate 1&8 1 2 2 2 B2 Kick Drum (S.R. - D.I) IMP2 N/A XLR15' TRS10' 2 Gate 1&8 1 3 3 3 B3 Kick Drum (S.L.) Shure Beta 52A Short Base XLR25' 241 4 4 4 B4 Kick Drum (S.L. - D.I) IMP2 N/A XLR15' TRS15' 2 5 5 5 B5 Snare (Top) Shure Beta 57A Short Boom XLR25' 241 Gate 1&8 1 6 6 6 B6 Snare (D.I.) IMP2 N/A XLR15' TRS15' 2 Gate 1&8 1 7 7 7 B7 Hi-Hat Shure SM81-LC Short Boom XLR25' 241 1&8 1 8 8 8 B8 Rack Tom 1 Shure Beta 98D/S N/A XLR25' 2 Gate 1&8 1 9 9 9 B9 Rack Tom 2 Shure Beta 98D/S N/A XLR25' 241 Gate 1&8 1 10 10 10 B10 Rack Tom 3 Shure Beta 98D/S N/A XLR25' 2 Gate 1&8 1 11 11 11 B11 Floor Tom 1 Shure 56A Short Boom XLR25' 241 Gate 1&8 1 12 12 12 B12 Floor Tom 2 Shure 56A Short Boom XLR25' 2 13 13 13 B13 Chimes Shure Beta 57A Tall Boom XLR25' 14 14 14 B14 Overhead (S.R.) Shure SM81-LC Tall Boom XLR25' 241 1&8 1 15 15 15 B15 Overhead (S.L.) Shure SM81-LC Tall Boom XLR25' 2 1&8 1 16 16 16 A1 Guitar Wireless D.I. IMP2 N/A XLR15' TRS15' 441 2&8 17 17 17 A2 Guitar Rack D.I. IMP2 N/A XLR15' TRS15' 2 2&8 18 18 18 A3 Guitar Effect Return IMP2 N/A XLR15' TRS15' 3 2&8 19 19 19 A4 Guitar Set Cabinet Shure Beta 57A Tall Boom XLR25' 4 2&8 20 20 20 C1 Jimmy Vocal Wired Shure Beta 58A Tall Boom XLR30' 441 2&8 21 21 21 C2 Jimmy Vocal Wireless Shure Beta 58A (Wireless) Tall Boom XLR6' 2 22 22 22 C3 Vocal (S.R.) Shure Beta 58A Tall Boom XLR30' 3 23 23 23 C4 Herman Vocal (S.L.) Shure Beta 58A Tall Boom XLR30' 4 24 24 24 A5 Drum Vocal Shure Beta 58A Tall Boom XLR25' 441 25 25 25 A6 Bass Cabinet Shure Beta 52A Short Boom XLR25' 2 26 26 26 A7 Bass D.I. IMP2 N/A XLR15' TRS15' 3 27 27 27 A8 Keys Rack D.I. Left IMP2 N/A XLR15' TRS15' 441 2&8 28 28 28 A9 Keys Rack D.I. Right IMP2 N/A XLR15' TRS15' 2 3&8 2 29 29 29 A10 Keys Mixer Left SoundCraft E6 N/A XLR25' 3 3&8 2 30 30 30 A11 Keys Mixer Right SoundCraft E6 N/A XLR25' 4 3&8 2 31 31 31 A12 Keys Cabinet Lo Shure Beta91 Short Boom XLR25' 441 3&8 2 32 32 32 A13 Keys Cabinet Hi Shure Beta 57A Tall Boom XLR25' 2 3&8 33 X 33 A14 Click Left IMP2 (click track device) N/A XLR15' TRS15' 4&8 3 34 X 34 A5 Click Right IMP2 (click track device) N/A XLR15' TRS15' 35 33 35 C5 Audience HL Shure SM81-LC N/A XLR100' 36 34 36 C6 Audience HR Shure SM81-LC N/A XLR100' R1 35 37 N/A Show Intro - Left (Mono) Tascam CD Player - L R2 36 X N/A Show Intro - Right Tascam CD Player - R 4&8 3 X 37 X N/A Effects LexPCM91 - Left X 38 X N/A Effects LexPCM91 - Right X 39 X N/A Effects LexMPX550 - Left X 40 X N/A Effects LexMPX550 - Right X 41 X N/A Effects TC M-One XL - Left X 42 X N/A Effects TC M-One XL - Right X 43 X N/A Effects Harmonizer - Right X 44 X N/A Effects Harmonizer - Left R3 45 38 N/A Cassette - Left (Mono) Tascam Cassette 112mkII R4 46 X N/A Cassette - Right Tascam Cassette 112mkII R5 47 39 N/A MiniDisc - Left (Mono) Tascam Mini-Disc MD-301mkII R6 48 X N/A MiniDisc - Right Tascam Mini-Disc MD-301mkII R7 49 40 N/A DAT - Left (Mono) Tascam DAT DA-40 R8 50 X N/A DAT - Right Tascam DAT DA-40 INSERT VCAPatch Channels Sub Snake Input List Faxed from Artist Management Revised Input List
  • 66. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 66 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Audio Measurement System – Block Diagram Audio System Measurement is NOT currently included in the scope. The following details should be considered as an upgrade option only. ANA1
  • 67. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 67 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production (Capture) - Description Video Production is NOT currently included in the scope. The following details should be considered as an upgrade option only. VID1
