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MUSIC 8
SOUTHEASTH ASIAN MUSIC
Introduction
How is the music
culture influenced
by the community,
by the
government, or by
the experts?
Indonesian
Gamelan
•Gamelan is the
indigenous orchestra type
of the Java and Bali in
Indonesia. It Consist of
several gongs and
various sets of tuned
metal instruments that are
stuck with mallets.
Javanese
Gamelan
Javanese
Gamelan
• In Java, the introduction of
Islam created a tripartite
society divided into
abangan (peasantry), santri
(Islamic, usually merchant),
and prijaji (nobility and
culture ilite). The court
musician composed and
performed for the nobility,
which then defined cultural
identity.
Javanese
Gamelan
•Javanese gamelan is often
performed during sacred
rituals and ceremonies. It is
the best suited for temples
and palaces because of its
gentle and refined nature.
There is a preference for a
mellow sound, produced by
thickly-padded hammers
Parts of
Javanese
Gamelan
BONANG
Bonang
1. These are knobbed
gongs placed in
ropes that are
attached to a
wooden frame.
These horizontal
gongs are played
with two padded
sticks.
Saron
Panerus
2. Saron panerus (also
called saron peking),
saron barung, and
Saron demung. A saron
is a bronze
metallaphone placed
over a box resonator. It
is played with a mallet
called tabuh.
Saron Panerus
Slenthem
3. An instrument
made of thin bronze
keys of fine alloy that
plays the melody of
another line. It is
played using only one
stick.
Slenthem
Gender
4. In some types of gamelan,
two gender are used: the
gender panerus and the
gender barung. Both are thin
metal bar instruments that are
suspended over tube
resonators. They played
elaboration of the main
melody. They played by
striking the bronze keys with
padded sticks.
Gong Ageng, Gong suwuk, and Kempul
5. These are hanging gongs
that play divisions of line and
sections.
Kenong
6. These are horizontal
gongs. They are
punctuating
instruments which are
played by striking the
gongs with padded
sticks.
Kendhang
7. These are double-
headed drums used to
signal the ensemble
through rhythm.
Ketuk and Kempyang
8. These are horizontal
gongs that play a “thuk”
and “pang” sound in
alternation.
Rebab
9. This is two-
stringed lute usually
used to perform the
melody.
Suling
10. This is a vertical
flute which is used to
perform the melody.
Gabang
11. This is a xylophone
made out wood. It is
played by striking the
wooden keys with padded
sticks.
Celempong
12. This is a zither
used to embellish the
melody of the
gamelan.
Southeast Asian Music Traditions

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Southeast Asian Music Traditions

  • 2. Introduction How is the music culture influenced by the community, by the government, or by the experts?
  • 3. Indonesian Gamelan •Gamelan is the indigenous orchestra type of the Java and Bali in Indonesia. It Consist of several gongs and various sets of tuned metal instruments that are stuck with mallets.
  • 4.
  • 6. Javanese Gamelan • In Java, the introduction of Islam created a tripartite society divided into abangan (peasantry), santri (Islamic, usually merchant), and prijaji (nobility and culture ilite). The court musician composed and performed for the nobility, which then defined cultural identity.
  • 7. Javanese Gamelan •Javanese gamelan is often performed during sacred rituals and ceremonies. It is the best suited for temples and palaces because of its gentle and refined nature. There is a preference for a mellow sound, produced by thickly-padded hammers
  • 10. Bonang 1. These are knobbed gongs placed in ropes that are attached to a wooden frame. These horizontal gongs are played with two padded sticks.
  • 11. Saron Panerus 2. Saron panerus (also called saron peking), saron barung, and Saron demung. A saron is a bronze metallaphone placed over a box resonator. It is played with a mallet called tabuh.
  • 13. Slenthem 3. An instrument made of thin bronze keys of fine alloy that plays the melody of another line. It is played using only one stick.
  • 15. Gender 4. In some types of gamelan, two gender are used: the gender panerus and the gender barung. Both are thin metal bar instruments that are suspended over tube resonators. They played elaboration of the main melody. They played by striking the bronze keys with padded sticks.
  • 16.
  • 17. Gong Ageng, Gong suwuk, and Kempul 5. These are hanging gongs that play divisions of line and sections.
  • 18.
  • 19. Kenong 6. These are horizontal gongs. They are punctuating instruments which are played by striking the gongs with padded sticks.
  • 20.
  • 21. Kendhang 7. These are double- headed drums used to signal the ensemble through rhythm.
  • 22.
  • 23. Ketuk and Kempyang 8. These are horizontal gongs that play a “thuk” and “pang” sound in alternation.
  • 24.
  • 25. Rebab 9. This is two- stringed lute usually used to perform the melody.
  • 26.
  • 27. Suling 10. This is a vertical flute which is used to perform the melody.
  • 28.
  • 29. Gabang 11. This is a xylophone made out wood. It is played by striking the wooden keys with padded sticks.
  • 30.
  • 31. Celempong 12. This is a zither used to embellish the melody of the gamelan.

Notas do Editor

  1. Consider talking about: Prehistoric music Ancient music Biblical period Early music
  2. Consider talking about: Medieval music Renaissance music Baroque music Classical music era Romantic music 20th and 21st-century music
  3. Consider talking about: Africa Byzantium Asia India China Persia