Southeast Asian Music 102(part.1)

JOHN MICHAEL T. GIAN
Recall
• What we have discuss last meeting?
Cambodia
• Cambodia is one of the most beautiful countries in
Southeast Asia. It is also known as Kâmpŭchéa. It was
the center of the Khmer (Cambodian) kingdom of
Angkor, a great empire that dominated Southeast Asia
for 600 years. Their music gained a world-wide
reputation in the 1960s until the dramatic political
problems in Cambodia.
• Art music is highly influenced by ancient forms as well
as Hindu forms.
Cambodian court music is
roughly similar to that of Java,
Indonesia. They feature choruses
with large orchestras based on
struck keys and gongs.
Cambodian people also absorbed and adopted Indian,
Chinese, European, and other cultures to suit their own
traditions and tastes that resulted in a distinct
Cambodian culture.
ANGKOR WAT
The Pinpeat is a Cambodian musical ensemble or
an orchestra that usually accompanies ceremonial
music of the royal courts and temples. Music is
always part of their court dances, masked plays,
shadow plays, and religious ceremonies. This group
is similar to the Piphat ensemble of Thailand and
usually consists of nine or ten instruments.
Southeast Asian Music 102(part.1)
https://www.yout
ube.com/watch?v
=2tYa-N6cKGY
If Cambodia has the Pinpeat ensemble, do other
Southeast Asian Countries have their own musical
ensembles? Let’s find out!
Indonesia
Indonesia is an archipelago in Southeast Asia
comprising approximately 17,500 islands. With over 238
million people, Indonesia is the world's fourth most
populous country and is the fourth biggest nation of the
world. Through interaction with other cultures such as
Indian, Arabic, Chinese and European, a wide range of
musical styles has been developed. Today the
contemporary music of Indonesia is popular not only in the
region but also in the neighbouring countries.
• There are two basic kinds of Indonesian
music scale:
• o Slendro – five (5) equidistant tones in
octave
• o Peloq – heptatonic (7) tone scale with
semi tone
Both vocal and instrumental music in
Indonesia use slendro and peloq scales.
 Polyphonic stratification kind of melody
is a result of hocket/Interlock.
 Interlocking is a common technique used
in gong ensembles.
• Irama – is an Indonesian term for tempo
BOROBUDUR
Gamelan
The Gamelan or Gamelan
orchestra is the most popular form
of music in Indonesia. There are
many types of Gamelan but the
famous Javanese and Balinese
Gamelan are the most famous. It
contains a variety of instruments
such as metallophones,
xylophones, kendang and gongs;
bamboo flutes, bowed and
plucked strings.
Vocal music is used as ornamentation of the Gamelan. It
is as important as gamelan.
1. Pesindhen is a female soloist singer who sings with a
Gamelan
2. Gerong refers to the unison male chorus that sings
with the gamelan
Southeast Asian Music 102(part.1)
The Gamelan Music of Indonesia
https://www.youtube.com
/watch?v=c1AiCTJ9t8g
The Javanese Gamelan
https://www.yout
ube.com/watch?v
=2937xfI_kKI
The Balinese Gamelan
https://www.yout
ube.com/watch?v
=BmlAZxha8Pw
Describe how the Javanese and Balinese musicians play their instruments.
Myanmar
Myanmar was known as
Burma until 1989. When the
country’s name was officially
changed by the military
government that took over in
1988. Early civilization in
Myanmar dates back to the 1st
century with archaeological
evidences of the Pyu Kingdoms of
Thayekhittaya (Sri Ksetra),
Beithano (Visnu), and Hanlin.
SCHWEDAGO
• The music of Myanmar (or Burma) has similarities
with many other musical traditions in the region,
including Chinese music and Thai music, probably
because its longest land border is shared with China.
• The Hsaing Waing is Myanmar’s traditional folk music
ensemble. It is made up mainly of different gongs and
drums as well as other instruments depending on the
nature of the performance.
Myanmar’s musical instruments are categorized
into 2 types, the loud sounding and soft sounding.
The loud sounding instruments are performed in
open-air ensembles at ceremonies and festivals. Most
of the Hsaing Waing instruments belong to the loud
sounding category.
Other instruments in the Hsaing Waing are the:
Burmese
Hsaing Waing
https://www.youtube.c
om/watch?v=gEr_FKsg
MNM
For more formal and classical performances that
are performed indoors, the ensemble may be
accompanied by the saung gauk the national
instrument of (13-string angular harp with soft
sound) Myanmar, the pattala (Burmese xylophone),
or the piano and violin, both introduced during
colonial rule.
Southeast Asian Music 102(part.1)
Southeast Asian Music 102(part.1)
Myanmar not only has musical ensembles but
also an extensive collection of classical songs called
the Mahagita. These songs are divided into different
types like the oldest repertoires, royal court music,
songs of longing, horses’ dance songs, worship songs
for Burmese spirits, and songs of sorrow and music
adapted from Ayutthaya and the Mon people. The
saung gauk usually accompanies these songs.
Southeast Asian Music 102(part.1)
Thank you!
1 de 28

