SlideShare a Scribd company logo
1 of 13
   We are going to watch
    the first 15 minutes of
    Sex Traffic (2004)
   A powerful two-part
    drama about two young
    Moldovan sisters
    kidnapped and
    trafficked through
    Europe to the dark side
    of London, betrayed by
    pimps and police, and
    fighting for their lives.   Watch now on 4oD
Transition Seen in Sex Traffic   Why the transition was used in this drama

Cross Cutting                    This created a mysterious mood and the fact that he
                                 scenes were shown simultaneously suggested they
                                 are linked, making the audience question what the
                                 character walking is going to do to the girls.
Cutting                          This is a simple transition showing different scenes.

Shot Reverse Shot                This transition in the conversation between the
                                 mother and her daughter, showing he mother from
                                 the back. This is used to emphasize who is talking
                                 and to who.
Match on Action                  This is used when the two women are driving away to
                                 London to show the action from different point of
                                 views, when looking at the man.
Eye Line Match                   This is used to emphasize what someone is looking at
   Cutting – The simple change from one
    shot/scene to another

   Cross Cutting - Editing that alternates shots
    of two or more lines of action occurring in
    different places, usually simultaneously. The
    two actions are therefore linked, associating
    the characters from both lines of action.
   We have studied this before for your
    preliminary task.

   This is used in conversation to move from one
    character to another and back again.
   Again we have studied this before
   This is where the camera shoots one
    continuous piece of action and the edit
    switches from one perspective to another.
A cut obeying the axis of action principle, in which the first shot shows a person off in one
direction and the second shows a nearby space containing what he or she sees. If the
person looks left, the following shot should imply that the looker is offscreen right. See
the example below -




First we see her looking... then we see what she looks at.
As her interest grows, the eyeline match (that is the connection between looker and
looked) is stressed with matching close-ups of her face and Icarus's falling into the ocean
in the painting. Again, this implies that she is looking directly at Icarus's body.
First we see her looking...
then we see what she looks
             at.




 As her interest grows, the
 eyeline match (that is the
connection between looker
  and looked) is stressed
with matching close-ups of
her face and the section of
     the painting she is
        interested in
   With pace you are looking for how long or
    short the time between each edit is.
     If we are watching a car chase we would expect
      the time to be short between each edit.
     A emotional drama may have much longer
      between each of its cuts
   You can also think about rhythem. Have the
    edits been timed to key moments or the beat
    of the piece of music behind the scene?
   Watch this clip and analyse how the editing
    techniques have been used in the clip.


   http://www.youtube.com/watch?v=gKkBzbdi
    qV0

   Record examples for each of the techniques
    using the table on the next slide.
Example from 24                Function of the editing
Editing Device           interrogation scene            devise

Cutting /Cross Cutting   This is used to move the     It shows relation and focuses
                         scene from the interrogation on the same narrative as the
                         room to a different room.    other scene. It gives the
Shot Reverse-Shot                                     audience more information
                                                      on what is going on
                                                      regarding the same
Match on Action                                       particular scene.
Shot Reverse-Shot        This is used when both         This gives clear focus on who
                         characters engage in a         is talking and shows
Eyeline Match            conversation. a the
                         Jack Bauer looks               expression of the characters
                                                        It is to emphasize the
                         camera in the corner of the    involved in talking.item and
                                                        importance of the
Match on Action          room. used to show two
                         This is                        whatmakes the audience feel
                                                        This the character is looking
                         different perspective in the   at.if they are there alongside
                                                        as
Pace                     interrogation, without using   the action. The more match
                         the shot reverse-shot.         an actions shots there are
                                                        the more fast-paced the
                                                        sequence becomes.
Eyeline Match            This is used to show what     This makes an object the
                         the main character is looking centre of attention. This way
                         at when he enters the room. the audience will know it is
   Answer the following question:
     Does the use of editing in TV Dramas construct
     the meaning about relationships between
     characters.

   Post your response on your blog along with
    this PowerPoint when it is filled in.

