O slideshow foi denunciado.
Utilizamos seu perfil e dados de atividades no LinkedIn para personalizar e exibir anúncios mais relevantes. Altere suas preferências de anúncios quando desejar.

Taking Message Next Level Multimedia

2.458 visualizações

Publicada em

Over the past few years, several trends have contributed to the increasing prominence of online multimedia. First, broadband usage continues to increase. According to the Pew Internet and American Life project, over 47% of all adult Americans have a broadband connection at home. Second, tools for the production and consumption of multimedia, such as iPods, camera-enabled phones and handycams, continue to become more easily accessible to a broad population. Finally, online services like YouTube, MySpace and iTunes are pushing multimedia to millions of users each day. While there are many forms of multimedia online, this white¬paper will focus on audio, video and online gaming. It will provide an overview of these mediums while offering insight into how PR professionals can take advantage of them as part of their overall outreach efforts.

Publicada em: Negócios, Tecnologia
  • Seja o primeiro a comentar

  • Seja a primeira pessoa a gostar disto

Taking Message Next Level Multimedia

  1. 1. Vocus White Paper Taking Your Message to the Next Level with Multimedia How to Enhance your PR with Online Audio, Video and Gaming
  2. 2. Vocus White Paper 1 Taking Your Message to the Next Level with Multimedia Taking Your Message to the Next Level with Multimedia How to Enhance your PR with Online Audio, Video and Gaming Multimedia Defined According to Wikipedia, multimedia can be described as “media that uses multiple forms of information content and informa- tion processing (e.g. text, audio, graphics, animation, video, interactivity) to inform or entertain the (user) audience.” The Rising Influence of Multimedia Online Over the past few years, several trends have contributed to the increasing prominence of online multimedia. First, broadband usage continues to increase. According to the Pew Internet and American Life project, over 47% of all adult Americans have a broadband connection at home.1 Second, tools for the production and consumption of multimedia, such as iPods, camera- enabled phones and handycams, continue to become more easily accessible to a broad population. Finally, online services like YouTube, MySpace and iTunes are pushing multimedia to millions of users each day. The results are staggering: • 75% of Internet users watched streaming video online in May 2007, accounting for more than 8.3 billion video streams online. 2 • 12% of Internet users have downloaded or listened to a podcast, and that is expected to reach over 12 million households by 2010. 3 • The worldwide online gaming population has surpassed 215 million people.4 • YouTube attracted 9 million visitors who viewed 176 million pages in February 2006, with Google Video (76 million pages viewed) and MSN Video (38 million pages viewed) following in second and third place (Liedtke, 2006).5 With the meteoric rise in multimedia usage, it is imperative for PR practitioners to familiarize themselves with the various forms of multimedia online. In doing so, they can understand both the The Power and Peril of Podcasting: A potential and limitations of what they can accomplish so they Cautionary Tale can better implement multimedia tactics that are in-line with In June 2006, an AOL customer called the company’s their overall strategy. service hotline to cancel his account. Instead of closing his account as requested, the customer service represen- While there are many forms of multimedia online, this white- tative instead employed multiple sales tactics to try to paper will focus on audio, video and online gaming. It will convince the customer to keep his account open. The provide an overview of these mediums while offering insight conversation became heated and ended with the rep into how PR professionals can take advantage of them as part saying: “Someday, when you calm down, you’re going of their overall outreach efforts. to realize that all I was trying to do was help you, and it was actually in your best interest to listen to me.” Online Audio Although there are various forms of online audio, the practice While the experience itself is not uncommon, this situa- of podcasting has emerged over the past several years to take tion was unique in that the AOL customer, Vincent Fer- center stage. Podcasting refers to audio files that are distrib- rari, recorded the call. Ferrari then posted an audio clip uted and syndicated over the Web using RSS (Really Simple of the conversation to his blog and notified a few Web- Syndication). Anyone can subscribe to a podcast and be im- sites. Within an hour, his server crashed due to the sheer mediately notified when a new audio file (episode) is published volume of online requests the audio file received. Within so they can then listen to it on their Web browser or download a week, Ferrari received countless inquiries from main- it to their portable audio device. stream media outlets (he later appeared on the Today show and Nightline) and his audio clip was distributed Podcasts can be thought of simply as online radio shows that to millions online, resulting in a PR crisis for AOL. are globally accessible, except with far less barriers to entry for producers. In fact, more and more traditional radio outlets Although the growing influence of social media and the have begun to transfer their audio content online and distribute blogosphere helped facilitate the viral impact of Ferrari’s it through podcast technologies. Simultaneously, because the story, it was hearing the voices of the customer service barriers to entry are so low for content producers, podcasting representative and Ferrari himself that made the story has spawned all sorts of niche programming. so compelling. As this anecdote illustrates, the power of audio can effectively amplify the impact of a story.
