IIP Newsletter Nov- Dec 2016

| EDITION NOVEMBER - DECEMBER 2016 | VOL.9 |
IIP Academy documented the
‘PARIVARTAN’ rally with its
Photography tool
In the series of ‘Parivartan’ rally “Shri
Narendra Modi”, The Prime Minister of
India has arrived to Moradabad on
December 3 to address his 4th ‘Parivartan’
rally for Bhartiya Janata Party. Modi had
addressed previously in Kushinagar,
Gazipur and Agra. Apart from vote banking
the subject of his speech was
demonetization.
IIP academy has mutely supported this
rally with its photography tool. IIPians
followed and covered the rally taking
pictures.
IIP Academy is graced by the
invitation to cover the making of
'Parivartan Rallies and to document
these in 'Coffee Table Book',
presented to Hon'ble Prime Minister
Shri Narendra Modi at Lucknow on
The Parivartan Rallies done by
Bhartiya Janta Party in Uttar
Pradesh.
Conceptualised and Curated by IIP
Foundation
Photography by: IIP students
Vaibhav, Soumen Mandal and
others
| UNSUBSCRIBE | ABOUT | PRESS | CONTACT | STAY CONNECTED | info@iipedu.com | 9015 422 322

People pictures fall into two categories.
Portraits and candid. Either can be made with
or without your subject's awareness and
cooperation. The most common mistake made
by photographers is that they are not physically
close enough to their subjects. In some cases
this means that the center of interest—the
subject—is just a speck, too small to have any
impact. The settings in which you make
pictures of people are important because they
add to the viewer's understanding of your
subject. The room in which a person lives or
works, their house, the city street they walk, the
place in which they seek relaxation—whatever
it is, the setting provides information about
people and tells us something about their lives.
A great deal of people photography is
understanding human nature and being aware
of how people usually react in given situations.
If someone is sitting in a café he will usually look
up when the waiter approaches. Think about
the situation you are photographing and how
people are likely to act in it. Then prepare
yourself for the moment. Children are full of
expressions and creativity. Try to capture
everyday things but rather than asking your
child to pose, let them have fun and do their
usual thing. Innocence is one of the things we
associate with childhood – why not capture
this? It could be an innocent expression or a
moment of childish fun. Let the child play, or
perhaps talk to them about something that
makes them think.
PHOTO COURTESY : WILLINGTON (DDPC SECTION B)
“What I like about photographs is
that they capture a moment
that's gone forever, impossible to
reproduce.”
KARL LAGERFELD.
IIP Freedom (Pg 2)
This month, that year (Pg 4)
Photography workshop IIP with
Smile Foundation (Pg 7, 8)
IIP shooting Star (Pg 9)
IIP Photography Tour (Pg 1, 5, 6)
Photo Review (Pg 2,4)
IIP Online Student (Pg 3)
2 days with snapdeal (Pg 10)
New Launch of IIP (Pg 9)
IIP Celebrate Diwali (Pg 11)
CEO’s & Editor’s Desk (Pg 12)
SPECIAL
COLUMN
Photo: Sushil Joshi
Tips for shooting wide angle
what is wide-angle? Simply put, it is any focal
length equivalent to 35mm or less on a full
frame camera. Wide-angle lenses come in
fixed-focal lengths (14, 18, 20, 24, and 28mm
are common fixed-focal lengths) and in zooms,
such as Nikon’s 12-24mm or Canon’s 16-
35mm.
following are tips to try out when shooting with
a wide-angle lens.
1) Avoid Distortion: Wide-angle lenses can
be good at keeping vertical and horizontal lines
straight, but only when the camera is pointed
straight ahead. Any slight downward or upward
angle can result in distorted lines, particularly
along the edges. Keeping the camera level
with the horizon, and perpendicular, will provide
nice, straight lines that require little or no
correction in post processing.
2) Use Distortion: There are times, however,
when some distortion can add to the photo, so
try moving the lens about and seeing how it
affects the lines along the edges or distorts
objects in the foreground. This is very
subjective, of course, and not everyone will like
the results. I personally prefer to do this very
subtly as I’m not trying to mimic a fisheye lens.
3) An Interesting Foreground: As wide-
angle lenses capture more of the scene, it is a
good idea to make sure there is something
interesting in the foreground for the viewer to
look at. This is particularly true of landscape
photography. Otherwise there may be too
much empty space in the photo and the image
can become boring and leave the viewer’s eye
wondering, looking for a focal point.
4) Take advantage of the sky: Similar to
using an interesting foreground, if you have a
beautiful sky, you can also use the wide-angle
to take advantage of it. Fill 1/3 to 1/2 of your
frame with the sky and the wide-angle will
accentuate it because of the added sense of
depth that these lenses create. Of course, the
foreground still needs to be interesting; you
can just have less of it in this case.
5) Use Leading Lines: As wide-angle lenses
capture so much of the scene, it is often easy
to lose track of what one is looking at in the
resulting photo. This being the case, leading
lines can be used to draw in the viewer. As
wide-angle lenses exaggerate the sense of
scale, this can also add to the power of the
lines. Training yourself to look for lines and
using them in your photos with a wide-angle
lens can help you create more dramatic
images.
6 Shoot Low: Shooting low, you can include
much of the ground in front of you to guide you
up to the subject. Whether a garden or a
fountain or an intriguingly cracked road,
shooting low can provide an interesting subject
that can lead the viewer back to the horizon.
Because of the extreme width you are using,
you can shoot from very low, close-to-the-
ground angles and still fit tall subjects and skies
into the frame.
7) Frame the shot: Wide-angle lenses can be
used to frame subjects in interesting ways. This
can include capturing subjects within whole
doorframes or windows, for instance, or finding
other interesting ways that can frame your shot.
You may not even notice some of the
possibilities until you look through the
viewfinder and see the world as the wide-angle
lens sees it.
8) Keep people out of the corner: Wide-
angle lenses distort the most in the corners, so
someone in the corner of a photo becomes
noticeably distorted. This is particularly true
with shorter focal lengths (15mm can distort
more than 30mm). In general, always keep
people near the center of your frame when
shooting wide-angle. Otherwise, they can
appear shorter and wider than they are, which
is not a good look.
9) Shoot Vertical: There is a tendency when
shooting wide-angle to shoot horizontal, but
interesting results can occur when shooting
vertically. Tall buildings can be captured in their
entirety, for instance, or a feet-to-sky
perspective can be achieved. All the concerns
mentioned above still need to be considered,
especially distorting vertical lines along the
edge of your frame, but the results can be quite
striking.
Ravindra Tanwar VikasPramesh Sadh
Madhu Latha Harshit Singh Ute Sulger
Photographs of the month by IIP Online Students
Our Vision
IIP Foundation India aims at building an India where every citizen of the
country possesses an equal right of living a happy, contended, healthy,
secured, unbiased and prosperous life while having access to proper
healthcare, quality-oriented education and vocational skills irrespective
of class, creed, gender, social status, religion and location.
Our Mission
To broaden and accelerate the development of downtrodden and
underprivileged communities by extending a helping hand towards
them and enlighten them with knowledge and awareness they need
regarding the issues related to their fundamental rights, equality and
social dignity.
Photo Review

