Empowerment Technologies - Imaging and Design for the Online Environment

Imaging and Design for the Online
Environment
By: Lany Lyn B. Magdaraog
Colegio de San Lorenzo Ruiz de Manila of Northern Samar, Inc.
1. Basic principles of graphics and layout
2. Principles of visual message design using infographics
3. Online file formats for images and text
4. Principles and basic techniques of image manipulation
5. Basic image manipulation using offline or open-source
software
6. Combining text, graphics, and images
7. Uploading, sharing, and image hosting platforms.
Imaging and Design For the Online
Environment covering the topics of:
BASIC
PRINCIPLES OF
GRAPHICS AND
LAYOUT
WHAT IS GRAPHIC
DESIGN?
 Graphic design are definitions, rules and considerations of
design applied to the visual medium, for communication by
the use of visual objects that may include words, lights,
graphs and shapes to pass information to the viewer.
 Graphic design can be used for advertising, or just for
entertainment intended for the mind. From clarification or
expansion of information via visual aids to the arousal of
emotional and aesthetic feelings in an artistic way.
 It may be a contributor to many other forms of art and craft,
for example the elaboration of typefaces used in print and
media, the order and flow of presentation of a cartoon, to the
creation of road signs or even emoji.
ALIGNMEN
TAlignment is the act of keeping design objects in line, not only
vertically or horizontally but across any linear plane. Alignment also
be done respectively, i.e one design element is positioned with
respect of another element within same frame.
BALAN
CEDesigns in balance (or equilibrium) have their parts
arrangement planned, keeping a coherent visual
pattern (color, shape, space). "Balance" is a concept
based on human perception and the complex nature of
the human senses of weight and proportion.
CONTRA
STDistinguishing by comparing/creating differences. Some ways of
creating contrast among elements in the design include using
contrasting colors, sizes, shapes, locations, or relationships. For
text, contrast is achieved by mixing serif and sans-serif on the
page, by using very different type styles, or by using type in
surprising or unusual ways. Another way to describe contrast, is to
say "a small object next to a large object will look smaller".
Making a specific element stand out or draw attention to the eye.
Emphasis can be achieved in graphic design by placing elements
on the page in positions where the eye is naturally drawn, by
using other principles such as contrast, repetition, or movement.
Bold and italic type provides emphasis for text. Graphic elements
gain emphasis through size, visual weight, color, complexity,
uniqueness, placement on the page, and other features.
EMPHASI
S
GESTALT
Sometimes considered a distinct principle of design, gestalt is the
concept that "the whole is greater than the sum of its parts."
When viewing designs, humans apply this principle unconsciously by
seeing connections and relationships among and between the elements
in the design.
Designers can use this principle to create visual connections and
relationships that clarify and strengthen the overall "feel" and meaning of
the design.
Movement is creating an instability, making motion to blur the image.
Movement can be achieved by using graphic elements that direct the
eye in a certain direction such as arrows that point the way overtly or
a series of lines or dots that get progressively larger or smaller,
creating a more subtle sense of movement. Movement can be
accomplished simply by using a photograph or clip art of something
moving - a runner - as opposed to something stationary - a person
standing.
MOVEMEN
T
PROPORTI
ONThis indicates the relative visual size width, and weight of a particular
graphical elements in a design composition.
PROXIMI
TYCloseness or distance of individual design elements. Close
proximity indicates a connection. Proximity means grouping
elements together so that you guide the viewer/reader to different
parts of the message.
Unity creates a feeling of wholeness. Unity is usually achieved when the
parts complement each other in a way where they have something in
common. Unity can be achieved by use of the same color, or different tints
of it, or using a similar graphic style for illustrations.
UNITY, REPETITION &
RHYTHM
In design, repetition creates visual consistency in page designs, such as using the
same style of headlines, the same style of initial capitals, or repeating the same basic
layout from one page to another.
Rhythm is a strong, regular, repeated pattern of movement or sound.
WHITE SPACE
White space includes margins, gutters, space between lines of type (leading), off-
set of text from images (text wraps) and any other part of the page that is empty.
In graphic design, the white space, or negative space, is considered an important
element of the overall design. It can give emphasis, contrast, and movement, it can
be used for repetition and pattern, and work within various relationships with other
elements of the positive and negative spaces in the design.
