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PHOTOCREDIT
PHOTOCREDITPHOTOCREDIT
PHOTOCREDIT
62
National
Geographic
Traveler
BY ANDREW L AM | PHOTOGRAPHS BY CATHERINE KARNOW
OUT OF THE SHADOWS AND
INTO THE NOW, AT LIGHT SPEED
BY ANDREW L AM | PHOTOGRAPHS BY CATHERINE KARNOWVIETNAM OUT OF THE SHADOWS AND
INTO THE NOW, AT LIGHT SPEED
THE GLOW OF
Luxury resort Amanoi,
located in a nature
conservation area,
enjoys a prime view
along a stretch of
Vietnam’s pristine
coastline northeast
of Saigon.
64
National
Geographic
Traveler
PHOTOCREDIT
The electricity was out, and clouds obscured moonlight. The
faint smell of incense wafted in the air, and I saw shadows flitting
about and red dots spinning in circles on the streets. My eyes
adjusted: Local bicyclists had tied burning joss sticks onto their
bikes’spokesasawaytoavoidoneanother.TheheartofVietnam
had turned into a phantasmagorical temple, full of ghosts.
That Hanoi, that city shrouded in incense and shadows, is
but a distant memory. Now neon lights up the night. Forty years
after war’s end and the country’s reunification and political rap-
prochement with the West, Vietnam’s population has more than
doubled. Golf courses are replacing rice paddies. New cities have
sprouted where only thatched-roof hamlets squatted, and high
rises tower in once low-key metropolises like Hanoi, Da Nang,
and Ho Chi Minh City. Even longtime residents fail to recognize
their own city when they venture downtown.
And the place once feared by drafted American GIs has
In central Vietnam, girls dig for clams (above); Bebe Trinh, Lys Nguyen, and Jap Hoang (opposite), relatives
who grew up in Montreal, opened Saigon’s trendsetting l’Usine café in 2010 in a former ballroom.
TWENTY YEARS AGO, I STEPPED
ONTO A HANOI STREET AND INTO DARKNESS.
become a bucket-list destination for backpackers, beach lovers,
andyes,veteransonnostalgiatours.Theycometoseemountains
veiled in morning fog and sand dunes glittering under tropical
sunlight. They come to taste the fragrant cuisine and to enjoy
the sultry nightlife. They come to swim in the sparkling sea and
to shop for colorful textiles.
I left Vietnam as a child when communist tanks rolled
into Saigon and ignominiously ended the Vietnam War for
Americans. That was on April 28, 1975. My family fled, among
the first wave of refugees. I was 11 years old. I grew up and
became an American citizen and a writer and journalist. But I
have never forgotten Vietnam, and have returned many times to
witness my native land emerge from behind the bamboo curtain.
If stories of bicycles in dark nights, of mud and bent backs
and long lines for food rations, formed the bulk of the narra-
tive I told a quarter of a century ago, the story I tell now is an
665
April
2015
CATHERINEKARNOW/CORBIS(BOAT,FOLLOWINGPAGES)
66
National
Geographic
Traveler
67
Month
2014
A traditional fishing
junk completes a
timeless scene on
Ha Long Bay, a
UNESCO World
Heritage site scattered
with some 1,600
islands and islets.
SO MUCH HAS CHANGED,
YET MY HOMELAND REMAINS AN ASTONISHING BEAUTY,
A COUNTRY SHAPED BY MOUNTAINS AND RIVERS AND THE
ETERNAL SEA LAPPING AT HER SHORES.
Newly rich Vietnamese
indulge in designer goods
at a Gucci store across from
the French-built Hanoi
Opera House, modeled
after Paris’s Palais Garnier.
71
April
2015
entirely different one—that of a country steeped in modernity
and change, and a society integrating with the global culture
and economy at a breakneck speed.
In Hanoi, the rusty bicycles have long been replaced with
Honda motorcycles. The old quarter, with its narrow streets and
historic homes, is now filled with video arcades and karaoke
bars, with cafés and shops selling candies and dried apricots.
Even the ancient lake of Hoan Kiem shimmers at night, its
perimeter strung with lights.