Certifications of Weekend workshops and
Sunday Photography Courses after completion...
CONGRATULATIONS!
You areour shooting star
Keep Clicking!!
Photography Simplified...
The eyes have been called the “windows to the soul.” “Nothing could be closer to the truth for portrait
photography. You could have the perfect composition and exposure, but if the eyes aren't sharp, the entire
image suffers. Seeing eye-to-eye is a great way to make your portraits convey more of the connection you
established with the subject.
It starts with the photographer making a distinct effort to connect with the subject so they are at ease with the
image-making process. This can often include advance research on your portrait subject and his or her
interests. it doesn't take talent to capture a solid portrait. It takes skill and the motivation necessary to master
those skills. Portrait photography can be dealt with as an equation; with just a set of rules and guidelines, it's
possible to take jaw dropping, natural light portraits.
People tend to forget that a portrait without a real expression does not connect to the viewer. Humankind wants
to see genuine emotion and not a posed, cheesy smile. This is more important than location, light and expensive
gear. Photographer here has chosen the subject very nicely the subject has a character the viewer can feel the
connection here that photographer has with the subject.
“A portrait is not made in the camera but on the either side of it”
Edward Steichen
Photo Coutsey : Ranjan ( DDPC Sec B)
Photo Coutsey : Willington ( DDPC Sec B)
We've all had the experience: Driving through a beautiful landscape, you stop at every scenic
overlook to make photographs sure to capture the grandeur of what you see. When we look at a
landscape, our eyes travel over it and selectively focus on the elements that we find appealing.
Time is the most important investment you can make in getting good landscape pictures. When
you arrive in a place you've never visited before, spend time scouting—driving or hiking to
different locations, finding different vantage points. This can take some practice because you
also have to look at where the light will not be falling.
For example, you might see that the west wall will be beautifully lit in the early morning, if the canyon is deep, however, the east wall will be in such
complete shadow that your camera will be capable of rendering it only as a great black blob. Unless this is the effect you want, you'll either have to
modify your composition, shoot it later in the day, or plan to return on an overcast day when both sides will be photographable.
Photographing forests presents a different set of challenges. First, think about the character of the forest you want to shoot and the feeling you want to
convey in your image. Should it feel dark and brooding, or light and airy.
As with any photograph, find a point of interest. It might be one slightly different tree trunk, a path winding through, or a splash of color on a flowering
vine. Whatever it is, compose in such a way to lead the viewer to it. Look for shafts of light penetrating the canopy or one spot on the forest floor directly
lit by the sun.
Whether you are shooting toward a forest or shooting from inside it, look for patterns, lines, and other compositional elements you can use. Try both
wide and telephoto lenses. A wide lens looking up at the trees will make them soar; a telephoto will compress a row of trunks. Lie down and look
straight up through the branches; climb a tree to look down the path.
“It is the photographer, not the camera,
that is the instrument.”
Eve Arnold
Landscape photography is a form of landscape art.
Landscapes may be a popular subject among photographers, but it takes a lot of mastery,
patience, and a certain frame of mind to capture imagery that will really stir the viewers' emotions
and mind.
When you are taking a landscape photograph, try creating a sense of depth by keeping all the
different elements of the image in focus.
To get to the most obscure landscapes, you have to go where there is nothing to guide you. To
find such a landscape, it is all but necessary to be in a wild location.
Painters work by continually applying brush strokes until their piece is complete. This additive process is actually quite different from how
photographers compose images.
Through the lens, we're tasked to remove any unnecessary elements in order to best express our vision, a method of subtraction that may seem
counterintuitive at first.
As Paulo Coelho said, “Elegance is achieved when all that is superfluous has been discarded and the human being discovers simplicity and
concentration: the simpler and more sober the posture, the more beautiful it will be.”
Photo Coutsey : Willington ( DDPC Sec B)
“There are no rule for good photographs, there are only
good photographs.”
Anonymous
Photo Review
This month. That Year
The Blue Marble is a photograph of the Earth, taken on
December 7, 1972, by the crew of the Apollo 17
spacecraft, at a distance of about 45,000 kilometres. It is
one of the most reproduced images in human history.
This was the first time the Apollo trajectory made it possible
to photograph the south polar ice cap, despite the
Southern Hemisphere being heavily covered in clouds.
The photograph was taken about 5 hours and 6 minutes
after launch of the Apollo 17 mission, and about 1 hour 54
minutes after the spacecraft left its parking orbit around the
Earth, to begin its trajectory to the Moon.
The photographer used a 70-millimeter Hasselblad camera
with an 80-millimeter Zeiss lens. NASA credits the image to
the entire Apollo 17 crew—Eugene Cernan, Ronald Evans
and Jack Schmitt—all of whom took photographs during
the mission with the on-board Hasselblad, although
evidence examined after the mission suggests that Jack
Schmitt was the photographer.
Apollo 17 was the last manned lunar mission. No human
since has been far enough from Earth to photograph a
whole-Earth image such as The Blue Marble, but whole-
Earth images have been taken by many unmanned
spacecraft missions.
“The Blue Marble” Last clicked by Manned Lunar Mission