More Related Content

What's hot

Editing technique for mr rosen
Editing technique for mr rosenEditing technique for mr rosen
Editing technique for mr rosenameliajanew
 
Media studies question 1
Media studies question 1Media studies question 1
Media studies question 1daisysssomedia
 
editing concepts
editing concepts editing concepts
editing concepts dorhax
 
The Wolverine - Opening Sequence Analysis
The Wolverine - Opening Sequence AnalysisThe Wolverine - Opening Sequence Analysis
The Wolverine - Opening Sequence AnalysisMissKylieLee
 
Nine frame structure analysis of film opening By Vicky
Nine frame structure analysis of film opening  By VickyNine frame structure analysis of film opening  By Vicky
Nine frame structure analysis of film opening By Vickyyasmined
 
Analysis Of Opening Techniques The Shining
Analysis Of Opening Techniques  The ShiningAnalysis Of Opening Techniques  The Shining
Analysis Of Opening Techniques The ShiningLeon Thomas
 
Planning for preliminary task
Planning for preliminary taskPlanning for preliminary task
Planning for preliminary taskraminuska1234
 
Nine frame structure analysis of Se7en
Nine frame structure analysis of Se7enNine frame structure analysis of Se7en
Nine frame structure analysis of Se7enyasmined
 
Unit 19 script writing lab
Unit 19 script writing labUnit 19 script writing lab
Unit 19 script writing labBenWalmsley8
 
Presentation1
Presentation1Presentation1
Presentation1HenryH123
 
Camera work in pyschological and stalker horror film (without trailers)
Camera work in pyschological and stalker horror film (without trailers)Camera work in pyschological and stalker horror film (without trailers)
Camera work in pyschological and stalker horror film (without trailers)Lauren Stockdale
 
Technical Features media level 3
Technical Features media level 3  Technical Features media level 3
Technical Features media level 3 Adamboisard
 
Micro elements
Micro elementsMicro elements
Micro elementsthuheen
 

What's hot (20)

Editing technique for mr rosen
Editing technique for mr rosenEditing technique for mr rosen
Editing technique for mr rosen
 
Media studies question 1
Media studies question 1Media studies question 1
Media studies question 1
 
Transitions
TransitionsTransitions
Transitions
 
editing concepts
editing concepts editing concepts
editing concepts
 
Mission impossible 3
Mission impossible 3Mission impossible 3
Mission impossible 3
 
The Wolverine - Opening Sequence Analysis
The Wolverine - Opening Sequence AnalysisThe Wolverine - Opening Sequence Analysis
The Wolverine - Opening Sequence Analysis
 
Nine frame structure analysis of film opening By Vicky
Nine frame structure analysis of film opening  By VickyNine frame structure analysis of film opening  By Vicky
Nine frame structure analysis of film opening By Vicky
 
Analysis Of Opening Techniques The Shining
Analysis Of Opening Techniques  The ShiningAnalysis Of Opening Techniques  The Shining
Analysis Of Opening Techniques The Shining
 
Planning for preliminary task
Planning for preliminary taskPlanning for preliminary task
Planning for preliminary task
 
Dark knight research
Dark knight researchDark knight research
Dark knight research
 
How camera shots are used in
How camera shots are used inHow camera shots are used in
How camera shots are used in
 
Nine frame structure analysis of Se7en
Nine frame structure analysis of Se7enNine frame structure analysis of Se7en
Nine frame structure analysis of Se7en
 
Media techniques pres
Media techniques presMedia techniques pres
Media techniques pres
 
Preliminary evaluation
Preliminary evaluationPreliminary evaluation
Preliminary evaluation
 
Unit 19 script writing lab
Unit 19 script writing labUnit 19 script writing lab
Unit 19 script writing lab
 
Camera angles
Camera anglesCamera angles
Camera angles
 
Presentation1
Presentation1Presentation1
Presentation1
 
Camera work in pyschological and stalker horror film (without trailers)
Camera work in pyschological and stalker horror film (without trailers)Camera work in pyschological and stalker horror film (without trailers)
Camera work in pyschological and stalker horror film (without trailers)
 
Technical Features media level 3
Technical Features media level 3  Technical Features media level 3
Technical Features media level 3
 
Micro elements
Micro elementsMicro elements
Micro elements
 

Viewers also liked

Mutual attraction - Art by D. Campanile
Mutual attraction - Art by D. CampanileMutual attraction - Art by D. Campanile
Mutual attraction - Art by D. CampanileMakala D.
 
