ORNAMENTS IN THE KAZAKHSTAN’S URBAN ARCHITECTURE of 19th – 21st CENTURIES: The Album of typical examples / Educational materials by O.N.Priemetz and K.I.Samoilov. – Almaty, 2016. – 114 p.

ORNAMENTS
IN THE KAZAKHSTAN’S
URBAN ARCHITECTURE
of 19th
– 21st
CENTURIES
The Album of typical examples
by O.N.Priemetz & K.I.Samoilov,
Almaty,2016

ORNAMENTS IN THE KAZAKHSTAN’S URBAN ARCHITECTURE of 19th – 21st CENTURIES:
The Album of typical examples / Educational materials by O.N.Priemetz and K.I.Samoilov
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This Album is the result of joint work of authors on the study of the architectural ornaments Evolution.
MAJOR SOURCES are published results of Scientific works:
- THE ARCHITECTURAL ORNAMENT EVOLUTION IN THE KAZAKHSTAN ARCHITECTURE OF
THE XX – BEGINNING OF THE XXI CENTURIES (for example, Almaty), 2014
by Oksana N.PRIEMETZ (the Scientific instructor – Dr. Konstantin I.Samoilov);
- THE KAZAKHSTAN ARCHITECTURE OF THE XX CENTURY (the Forming evolution), 2004
by Konstantin I.SAMOILOV (the Scientific consultant – Dr. Alexandr V.Riabushin)
Authors expresses their gratitude to Internet resources – https://www.google.com ; https://www.wikipedia.org –
which to provide the ability to collect an information.
The Album consists of 792 illustrations in different combinations, including 731 photographs taken by authors.
This Album generated for information purposes of the Educational course "The Modern architecture".
The front cover:
the Telecenter, Timiryazev Str., Almaty (1981, arch. A.Korzhempo, V.Panin, N.Ezau).

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THE CONTENT
Terms and definitions
THE INTRODUCTION
Part 1. HISTORICAL AND ARCHITECTURAL HERITAGE OF THE KAZAKHSTAN
AS A PREREQUISITE FOR THE SPREAD OF ORNAMENTAL COMPOSITIONS
IN THE URBAN ARCHITECTURE OF THE XX CENTURY
1.1 Historiographical aspects of the Kazakh architectural ornament Evolution
1.2 An Ornament in the Medieval and the XIX century Architecture as a source of motifs and
themes for the Urban architecture of the XX century the ornamentation
1.3 The Yurt ornamentation, an ornament for clothes, utensils and household items as a source of
motifs and themes for the Urban architecture of the XX century ornamentation
Part 2. AN ORNAMENT IN THE LATE XIX – THE FIRST HALF OF THE XX CENTURIES
URBAN ARCHITECTURE
2.1 An Ornament in the Urban Architecture of 1880’s-1920’s
2.3 An Ornament in the Urban Architecture of 1950’s
Part 3. AN ORNAMENT IN THE SECOND HALF OF THE XX – EARLY XXI CENTURIES
URBAN ARCHITECTURE
CONCLUSIONS
The Main Reading

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TERMS AND DEFINITIONS
AN ARCHITECTURAL ORNAMENT
– the Part of architectural decoration, which is a pattern made for parts and/or
individual elements of buildings and structures; It has a different implementation,
size details, motives, extent and the role in the overall composite solutions of the
built.
A VEGETABLE ORNAMENT
– a Motif of the pattern consisting of individual and/or articulated stylized forms of
stems, leaves, flowers, fruits.
A ZOOMORPHIC ORNAMENT
– a Motif of the pattern consisting of individual and/or articulated stylized forms of
real or imaginary animals, birds, reptiles and insects.

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Terms and Definitions
AN ASTRAL ORNAMENT
– a Motif of the pattern consisting of individual and/or articulated lunar and solar
symbols.
AN ANTHROPOMORPHIC ORNAMENT
– a Motif of the pattern consisting of individual and/or articulated stylized human
figures.
AN EPIGRAPHIC ORNAMENT
– a Motif of the pattern consisting of individual and/or stylized articulated phrases,
words, abbreviations or individual letters.

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A GEOMETRIC ORNAMENT
– a Motif of the pattern consisting of individual and/or articulated abstract forms as
line segments, individual or closed polygons, and wavy lines, as well as regular and
irregular polygons, circles, ovals and ellipses (If these forms not classified as
vegetable-, animal-, astral-, anthropomorphic-, epigraphic motifs).
A GERALDIC ORNAMENT
– a Motif of the pattern consisting of emblems and symbols (national, civil, religious,
corporate or private).
A SAMENESS OF “THE PATTERN” AND “THE BACKGROUND”
– a Property of an ornamental composition, in which combined icons have same
configurations and dimensions.

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A COLOR SOLUTION
– an Ornamental composition with multi colors of patterns.
A RELIEF SOLUTION
– an Ornamental composition with different depths of patterns.
A COLOR-RELIEF SOLUTION
– an Ornamental composition with multi colors and different depths of patterns.

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A LATTICE SOLUTION
– an Ornamental composition with a pattern formed by the lattice.
A PLANAR SOLUTION
– an Ornamental composition, made in two or three parallel planes, forming a low
relief.
A SPATIAL SOLUTION
– an Ornamental composition performed in more than one plane or complex
surfaces, forming a deep relief or a sculpture.

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THE INTRODUCTION
Ornamental compositions in color, as relief and lattice or combined rendition are the widespread
feature of the contemporary Kazakhstan’s architecture.
They are made of different materials in forms of cornices and belts, columns and pilasters, trims
and framings, panels and inserts.
Despite to the blurred of thematic borders and a variety of interpretations of the patterns, the main
theme presented in the majority of cases, it clearly readable anthropomorphic, zoomorphic, vegetable,
epigraphic, heraldic, astral and abstract geometric shapes.
Of particular importance is the interpretation of different motives, which, depending on the intentions
of the customer helps classify as separate items, and the total composition solution built with
Traditional Sub-regional, Regional or Trans-regional concepts of the formation.
In different periods of evolution of the Kazakhstan’s architecture of the late XIX - early XXI centuries
the use of ornamental compositions are different:
- to mass of use in general, and to the saturation of individual facades of buildings and structures;
- according to their proximity to the prototype configuration of patterns (sources: architecture of
previous periods, forms of decorative and applied arts).
THE USE OF ORNAMENTAL COMPOSITIONS IN KAZAKHSTAN’S ARCHITECTURE OF THE
TWENTIETH CENTURY WAS LARGELY DUE TO BOTH THE SPONTANEOUS DESIRE OF
BUILDING PROJECTS AUTHORS AND SOMETIMES WORN WITH PRESCRIPTIVE
RECOMMENDATIONS TO FOCUS OF NATIONAL AND REGIONAL IMAGERY OF THE
ARCHITECTURE.