Celebrating Over 10,000 student, innovation in education, collaborations and much more.
100 years old Pushkar Mela is a pride and joy of Rajasthan. IIP
Academy students also became the eyewitness of stunning
cultural carnival. They enjoyed a lot capturing the pictures of
beautiful decked up camels, array of musicians, cultural dancers,
colorful turbans and a lot.
After spending a peaceful time in Aranyani, IIP academy planned
for something vibrant. So students were given the challenge to
cover the place totally different than their previous trip. The place
was heavily loaded with the color of tradition and feeling of
devotion. Students were free broadening their mental imagery to
show their talent and creativity they learned in IIP. Taking full
advantage of this opportunity every student kept their heart and
soul in taking pictures. And result was just awesome.
They also enjoyed the activities there and all were overwhelmed in
the color of Indian tradition. They have been witnessing of Matka
phod , longest Moustache , Bridal competition, Balloon festival,
Camel and Horse dance which were the main
attractions for tourists and photographers
IIPians witnessed Pushkar Mela
IIP has taken DDPC Batch to visit an Exhibition "The Surface of Things I Photography in Process" at "Galerie Romain Rolland, Alliance
Francaise de Delhi" located in Lodhi Estate, New Delhi. This was running from 25th November to 13th December 2016.
“The Surface of Things” showcased the works of 4 contemporary artists - Uzma Mohsin, Srinivas Kuruganti, Sukanya Ghosh and
Edson Dias. This Exhibition invoked the birth of an analogue visual form through a process oriented exhibit.
IIPian's visit to Photography Exhibition is a part of the regular learning in IIP as its vision is, creativity can not be taught in classroom.
DDPC batch has become the witness of
“The Surface of Things. Photography in Process”
Three Year Degree (UGC Recognised)
PHOTOGRAPHY
ONE YEAR
SPECIALISATION