National Anti-Slavery Standard, Year 1860, Oct 20
National Anti-Slavery Standard, Year 1860, Oct 20National Anti-Slavery Standard, Year 1860, Oct 20
National Anti-Slavery Standard, Year 1860, Oct 20S7w5Xb
 
AsiaPacific Leaders Summit - Open space d1
AsiaPacific Leaders Summit - Open space d1AsiaPacific Leaders Summit - Open space d1
AsiaPacific Leaders Summit - Open space d1Flora Liu
 
Things you should know of #EDUCODE Jakarta 2015
Things you should know of #EDUCODE Jakarta 2015Things you should know of #EDUCODE Jakarta 2015
Things you should know of #EDUCODE Jakarta 2015Rahmat Harlyadi
 
Banco del peru
Banco del peruBanco del peru
Banco del perublastazoid
 
El banco de trujillo
El banco de trujilloEl banco de trujillo
El banco de trujilloleo15101984
 
Flying Spoons (game concept)
Flying Spoons (game concept)Flying Spoons (game concept)
Flying Spoons (game concept)cmilliken09
 
AsiaPacific Leaders Summit - Open space d2
AsiaPacific Leaders Summit - Open space d2AsiaPacific Leaders Summit - Open space d2
AsiaPacific Leaders Summit - Open space d2Flora Liu
 
Pineapple to cure disease
Pineapple to cure  diseasePineapple to cure  disease
Pineapple to cure diseaseMuhammad Zia
 
Acta de conciliación de los saldos de existencia 2012
Acta de conciliación de los saldos de existencia  2012Acta de conciliación de los saldos de existencia  2012
Acta de conciliación de los saldos de existencia 2012mibeba
 
Una tarde de invierno.
Una tarde de invierno.Una tarde de invierno.
Una tarde de invierno.Laura240376
 
Approaches to language teaching
Approaches to language teachingApproaches to language teaching
Approaches to language teachingGeomara Cabrera
 
Літературні течії ХХ століття. Модернізм
Літературні течії ХХ століття. МодернізмЛітературні течії ХХ століття. Модернізм
Літературні течії ХХ століття. МодернізмГалина Сызько
 
HAIO vs. AMWAY vs. ZHULIAN
HAIO vs. AMWAY vs. ZHULIANHAIO vs. AMWAY vs. ZHULIAN
HAIO vs. AMWAY vs. ZHULIANlcchong76
 

Viewers also liked (20)

Mutual attraction - Art by D. Campanile
Mutual attraction - Art by D. CampanileMutual attraction - Art by D. Campanile
Mutual attraction - Art by D. Campanile
 
Catalogue1
Catalogue1Catalogue1
Catalogue1
 
National Anti-Slavery Standard, Year 1860, Oct 20
National Anti-Slavery Standard, Year 1860, Oct 20National Anti-Slavery Standard, Year 1860, Oct 20
National Anti-Slavery Standard, Year 1860, Oct 20
 
El banco trujillo
El banco trujilloEl banco trujillo
El banco trujillo
 
AsiaPacific Leaders Summit - Open space d1
AsiaPacific Leaders Summit - Open space d1AsiaPacific Leaders Summit - Open space d1
AsiaPacific Leaders Summit - Open space d1
 
Things you should know of #EDUCODE Jakarta 2015
Things you should know of #EDUCODE Jakarta 2015Things you should know of #EDUCODE Jakarta 2015
Things you should know of #EDUCODE Jakarta 2015
 
Banco del peru
Banco del peruBanco del peru
Banco del peru
 
El banco de trujillo
El banco de trujilloEl banco de trujillo
El banco de trujillo
 
Part vii
Part viiPart vii
Part vii
 
Flying Spoons (game concept)
Flying Spoons (game concept)Flying Spoons (game concept)
Flying Spoons (game concept)
 
AsiaPacific Leaders Summit - Open space d2
AsiaPacific Leaders Summit - Open space d2AsiaPacific Leaders Summit - Open space d2
AsiaPacific Leaders Summit - Open space d2
 
Kelompok 3
Kelompok 3Kelompok 3
Kelompok 3
 
Pineapple to cure disease
Pineapple to cure  diseasePineapple to cure  disease
Pineapple to cure disease
 
Acta de conciliación de los saldos de existencia 2012
Acta de conciliación de los saldos de existencia  2012Acta de conciliación de los saldos de existencia  2012
Acta de conciliación de los saldos de existencia 2012
 
Pultrusion technologies
Pultrusion technologiesPultrusion technologies
Pultrusion technologies
 
Eye diseases
Eye diseasesEye diseases
Eye diseases
 
Una tarde de invierno.
Una tarde de invierno.Una tarde de invierno.
Una tarde de invierno.
 
