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A Performing Arts
Perspective on Designing
Services for the Customer
       Experience
        Raymond P. Fisk
      Texas State University
      Ray.Fisk@txstate.edu
Cast of Characters
• Steve Grove, Clemson University, USA
• Joby John, University of Louisiana, Lafayette,
  USA
• Mike Dorsch, Clemson University, USA
• Aidan Daly, National University of Ireland,
  Galway, Ireland
• Steve Baron, University of Liverpool, UK
• Kim Cassidy, Nottingham Trent University, UK
• Rick Harris, Aquinas College, UK
Playbill

Act 1: Why the Arts?
Act 2: Design Insights from
 the Performing Arts
Act 3: Creating the Art of
 Serving Customers
Act 1: Why the Arts?
Why the Arts?
• The arts are very ancient skills.
  – The arts emerged as human skills long before
    science, engineering, and management.
• The arts are rooted in the complexities
  of the human experience!
• The arts are deeply rooted in our
  emotional needs.
• The arts are also deeply rooted in our
  need for aesthetics.
What is Art?

• Two Meanings:
• Forms of creative activity:
   – including architecture, dance, design, drawing, film,
      language, literature, music, opera, painting, photography,
      poetry, sculpture, storytelling and theater.
• A skill acquired through practice.
   – The art of conversation.
   – The art of friendship.
• In short, the arts can be thought of as creative skills.
Applying the Performing Arts to
      Serving Customers
• The performing arts concern human interaction.
• The performing arts represent ancient simulation
  systems for stimulating pleasure (and coping with
  pain).
• We have studied and applied concepts and
  techniques from the performing arts to services
  (Daly et al. 2008; Fisk, Grove and John 2008; Grove
  and Fisk 1983, 1992, 2001; John, Grove and Fisk
  2006).
• Most organizations do not treat providing service as
  an art, but there are a few global services that do,
  e.g., Apple, Disney and Starbucks.
Performing Arts Are Services
• Performing arts (comedy, dance, music,
  opera, storytelling, and theater) are services.
   – They are more than just metaphors for service!
• The performing arts and services both
  require:
   – 1) Mastering the demands of real time
       performance and
   –   2) the dynamics of creating for the
       audience/customer experience.
Act 2: Design Insights from the
        Performing Arts
Five Key Design Insights from the
         Performing Arts
• Structural
  – Story – The narrative thread.
  – Roles – Everyone plays a particular role.
  – Staging – Decisions about the front and
    backstage.
• Dynamic
  – Performance – Putting the service in motion.
  – Improvisation – Adaptive responses.
Story in the Performing Arts
• Storytelling is the oldest performing art. The
   other performing arts are only more complex
   ways of telling stories.
– Storytelling - Verbal narratives with emotional impact.
– Theater - Visual narratives with emotional impact.
– Music - Rhythmic narratives with emotional impact.
• Stories create emotional meaning!
• Stories provide the through line or
  thread.
• All services are three act plays!
Roles
• In the performing arts, everyone has a role to
  play:
• Audience – The most essential role.
• Actors -
   – Protagonist – Antagonist
   – Leading and supporting roles
• Backstage Staff – Often outnumber the
  frontstage actors.
Staging
• Complex performances are staged by actors
  for an audience.
• A key decision is what to reveal on the
  frontstage or conceal on the backstage.
   – Frontstage – The heart of the show.
   – Backstage – To create a successful
     performance, the backstage staff works hard
     to make the work of the frontstage actors
     look easy.
Performance
• The dynamics of live performance are the true
  test of great service design.
• Great performances require:
  – Scripting – To plan out the sequencing of the
    performance.
  – Rehearsal – Careful repetitive practice to make
    sure that everyone is very ready.
  – Emotionally engaging experience.
Improvisation
• Improvisation IS
   – Loosely scripted performance delivered in real time in
       response to situational factors.
   –   The hardest part of service design.

• Successful improvisation requires:
   – Skill in performing the necessary tasks.
   – Understanding how to modify the real time performance
       of the task.

• Improvisation is NOT
   – Random expression.
   – Just adaptability or creativity.
Act 3: Creating the Art of
   Serving Customers
Future of Service Design
• We have a choice between service and disservice!
• Even good services often contain incoherent service
  fragments.
• Technology should serve customers, not enslave
  them.
• Service design problems are much too complex for
  narrow solutions.
• The art of serving customers is just as important as
  the science of serving customers.
Finding the Rules of Performing
           Arts Design
• Rule of Threes - beginning, middle,
  and end.
• Rule of Exclusion - The notes you
  don't play are as important as
  those you do.
• Rule of Turns – Humans take turns
  with each other.
Art of Serving Customers
• A creative skill that serves customers through:
  – Respecting the dignity of human interaction.
  – Engaging customers with emotional empathy and
    emotional labor.
  – Employing story, roles, staging, performance and
    improvisation to create valuable service
    experiences for customers.
Conclusion
• Multidisciplinary perspectives on service design are
  needed.
• The arts should be included in service design.
   – Involve people with arts training and skills in the planning and
      design process.
    – Involve people with arts training and skills in training frontline
      service personnel.
• The performing arts are especially adept at engaging
  emotions during customer–employee interactions.