  3. 3. Vocus White Paper 2 Taking Your Message to the Next Level with Multimedia More than other forms of multimedia, the growth in podcasting is linked to the growth in ownership of portable media devices. In 2005, Pew reported that more than 22 million Americans owned iPods or MP3 players and 29% of them had downloaded podcasts from the Web.6 That number has risen in the past years, and with the continued evolution of handheld multimedia device such as the recent introduction of Apple’s iPhone, it is expected that the number of portable media owners will continue to grow. Podcasting offers the following benefits: • Target niche audiences – Unlike traditional radio, podcasting is highly targeted and it allows PR pros to narrowcast their message to their intended audience. • Demographic – There is considerable evidence that the podcast audience is a young, affluent demographic that is entic- ing to many marketers and PR professionals. • Detachable – According to noted podcasting expert Shel Holtz, “podcasting time-shifts radio-like content so you can listen at your leisure. It also allows you to detach content once imprisoned on your computer so you can take it with you wherever you go.”7 • Convenient – Like radio, podcasting offers the opportunity to target audiences when they are engaged in other activi- ties, such as commuting to work. Communications professionals interested in incorporating podcasting into their PR efforts need to consider whether they have the time and resources to launch their own podcast. Although the tools are highly accessible, podcasting can require substan- tial time commitments. You might find that it makes better sense to pitch podcasts already in existence. Alternatively, if you choose to develop your own podcasts, you might consider hosting a regular podcast series. When treated like a show or series, a podcast can offer organizations an enhanced opportunity to connect and build relationships with their audience, as well as attract the attention of other key stakeholders such as journalists, bloggers and potential customers. Regardless of how you do it, by taking advantage of the multimedia nature of the podcasting medium and the additional distribution channels it affords, you can dramatically increase the scope and impact of your news. Online Video The democratic presidential candidate debate in July 2007 was a milestone for online video, when YouTube was selected as the vehicle through which American voters submitted their questions for the candidates in video format. Although online video had played a notable role in US politics over the past several years, this was the first time an online video Web site was inte- grated into mainstream media for a federal election campaign. Online video has clearly reached the tipping point. In May 2007, three out of every four Internet users had downloaded streaming video at some point during the month.8 There are a number of ways in which online video can be characterized. Like radio, many television stations are beginning to offer their content through the Web. In this scope, the Internet serves as a distribution channel that resembles traditional television. Web sites like YouTube and MySpace Video, often referred to as video sharing sites, are more exemplary of new forms of online video. Not only do these Web sites host various types of mainstream content, but they also host large quantities of independently produced, niche content. It is these video sharing sites that offer PR professionals an opportunity to communicate their message online. Video sharing sites allow anyone to upload and share video content or to rate and comment on other videos hosted on the site. Placement of content on these sites is normally decided through the rating that a video has received. In addition, many video sharing sites offer functionality that facilitates the creation of social networks, such as the ability to subscribe to other people’s videos and join various types of groups. Video sharing sites offer PR professionals a great opportunity to optimize the visibility of their video content and connect with their audiences. Using online video offers the following benefits: • Reach niche and mass audiences – Although using video sharing sites can help reach targeted audiences, it also has the potential to reach a mass audience. In February 2006, YouTube attracted 9 million visitors who viewed 176 mil- lion pages. Furthermore, a number of corporate-sponsored videos placed on video sharing sites have received millions of views alone. As an example, Smirnoff’s Tea Party video was downloaded more than 3 million times on YouTube. 9