In Ho Chi Minh City, still popularly known as Saigon, you
can have your pick: Wander around any small neighborhood
and you may still run into old men sitting on small wooden
stools in alleys drinking coffee and smoking; or, in the evening,
hang out at the Chill Sky Bar on top of the AB Tower to watch
the sunset over city boulevards running like golden rivers swift
and furious below.
Somuchhaschanged,yetmyhomelandremainsanastonish-
ing beauty, a country shaped by mountains and rivers and the
eternal sea lapping at her shores. She’s also made up of smiles
and laughter, of leisure and of celebrations. What I think is odd
for a communist country: Vietnam’s temples and churches are
always full of worshippers on religious holidays.
Some of my favorite memories: watching fishermen in Phan
Thiet landing their boats on shore with the day’s catch, their
silhouettes wavering against the setting sun, and the sea a poin-
tillist carpet of silver stretching toward the horizon; or sailing
down the Perfume River of Hue, Vietnam’s imperial city, one
summer evening, the air redolent with the scent of blooming
lotus in nearby ponds, the old boatwoman crooning a folk song
about the storied citadel and about those who have left yet long
to return to the river Perfume. I remember sitting at a campfire
on the side of Lam Vien mountain overlooking my hometown,
Da Lat. Thousands of French-built villas dotted the hillside,
and my best friend accompanied with a guitar three young Lat
women singing romantic songs.
One recent early morning out on the balcony of my
hotel in downtown Saigon, the roaring din of motorcycles
and cars and construction was so deafening that I began
to doubt my own memories of the incense wafting in the
dark. One can get nostalgic thinking of what is lost and
gone. Or one can get on a motorbike and ride with the end-
less flow of traffic, filling up on the energy of this youthful
yet eternal place. Listen to the laughter. Listen to the honk-
ing horns. Long night has journeyed into day. The once
wounded nation is healed, and its gaze forward is dauntless.
San Francisco-based ANDREW LAM is a frequent National
Public Radio commentator and author of Birds of Paradise
Lost, a collection of short stories about Viet­namese
Americans. Fellow San Franciscan CATHERINE KARNOW
has deep ties to Vietnam, which she first began photograph-
ing in 1990. She’s profiled on page 8.
In Hanoi, street barber
Bui Van Quat not only
gives a shave and
cut, but also creates
art. Opposite: Hanoi
schoolgirls get around
on a motor scooter.

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  • 1. PHOTOCREDIT PHOTOCREDITPHOTOCREDIT PHOTOCREDIT 62 National Geographic Traveler BY ANDREW L AM | PHOTOGRAPHS BY CATHERINE KARNOW OUT OF THE SHADOWS AND INTO THE NOW, AT LIGHT SPEED BY ANDREW L AM | PHOTOGRAPHS BY CATHERINE KARNOWVIETNAM OUT OF THE SHADOWS AND INTO THE NOW, AT LIGHT SPEED THE GLOW OF Luxury resort Amanoi, located in a nature conservation area, enjoys a prime view along a stretch of Vietnam’s pristine coastline northeast of Saigon.
  • 2. 64 National Geographic Traveler PHOTOCREDIT The electricity was out, and clouds obscured moonlight. The faint smell of incense wafted in the air, and I saw shadows flitting about and red dots spinning in circles on the streets. My eyes adjusted: Local bicyclists had tied burning joss sticks onto their bikes’spokesasawaytoavoidoneanother.TheheartofVietnam had turned into a phantasmagorical temple, full of ghosts. That Hanoi, that city shrouded in incense and shadows, is but a distant memory. Now neon lights up the night. Forty years after war’s end and the country’s reunification and political rap- prochement with the West, Vietnam’s population has more than doubled. Golf courses are replacing rice paddies. New cities have sprouted where only thatched-roof hamlets squatted, and high rises tower in once low-key metropolises like Hanoi, Da Nang, and Ho Chi Minh City. Even longtime residents fail to recognize their own city when they venture downtown. And the place once feared by drafted American GIs has In central Vietnam, girls dig for clams (above); Bebe Trinh, Lys Nguyen, and Jap Hoang (opposite), relatives who grew up in Montreal, opened Saigon’s trendsetting l’Usine café in 2010 in a former ballroom. TWENTY YEARS AGO, I STEPPED ONTO A HANOI STREET AND INTO DARKNESS. become a bucket-list destination for backpackers, beach lovers, andyes,veteransonnostalgiatours.Theycometoseemountains