Samantha Kaplan in IIP
IIPians felt great with the presence and mentorship of Samantha
Kaplan in IIP workshop "Editorial & Interiors" on 10th Dec.2016 in
IIP academy.
Samantha Kaplan is a freelance photojournalist and documentary
photographer from San Diego, California. She has a strong
passion for human rights and the environment and a special
concern for the world’s most vulnerable populations.
She educated IIPians and shared her photography knowledge
and experience to the students.
IIP academy was grateful on her mentorship to IIPians. She was
given the Certificate of Appreciation in return.
Indian Institute of Photography held a 2 days Basic Photography
Workshop at The Golden Oak, Mg Road, Raipur on 3rd and 4th
December. Workshop was successful under the guidance of IIP
Mentor Mr. Jatin Jain. He taught the participants and students the
various aspects of Photography.
Day-1 was the interactive tutorials where students and
participants were taught the photography techniques and image
manipulation from the meaning of photography to using layers
and filters.
Day-2 was the practical shoot and photo review by the faculty.
The aim of IIP for the basic photography workshop is to convert
you from an amateur photographer to a professional one.
Looking at the overwhelming participation, IIP has decided to
arrange similar workshops on regular basis.
Basic Photography workshop in Raipur by IIP
RAIPUR
(An IIP FOUNDATION Initiative)

Association for a Cause – IIP Academy partnered with
India's Biggest Celebration on Good Cinema.
Siffcy (Smile International Film Festival for Children and Youth) has
showcased award winning stories of the world to Indian
audiences and celebrated International Film Festival in Siri fort
Auditorium, New Delhi Since 5th December to 11th December
2016. Cause was to bring changes in the society through the
magic of cinema.
IIP, in association with Siffcy worked there as photography
knowledge partner. Cause was to bring sense and emotions to
the surroundings through the magic of Photography.
IIP’s Mentors and Volunteers have contributed their effort to teach
the underprivileged children through the basic photography
techniques. Children’s were handed over the camera to frame
their imagination.
A seven-days celebration was over with the happy mood. Mr.
Rajesh Goyal, The Founder and Director of Indian Institute of
Photography received SIFFCY Trophy for participating and
supporting in the Biggest Celebration of Good Cinema. Mr.
Shailesh Goyal, Director of Sepia Advertising was also present
there to adorn of the event.
Title: In a series of “Documentation of Indian Culture & Heritage”
Kannur visit
IIP visited Kannur in the state of Kerala in a series of
Documentation of our rich Indian Culture and Heritage.
Kannur district is known as the land of Looms and Lores. It is
famous for its pristine beaches like Payyambalam Beach and
more, native performing art, handloom industry and one of its best
the Theyyam.
Tellicherry fort also has an important presence in Kannur which
was established in 1708 by “The British East India Company” and
now it is under the preservation of “Archaeological Survey of
India.”
Handlooms of Kannur are as famous as its natural sceneries. For
export of handloom products Kerala mainly depending upon the
products from Kannur. The main products are shirting, Made-
ups, Sateen sheets Crepe and Lungies etc. Kannur Mundu is a
popular variety among these.
Theyyam is a divine dance and can be considered as a form of
worship. The best thing about Theyyam is that it is not an
arranged show or stage program but a dance ritual through which
the gods are appeased and honored.
Kannur is not only these but a lot which cannot be concluded in a
brief.