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Part 1.
HISTORICAL AND ARCHITECTURAL
HERITAGE OF THE KAZAKHSTAN
AS A PREREQUISITE FOR THE SPREAD
OF ORNAMENTAL COMPOSITIONS
IN THE URBAN ARCHITECTURE OF THE
XX CENTURY
1.1 Historiographical aspects of the Kazakh
architectural ornament Evolution
1.2 An Ornament in the Medieval and the XIX
century Architecture as a source of motifs and
themes for the Urban architecture of the XX
century ornamentation
1.3 The Yurt ornamentation, and ornament for
clothes, utensils and household items as a source
of motifs and themes for the Urban architecture of
the XX century ornamentation

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STUDIES OF THE FIRST HALF OF THE XX CENTURY:
R.Karutts "Among Kyrgyz and Turkmen of the Mangyshlak", 1911.
S.Dudin “The Kyrgyz ornament", 1925.
E.Shneyder "The Kazakh ornamentation", 1927.
E.Klodt, V.Chepelev "The Kazakh folk ornament", 1939.
B.Denike "Architectural Ornament of the Central Asia", 1939.
M.Mendikulov "The Architecture of the Alma-Ata city ", 1950.
T.Basenov "The Kazakhstan’s Ornament in the Architecture", 1957.
A. Margulan, T.Basenov, M.Mendikulov "The Architecture of the
Kazakhstan", 1959.
and other …

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STUDIES OF THE SECOND HALF OF THE XX CENTURY:
A. Margulan "The Kazakh yurt and its decoration", 1964.
N.Orazbaeva "People's arts and crafts of Kazakhs", 1970.
M.Mukanov "Kazakh domestic crafts", 1979.
T.Dzhanysbekov "The Features memorial architecture of the Ustyurt and
the Mangyshlak in the XVIII - early XX centuries", 1981.
U.Dzhanibekov "The Kazakh Culture Crafts", 1982.
L.Tul’basieva "The Interior of a dwelling yurt as an artistic composite
system: (Kazakh folk dwelling nomadic period)", 1984.
K.Ibraeva "Ornament of Kazakh’s memorials (based on Mangishlak
cemeteries)", 1985.
H.Argynbaev "Kazakh arts and crafts", 1987.
B.Tuyakbaeva "The Epigraphic decor of the Ahmed Yasevi Khanaka",
1987.
K.Ibraeva "A Kazakh ornament", 1994.
S.Adzhigaliev "The Genesis of traditional burial and religious architecture in
the Western Kazakhstan: (Based on a study of small forms)", 1994.
T.Zhanysbekuly "An Ornament in stone", 1999.
B.Glaudinov "The History of the Kazakhstan Architecture", 1999.
and other …

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STUDIES OF THE BEGINNING OF THE XXI CENTURY:
I.Tasmagambetov "Kulyptas", 2002.
A.Kazhgali-uly "The Organon of the ornament", 2003.
K.Samoilov "The Kazakhstan Architecture of the XX century (The
Development of architectural and artistic forms)", 2004.
A.Shevtsova "Kazakh folk ornament as an ethnographic source: on
materials XIX - early XX centuries", 2004.
Umirbekova A. “KAZAKH ORNAMENTS / The Encyclopedia”, 2005.
D.Mergaliev "A Folklore as a source of artistic national style of Kazakhstan
in art at the turn of XX - XXI century", 2009.
A.Dayrabaeva "The Traditional ornamental art Kazakh of the Western
Siberia steppe zone in the end of XIX-XX centuries", 2010.
O.Priemetz “The Development of the architectural ornament in Kazakhstan
architecture of the XX - beginning of XXI century (for example, Almaty),
2014.
and other …

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Prior to the beginning of the twentieth century the original Kazakh ornament was poorly researched. This is largely
determined by its limited use in the art composition of buildings and constructions of the urban architecture.
Studies of the Kazakh ornament first started in the early 19th century, in the 20th century these researches greatly
intensified.
These studies formed an ever-expanding sphere of knowledge, which is actual for the beginning of the 21st
century.
Now continues active exploration of this perspective, deepening the level of study about historical patterns,
analyzed numerous new examples.
This sphere is made up of highly specialized studies (subject patterns, features of their application for products of
various shapes and sizes, configurational and texture features which determined by the material of manufacture), and
synthesis researches about the role of ornament for the Decorative art and the Architecture.
The Specific group consists of studies devoted to shaping the space-semantic content and the artistic decoration
of the yurt.
A special place is occupied by studies devoted to the interpretation of the most common motifs from the sphere of
arts and crafts in compositions of buildings and structures, as well as the actual manifestation of the original
architectural ornament.

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1.2 An Ornament in the Medieval and the XIX century Architecture as a source of motifs
and themes for the Urban architecture of the XX century ornamentation
1 2
3 4
Figure 1.2-1.
Examples of the ornament in the Medieval
Kazakhstan architecture:
1 – the Karahan’s Mausoleum, Taraz (X c.);
2 – the Babaji Khatun’s Mausoleum, Aysha Bibi
village, Zhambyl region (XI c.);
3, 4 – the Aisha Bibi’s Mausoleum, Aysha Bibi
village, Zhambyl region (XI c.);

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1 2
3 4
Figure 1.2-2.
Examples of the ornament in the Medieval
Kazakhstan architecture:
1 – the Zhoshi Khan’s Mausoleum, Karaganda
region, (1228-1230);
2 – the Alasha Khan’s Mausoleum, Karaganda
region, (XIII c.);
3 – the Kerdery Mausoleum, Kyzylorda region (the
end of the ХIII c. – early of the ХIV c.);
4 – the Khoja Ahmed Yasavi Complex, Turkestan
(1389 – 1399, build. Mavlyan Ubaidulla Sadr,
Hodge Hussein al Shirazi, Shelms Abd-al-Wahab
al-Shirazi).

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1 2
3 4
Figure 1.2-3.
Examples of ornament in the Kazakhstan XIX
century architecture:
1 – the Apartment house duval (a fence),
Turkestan (XIX c.);
2 – the Mayraliy Aythozhaev’s Mausoleum (the
"Kara Zopa’s Tomb"), Zhanakurgan township,
Kyzylorda region (XIX c.);
3 – the Zhuzden’s Mausoleum, Karaganda region
(XIX c., build. S.Elamanov);
4 – the Tortkara Mausoleum, Karaganda region
(XIX c.).

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1 2
3 4
Figure 1.2-4.
1 – the Mausoleum, Becky necropolis, Atyrau
region (XIX c.);
2 – the Zhuban’s Mausoleum, Saycen-ata
necropolis, Atyrau region (1898, build. Nugman);
3 – the Norbergen Kalishev’s Mausoleum, Senek
village, Atyrau region (XIX c., build. N.Izbasarov,
D.Zhandauletov);
4 – the Walibay’s Mosque, Zharkent (1887-1892,
build. Khon Pick, Kh.Pulat, R.Selim).

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1 2
3 4
Figure 1.2-5.
1 – the "Double-minaret Mosque", Semipalatinsk
(1862, arch. A.Baibolatov);
2 – the "Red" Arc de Triomphe, Uralsk (1891);
3 – the Yuzefovich’s House, Petropavlovsk (1895);
4 – the Zaitsev’s House, Pavlodar (1885, arch.
P.Batov).