  4. 4. Vocus White Paper 3 Taking Your Message to the Next Level with Multimedia • Increased Conversion Rates – There is evidence that indicates that video is more likely than text to compel audiences to take action. According to a 2005 survey conducted by the Online Publishers Association (OPA), 44 percent of respon- dents reported that they had taken some kind of action as a result of seeing a video advertisement.10 • Inexpensive distribution – Once a video has been produced, it can be quickly and freely uploaded to distribution channels that receive millions of visits each day. The top video sharing sites – YouTube, Google Video, Yahoo! Video and MySpace, offer free membership and hosting. • Viral Impact – Designed to facilitate the sharing of video content, video sharing sites contain social media functionality. Most sites offer tools that allow other publishers and bloggers to easily embed and share videos hosted on their servers. The social media nature of these sites can have a viral effect on popular videos. • Mainstream Exposure – Many video sharing sites have become resources for mainstream media outlets, with many broadcast and cable television stations now using clips from online video sharing sites in their regular programming. Although the material barriers to entry for video sharing sites are low, not every type of video receives traction. According to Forrester, entertainment and news videos receive the most impressions online.11 The most successful videos tend to be short, ir- reverent or highly controversial. Unless they have these characteristics, most corporate videos or public service announcements tend to receive little traction on video sharing sites. Online Gaming When MTV created a plan to market their reality show Laguna 5 Tips for posting video online Beach, they made the decision to go online. In an effort to • Keep it short – Although most video sharing sites provide viewers with an enhanced experience of their show, allow members to post videos longer than 10 min- they set up a virtual version of Laguna Beach using VR (Virtual utes, most successful videos are less than five min- Reality) technology from There.com. When the virtual version utes in length. of Laguna Beach launched in September 2006, it drew almost • Make it entertaining – The most successful on- 300,000 registrants in its first ten weeks. 12 line videos are irreverent or controversial in some way. Most online audiences are not interested in The online gaming population is now estimated to be over 200 viewing video content that is excessively informative million worldwide. 13 The vast majority of online gaming tends or dry. to take place in Internet portals like Yahoo! or MSN, where • Post to various video sharing sites – Although users play shorter, less immersive games. Although these of- YouTube is dominant in the online video world, the fer PR and marketing pros opportunities to communicate their other video sharing sites (e.g. Yahoo! Video, MyS- message or brand, much of the focus in online gaming has pace Video) still receive millions of visitors each been oriented towards MMORPGs (Massive Multiplayer On- day. line Role-Playing Games), such as the Laguna Beach example • Optimize your video for search – It is not cited above. sufficient to simply upload your video to a video sharing site. You should ensure that the summary MMORPGs are virtual worlds where large communities of us- and keyword tags are descriptive so that interested ers interact with one another in game environments. In 2006, users can find your video. Using additional chan- global membership in these communities exceeded 15 million. nels is another way of boosting the visibility of your 14 What appeals to PR professionals is not the total number of release. For example, PRWeb allows you to embed users but the nature of their usage. MMORPG players spend on your video in a news release, which will increase average more than 20 hours per week15 in their virtual world the views and ranking of your video online. and are also financially vested in their game play. There is also evidence that indicates the number of people in MMORPGs continues to grow steadily. Since opening to the public in 2003, Second Life, a 3-D virtual world entirely built and owned by its residents, has grown explosively and today reports more than eight million residents from around the globe. 16 Online gaming offers the following benefits: • Immersive experiences – The potential to provide an immersive experience is unprecedented with MMORPGs. There is no other medium that invites the audience to participate and interact to the same extent. MMORPGs also provide PR professionals with an array of new opportunities to communicate their message in an interactive way. • Greater message retention – The message retention rates associated with online gaming as a whole tend to be several times higher than that of more traditional forms of media.17 Due to the highly interactive nature of MMORPGs, it can be even higher. • New distribution channel – Because MMORPGs are still relatively new in the communications landscape, they repre-