veiled in morning fog and sand dunes glittering under tropical sunlight. They come to taste the fragrant cuisine and to enjoy the sultry nightlife. They come to swim in the sparkling sea and to shop for colorful textiles. I left Vietnam as a child when communist tanks rolled into Saigon and ignominiously ended the Vietnam War for Americans. That was on April 28, 1975. My family fled, among the first wave of refugees. I was 11 years old. I grew up and became an American citizen and a writer and journalist. But I have never forgotten Vietnam, and have returned many times to witness my native land emerge from behind the bamboo curtain. If stories of bicycles in dark nights, of mud and bent backs and long lines for food rations, formed the bulk of the narra- tive I told a quarter of a century ago, the story I tell now is an 665 April 2015 CATHERINEKARNOW/CORBIS(BOAT,FOLLOWINGPAGES)
  • 3. 66 National Geographic Traveler 67 Month 2014 A traditional fishing junk completes a timeless scene on Ha Long Bay, a UNESCO World Heritage site scattered with some 1,600 islands and islets. SO MUCH HAS CHANGED, YET MY HOMELAND REMAINS AN ASTONISHING BEAUTY, A COUNTRY SHAPED BY MOUNTAINS AND RIVERS AND THE ETERNAL SEA LAPPING AT HER SHORES.
  • 4. Newly rich Vietnamese indulge in designer goods at a Gucci store across from the French-built Hanoi Opera House, modeled after Paris’s Palais Garnier.
  • 5. 71 April 2015 entirely different one—that of a country steeped in modernity and change, and a society integrating with the global culture and economy at a breakneck speed. In Hanoi, the rusty bicycles have long been replaced with Honda motorcycles. The old quarter, with its narrow streets and historic homes, is now filled with video arcades and karaoke bars, with cafés and shops selling candies and dried apricots. Even the ancient lake of Hoan Kiem shimmers at night, its perimeter strung with lights. In Ho Chi Minh City, still popularly known as Saigon, you can have your pick: Wander around any small neighborhood and you may still run into old men sitting on small wooden stools in alleys drinking coffee and smoking; or, in the evening, hang out at the Chill Sky Bar on top of the AB Tower to watch the sunset over city boulevards running like golden rivers swift and furious below. Somuchhaschanged,yetmyhomelandremainsanastonish- ing beauty, a country shaped by mountains and rivers and the eternal sea lapping at her shores. She’s also made up of smiles and laughter, of leisure and of celebrations. What I think is odd for a communist country: Vietnam’s temples and churches are always full of worshippers on religious holidays. Some of my favorite memories: watching fishermen in Phan Thiet landing their boats on shore with the day’s catch, their silhouettes wavering against the setting sun, and the sea a poin- tillist carpet of silver stretching toward the horizon; or sailing down the Perfume River of Hue, Vietnam’s imperial city, one summer evening, the air redolent with the scent of blooming lotus in nearby ponds, the old boatwoman crooning a folk song about the storied citadel and about those who have left yet long to return to the river Perfume. I remember sitting at a campfire on the side of Lam Vien mountain overlooking my hometown, Da Lat. Thousands of French-built villas dotted the hillside, and my best friend accompanied with a guitar three young Lat women singing romantic songs. One recent early morning out on the balcony of my hotel in downtown Saigon, the roaring din of motorcycles and cars and construction was so deafening that I began to doubt my own memories of the incense wafting in the dark. One can get nostalgic thinking of what is lost and gone. Or one can get on a motorbike and ride with the end- less flow of traffic, filling up on the energy of this youthful yet eternal place. Listen to the laughter. Listen to the honk- ing horns. Long night has journeyed into day. The once wounded nation is healed, and its gaze forward is dauntless. San Francisco-based ANDREW LAM is a frequent National Public Radio commentator and author of Birds of Paradise Lost, a collection of short stories about Viet­namese Americans. Fellow San Franciscan CATHERINE KARNOW has deep ties to Vietnam, which she first began photograph- ing in 1990. She’s profiled on page 8. In Hanoi, street barber Bui Van Quat not only gives a shave and cut, but also creates art. Opposite: Hanoi schoolgirls get around on a motor scooter.