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1 2
3 4
Figure 1.2-6.
1 – the Kulup-tas, Mangistau region (XIX c.);
2 – the Kulup-tas, Mangistau region (XIX c.);
3 – the Kulup-tas, Shopan-ata necropolis,
Mangistau region (XIX c.);
4 – the Kulup-tas, Karagan necropolis, Mangistau
region (XIX c.).

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Ornament in various forms appears in the Kazakhstan architecture since its emergence. Stylized images were
found in caves of natural and artificial origin, on outer stone plates, on framed openings and roof support structures in
buildings. In the development of fixed structures symbolic function of patterns are intertwined with the material-
structural features of ornamented surfaces. The patterns made by the thread or cuts on finished surfaces continue
to be actively used. Massively used a curly masonry of the ordinary bricks and combining multi-colored blocks,
increasing the spatial rigidity of walls and ceilings. Appear fashion bricks and ornamented terracotta tiles that
become part of the ornamental compositions. The striking phenomenon becomes memorial architecture of the
Western Kazakhstan. Formed on the surface of the masonry carved, colored and combined ornaments form the
original local phenomenon, which has had a significant impact on the evolution of architectural ornamentation
throughout the Kazakhstan. In the 19th century, typical only for Kazakh ornament patterns begin to occur en
masse in a wooden carving buildings of the Volga region and the Western Siberia. Curly patterned and shaped
masonry, a molding, a forging, a carving on the ganch from the Siberia, the Central and the West Asia, as well as the
motives of classical the European and the Arabic ornament, the Gothic Revival and the Art Nouveau ornament
become a part of the ornamental decoration of the Kazakh architecture.

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1.3 The Yurt ornamentation, an oornament for clothes, utensils and household items as a
source of motifs and themes for the Urban architecture of the XX century ornamentation
1 2
3 4
Figure 1.3-1
Examples of the traditional Yurt ornamentation
1 – the Yurt;
2 – the Yurt in the assembly process;
3 – the Yurt Dome;
4 – the Yurt Paraphernalia.

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1.3 The Yurt ornamentation, and ornament for clothes, utensils and household items as a
1 2
3 4
Figure 1.3-2.
Examples of traditional Ornament for clothes,
utensils and household items:
1 – the Numdah carpet;
2 – Leather containers;
3 – Utensil;
4 – Clothes.

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1.3 The Yurt ornamentation, and ornament for clothes, utensils and household items as a
Ornament decoration of yurt elements and an ornament in arts and crafts are widespread. For citizens they are
a familiar part of the environment. These ornaments have thoroughly researched. This determines the mass
use of character patterns. Ornamented objects and products:
– Batts (yurt covers, floor and wall mats, home furnishings, utensils);
– Woven products (tapes to attach the yurt, carpets, bags);
– Pile carpets;
– Woven mats;
– Embroidered products (clothing, wall panels, household goods);
– Leather goods (dishes, furniture, shoes, belts, harnesses, leather wall panels);
– Jewelry products (for body, clothes and utensils, harness, weapon);
– Wood products (furniture, dishes, part of the frame of the yurt);
– Carvings of bone.
The methods of making ornament: a carving, a painting, a stamping, an applique, an embroidery, a weaving, a
notching, a punching, a forging.

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Part 2.
AN ORNAMENT IN THE LATE XIX – THE
FIRST HALF OF THE XX CENTURIES
URBAN ARCHITECTURE
2.1 An Ornament in the Urban Architecture
of 1880’s-1920’s
of 1930’s-1940’s
of 1950’s

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2.1 An Ornament in the Urban Architecture of 1880’s – 1920’s
1 2
3 4
Figure 2.1-1.
Examples of complex ornamental solutions of
1880’s - 1920's:
1 - the Cathedral, Pushkin Str., Almaty (1907,
arch. K.Borisoglebsky, S.Troparevsky, A.Zenkov);
2 – the "Ishaq Gabdulvalliev and Sons” Trading
House, Zhibek Joly Av., Almaty (1911, arch.
A.Zenkov);
3 – the Golovizin’s House, Kurmangazy Str.,
Almaty (1905-1908);
4 - the Tatarinov’s House, Bogenbai Batyr Str.,
Almaty (1890, arch. P.Gurde).

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1
Figure 2.1-2.
Ornamented columns and pilasters:
1 – the Shakhvorostov’s House, Furmanov Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
Figure 2.1-3.
Ornamented cornices and belts:
1, 2 – the “Ishaq Gabdulvaliev and Sons" Trading
House, Zhibek Joly Av., Almaty;
3, 4 – the Shakhvorostov’s House, Furmanov Str.,
Almaty;
5 – the Seydallin Family’s House, Panfilov Str., Almaty;
6 - the Gabdulvaliev’s House, Tulebaev Str., Almaty;
7 – the Tatarinov’s House, Bogenbai Batyr Str., Almaty;
8 – the Golovizin’s House, Kurmangazy Str., Almaty;
9 – the Men's College, Gogol’ Str., Almaty;
10 – the St. Nicholas Cathedral, Kabanbay Batyr Str.,
Almaty;
11 – the Mansion, Gogol’ Str., Almaty;
12 – the Officers' Assembly House, Zenkov Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14
Figure 2.1-4.
Ornamented casings and frames:
1 – the Cathedral, Pushkin Str., Almaty;
2 – the Seydallin Family House, Panfilov Str., Almaty;
3 – the Mansion, Tole Bi Str., Almaty;
4 – the Mansion, Kazybek Bi Str., Almaty;
5 – the Mansion, Zhansugurov Str., Almaty;
6 – the Mansion, Aiteke Bi Str., Almaty;
7 – the Mansion, Baribaev Str., Almaty;
8 – the Mansion, Kazybek Bi Str., Almaty;
9, 10 – the Shakhvorostov’s House, Furmanov Str.,
Almaty;
11 – the Golovizin’s House, Kurmangazy Str., Almaty;
12 – the "Ishaq Gabdulvaliev and Sons" Trading House,
Zhibek Joly Av., Almaty;
13, 14 – the St. Nicholas Cathedral, Kabanbay Batyr
Str., Almaty.

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1 2 3
Figure 2.1-5.
Ornamented inserts and panels:
1, 2 – the Golovizin’s House, Kurmangazy Str., Almaty;
3 – the Seydallin Family House, Panfilov Str., Almaty.

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The features of cultural and historical processes in a multi-ethnic community of citizens in Kazakhstan cities of the
early of XX century determine the formation of a stable interest to regional architectural and artistic forms.
A special place here begins to belong to the Kazakh ornament, as the most recognizable symbol of preservation of
historical and cultural continuity in the forming of architecture. However, the most widely used ornamental solutions
were forming in "the Central Asian style".
The main field of ornament dissemination are carved wooden patterns (in rare cases - a light-gage metal) parts of
cornices and belts, casings and frames.
In a few cases applied stucco or overhead wooden ornaments, mainly focused on columns and pilasters, frames
and panels.
In most cases, planar carvings reflect predominantly geometric, astral, and sometimes the vegetable and, in rare
cases, zoomorphic subjects.
Carvings have the form of stylized images. Stucco ornaments are mainly vegetative motives. These patterns have
the sculpted plastic with realistic images.
Start of mass application of regional ornamental compositions on the basis of a targeted search for "a National style"
will be to the next period of the Urban architecture evolution.