  5. 5. Vocus White Paper 4 Taking Your Message to the Next Level with Multimedia sent an opportunity to embrace an audience that has grown weary of more traditional forms of PR and marketing. Despite the potential for PR professionals that exists with MMORPGs, they are still very much in their infancy and their reach remains extremely limited. Furthermore, they involve substantial time and financial commitment, and therefore, most organiza- tions to date who have experimented with these virtual worlds are large Fortune-500 companies with substantial marketing and PR budgets. Conclusion The Internet is rapidly evolving from a text-based medium into a multimedia platform. Traditional media outlets are beginning to shift their focus online while new media outlets are constantly emerging. For communicators, this means there is an un- precedented opportunity to connect with audiences in new, interactive ways. However, the multimedia landscape is still in its infancy, and as a result, formulating and executing successful communications strategies can be a challenging endeavor. Before attempting to integrate multimedia into your PR efforts, you must first understand what types of multimedia are best suited to your goals. You should then build a strategy that incorporates multimedia – whether video, audio and/or online gam- ing – into your PR activity. They should complement the traditional approaches you already use, rather than replace the tactics that you have perfected over the years. Remember to look before you leap. There may be opportunities to engage with those already active with multimedia in your focus area. For instance, there are thousands of podcasts currently active throughout the Web, focused on a countless array of topics. If there is a podcast that is focused on your subject, it may be a better use of your resources to reach out to the podcaster before you spend considerable time and effort required to launch your own podcast. Finally, make sure to temper your expectations. Many who have found success with multimedia online have been experiment- ing with the medium for years. It is important not to get discouraged if your efforts do not immediately produce desired results. By getting started now, you are setting yourself up to become an expert in leveraging the potential of multimedia by the time it becomes a standard practice. Getting started with PRWeb Vocus’ news distribution service, PRWeb, is designed to help you take advantage of the various multimedia opportunities that exist on the Web within one application. With PRWeb, you will be able to: Produce a podcast – PRWeb offers quick, easy and inexpensive podcast production services. They include an interview conducted over the phone with our experienced Podcast production team. Following a phone interview, our production team edits and refines the audio material before uploading it to PRWeb. The podcast can then be distributed through PRWebPod- cast.com, streamed live from your news release and listed in iTunes and other prominent podcast directories. Boost the visibility of your video – PRWeb allows you to embed a video directly into the body of your news release. Not only does this provide an enhanced experience for your readers, but it also raises retention rates, increases likelihood for action and helps boost the visibility of your video. Steve Harris, Executive Producer at TLC, explains: “In launching Makeover Train, we wanted to create an online buzz about the show. In embedding the video within the press release, we gave journal- ists, bloggers, potential audience members a preview of the show. Ultimately, our release received over 50,000 impressions throughout the Web, and we observed a substantial spike in the number of views our promotional video received.” 18 Use images to tell your story – A picture does indeed paint a thousand words. Images can be used to improve a number of online metrics, including click-through rates, length of time spent on a page and likelihood of someone reading your news re- lease. With PRWeb, you can upload a high quality image that can be added directly into the body of your release or attached as an image file that is thumbnailed and displayed in the body of your news release. You can also add your high-quality im- ages to PRWeb Photowire free of charge to help ensure they receive top rankings in image search engines. All of these services are included with PRWeb’s SEO and Media Visibility releases at a price that is far below those of traditional news services.
  6. 6. Vocus White Paper 5 Taking Your Message to the Next Level with Multimedia 1 http://www.pewinternet.org/pdfs/PIP_Broadband%202007.pdf 2 http://www.comscore.com/press/release.asp?press=1529 3 http://www.webpronews.com/topnews/2005/04/13/podcasting-significant-growth-by 4 http://www.comscore.com/press/release.asp?press=1521 5 Liedtke, M (2006), ‘Now starring on the Internet: YouTube.com’, Associated Press, 9 April. 6 http://www.pewinternet.org/pdfs/PIP_podcasting2005.pdf 7 http://www.globalprblogweek.com/2005/09/20/holtz-rationalizing-business-podcasting/ 8 http://www.comscore.com/press/release.asp?press=1529 9 http://www.youtube.com/watch?v=PTU2He2BIc0 10 http://www.clickz.com/showPage.html?page=3481806 11 http://www.forrester.com/Research/Document/Excerpt/0,7211,38788,00.html 12 http://www.wired.com/wired/archive/15.02/mtv.html?pg=1&topic=mtv&topic_set= 13 http://www.comscore.com/press/release.asp?press=1521 14 http://www.mmogchart.com/ 15 http://www.nickyee.com/daedalus/archives/000891.php 16 http://secondlife.com/whatis/ 17 http://www.cric.ac.uk/cric/events/dgi/abstracts/kretchmer.htm 18 Original testimonial for PRWeb About Vocus Vocus, Inc. (NASDAQ: VOCS) is a leading provider of on-demand software for public relations management. Our Web-based software suite helps organizations of all sizes to fundamentally change the way they communicate with both the media and the public, optimizing their public relations and increasing their ability to measure its impact. Our on-demand software addresses the critical functions of public relations including media relations, news distribution and news monitoring.