Approaches to language teaching
Approaches to language teachingApproaches to language teaching
Approaches to language teaching
 
Літературні течії ХХ століття. Модернізм
Літературні течії ХХ століття. МодернізмЛітературні течії ХХ століття. Модернізм
Літературні течії ХХ століття. Модернізм
 
HAIO vs. AMWAY vs. ZHULIAN
HAIO vs. AMWAY vs. ZHULIANHAIO vs. AMWAY vs. ZHULIAN
HAIO vs. AMWAY vs. ZHULIAN
 

Similar to Pp

Editing in television drama
Editing in television drama Editing in television drama
Editing in television drama GianlucaKul1
 
Lesson 8&9 editing
Lesson 8&9 editingLesson 8&9 editing
Lesson 8&9 editingLucaR712
 
Lesson 8&9 editing
Lesson 8&9 editingLesson 8&9 editing
Lesson 8&9 editingLucaR712
 
Briedprojectexplanationmediastudies.pptx
Briedprojectexplanationmediastudies.pptxBriedprojectexplanationmediastudies.pptx
Briedprojectexplanationmediastudies.pptxhzx060529
 
Preliminary Task
Preliminary TaskPreliminary Task
Preliminary Taskamedia6
 
Max Amaden - Editing techniques
Max Amaden - Editing techniquesMax Amaden - Editing techniques
Max Amaden - Editing techniquestbgsmedia1517
 
180 degree rule
180 degree rule180 degree rule
180 degree ruleRzsavilla
 
Editing techniques
Editing techniquesEditing techniques
Editing techniquesAmyKilbride2
 
26. & 77. Pro Forma.pptx
26. & 77. Pro Forma.pptx26. & 77. Pro Forma.pptx
26. & 77. Pro Forma.pptxHarrietSmith35
 
Analysis Of Micro Elements
Analysis Of Micro ElementsAnalysis Of Micro Elements
Analysis Of Micro ElementsAlpha_Abz
 
Continuity
ContinuityContinuity
Continuity07JLuu
 
21 a film editing
21 a film editing21 a film editing
21 a film editingMiayax
 
Filming techniques
Filming techniquesFilming techniques
Filming techniquesAbbie Whelan
 

Similar to Pp (20)

Editing in television drama
Editing in television drama Editing in television drama
Editing in television drama
 
Editing
Editing Editing
Editing
 
Lesson 8&9 editing
Lesson 8&9 editingLesson 8&9 editing
Lesson 8&9 editing
 
Lesson 8&9 editing
Lesson 8&9 editingLesson 8&9 editing
Lesson 8&9 editing
 
Editing
EditingEditing
Editing
 
Editing research
Editing researchEditing research
Editing research
 
Briedprojectexplanationmediastudies.pptx
Briedprojectexplanationmediastudies.pptxBriedprojectexplanationmediastudies.pptx
Briedprojectexplanationmediastudies.pptx
 
Edit c
Edit cEdit c
Edit c
 
Edit czzzzzz
Edit czzzzzzEdit czzzzzz
Edit czzzzzz
 
Edit c
Edit cEdit c
Edit c
 
Preliminary Task 2
Preliminary Task 2Preliminary Task 2
Preliminary Task 2
 
Preliminary Task
Preliminary TaskPreliminary Task
Preliminary Task
 
Max Amaden - Editing techniques
Max Amaden - Editing techniquesMax Amaden - Editing techniques
Max Amaden - Editing techniques
 
180 degree rule
180 degree rule180 degree rule
180 degree rule
 
Editing techniques
Editing techniquesEditing techniques
Editing techniques
 
26. & 77. Pro Forma.pptx
26. & 77. Pro Forma.pptx26. & 77. Pro Forma.pptx
26. & 77. Pro Forma.pptx
 
Analysis Of Micro Elements
Analysis Of Micro ElementsAnalysis Of Micro Elements
Analysis Of Micro Elements
 
Continuity
ContinuityContinuity
Continuity
 
21 a film editing
21 a film editing21 a film editing
21 a film editing
 
Filming techniques
Filming techniquesFilming techniques
Filming techniques
 

More from Lukas_969

Evaluation 4
Evaluation 4Evaluation 4
Evaluation 4Lukas_969
 
Digipak analysis
Digipak analysisDigipak analysis
Digipak analysisLukas_969
 
Pop rock research
Pop rock researchPop rock research
Pop rock researchLukas_969
 
Presentation1
Presentation1Presentation1
Presentation1Lukas_969
 
Record labels
Record labelsRecord labels
Record labelsLukas_969
 
Markrehej.j[t
Markrehej.j[tMarkrehej.j[t
Markrehej.j[tLukas_969
 
misenecsneaubhieh
misenecsneaubhiehmisenecsneaubhieh
misenecsneaubhiehLukas_969
 
convenagbiuhwa
convenagbiuhwaconvenagbiuhwa
convenagbiuhwaLukas_969
 
aaasdfghhhhjklllirnirmpppp
aaasdfghhhhjklllirnirmppppaaasdfghhhhjklllirnirmpppp
aaasdfghhhhjklllirnirmppppLukas_969
 