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1 2
3 4
Figure 2.2-1.
1930’s - 1940's:
1 – the "KazPivo" Corporation Building, Kabanbay
Batyr Str., Almaty (1935, arch. V.Tverdohlebov);
2 – the Dwelling House, Tole bi Str., Almaty
(1946);
3 – the Children Library, Tole bi Str., Almaty
(1948);
4 – the Theatre of Opera and Ballet named after
Abay, Kabanbay Batyr Str., Almaty (1933-1941,
arch. N.Kruglov, N.Prostakov, V.Bychkov,
P.Polivanov, art. V.Kroshin H.Tsivchinsky,
consultant A.Shusev).

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1 2
3 4
Figure 2.2-2.
1930’s - 1940's:
1 – the Dwelling House, Seifullin Av., Almaty
(1940);
2 – the Dwelling House, Abylay Khan Av., Almaty
(1949);
3 – the Dwelling House, Gogol Str., Almaty (1947);
4 – the Administrative Building, Kazybek bi Str.,
Almaty (1949).

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.2-3.
Ornamented with columns and pilasters:
1, 2, 3 – the Theatre of Opera and Ballet named after
Abay, Kabanbay Batyr Str., Almaty;
4 – the Dwelling House, Kunaev Str., Almaty;
5 – the "KazPivo" Corporation Building, Kunaev Str.,
Almaty;
6, 7 – the Dwelling House, Manas Str., Almaty;
8 – the Dwelling House, Gogol Str., Almaty;
9 – the School, Mametova Str., Almaty;
10 – the Dwelling House, Tole bi Str., Almaty;
11 – the Dwelling House, Manas Str., Almaty;
12 – the Dwelling House, Zhandosov Str., Almaty;
13 – the Administrative Building, Baytursynov Str.,
Almaty;
14 – the Administrative Building, Kazybek bi Str.,
Almaty;
15 – the Dwelling House, Gogol’ Str., Almaty;
16 – the Dwelling House, Kabanbay Batyr Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14
Figure 2.2-4.
Ornamented with columns and pilasters:
1, 2 – the Dwelling House, Amangeldy Str., Almaty;
3, 4 – the Administrative Building, Gogol’ Str., Almaty;
5 – the Children Library, Tole bi Str., Almaty;
7 – the Weaving Factory, Furmanov Str., Almaty;
8 – the Dwelling House, Kabanbay Batyr Str., Almaty;
9 – the Dwelling House, Furmanov Str., Almaty;
12 – the Weaving Factory, Dosmuhamedov Str., Almaty;
13 – the Dwelling House, Dostyk Av., Almaty;
14 – the Administrative Building, Zheltoksan Str., Almaty

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1 2 3 4
5 6 7 8
9 10 11
Figure 2.2-5.
2 – the Dwelling House, Maylin Str., Almaty;
3 – the Dwelling House, Baytursynov Str., Almaty;
4 – the Dwelling House, Amangeldy Str., Almaty;
5 – the Dwelling House, Satpayev Str., Almaty;
6, 7 – the Dwelling House, Bayzakov Str., Almaty;
11 – the Dwelling House, Baytursynov Str., Almaty.

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1 2 3 4
5 6 7 8
9 10
Figure 2.2-6.
2, 3, 4 – the Theatre of Opera and Ballet named after
7 – the Administrative Building, Gogol Str., Almaty;
9 – the Dwelling House, Kazybek bi Str., Almaty;

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.2-7.
1, 2 – the Children Library, Tole bi Str., Almaty;
3 – the Administrative Building, Kunaev Str., Almaty;
4 – the Educational Building, Kabanbay Batyr Str.,
Almaty;
5, 6, 7 – the School, Mametova Str., Almaty;
8 – the Dwelling House, Dosmuhamedov Str., Almaty;
11 – the Dwelling House, Bogenbai Batyr Str., Almaty;
14, 15 – the Dwelling House, Dostyk Av., Almaty;
16 – the Dwelling House, Zhibek Joly Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.2-8.
1 – the Dwelling house, Dosmuhamedov Str., Almaty;
3 – the Dwelling House, Bayzakov Str., Almaty;
4 – the Office Building, Zhibek Joly Av., Almaty;
5, 6 – the Dwelling House, Amangeldy Str., Almaty;
7 – the Dwelling House, Zhambyl Str., Almaty;
8, 9, 10 – the Dwelling House, Gogol’ Str., Almaty;
12, 13, 14 – the Dwelling House, Kabanbay Batyr Str.,
Almaty;
15 – the Dwelling House, Bayzakov Str., Almaty;
16 – the Dwelling House, Amangeldy Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.2-9.
1, 2 – the Dwelling House, Baytursynov Str., Almaty;
3, 4 – the Dwelling House, Kabanbay Batyr Str., Almaty;
5, 6, 7, 8 – the Theatre of Opera and Ballet named after
10 – the Dwelling House, Maulenov Str., Almaty;
14, 15 - the Administrative Building, Kazybek bi Str.,
Almaty;
16 – the Administrative Building, Zheltoksan Str.,
Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14
Figure 2.2-10.
Almaty;
9 – the Administrative Building, Zheltoksan Str., Almaty;
11 – the Administrative Building, Karasai Batyr Str.,
Almaty;
12 – the Theatre of Opera and Ballet named after Abay,
Kabanbay Batyr Str., Almaty;
14 – the Dwelling House, Manas Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11
Figure 2.2-11.
3 – the Dwelling House, Abylay Khan Av., Almaty;
4 – the Administrative Building, Gogol’ Str., Almaty;
7 – the Dwelling House, Masanchi Str, Almaty;
9 – the Hostel, Kabanbay Batyr Str., Almaty;

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1 2 3 4
5 6 7 8
9 10
Figure 2.2-12.
2, 3, 4 – the Hostel, Kabanbay Batyr Str., Almaty;
5 – the Theatre of Opera and Ballet named after Abay,
Kabanbay Batyr Str., Almaty;
6, 7 – the Dwelling House, Dosmuhamedov Str., Almaty;
8, 9, 10 – the Dwelling House, Baytursynov Str., Almaty.

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1 2 3 4
Figure 2.2-13.
Ornamented elements of landscaping and
hardcape:
1 – the Pot, Zhandosov Str., Almaty;
2 – the Lamppost, Kabanbay Batyr Str., Almaty;
3 – the Lamppost, Kabanbay Batyr Str., Almaty;
4 – the Fountain, Kabanbay Batyr Str., Almaty.