  • 68. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 68 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production (Capture) – Detail Diagram Video Production (Capture) is NOT currently included in the scope. The following details should be considered as an upgrade option only. To accommodate Production Cameras, several updates will be required for video and communications gear.. See sample detail below. VID2 SAP612 BTR-800 RTS Rack C C U 1 MCE32 5 C C U 2 C C U 3 C C U 4 BP325 PH-1 Technical Director (Headset Only) PH-1 Video Director BP325 PH-1 Engineer (Shader) Com Snake SPK300 (Headset Only) PH-1 RTS Engineer (Headset Only) PH-1 Broadcast Engineer Video Control Remote Recording Recording Fan Out COM Snake Fan Out Return Lines 3-way Splitter Box BP325 PH-1 Stage Manager TW5W BP325 PH-1 Monitor Engineer MonitorDesk Monitor Rack Return Lines 10, 11, 12 Main Stage Cam 4 Cam 1 Cam 2 Cam 3 Spot HR Spot HL Conventional Lights Desk Moving Lights Desk FOH Desk BP325 PH-1 Camera Operator 4 BP325 PH-2 Camera Operator 1 BP325 PH-2 Camera Operator 2 BP325 PH-2 Camera Operator 3 BP325 PH-2 SpotLight Operator 1 BP325 PH-2 SpotLight Operator 1 TW5W BP325 PH-1 Moving Light Operator BP325 PH-1 Conventional Operator BP325 PH-1 FOH Engineer Monitor Front Of House Lighting FOH Split Return Lines RecordingDesk Return Lines 10, 11, 12 Return Lines FOH Rack TR-800 PH-1 Executive Producer (Audio Instructor) TR-800 PH-1 Associate Producer (Video Instructor) TR-800 PH-1 Associate Producer (Lighting Instructor) TR-800 PH-1 Production Manager Management Recording Split Drive Lines Com Lines Audio Splits Snakes Legend BP325 PH-1 Lighting Director
  • 69. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 69 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production (Capture) – Cost Video Production is NOT currently included in the scope. The following details should be considered as an upgrade option only. VID3 Cameras / Camcorder Sony Video Switcher DFS700A 1 $18,398.85 $18,398.85 Sony Studio Pack, Includes DSR570WSL, DFX51, CA370, CCUD50, RMM7G DSR570WSDPAC2 3 $23,872.80 $71,618.40 Sony Digital Camcorder DCR-VX2000 1 $2,940.00 $2,940.00 Sony DV Cam Recorder DSR1500 2 $5,635.00 $11,270.00 Sony Rack Kit for DV Cam Recorder RKSSDNA28 1 $258.50 $258.50 Sony Analog Input Board DSBK1504 1 $787.25 $787.25 Sony Digital I/O Board DSBK1501 2 $1,010.50 $2,021.00 Panasonic S-VHS Recorder AG7350 2 $2,138.50 $4,277.00 Kramer UXGA Scan Converter VP706SC 2 $1,733.13 $3,466.26 Sony9" Color Monitors PVM9L2 10 $861.27 $8,612.70 Sony Rack Kit for Color Monitors RKM9L2 5 $146.87 $734.35 Sony 20" Color Monitors PVM20L2 2 $2,242.50 $4,485.00 Custom Rack Mount for 20" Color Monitors RKPM1954 2 $182.13 $364.26 Panasonic DVD recorder DMRT3040 1 $922.38 $922.38 Panasonic 5" Triple B/W Monitor WVBM503 2 $1,039.88 $2,079.76 Canare Video Remote Cable A2V2L 1 $310.20 $310.20 Mackie Monitor Board 1402 VLX Pro 1 $520.45 $520.45 Ashly Line Level Mixer LX308B 1 $405.73 $405.73 Panasonic SVHS Deck PV-VS4821 1 $205.63 $205.63 Canare Digital Patchbay 262UDVJW 1 $875.00 $875.00 Knox Matrix Routing Switcher RS16X16YC/B 1 $6,924.00 $6,924.00 Aja Firewire Breakout Box AJA-EYEO 1 $2,198.90 $2,198.90 Ocean Matrix 6x1 Firewire Switcher OMX-PSW6F 1 $218.90 $218.90 VideoTek TVM-675 1 $4,131.30 $4,131.30 Lowell Gangable 44 Space Rack, 32' Deep L278-77 3 $713.78 $2,141.34 Mackie 2-Way Studio Reference Monitor HR824 2 $752.46 $1,504.92 Video Cable Harnessing 1 $7,900.00 $7,900.00 $159,572Video Production V ideo Production (Capture)
  • 70. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 70 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Projection System (Image Magnification) The Video Projection System often referred to as Image Magnification is the base component of the Video Production System . The following details are in scope and should be considered as part of the set design which video projection is a critical creative element for visual effects. VID4
