Laura Mulvey and Campion's 'The Piano'

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Criticisms of Mulvey

Mulvey’s theory ,[object Object],[object Object],[object Object],[object Object],[object Object]

Mulvey’s theory ,[object Object],[object Object],[object Object],[object Object]

Mulvey’s theory ,[object Object],[object Object],[object Object],Male – Active Female – Passive

Mulvey’s theory ,[object Object],[object Object],[object Object],[object Object]

Shortcomings ,[object Object],[object Object],[object Object],[object Object]

Shortcomings ,[object Object],[object Object]

Shortcomings ,[object Object],[object Object]

Shortcomings ,[object Object],[object Object]

The Piano (Campion, 1993) Campion’s film is an analysis of the power relations between men and women – this is detailed through the battering that goes on between Ada and Baines. It also attempts to play with the way the audience is positioned and gendered.

The Piano (Campion, 1993) ,[object Object],[object Object],[object Object]

The Piano (Campion, 1993) ,[object Object],[object Object]

The Piano (Campion, 1993) ,[object Object],[object Object]

The Piano (Campion, 1993) ,[object Object],[object Object]

The Piano (Campion, 1993) ,[object Object]

The Piano (Campion, 1993) ,[object Object],[object Object]

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Laura Mulvey and Campion's 'The Piano'

1. Criticisms of Mulvey

2.

3.

4.

5.

6.

7.

8.

9.

10. The Piano (Campion, 1993) Campion’s film is an analysis of the power relations between men and women – this is detailed through the battering that goes on between Ada and Baines. It also attempts to play with the way the audience is positioned and gendered.

11.

12.

13.

14.

15.

16.