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Increasing the number of buildings under construction, increasing their number of floors – this determined the
increase in the size of ornamental compositions.
Enabled the study of national ornament in arts and crafts, decoration of the yurt and architectural monuments.
Purposefully interpreted Kazakh patterns. Compositional and plastically foundation of these patterns application
was the classical theme of a warrant.
Originally ornamented elements used as a supplement to the classicist compositions of the Doric, the Ionic, the
Corinthian and the Composite orders.
Later designs include an ornament in the structure of the basic elements of orders.
Then there are new, fancy ornamental capitals and cornices.
Innovations of the period are waistband capitals crowning broad pilasters. In rare cases, ornamental elements
include on base of columns and pilasters.
Ornamental compositions are widely used in cornices and belts, casings and frames, boxes and panels.
Mass distributions are ornamental cartouches as independent compositions, and as part of the medallions of
various shapes and sizes.
An ornament used in compositions of small architectural forms.

46
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1 2
3 4
Figure 2.3-1.
Examples of integrated ornamental solutions
of 1950’s:
1 – the Government Building, Astana Sq., Almaty
(1957-1958, arch. B.Rubanenko, G.Simonov,
P.Mamontov, G.Kalish);
2 – the “«KazPotrebSoyuz»” Office Building, Tole
bi Str., Almaty (1954-1957, arch. B.Stesin,
M.Bekker, G.Bobovich);
3 – the Dwelling House, Zhibek Joly Av., Almaty
(1950, arch. G.Bobovich);
4 – the Dwelling House, Kabanbay Batyr Str.,
Almaty (1953, architect. M.Il’enko).

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1 2
3 4
Figure 2.3-2.
of 1950’s:
1 – the Veterinary Institute, Abai Av., Almaty
(1950, arch. M.Mendikulov);
2 – the Building of Political Education, Abylay
Khan Av., Almaty (1955-1959, arch. A.Leppik,
G.Simonov);
3 – the Lock portico, Gogol’ Str., Almaty (1955,
arch. A.Kapanov);
4 – the Dwelling House, Abylay Khan Av., Almaty
(1951-1954, arch. A.Leppik, N.Prostakov).

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1 2
3 4
Figure 2.3-3.
of 1950’s:
1 – the Air terminal, Maylin Str., Almaty (1950,
arch. G.Elkin, B.Zavarzin, T.Basenov);
2 – the Agricultural Institute, Abai Av., Almaty
(1950-1951, arch. V.Biryukov);
3 – the Academy of Sciences, Shevchenko Str.,
Almaty (1948-1957, arch. A.Shusev, N.Prostakov);
4 – the Club of the “«KazPotrebSoyuz»”,
Bogenbai Batyr Str., Almaty (1953, arch.
T.Brener).

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1 2
3 4
Figure 2.3-4.
of 1950’s:
1 – the Club of aviators, Maylin Str., Almaty
(1957);
2 – the "Kazakhstan" Cinema, Seifullin Av., Almaty
(1957);
3 – the Hospital, Abai Av., Almaty (1952, arch.
M.Kudryavtsev);
4 – the Women's Pedagogical Institute, Gogol’
Str., Almaty (1952, arch. V.Biryukov,
M.Mendikulov, M.Kudryavtsev).

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.3-5.
1 – the Government Building, Astana Sq., Almaty;
2 – the Hospital, Abai Av., Almaty;
3 – the Lock portico, Gogol’ Str., Almaty;
4 – the Women's Pedagogical Institute, Gogol’ Str.,
Almaty;
5, 6 – the School of Political Researches and Education,
Abai Av., Almaty;
7, 8 – the Building of Political Education, Abylay Khan
Av., Almaty;
9 – the Club of aviators, Maylin Str., Almaty;
10 – the Veterinary Institute, Abai Av., Almaty;
11 – the Agricultural Institute, Abai Av., Almaty;
12 – the “ Building of Arts”, Gogol’ Str., Almaty;
13 – the Academy of Sciences, Shevchenko Str.,
Almaty; 14 – the Dwelling House, Tole bi Str., Almaty;
15 – the Dwelling House, Panfilov Str., Almaty;
16 – the Dwelling House, Nauryzbay Batyr Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.3-6.
1, 2 – the “«KazPotrebSoyuz»” Office Building, Panfilov
Str., Almaty;
3 – the Dwelling House, Bogenbai Batyr Str., Almaty;
4 – the Office Building, Nauryzbai Batyr Str., Almaty;
5, 6 – the “Building of Arts”, Gogol’ Str., Almaty;
7 – the Laboratory, Bogenbai Batyr Str., Almaty;
8 – the "Kazakhstan" Cinema, Seifullin Av., Almaty;
9, 10 – the Office Building, Bogenbai Batyr Str., Almaty;
11, 12 – the Dwelling House, Zhibek Joly Av., Almaty;
13 – the Tailoring, Kunaev Str., Almaty;
15 – the Air terminal, Maylin Str., Almaty;
16 – the Dwelling House, Zheltoksan Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15
Figure 2.3-7.
2 – the Academy of Sciences, Shevchenko Str., Almaty;
3 – the Hydrometeocenter, Abai Av., Almaty;
4 – the Dwelling House, Zhibek Joly Av., Almaty;
5 – the Building of Trade Unions, Zheltoksan Str.,
Almaty;
8 – the “«KazPotrebSoyuz»” Club, Bogenbai Batyr Str.,
Almaty;
9, 10 – the Dwelling House, Kabanbay Batyr Str.,
Almaty;
11, 12 – the Dwelling House, Bayseitova Str., Almaty;
13, 14, 15 – the Laboratory, Abylay Khan Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.3-8.
1 – the School of Political Researches and Education,
Abai Av., Almaty;
Almaty;
6 - the Women's Pedagogical Institute, Gogol’ Str.,
Almaty;
7 – the “Building of Arts”, Gogol’ Str., Almaty;
9, 10 – the Dwelling House, Aiteke bi Str., Almaty;
11, 12 – the Hydrometeocenter, Abai Av., Almaty;
14, 15, 16 – the Dwelling House, Gogol’ Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.3-9.
Ornamented cornices and belt:
1, 2, 3, 4 – the Dwelling House, Abylay Khan Av.,
Almaty;
7 – the Building of Political Education, Abylay Khan Av.,
Almaty;
9, 10 – the Women’s Pedagogical Institute, Gogol’ Str.,
Almaty;
11 – the Dwelling House, Aiteke bi Str., Almaty;
14, 15 – the “«KazPotrebSoyuz»” Office Building, Tole
bi Str., Almaty;
16 - the School of Political Researches and Education,
Abai Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
Figure 2.3-10.
3, 4 – the Dwelling House, Kabanbay Batyr Str., Almaty;
5 – the Dwelling House, Nauryzbay Batyr Str., Almaty;
6, 7 – the Dwelling House, Zhambyl Str., Almaty;
Almaty;
11 – the Dwelling House, Zheltoksan Str., Almaty;
12 – the “Building of Arts”, Gogol’ Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13
Figure 2.3-11.
1, 2 – the Academy of Sciences, Shevchenko Str.,
Almaty;
3 – the Hospital, Masanchi Str., Almaty;
4 – the “«KazPotrebSoyuz»” Office Building, Tole bi Str.,
Almaty;
5, 6 – the Government Building, .Astana Sq., Almaty;
12 – the Building of Writers Union, Abylay Khan Av.,
Almaty;
13 – the Dwelling House, Tole bi Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14
Figure 2.3-12.
Almaty;
5, 6 – the Dwelling House, Abylay Khan Av., Almaty;
7 – the “«KazPotrebSoyuz»” Office Building, Tole bi Str.,
Almaty;
Almaty;
14 – the Veterinary Institute, Abai Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14
Figure 2.3-13.
2, 3 – the Dwelling House, Aiteke bi Str., Almaty;
5, 6, 7, 8 – the Academy of Sciences, Shevchenko Str.,
Almaty;
9, 10 – the Agricultural Institute, Abai Av., Almaty;
12 – the «KazPotrebSoyuz» Club, Bogenbai Batyr Str.,
Almaty;
14 – the Dwelling House, Tole bi Str., Almaty;.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14
Figure 2.3-14.
1, 2 – the Building of Political Education, Abylay Khan
Av., Almaty;
3, 4 – the "Dynamo" stadium, Maulenov Str., Almaty;
11, 12 – the Dwelling House, Tole bi Str., Almaty;
13 – the Dwelling House, Bayseitova Str., Almaty;
14 – the Dwelling House, Tole bi Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
Figure 2.3-15.
2 – the Student dormitory, Kunaev Str., Almaty;
3 – the "Kazakhstan" Cinema, Seifullin Av., Almaty;
5, 6, 7 – the Dwelling House, Abylay Khan Av., Almaty;
10 – the School of Political Research and Education,
Dostyk Av., Almaty;
11, 12 – the Hospital, Abai Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.3-16.
Almaty;
Almaty;
8 – the Hydrometeocenter, Abai Av., Almaty;
Almaty;
16 – the Dwelling House, Gogol’ Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.3-17.
1, 2 – the Hospital, Abai Av., Almaty;
3 – the Building of Political Education, Abylay Khan Av.,
Almaty;
8 – the State Variety Store, Abylay Khan Av., Almaty;
Almaty;
14, 15 – the Dwelling House, Gogol’ Str., Almaty;
16 – the Building of Political Education, Abylay Khan
Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 2.3-18.
3 - the Dwelling House, Tole bi Str., Almaty;
Almaty;
10 – the Women’s Pedagogical Institute, Gogol’ Str.,
Almaty;
12 – the Dwelling House, Tulebaev Str., Almaty;
Almaty;