  • 71. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 71 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Video Production System – Cost The Video Projection System often referred to as Image Magnification is the base component of the Video Production System . The following details are in scope and should be considered as part of the set design which video projection is a critical creative element for visual effects. VID6 Christie Digital XGA 6000 Lumen DLP Projector Roadster X6 38- DMD13-08 2 $32,891.75 $65,783.50 Christie Digital 1.5-2.2:1 Zoom Lens for X6 Projector 38-809017-01 2 $4,776.15 $9,552.30 Chief Mounting Bracket for Roadster X6 Projector VCM-90C 2 $274.18 $548.36 Chief Mounting Plate for RPA Bracket CMA-110 2 $63.80 $127.60 Da-Lite Cinema Contour Projection Screen with Da-Tex Material, 108” x 144” 87135 2 $1,506.52 $3,013.04 Analog Way Smart Fade Video Scaler and Seamless Switcher SMF-251A 1 $4,436.54 $4,436.54 FSR 1x4 RGBHV Distribution Amplifier RGB-DA4 1 $718.44 $718.44 FSR 1x2 Computer Distribution Amplifier CDA-2 1 $155.59 $155.59 FSR 1x4 Composite Distribution Amplifier CVD-4 1 $213.25 $213.25 FSR Video Down Converter MDC-MKI 1 $843.81 $843.81 RL Drake Fixed Channel Video Modulator VM600 1 $193.66 $193.66 RL Drake Fixed Channel Video Modulator Power Supply RMM4 1 $188.53 $188.53 Furman Rack Rider RR-15 2 $82.60 $165.20 FSR A Series 2 – RGB High Density – VGA Male to 5 BNC Male 10 ft Cable CSV - HD5BMM - 10 HD - 15 to 5 BNC Cable 1 $41.65 $41.65 FSR BNC (M) Plug to RCA Plug (M) Video Cable B-PP-C-6 8 $16.00 $128.00 FSR 5 BNC to 5 BNC 10ft Patch Cable CSV - 5BMM - 10 5 BNC to 5 BNC Cable 1 $44.23 $44.23 West Penn Five Pair RGBHV Cable (400’) WP6355 2 $832.00 $1,664.00 West Penn Single RG-6 Cable (1000') 841 1 $97.50 $97.50 West Penn Control Wire for IR Repeater (1000') 291-GY 1 $102.50 $102.50 Lowell 7RU Desk Turret Rack L40-12 1 $171.05 $171.05 Lowell 10 RU Equipment Rack L253.17LD 1 $342.13 $342.13 Patch Cables to Owner Provided Equipment 1 $70.00 $70.00 Terminations For all Cable 1 $400.00 $400.00 Rigging Hardware 4 $325.00 $1,300.00 Stage Monitors 27" TV's 2 $375.00 $750.00 Playback / Presentation Equipment Denon DVD Audio/Video Player DVD-900 1 $305.99 $305.99 MediaShout 2.5 + Learn to Shout + Service Designer (combo) 1 $300.00 $300.00 Dell PC Computer System w/two video cards 1 $2,000.00 $2,000.00 MAG LCD 18" Monitor Screen HD Series 872V 2 $500.00 $1,000.00 $94,657Image Magnification Video Projection (Image Magnification)
  • 72. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 72 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Plot - StageV1
  • 73. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 73 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Advance SheetV2
  • 74. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 74 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Plot – Topographical Site ViewV3
  • 75. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 75 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Venue Plot – Top View (w/ Production Items)V4 Audience Area Front of House Lighting Monitor Stage Raised Platform SAP612 BTR-800 RTS Rack C C U 1 MCE32 5 C C U 2 C C U 3 C C U 4 BP325 PH-1 Technical Director (Headset Only) PH-1 Video Director BP325 PH-1 Engineer (Shader) SPK300 (Headset Only) PH-1 RTS Engineer (Headset Only) PH-1 Broadcast Engineer Recording Fan Out RecordingDesk Video Production Remote Recording *If required *If required Dressing rooms & BackStage FOH PA Loading Dock Area House Power & Disconnect Panels Balcony Area Above
  • 76. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 76 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Staging - Indoor Stage Description The indoor stage will consist of standard 4’ x 8’ portable stage platform with 16ga. steel frame and ¾” deck. The decking is ½” thick solid plywood core with 1/8” tempered hardboard laminated on both top and bottom to create a wear and moisture resistant surface. Polyproplene flooring. See details below. ST1A
  • 77. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 77 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Staging - Indoor Stage Diagram (70) 4' x 8' Risers Main Stage (3) 4' x 8' Risers FOH Riser (2) 4' x 8' Risers Lighting Riser (16) 4' x 8' Risers Band 3'-4" High 2'-0" High 1'-6" High ST2