Presentation1
Presentation1Presentation1
Presentation1Lukas_969
 

More from Lukas_969 (12)

Evaluation 4
Evaluation 4Evaluation 4
Evaluation 4
 
Digipak analysis
Digipak analysisDigipak analysis
Digipak analysis
 
Pop rock research
Pop rock researchPop rock research
Pop rock research
 
Presentation1
Presentation1Presentation1
Presentation1
 
Record labels
Record labelsRecord labels
Record labels
 
Markrehej.j[t
Markrehej.j[tMarkrehej.j[t
Markrehej.j[t
 
Medyjek
MedyjekMedyjek
Medyjek
 
misenecsneaubhieh
misenecsneaubhiehmisenecsneaubhieh
misenecsneaubhieh
 
convenagbiuhwa
convenagbiuhwaconvenagbiuhwa
convenagbiuhwa
 
aaasdfghhhhjklllirnirmpppp
aaasdfghhhhjklllirnirmppppaaasdfghhhhjklllirnirmpppp
aaasdfghhhhjklllirnirmpppp
 
Media
MediaMedia
Media
 
Presentation1
Presentation1Presentation1
Presentation1
 

Pp

  • 1.
  • 2. We are going to watch the first 15 minutes of Sex Traffic (2004)  A powerful two-part drama about two young Moldovan sisters kidnapped and trafficked through Europe to the dark side of London, betrayed by pimps and police, and fighting for their lives. Watch now on 4oD
  • 3. Transition Seen in Sex Traffic Why the transition was used in this drama Cross Cutting This created a mysterious mood and the fact that he scenes were shown simultaneously suggested they are linked, making the audience question what the character walking is going to do to the girls. Cutting This is a simple transition showing different scenes. Shot Reverse Shot This transition in the conversation between the mother and her daughter, showing he mother from the back. This is used to emphasize who is talking and to who. Match on Action This is used when the two women are driving away to London to show the action from different point of views, when looking at the man. Eye Line Match This is used to emphasize what someone is looking at
  • 4.
  • 5. Cutting – The simple change from one shot/scene to another  Cross Cutting - Editing that alternates shots of two or more lines of action occurring in different places, usually simultaneously. The two actions are therefore linked, associating the characters from both lines of action.
  • 6. We have studied this before for your preliminary task.  This is used in conversation to move from one character to another and back again.
  • 7. Again we have studied this before  This is where the camera shoots one continuous piece of action and the edit switches from one perspective to another.
  • 8. A cut obeying the axis of action principle, in which the first shot shows a person off in one direction and the second shows a nearby space containing what he or she sees. If the person looks left, the following shot should imply that the looker is offscreen right. See the example below - First we see her looking... then we see what she looks at. As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of her face and Icarus's falling into the ocean in the painting. Again, this implies that she is looking directly at Icarus's body.
  • 9. First we see her looking... then we see what she looks at. As her interest grows, the eyeline match (that is the connection between looker and looked) is stressed with matching close-ups of her face and the section of the painting she is interested in
  • 10. With pace you are looking for how long or short the time between each edit is.  If we are watching a car chase we would expect the time to be short between each edit.  A emotional drama may have much longer between each of its cuts  You can also think about rhythem. Have the edits been timed to key moments or the beat of the piece of music behind the scene?
  • 11. Watch this clip and analyse how the editing techniques have been used in the clip.  http://www.youtube.com/watch?v=gKkBzbdi qV0  Record examples for each of the techniques using the table on the next slide.
  • 12. Example from 24 Function of the editing Editing Device interrogation scene devise Cutting /Cross Cutting This is used to move the It shows relation and focuses scene from the interrogation on the same narrative as the room to a different room. other scene. It gives the Shot Reverse-Shot audience more information on what is going on regarding the same Match on Action particular scene. Shot Reverse-Shot This is used when both This gives clear focus on who characters engage in a is talking and shows Eyeline Match conversation. a the Jack Bauer looks expression of the characters It is to emphasize the camera in the corner of the involved in talking.item and importance of the Match on Action room. used to show two This is whatmakes the audience feel This the character is looking different perspective in the at.if they are there alongside as Pace interrogation, without using the action. The more match the shot reverse-shot. an actions shots there are the more fast-paced the sequence becomes. Eyeline Match This is used to show what This makes an object the the main character is looking centre of attention. This way at when he enters the room. the audience will know it is
  • 13. Answer the following question:  Does the use of editing in TV Dramas construct the meaning about relationships between characters.  Post your response on your blog along with this PowerPoint when it is filled in.