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Empowerment Technologies - Imaging and Design for the Online Environment

  • 1. Imaging and Design for the Online Environment By: Lany Lyn B. Magdaraog Colegio de San Lorenzo Ruiz de Manila of Northern Samar, Inc.
  • 2. 1. Basic principles of graphics and layout 2. Principles of visual message design using infographics 3. Online file formats for images and text 4. Principles and basic techniques of image manipulation 5. Basic image manipulation using offline or open-source software 6. Combining text, graphics, and images 7. Uploading, sharing, and image hosting platforms. Imaging and Design For the Online Environment covering the topics of:
  • 4. WHAT IS GRAPHIC DESIGN?  Graphic design are definitions, rules and considerations of design applied to the visual medium, for communication by the use of visual objects that may include words, lights, graphs and shapes to pass information to the viewer.  Graphic design can be used for advertising, or just for entertainment intended for the mind. From clarification or expansion of information via visual aids to the arousal of emotional and aesthetic feelings in an artistic way.  It may be a contributor to many other forms of art and craft, for example the elaboration of typefaces used in print and media, the order and flow of presentation of a cartoon, to the creation of road signs or even emoji.
  • 5. ALIGNMEN TAlignment is the act of keeping design objects in line, not only vertically or horizontally but across any linear plane. Alignment also be done respectively, i.e one design element is positioned with respect of another element within same frame.
  • 6. BALAN CEDesigns in balance (or equilibrium) have their parts arrangement planned, keeping a coherent visual pattern (color, shape, space). "Balance" is a concept based on human perception and the complex nature of the human senses of weight and proportion.
  • 7. CONTRA STDistinguishing by comparing/creating differences. Some ways of creating contrast among elements in the design include using contrasting colors, sizes, shapes, locations, or relationships. For text, contrast is achieved by mixing serif and sans-serif on the page, by using very different type styles, or by using type in surprising or unusual ways. Another way to describe contrast, is to say "a small object next to a large object will look smaller".
  • 8. Making a specific element stand out or draw attention to the eye. Emphasis can be achieved in graphic design by placing elements on the page in positions where the eye is naturally drawn, by using other principles such as contrast, repetition, or movement. Bold and italic type provides emphasis for text. Graphic elements gain emphasis through size, visual weight, color, complexity, uniqueness, placement on the page, and other features. EMPHASI S
  • 9. GESTALT Sometimes considered a distinct principle of design, gestalt is the concept that "the whole is greater than the sum of its parts." When viewing designs, humans apply this principle unconsciously by seeing connections and relationships among and between the elements in the design. Designers can use this principle to create visual connections and relationships that clarify and strengthen the overall "feel" and meaning of the design.
  • 10. Movement is creating an instability, making motion to blur the image. Movement can be achieved by using graphic elements that direct the eye in a certain direction such as arrows that point the way overtly or a series of lines or dots that get progressively larger or smaller, creating a more subtle sense of movement. Movement can be accomplished simply by using a photograph or clip art of something moving - a runner - as opposed to something stationary - a person standing. MOVEMEN T
  • 11. PROPORTI ONThis indicates the relative visual size width, and weight of a particular graphical elements in a design composition.
  • 12. PROXIMI TYCloseness or distance of individual design elements. Close proximity indicates a connection. Proximity means grouping elements together so that you guide the viewer/reader to different parts of the message.
  • 13. Unity creates a feeling of wholeness. Unity is usually achieved when the parts complement each other in a way where they have something in common. Unity can be achieved by use of the same color, or different tints of it, or using a similar graphic style for illustrations. UNITY, REPETITION & RHYTHM In design, repetition creates visual consistency in page designs, such as using the same style of headlines, the same style of initial capitals, or repeating the same basic layout from one page to another. Rhythm is a strong, regular, repeated pattern of movement or sound.
  • 14. WHITE SPACE White space includes margins, gutters, space between lines of type (leading), off- set of text from images (text wraps) and any other part of the page that is empty. In graphic design, the white space, or negative space, is considered an important element of the overall design. It can give emphasis, contrast, and movement, it can be used for repetition and pattern, and work within various relationships with other elements of the positive and negative spaces in the design.