  • 78. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 78 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design - Description The concept for the set design centers around physical elements that allow for allow for a lot of projection and light effects. With the foundation of a 60’ x 40’ sharksktooth scrim, the other set pieces are set pieces are set symmetrically to allow for different viewing angles and a little character on the stage. The center of the set is a 40ft Cir. Circular Truss with a translucent scrim material attached, allowing for a variety of light and/or video effects. Also the set has integrated into the design two screens that allow for image magnification or other video based packages. This can be used by the artist to define some creative intent or it can be used to market some information to the audience integrated into the performance.. The sky is the limit.. See set elements below. SD1 Front View Stage Set Sharktooth Scrim 60' x 40' (6) 10' Wide x 8 3/4" Tri Truss with Quick Connect (4) AlpTek 6500 Mobil Tech Crank System Thomas 40ft Curve 12' x 12' GP (2) Da-Lite Cinema Contour Projection Screens (w/ Da-Tex Materials) *if video option selected, video images will be projected on these screens for imagae magnification and other video effects. Red = Band Risers Green = Stage Risers 5ft Floor Stand Truss 2.5ft Floor Stand Truss
  • 79. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 79 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design – Materials ListSD2 Portable Stage Deck 4'x8'x18" - PolyDeck 70 $421 0% $421 $29,470 $29,470 Portable Stage Deck 4'x8'x24" - Carpeted Deck 8 $421 0% $421 $3,368 $3,368 Portable Stage Deck 4'x8'x40" - Carpeted Deck 8 $421 0% $421 $3,368 $3,368 4ft High Stairs 2 $470 0% $470 $940 $940 Black fabric (23 feet of box pleat Wyndham Skirting) 96 $8 0% $8 $744 $744 Black fabric (39 feet of box pleat Wyndham Skirting) w/loop velcro 64 $10 0% $10 $608 $608 Black fabric (15 feet of box pleat Wyndham Skirting) w/loop velcro 216 $4 0% $4 $864 $864 15 Deck Flat Cart 4 x 8 w/4 Swivel Casters & Push Rail 5 $415 0% $415 $2,075 $2,075 White Shark Tooth Scrim (60' x 24') RoseBrand 1 $1,232 0% $1,232 $1,232 $1,232 Thomas Box 10" Box Truss 5' 4 $400 0% $400 $1,600 $1,600 Thomas Box 10" Box Truss 2.5 3 $275 0% $275 $825 $825 Thomas 40ft Curve Truss 8 $500 0% $500 $4,000 $4,000 APLTEK 6500 Mobil Crank Up Lift APLTEK6500 4 $2,290 0% $2,290 $9,160 $9,160 Mobil Tech 250/300 8 to 12 inch Truss 3 $69 0% $69 $207 $207 10 Foot Wide x 8 3/4" TRI Truss with Quick Connect 6 $235 0% $235 $1,410 $1,410 Site / Staging Details
  • 80. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 80 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design – Construction DiagramSD3 FOH View Above Monitor View Aerial View from Catwalk
  • 81. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 81 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design - Estimate Setup Time and Labor The Stage and Set setup is estimated to take up to 45 minutes with the augmentation of local labor. Depending on availability, we will require a minimum of 6 local helpers. The scrim and backdrop will require a rigger to connect and supporting cables to support the ground based structures. A site assessment will be necessary before each show. SD4
  • 82. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 82 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Set Design – Road Cases A large part of the cases for the set design will consist of storage carts to accommodate transporting the portable stages. CS9
  • 83. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 83 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects - Description As described in the video section, the core effects theme will be based on mostly on video production content. However a very basic effects package will be implemented to support the lighting program which includes 2 floor mounted stage hazers from Martin, accompanied by the Martin/Jem DMX Fan. SP1
  • 84. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 84 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Detail Diagram As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No diagram required. The space left intentionally blank. SP2
