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MOONRISE
 9 FRAME
FRAME 1




The scene starts off with dramatic low
key music alongside a medium shot of
walking legs, the floor is bombarded by
rain and the long shadows cast by the legs
stretch off shot. These are all very strong
characteristics of noir, they are all markers
which cement to the viewer a pessimistic
and intents theme. The steps are in time
with the music- this use of synchronised
music draws importance as to where the
characters are going. More and more feet
join the march, they stop and the camera
tilts up showing a crowd of half
silhouetted citizens .
FRAME 2




The crowed are looking up at this-a
silhouetted man about to be hung, the
silhouette makes the scene more vivid,
allowing the audience to image the look
on the mans face, also the strong use of
silhouettes is key to noir, implication and
associations come hand in hand with the
dramatic music and intense story line.
Crime. Crime is mostly glamorised within
the world of noir with care free gangsters,
drugs and drinking , however within this
frame you can see how the director (Frank
Borage) has considered the punishment
and effects of crime.
FRAME 3




The scene fades to this, another silhouette
cast upon a child's bed, it resembled the
man hanging, the camera pulls back to
show it is a child's toy, sinisterly placed to
mock the childes farther. The child seems
to be being bullied because of his fathers
criminal exploits, a side rarely shown in
not just noir but film as a whole. The
room is light by a window, it leaks bright
light onto the bed, clearly showing the
child crying under the covers. The crying
is all foley, in fact it doesn’t even match up
with the child’s mouth. It seems that the
child may be in a orphanage but it is not
clear yet.
FRAME 4




          Elliptical editing is used to show the child
          older, this time in a playground fighting
          with a school rival. Other children can be
          seen running towards the fight, as they are
          all boys it seems more probable that this is
          in an orphanage or school. As ever the
          shadows are long and the music is
          dramatic. The rivalry between these two
          children all could stem from the farther
          being hung, the scene shows the ripples
          of ones mans crimes.
FRAME 5




          Again conflict is shown between this one
          child and the other boys- they hold him
          up against the wall and rub dirt in his face.
          The boys face is shown half in darkness,
          these techniques are often shown in noir ,
          weather it be to show fractured
          personalities or to reinforce the
          pessimistic dark world with surrounds the
          characters. The high angle tells the
          audience that the bullies are in control and
          that this defenceless boy is a victim, the
          shot asks the audience to pity the boy
          despite his fathers roots.
FRAME 6




          The next frame shows a high school
          dance, well light and reflected in a swamp
          like marsh. The fore ground is almost
          completely black, only showing the outline
          of leafs and shrubs. This shot shows
          seclusion; distance, not only for the
          audience but for the characters among this
          forestry land. As this is a teen dance it
          could be said more elliptical editing has
          been used.
FRAME 7




          The marshes are the perfect setting for the
          final conflict, its dark and mysterious. The
          bully seems smug and confident, smartly
          dressed and styled . The victim is scruffy
          and dark he has been destroyed by the
          bully. The lighting is coming from the
          moon and is fractured by the trees, typical
          of noir. The sound within this scene is
          ambient forest and residual noise from the
          high school party.
FRAME 8




          This long shot shows the conflict in
          progress, the scene has moved to a
          near log cabin, these darkened
          scenes show an approaching climax,
          the bullied teen is almost completely
          hidden in blackness, the bully's
          white suit is carefully light. As far as
          the music is concerned is quite quiet
          and low.
FRAME 9




          The bullied teen is cast in almost complete
          darkness, his eye sockets are completely
          black and his attacking the bully, the
          audiences opinions of this victim are
          shifting, as the bully is on the floor,
          defenceless, and the teen is above him
          with a rock in his hand – an attack seems
          imminent. The audiences shift opinions
          quite quick, we feel sorry for him and feel
          ashamed of routing for him. The music is
          low key and quite orchestral. This climax
          shows the result of countless bullying
          encounters.

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9 frame

  • 2. FRAME 1 The scene starts off with dramatic low key music alongside a medium shot of walking legs, the floor is bombarded by rain and the long shadows cast by the legs stretch off shot. These are all very strong characteristics of noir, they are all markers which cement to the viewer a pessimistic and intents theme. The steps are in time with the music- this use of synchronised music draws importance as to where the characters are going. More and more feet join the march, they stop and the camera tilts up showing a crowd of half silhouetted citizens .
  • 3. FRAME 2 The crowed are looking up at this-a silhouetted man about to be hung, the silhouette makes the scene more vivid, allowing the audience to image the look on the mans face, also the strong use of silhouettes is key to noir, implication and associations come hand in hand with the dramatic music and intense story line. Crime. Crime is mostly glamorised within the world of noir with care free gangsters, drugs and drinking , however within this frame you can see how the director (Frank Borage) has considered the punishment and effects of crime.
  • 4. FRAME 3 The scene fades to this, another silhouette cast upon a child's bed, it resembled the man hanging, the camera pulls back to show it is a child's toy, sinisterly placed to mock the childes farther. The child seems to be being bullied because of his fathers criminal exploits, a side rarely shown in not just noir but film as a whole. The room is light by a window, it leaks bright light onto the bed, clearly showing the child crying under the covers. The crying is all foley, in fact it doesn’t even match up with the child’s mouth. It seems that the child may be in a orphanage but it is not clear yet.
  • 5. FRAME 4 Elliptical editing is used to show the child older, this time in a playground fighting with a school rival. Other children can be seen running towards the fight, as they are all boys it seems more probable that this is in an orphanage or school. As ever the shadows are long and the music is dramatic. The rivalry between these two children all could stem from the farther being hung, the scene shows the ripples of ones mans crimes.
  • 6. FRAME 5 Again conflict is shown between this one child and the other boys- they hold him up against the wall and rub dirt in his face. The boys face is shown half in darkness, these techniques are often shown in noir , weather it be to show fractured personalities or to reinforce the pessimistic dark world with surrounds the characters. The high angle tells the audience that the bullies are in control and that this defenceless boy is a victim, the shot asks the audience to pity the boy despite his fathers roots.
  • 7. FRAME 6 The next frame shows a high school dance, well light and reflected in a swamp like marsh. The fore ground is almost completely black, only showing the outline of leafs and shrubs. This shot shows seclusion; distance, not only for the audience but for the characters among this forestry land. As this is a teen dance it could be said more elliptical editing has been used.
  • 8. FRAME 7 The marshes are the perfect setting for the final conflict, its dark and mysterious. The bully seems smug and confident, smartly dressed and styled . The victim is scruffy and dark he has been destroyed by the bully. The lighting is coming from the moon and is fractured by the trees, typical of noir. The sound within this scene is ambient forest and residual noise from the high school party.
  • 9. FRAME 8 This long shot shows the conflict in progress, the scene has moved to a near log cabin, these darkened scenes show an approaching climax, the bullied teen is almost completely hidden in blackness, the bully's white suit is carefully light. As far as the music is concerned is quite quiet and low.
  • 10. FRAME 9 The bullied teen is cast in almost complete darkness, his eye sockets are completely black and his attacking the bully, the audiences opinions of this victim are shifting, as the bully is on the floor, defenceless, and the teen is above him with a rock in his hand – an attack seems imminent. The audiences shift opinions quite quick, we feel sorry for him and feel ashamed of routing for him. The music is low key and quite orchestral. This climax shows the result of countless bullying encounters.