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Southeast Asian Music 102(part.1)

  • 2. Recall • What we have discuss last meeting?
  • 3. Cambodia • Cambodia is one of the most beautiful countries in Southeast Asia. It is also known as Kâmpŭchéa. It was the center of the Khmer (Cambodian) kingdom of Angkor, a great empire that dominated Southeast Asia for 600 years. Their music gained a world-wide reputation in the 1960s until the dramatic political problems in Cambodia. • Art music is highly influenced by ancient forms as well as Hindu forms.
  • 4. Cambodian court music is roughly similar to that of Java, Indonesia. They feature choruses with large orchestras based on struck keys and gongs. Cambodian people also absorbed and adopted Indian, Chinese, European, and other cultures to suit their own traditions and tastes that resulted in a distinct Cambodian culture. ANGKOR WAT
  • 5. The Pinpeat is a Cambodian musical ensemble or an orchestra that usually accompanies ceremonial music of the royal courts and temples. Music is always part of their court dances, masked plays, shadow plays, and religious ceremonies. This group is similar to the Piphat ensemble of Thailand and usually consists of nine or ten instruments.
  • 8. If Cambodia has the Pinpeat ensemble, do other Southeast Asian Countries have their own musical ensembles? Let’s find out!
  • 9. Indonesia Indonesia is an archipelago in Southeast Asia comprising approximately 17,500 islands. With over 238 million people, Indonesia is the world's fourth most populous country and is the fourth biggest nation of the world. Through interaction with other cultures such as Indian, Arabic, Chinese and European, a wide range of musical styles has been developed. Today the contemporary music of Indonesia is popular not only in the region but also in the neighbouring countries.
  • 10. • There are two basic kinds of Indonesian music scale: • o Slendro – five (5) equidistant tones in octave • o Peloq – heptatonic (7) tone scale with semi tone Both vocal and instrumental music in Indonesia use slendro and peloq scales.  Polyphonic stratification kind of melody is a result of hocket/Interlock.  Interlocking is a common technique used in gong ensembles. • Irama – is an Indonesian term for tempo BOROBUDUR
  • 11. Gamelan The Gamelan or Gamelan orchestra is the most popular form of music in Indonesia. There are many types of Gamelan but the famous Javanese and Balinese Gamelan are the most famous. It contains a variety of instruments such as metallophones, xylophones, kendang and gongs; bamboo flutes, bowed and plucked strings.
  • 12. Vocal music is used as ornamentation of the Gamelan. It is as important as gamelan. 1. Pesindhen is a female soloist singer who sings with a Gamelan 2. Gerong refers to the unison male chorus that sings with the gamelan
  • 14. The Gamelan Music of Indonesia https://www.youtube.com /watch?v=c1AiCTJ9t8g
  • 17. Describe how the Javanese and Balinese musicians play their instruments.
  • 18. Myanmar Myanmar was known as Burma until 1989. When the country’s name was officially changed by the military government that took over in 1988. Early civilization in Myanmar dates back to the 1st century with archaeological evidences of the Pyu Kingdoms of Thayekhittaya (Sri Ksetra), Beithano (Visnu), and Hanlin. SCHWEDAGO
  • 19. • The music of Myanmar (or Burma) has similarities with many other musical traditions in the region, including Chinese music and Thai music, probably because its longest land border is shared with China. • The Hsaing Waing is Myanmar’s traditional folk music ensemble. It is made up mainly of different gongs and drums as well as other instruments depending on the nature of the performance.
  • 20. Myanmar’s musical instruments are categorized into 2 types, the loud sounding and soft sounding. The loud sounding instruments are performed in open-air ensembles at ceremonies and festivals. Most of the Hsaing Waing instruments belong to the loud sounding category.
  • 21. Other instruments in the Hsaing Waing are the:
  • 23. For more formal and classical performances that are performed indoors, the ensemble may be accompanied by the saung gauk the national instrument of (13-string angular harp with soft sound) Myanmar, the pattala (Burmese xylophone), or the piano and violin, both introduced during colonial rule.
  • 26. Myanmar not only has musical ensembles but also an extensive collection of classical songs called the Mahagita. These songs are divided into different types like the oldest repertoires, royal court music, songs of longing, horses’ dance songs, worship songs for Burmese spirits, and songs of sorrow and music adapted from Ayutthaya and the Mon people. The saung gauk usually accompanies these songs.