  • 85. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 85 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Power Requirements As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No Power Requirements Required. The space left intentionally blank. SP3
  • 86. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 86 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Special Instructions (Permits / Fire Codes) As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No special instructions required. The space left intentionally blank. SP4
  • 87. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 87 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Special Effects – Road Cases As described in the video section, the core effects theme will be based on mostly on video production content. No specially designed equipment to support special effects. No road cases required. CS10
  • 88. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 88 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Promoters and Promoters Staff Description of the Promoter It is the job of the event and concert promoter to present entertainment in various venues. Promoters raise the funds that are necessary for financing events. It is the responsibility of a promoter to take an event from the beginning stages of planning and organizing to the final entertainment production. An event or concert promoter must negotiate contracts with artists and providers of concessions. The promoter must schedule the performances, coordinate media efforts, advertise and publicize the events in order to sell tickets. Also it is their job to hire support personnel such as security, stage management, and technicians. They must do all of this while staying within the established budget. The main objective for event and concert promoters is to entertain people & bring them the best quality of entertainment possible, for every event or show. It is the position of On Purpose Productions that we will assist in the task associated with the promoter, however the actual person probably should be someone associated in some fashion the venue or local area where concert is being held. The runner must also be and moreso a locally staffed position working under the promoter. PROMO
  • 89. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 89 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Box Office Description and Location Venue Box Office Location: The Paramount Theatre box office is located on the corner of 9th Avenue and Pine Street on the west side of The Paramount Theatre. For driving directions, go to Paramount Parking and Directions. Hours: The Paramount Theatre box office is open Monday through Friday 10am - 6pm and beginning 90 minutes prior to showtime. For special extended hours during Broadway at The Paramount performances, please call the recorded information line at 206.682.1414. For information on purchasing advance tickets to Paramount Theatre events, go to How to Purchase Tickets. TicketMaster Box Office BOX1
  • 90. On Purpose Productions, Inc. Atlanta, Georgia Theatre Tour Scenario# 5.0 Page 90 of 152 By: Roger Brathwaite Show Production & Touring Final Project December 10, 2003 Catering Crew Rider Items required for Crew: Bottled Water Sodas Coffee Assortment of Juices Dinner should be provided after the sound check and prior to the scheduled start time. Below is a list of menu suggestions for the band. Here are a few simple options: Olive Garden: Chicken Fettuccine Alfredo (broccoli on the side), Salad, Breadsticks TGI Friday’s/Ruby Tuesdays: Chicken Tenders, Fries, Cheese Sticks Chick-fil-a: Chicken Nugget/Strip Party Tray, Sandwiches (pickles on side), Fries, Sweet Tea Chili’s/Pappasito’s/ or Mexican Restaurants: Fajitas (beef/chicken combo), Chips and Hot Sauce/Queso Pizza Hut (#1 Choice for Pizza): 2 LG. Pan Pepperoni, 1 LG. Pan Hamburger, 1 LG. Thin Crust Cheese Domino’s (#2 Choice): 2 LG. Pepperoni, 1 LG. Hamburger, 1 LG. Cheese RIDER1