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1 2 3 4
5 6 7 8
9 10
Figure 2.3-19.
hardcape:
1, 2 – the Lamppost, Astana Sq., Almaty;
3 – the Fence, Furmanov Str., Almaty;
4 – the Lantern nightstand, Gogol’ Str., Almaty;
5, 6 – the Fence, Dostyk Av., Almaty;
7 – the Fence, Nauryzbay Batyr Str., Almaty;
8, 9 – the Fountain, Kabanbay Batyr Str., Almaty;
10 – the Pot, Nauryzbay Batyr Str., Almaty.

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This period is the time of the most massive use of ornamental compositions in the urban architecture.
In each group (columns and pilasters, cornices and belts, trims and framings, inserts and panels) include two or
three types of ornamental compositions.
All types of ornamented capitals and bases are massive use.
Original transformation have volutes in the Ionic and the Corinthian order themes becomes a spiral curl forming
volutes not from the bottom up and top down.
The Innovation of the period are cube-shaped capitals with rounded or cut bottom corners. Ornamental solution of
these capitals is a two-plane relief pattern that emphasizes the plane face of the cube.
Special variety during the period is the cornice, in a multi-tiered structure which includes the ornamented arcature
and transformed into a kind of ordinary stalactites and dentil belts.
Frames acquired the developed form. They are topped semi-lancet gables with ornamented details.
Massively is used for windows and doors framing of two U-shaped elements or external U-shaped member and
the inner lancet arc. The space between them is filled small elements of ornament. In doing so, ornamented frame or
dealt smoothly with complex profile. A large variety of different patterns on numerous medallions of various shapes
and sizes. Ornamented hardscape become an integral part of the composition of the urban space.

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Part 3.
AN ORNAMENT IN THE SECOND HALF
OF THE XX – EARLY XXI CENTURIES
URBAN ARCHITECTURE
of 1960’s
of 1970’s – 1980’s
of 1990’s – 2010’s

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1 2
3 4
Figure 3.1-1.
of 1960s:
1 – the Dwelling House, Raiymbek Av., Almaty
(1965);
2 – the Dwelling House, Beregovoy Str., Almaty
(1966);
3 – the "Arman" Cinema, Dostyk Av., Almaty
(1968, arch. A.Korzhempo, V.Panin, I.Slonov, art.
V.Konstantinov, G.Zavizionny (1968);
4 – the Dwelling House, Furmanov Str., Almaty
(1968).

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1
Figure 3.1-2.
1 – the Administration Building, Pushkin Str., Almaty.

69
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1 2 3
Figure 3.1-3.
1 – the Dwelling House, Shevchenko Str., Almaty;

70
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1
Figure 3.1-4.
1 – the Dwelling House, Abai Av., Almaty.

71
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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.1-5.
1 – the Dwelling House, Raiymbek Av., Almaty;
2, 3 – the Dwelling House, Furmanov Str., Almaty;
5 – the Dwelling House, Raiymbek Av., Almaty;
6 – the Dwelling House, Shalyapin Str., Almaty;
7, 8, 9, 10 – the Dwelling House, Nauryzbay batyr Str.,
Almaty;
11 – the Dwelling House, Shalyapina Str., Almaty;
12 – the Dwelling House, Beregovoy Str., Almaty;
13, 14, 15 – the "Arman" Cinema, Dostyk Av., Almaty;
16 – the Dwelling House, Altynsarin Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14
Figure 3.1-6.
1 – the Dwelling House, Abai Av., Almaty;
5 – the Dwelling House, Al Farabi Av., Almaty;
6 – the Dwelling House, Mustafin Str., Almaty;
10, 11 – the Archive Building, Dostyk Av., Almaty;

73
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1 2
Figure 3.1-7.
hardcape:
1, 2 – the Pergola, Bayseitova Str., Almaty.

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The specific development of ornamental compositions characterized by a sharp decrease in the number of
columns and pilasters, cornices and belts, casings and frames relative to the period of the 1950's.
In this case, the quantitative indicators in ornamented panels and inserts significantly increased not only in the
variety of patterns, but also the frequency of their use.
Significantly increases the size of the mass applied ornamental panels, which in most cases take up the entire
height of the high-rise building. This dramatically increases the size of the module in most cases - a wall panel, which
is a structural unit of the house facade.
As a new trend became apparent the use of repeated blind or lattice modular compositions in-line arrangement of
plates on fences balconies and loggias. In rare cases, the monotony of a number of uniform modules is interrupted is
usually located in the middle of the balcony slab with a different pattern. As a new trend became apparent the use of
repeated blind or lattice modular compositions in-line arrangement of plates on fences balconies and loggias. In rare
cases, the monotony of a number of uniform modules is interrupted is usually located in the middle of the balcony
slab with a different pattern.
An interesting feature of the period was the almost complete absence of ornamental compositions in small
architectural forms. In the only example among other motifs used anthropomorphic theme of patterns.