IIP academy partnered with
“Top Model India” Season-2 in a series of Model Hunt
The wondrous “Top Model India” Season
2 left its impactful memory with more glitter
of grandiosity than ever at Fortune Select
Global, MG road, Gurgaon on 10th
December 2016.
"Top Model India" Grand Finale in a series
of Model Hunt is a platform which
encompasses all those who are interested
or associated with the fashion industry.
The founder and National Director of IEP,
the glam Rajni Subba has adorned to this
beautiful event with her phenomenal
presence.
IIP academy partnered with Model Hunt
has scattered its vigor. IIPians were
clicking every moves of the models. With
their continual effort no moments were left
uncaptured.
Mr. Rajesh Goyal, Founder and Director of
Indian Institute of Photography, was the
Guest of Honour in grand finale of TOP
MODEL INDIA.
The Finale celebrated a grand success as
the participant’s energy and judges’ zeal
were much enough to make it successful.
Winners in Photography competition held after Basic Photography teaching in SIFFCY by IIP.
Cause was to encourage the underprivileged children.
SurbhiPriyaAarthi

IIPians witnessed Pushkar Mela
Abhiram DDPC Section-B
Arnav Rastogi
Jan Mohammad
Sumant Roy
Abhishek Puri DDPC SEC- B
Chetan Sharma DDPC Sec-C
Pranav Joshi (DDP-B Batch)
Vaibhavjeet Sec-B -DDPC
Alok
Dinesh Chauhan(DDPC Weekend batch)
Prateek Taparia (DDPC)
Vikas Taneja DDPC Sec-C
Aman Kori
Rohit Verma - DDPC section A
Jan Mohammad
Andrew Lepcha
Himanshu Section C- DDPC
Samiran Baruah
Jan Mohammad
Jan Mohammad

| UNSUBSCRIBE | ABOUT | PRESS | CONTACT | STAY CONNECTED | info@iipedu.com | 9015 422 322
Dearfriends,
In this edition of IIP Mount you will find articles on photography
workshops and with great knowledge with pictorial depictions. We
havereceivedtremendousresponselasttimeandhopeforthesamein
futureaswell.
In case you wish to contribute or be associated with IIP Foundation in
any way, do write to us at info@iipedu.com or call 9015-422-322. Do
not forget to explore our new sections of the IIP websites where you
canavailsomeattractiveoffers&dealsonIIPcoursesandmuchmore.
EditorsDesk
Upcoming
CEOs Desk
Rajesh Goyal
Greetings from IIP!
It is a proud moment for me to present September and October edition of IIP Mount, these
two months were full of festivals, photo tourism cum study tour to The Aranyani near
Nainital, various workshops corporate, weekend and with siffcy IIP photography for smile
Foundation NGO children in various parts in Delhi NCR. This was special when Alumni
IIPian Sudhanshu Kesarwani took the under privileged students workshops in Ghaziabad
and Gurgaon.
IIP Family celebrates Diwali with decoration in its offices and academy by making
Rangolies, decorations and gave Gifts and sweets to all working for vision of IIP
Foundation. This was an awesome time.
I congratulate the passed batch students and specially to IIPian Jatin Jain hold position
no.1 in the complete batch. Congratulation to IIPian Vaibhavjeet to win photography
contest ‘FREEDOM’ that was being organised by IIP Foundation on the occasion of
Independence day 2016. Congratulation to all the students who have enrolled with us in
our SPC and ASPC batches, I hope all these aspiring photographers will enjoy their
passion for life. I thank SNAPDEAL for organising workshop in their premises where over
50 executives have attended IIPs two days photography workshops. In totality this edition
of IIP MOUNT is full of photography learning and hope you will like it. Please share your
views with us to improve the standards of IIP.
Best regards
Rajesh Goyal | CEO & Director Academics
Editorial Board
Content: Bhavya Goyal, Shahjahan Khan
Artwork: Sepia Advertising
Web design and Promotion
Sepia Digital
Picture Courtesy: IIPians
Special Thanks: Smile Foundation
Circulation: Print 500nos.
Online - SMO
Broadcasted from: Sepia Digital
Printed at: Rajdhani Art Press
Okhla Phase 2, Delhi
DUAL DIPLOMA IN PHOTOGRAPHY
Affiliated with UGC recognized University
Courses Offered
• Sunday Photography Courses
• Weekend Fashion Photography Classes
• Multicity Weekend
Photography Workshops
• School/Corporate Workshops
• Various Online Photography Courses
• Photo Tours
BACHELOR OF FINE ARTS
IN PHOTOGRAPHY
DUAL DIPLOMA IN CINEMATOGRAPHY
DIPLOMA IN FASHION PHOTOGRAPHY
Photo: Dev Chauhan
Photo: Pavitra Rao
Wildlife Workshop

IIP Newsletter Nov- Dec 2016

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