• Let’s Make Serving Customers a Fine Art!
Questions

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Performing Arts Perspective on Designing for Customer Experience

  • 1. A Performing Arts Perspective on Designing Services for the Customer Experience Raymond P. Fisk Texas State University Ray.Fisk@txstate.edu
  • 2. Cast of Characters • Steve Grove, Clemson University, USA • Joby John, University of Louisiana, Lafayette, USA • Mike Dorsch, Clemson University, USA • Aidan Daly, National University of Ireland, Galway, Ireland • Steve Baron, University of Liverpool, UK • Kim Cassidy, Nottingham Trent University, UK • Rick Harris, Aquinas College, UK
  • 3. Playbill Act 1: Why the Arts? Act 2: Design Insights from the Performing Arts Act 3: Creating the Art of Serving Customers
  • 4. Act 1: Why the Arts?
  • 5. Why the Arts? • The arts are very ancient skills. – The arts emerged as human skills long before science, engineering, and management. • The arts are rooted in the complexities of the human experience! • The arts are deeply rooted in our emotional needs. • The arts are also deeply rooted in our need for aesthetics.
  • 6. What is Art? • Two Meanings: • Forms of creative activity: – including architecture, dance, design, drawing, film, language, literature, music, opera, painting, photography, poetry, sculpture, storytelling and theater. • A skill acquired through practice. – The art of conversation. – The art of friendship. • In short, the arts can be thought of as creative skills.
  • 7. Applying the Performing Arts to Serving Customers • The performing arts concern human interaction. • The performing arts represent ancient simulation systems for stimulating pleasure (and coping with pain). • We have studied and applied concepts and techniques from the performing arts to services (Daly et al. 2008; Fisk, Grove and John 2008; Grove and Fisk 1983, 1992, 2001; John, Grove and Fisk 2006). • Most organizations do not treat providing service as an art, but there are a few global services that do, e.g., Apple, Disney and Starbucks.
  • 8. Performing Arts Are Services • Performing arts (comedy, dance, music, opera, storytelling, and theater) are services. – They are more than just metaphors for service! • The performing arts and services both require: – 1) Mastering the demands of real time performance and – 2) the dynamics of creating for the audience/customer experience.
  • 9. Act 2: Design Insights from the Performing Arts
  • 10. Five Key Design Insights from the Performing Arts • Structural – Story – The narrative thread. – Roles – Everyone plays a particular role. – Staging – Decisions about the front and backstage. • Dynamic – Performance – Putting the service in motion. – Improvisation – Adaptive responses.
  • 11. Story in the Performing Arts • Storytelling is the oldest performing art. The other performing arts are only more complex ways of telling stories. – Storytelling - Verbal narratives with emotional impact. – Theater - Visual narratives with emotional impact. – Music - Rhythmic narratives with emotional impact. • Stories create emotional meaning! • Stories provide the through line or thread. • All services are three act plays!
  • 12. Roles • In the performing arts, everyone has a role to play: • Audience – The most essential role. • Actors - – Protagonist – Antagonist – Leading and supporting roles • Backstage Staff – Often outnumber the frontstage actors.
  • 13. Staging • Complex performances are staged by actors for an audience. • A key decision is what to reveal on the frontstage or conceal on the backstage. – Frontstage – The heart of the show. – Backstage – To create a successful performance, the backstage staff works hard to make the work of the frontstage actors look easy.
  • 14. Performance • The dynamics of live performance are the true test of great service design. • Great performances require: – Scripting – To plan out the sequencing of the performance. – Rehearsal – Careful repetitive practice to make sure that everyone is very ready. – Emotionally engaging experience.
  • 15. Improvisation • Improvisation IS – Loosely scripted performance delivered in real time in response to situational factors. – The hardest part of service design. • Successful improvisation requires: – Skill in performing the necessary tasks. – Understanding how to modify the real time performance of the task. • Improvisation is NOT – Random expression. – Just adaptability or creativity.
  • 16. Act 3: Creating the Art of Serving Customers
  • 17. Future of Service Design • We have a choice between service and disservice! • Even good services often contain incoherent service fragments. • Technology should serve customers, not enslave them. • Service design problems are much too complex for narrow solutions. • The art of serving customers is just as important as the science of serving customers.
  • 18. Finding the Rules of Performing Arts Design • Rule of Threes - beginning, middle, and end. • Rule of Exclusion - The notes you don't play are as important as those you do. • Rule of Turns – Humans take turns with each other.
  • 19. Art of Serving Customers • A creative skill that serves customers through: – Respecting the dignity of human interaction. – Engaging customers with emotional empathy and emotional labor. – Employing story, roles, staging, performance and improvisation to create valuable service experiences for customers.
  • 20. Conclusion • Multidisciplinary perspectives on service design are needed. • The arts should be included in service design. – Involve people with arts training and skills in the planning and design process. – Involve people with arts training and skills in training frontline service personnel. • The performing arts are especially adept at engaging emotions during customer–employee interactions. • Let’s Make Serving Customers a Fine Art!

Notas do Editor

  1. High Dive Icon – death defying stunt, Can he do it
  2. These are structure rules