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1 2
3 4
Figure 3.2-1.
1970’s – 1980's:
1 – the Air Terminal, Zhibek Joly Av., Almaty
(1975, arch. O.Shorin, M.Gorohov, A.Kotov);
2 – the Dwelling House, Tole bi Str., Almaty
(1981);
3 – the Supermarket, Zhibek Joly Av., Almaty
(1979, arch. M.Kabylbaev, Sh.Valikhanov,
S.Rustembekov);
4 – the Dwelling House, Gogol’ Str., Almaty (1978,
arch. A.Korzhempo).

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3.2 An Ornament in the Urban Architecture of 1970’s –1980’s
1 2
3 4
Figure 3.2-2.
1970’s – 1980's:
1 – the Dwelling House, Maulenov Str., Almaty
(1983);
2 – the Dwelling House, Zhibek Joly Av., Almaty
(1978, arch. S.Kohanovich);
3 – the Palace of students, Timiryazev Str., Almaty
(1982-1989);
4 – the Telecenter, Timiryazev Str., Almaty (1981,
arch. A.Korzhempo, V.Panin, N.Ezau).

77
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1 2
3 4
Figure 3.2-3.
1970’s – 1980's:
1 – the Dwelling House, Navoi Str., Almaty (1980);
2 – the "Baikonur" Cinema, Mustafin Str., Almaty
(1981);
3 – the Dwelling House, Al Farabi Av., Almaty
(1981);
4 – the University, Timiryazev Str., Almaty (1978,
arch. V.Bondarenko, Y.Zimin).

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3.2 An Ornament in the Urban Architecture of 1970’s –1980’s
1
Figure 3.2-4.
1 – the Administrative Building, Abylay Khan Av., Almaty
(the reconstruction).

79
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1
Figure 3.2-5.
1 – the Administration Building, Abylay Khan Av., Almaty
(the reconstruction).

80
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1 2 3 4
Figure 3.2-6.
Ornamented architraves and frames:
1 – the Telecenter, Timiryazev Str., Almaty;
2, 3, 4 – the Dwelling House, Al Farabi Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-7.
2 – the Dwelling House, Navoi Str., Almaty;
4 – the Dwelling House, Shalyapin Str., Almaty;
5, 6 – the Dwelling House, Bogenbai batyr Str., Almaty;
9, 10 – the Dwelling House, Kazhi Mukan Str., Almaty;
11 – the Dwelling House, Nauryzbay batyr Str., Almaty;
13 – the Dwelling House, Utegen batyr Str., Almaty;
14 – the Dwelling House, Nauryzbay batyr Str., Almaty;
15 – the Dwelling House, Mynbaev Str., Almaty;
16 – the Dwelling House, Aiteke bi Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-8.
1 – the "Kulager" Café, Zheltoksan Str., Almaty;
2 – the Administrative Building, Zheltoksan Str., Almaty;
3 – the Factory, Zhibek Joly Av., Almaty;
4 – the Design Institute, Aiteke bi Str., Almaty;
5 – the Dwelling House, Pushkin Str., Almaty;
6 – the Dwelling House, Kabanbay batyr Str., Almaty;
7 – the Office Building, Bogenbai batyr Str., Almaty;
8 – the Wedding Palace, Abai Av., Almaty;
10 – the House of clothes models, Zhibek Joly Av.,
Almaty;
11 – the Factory, Zhibek Joly Av., Almaty;
12 – the Publishing Building, Abai Av., Almaty;
13 – the Air Terminal, Zhibek Joly Av., Almaty;
14 – the Dwelling House, Zhibek Joly Av. , Almaty;
15 – the "Otrar" Hotel, Gogol’ Str., Almaty;
16 – the Supermarket, Zhibek Joly Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-9.
1 – the Dwelling House, Timiryazev Str., Almaty;
7 – the Dwelling House Furmanov Str., Almaty;
8 – the Dwelling House, Makataev Str., Almaty;
9 – the Dwelling House, Frunze Str., Almaty;
11 – the Dwelling House, Bogenbai batyr Str., Almaty;
12 – the Palace of students, Timiryazev Str., Almaty;
14 – the Factory, Zenkova Str., Almaty;
16 – the Administrative Building, Auezov Str., Almaty

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-10.
2 – the Student Dormitory, Shevchenko Str., Almaty;
3 – the "Baikonur" Cinema, Mustafin Str., Almaty;
4 – the Computer Center, Furmanov Str., Almaty;
5, 6 – the Administrative Building, Furmanov Str.,
Almaty;
7, 8 – the Dwelling House, Maulenov Str., Almaty;
9 – the Dwelling House, Kaldayakov Str., Almaty;
10, 11 – the Dwelling House, Tole bi Str., Almaty;
13 – the "Otrar" Hotel, Gogol’ Str., Almaty;
14 - the “House of Cinema”, Kazybek bi Str., Almaty;
16 – the Dwelling House, Zhibek Joly Av., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-11.
1 – the Dwelling House, Mametova Str., Almaty;
5 – the Dwelling House, Karasai batyr Str., Almaty;
9 – the Dwelling House, Pushkin Str., Almaty;
16 – the Dwelling House, Navoi Str.,, Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-12.
2 – the Dwelling House, Chaykovsky Str., Almaty;
5 – the Dwelling House, Navoi StreetStr., Almaty;
6 – the Dwelling House, Zenkov Str., Almaty;
8 – the Dwelling House, Kazybek bi Str., Almaty (the
reconstruction);
10 – the Student Dormitory, Seifullin Av., Almaty;
15 – the Dwelling House, Valikhanov Str., Almaty;
16 – the Dwelling House, Valikhanova Str.,, Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-13.
6 – the Dwelling House, Kurmangazy Str., Almaty;
15 – the Dwelling House, Sain Av., Almaty;
16 – the Dwelling House, Navoi Str., Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-14.
1 – the Dwelling House, Valikhanov Str., Almaty;
15 – the Student Dormitory, Pushkin Str., Almaty;
16 – the Dwelling House, Chaykovsky Str.,, Almaty.

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1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.2-15.
hardcape:
1 – the Fence, Zenkov Str., Almaty;
2 – the Fence, Zheltoksan Str., Almaty;
3 – the Fence, Aiteke bi Str., Almaty;
4 – the Fence, Bogenbai batyr Str., Almaty;
5 – the Fence, Dostyk Av., Almaty;
6 – the Fence, Zhubanov Str., Almaty;
7 – the Fence, Sain Av., Almaty;
8 – the Fence, Zheltoksan Str., Almaty;
9 – the Pot, Furmanov Str., Almaty;
10 – the Pot, Timiryazev Str., Almaty;
11 – the Pot, Zheltoksan Str., Almaty;
12 – the Pot, Panfilov Str., Almaty;
13 – the Pot, Baribaev Str., Almaty;
14 – the Pot, Zheltoksan Str., Almaty;
15 – the Lamppost, Kabanbay batyr Str., Almaty;
16 – the Lamppost, Abylay Khan Av., Almaty.

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Only a single example of building, which ornamented columns and pilasters, cornices and belts. In two cases
revealed the use of ornamented frames and architraves. In two cases revealed the use of ornamented frames and
architraves.
Dominant elements of the period are ornamented inserts and panels in a high and low relief, stained lattices,
mono-and polychromatic, single and differently-textured, as well as mixed solutions.
Modular elements of patterns are small. They have patterns with one or two axes of symmetry.
The modules are arranged end to end to form a larger pattern; closed; with a gap; staggered; in isolation from
each other.
Found examples, which generate a modular plate, ornament which is formed by two or four modular elements.
There are variants of alternation of modules in blinded and latticed solutions, with the same or different pattern.
Alternation is in most cases as an insert. In rare cases, the alternation goes through one.
Patterns on the modules used in combination with a paneled frame, and without. At the same time framed framing
is sometimes included in the structure of the main pattern.
There is a large number of ornamented small architectural forms. In some of them (fences, pots) used modular
elements, which used in buildings and structures.

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1 2
3 4
Figure 3.3-1.
1990’s – 2010's:
1 – the Dwelling House, Rayymbek Av., Almaty
(2007, the reconstruction);
2 – the Dwelling House, Gagarin Av., Almaty
(2010);
3 – the Sports Palace named after Baulan Sholak,
Abai Av., Almaty (2010, the reconstruction, «RL
Development» Company);
4 – the "Zhety Kazyna" Restaurant, Makataev Str.,
Almaty (2002, arch. K.Samoilov, S.Usenko).

92
***********************************************************************************************************************************************************
1 2
3 4
Figure 3.3-2.
1990’s – 2010's:
1 – the Dwelling House, Tulebaev Str., Almaty
(2013);
2 – the "Shusha" Restaurant, Timiryazev Str.,
Almaty (2011);
3 – the Business Centre, Tulebaev Str., Almaty
(2013);
4 – the Residential complex "Capital Centre",
Abylay Khan Av., Almaty (2004, "Basis-A"
Company).

93
***********************************************************************************************************************************************************
1 2 3 4
5 6 7 8
9 10
Figure 3.3-3.
1, 2, 3 – the Office Building, Dostyk Av., Almaty (the
reconstruction);
4 – the Club, Karasai batyr Str., Almaty;
5 – the Restaurant, Gogol’ Str., Almaty;
6 – the Office Building, Kunaev Str., Almaty;
7 – the Office Building, Masanchi Str., Almaty;
9 – the Colonnade, Furmanov Str., Almaty;
10 – the Lock portico, Navoi Str., Almaty.

94
***********************************************************************************************************************************************************
1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.3-4.
Ornamented architraves and frames:
1, 2 – the Dwelling House, Furmanov Str., Almaty (the
reconstruction);
3, 4 – the Dwelling House, Furmanov Str., Almaty (the
reconstruction);
5, 6 – the Dwelling House, Rayymbek Av., Almaty (the
reconstruction);
7, 8 – the Office Building, Dostyk Av., Almaty (the
reconstruction);
9 – the Hotel, Tole bi Str., Almaty (the reconstruction);
10 – the "Zheruyik" Restaurant, Seifullin Av., Almaty;
11 – the "Arabesque" Restaurant, Kabanbay batyr Str.,
Almaty;
12 – the Business Center, Chaykovsky Str., Almaty;
13 – the "Shaffran" Restaurant, Dostyk Av., Almaty;
14 – the "Kishlak" Restaurant, Seifullin Av., Almaty;
15 – the "Alasha" Restaurant, Ospanov Str., Almaty;
16 – the Central Mosque, Pushkin Str., Almaty.

95
***********************************************************************************************************************************************************
1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.3-5.
1, 2, 3 – the Dwelling House, Rayymbek Av., Almaty
(the reconstruction);
4 – the Dwelling House, Furmanov Str., Almaty (the
reconstruction);
5, 6, 7 – the Hall, Baytursynov Str., Almaty;
8 - the Dwelling House, Bogenbai batyr Str., Almaty;
9 – the Hall, Zheltoksan Str., Almaty;
10 – the Arcade, Kabanbay batyr Str., Almaty;
13 – the Palace of Sports named after Baluan Sholak,
Abai Av., Almaty (the reconstruction);
14 – the Business Center, Abai Av., Almaty;
15, 16 – the Shopping center, Abai Av., Almaty.

96
***********************************************************************************************************************************************************
1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.3-6.
1, 2 – the "Zhety Kazyna" Restaurant, Makataev Str.,
Almaty;
3 – the "Shusha" Restaurant, Timiryazev Str., Almaty;
4 – the "Kishlak" Restaurant, Seifullin Av., Almaty;
5 – the Business Centre, Chaykovsky Str., Almaty;
6, 7 – the Trading House, Furmanov Str., Almaty;
8 – the Lock portico, Al Farabi Av., Almaty;
9 – the Hall, Kunaev Str., Almaty;
10 – the Restaurant, Kaldayakov Str., Almaty;
12 – the "Alasha" Restaurant, Ospanov Str., Almaty;
13 - the Coffee, Abai Av., Almaty;
14 – the "Royal Tulip" Hotel, Dostyk Av., Almaty;
15, 16 – the Dwelling House, Tulebaev Str., Almaty.

97
***********************************************************************************************************************************************************
1 2 3 4
5 6 7 8
9 10 11 12
13 14 15 16
Figure 3.3-7
Ornamented panels and inserts:
1 – the Business Centre, Kunaev Str., Almaty;
2 – the Business Centre, Tulebaev Str., Almaty;
3, 4 – the Dwelling House, Abylay Khan Av., Almaty;
5 – the Central Mosque, Pushkin Str., Almaty;
6, 7 – the Dwelling House, Rayymbek Av., Almaty (the
reconstruction);
reconstruction);
9, 10 – the Dwelling House, Kurmangazy Str., Almaty;
12 – the Hotel, Tole bi Str., Almaty (the reconstruction);
13 – the Palace of Sports named after Baluan Sholak,
Abai Av., Almaty (the reconstruction);
14 – the Dwelling House, Gagarin Av., Almaty;
15 – the “Shusha” Resaurant, Timiryazev Str., Almaty;
reconstruction).

ORNAMENTS IN THE KAZAKHSTAN’S URBAN ARCHITECTURE of 19th – 21st CENTURIES: The Album of typical examples / Educational materials by O.N.Priemetz and K.I.Samoilov. – Almaty, 2016. – 114 p.

ORNAMENTS IN THE KAZAKHSTAN’S URBAN ARCHITECTURE of 19th – 21st CENTURIES: The Album of typical examples / Educational materials by O.N.Priemetz and K.I.Samoilov. – Almaty, 2016. – 114 p.

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ORNAMENTS IN THE KAZAKHSTAN’S URBAN ARCHITECTURE of 19th – 21st CENTURIES: The Album of typical examples / Educational materials by O.N.Priemetz and K.I.Samoilov. – Almaty, 2016. – 114 p.