1. THEATER

2. The years immediately after the
Pacific War, like the years after the
First World War, showed the theater
once again lacking in popular
support. This is partly accounted for
by the return of foreign movies
primarily from Hollywood and the
resumption of local movie production,
as well as introduction of television.

4. or by name of Nicomendes
Joaquin
 Filipino novelist, poet,
playwright, essayist, and
biographer whose works
present the diverse heritage of
the Filipino people
 he published his work in
English which titled “Portrait of
an Artist as Filipino”

5. POTRAIT OF AN ARTIST AS FILIPINO

6. The A Portrait of the Artist as Filipino,
known also as 'A Portrait of the Artist as
Filipino: An Elegy in Three Scenes.
A literary play written in English by
Filipino National Artist for Literature Nick
Joaquin in 1950.

8.  he is considered as one of the titans
of Philippine Theater.
 he was a playwright, director, actor
and theatre organizer with output of
one novel, 150 poems and 50 plays
under his name.
 he is the forerunner in
institutionalizing "legitimate theater"
in the Philippines.
 in 1953, the arena theater, is headed
by Severino Montano, sponsored
playwriting contests and toured the
rural areas.

10.  is best known for his play, the World is An
Apple
 his work won the first Palanca Award for
literature
 Florentino's literary talent spilled over to
different genres: drama, television writing
and movie scripts.
 he was a mainstay of Balintataw, a
television series in the early 70s that
boasted the use of original scripts in
contrast to the improvised dialogue that
took place in tele-dramas
 He is today considered one of the foremost
Filipino playwrights in English
PALANKA
AWARD

12. "The World is an Apple."
He won a Palanca award for his play,
This success at his first serious attempt at
playwriting made him abandon his
accounting studies to become a writer.

14. a Filipino-American fictionist,
playwright, essayist, and director
was once referred to by Nick
Joaquin
 a Philippine national artist
 as a "young magus" who turned
the Philippine war experience
into a poem (referring to "but for
the lover") the novel that brought
Nolledo to the attention of
publisher, E.B. Hutton
Nolledo and Florentino were both
consistent winners in Palanca
Literary Contest
PALANCA
AWARD

16.  has served the Filipino public for
years through the arts as the
Theater artist, producer, director
and founder of cultural
movements
 established the Philippine
Educational Theater Association
(who meant the organization to be
a vehicle for Philippine Theater to
play a role in the development of
the country's people and society)

17. PHILIPPINE EDUCATIONAL THEATER ASSOCIATION

18. The Philippine Educational Theater
Association (PETA) is a theatrical
association of artists and educators. It is
the UNESCO-International Theater
Institute Center in the Philippines. It is a
non-profit, non-stock, non-governmental,
and a registered donee institution. It was
awarded the Ramon Magsaysay Award in
2017.

19. On April 7, 1967, Cecile Guidote-Alvarez
established the Philippine Educational
Theater Association (PETA) who meant
the organization to be a vehicle for
Philippine Theater to play a role in the
development of the country's people and
society.

20. Four years later in 1971, PETA was
named the UNESCO-International
Theater Institute Center in
the Philippines.

21. Martial law in the Philippines forced
founder Guidote-Alvarez to went to a
political exile in 1972 but the theatrical
organization remains operational.
Most of PETA’s plays were staged at the
historic Dulaang Rajah Sulayman, an
open-air theater.

23. BALINTATAW SERIES

24. In the late 60s to early 70s, ABC-
5’s Balintataw was the show to watch
when it came to a no-nonsense,
intelligent drama.
Weekly drama TV series, was put up
by PETA under producer Cecile
Guidote.
It had its premiere telecast in 1967.

25. Gabi ng Tagsibol
Alberto Florentino's TV adaptation of
Nick Joaquin's May Day Eve
some original teleplay by Florentino,
Kudyapi by Brocka

26. A weekly television drama series in
which Lino Brocka got his first experience
directing for the screen.
Alberto Florentino wrote plays for
Balintataw, seventeen of which were
published in 1973 as Panahon ng Digmaan
(Wartime), Memento Mori, and From Book
to Stage.

27. After 25 years, it was becoming too
expensive to sustain the TV shows and
so Balintataw transferred to DZRM,
becoming a radio-novela, a classy soap
opera as in abangan ang susunod na
kabanata.

29.  he is a Philippine director who gained
attention in the international film
community for his films about the Marcos
dictatorship
 he is most famous for the film Insiang
which was well received in Cannes
 he joined the Philippine Educational
Theatre Association where he met its
founder Cecille Guidote, which led to the
making of his first film
 he directed films in Cinemanila

31. The Cinemanila International Film
Festival is an annual film festival held
in Manila, the Philippines.
With friends, Lino put up the movie
company CINEMANILA, through which he
produced and directed the classic
“Tinimbang Ka Ngunit Kulang.”

32. “Tinimbang” won for him another Best
Director award, this time from FAMAS.
CINEMANILA completed three more
films before it folded up.

33. In the festival's competitive section, the
top award is the Lino Brocka Award,
given in honor of the acclaimed Filipino
director, Lino Brocka.

35. The Kalinangan Ensemble (KE) is the
repertory arm of PETA. Composed of
competent artist-teachers.
KE continuously strives to enrich Philippine
aesthetics by the use of dramatic styles that
are rooted in local culture and enriched by
foreign dramatic contributions.

36. For decades KE has pushed for the
continued use of the national language
and exploration of local, traditional, and
experimental forms, while remaining
sensitive to the sensibilities of its audience
and in the defense of the voiceless and
vulnerable members of society by
expressing their stories on stage.

37. A government owned and controlled
corporation established to preserve, develop
and promote arts and culture in the
Philippines
Was established throught Executive Order No.
30 s. 1966 by President Ferdinand Marcos

38. THEATER UNDER THE MARTIAL LAW
sainete
Rock opera
ZARZUELA
BALAGTASAN
DUP
LO

39. ANG KIRI (1972)

40.  Was first introduced in time of American occupation and were performed by the
visiting troupes.
 It was a popular genre in the Philippines in 1910’s until mid 1960’s it competed with
television, film, and radio
 It peaked it’s popularity in Japanese occupation which from 1841-1945.
 Some well-known artist began their careers as actors in bodabil like Dolphy
Quizon, Nora Aunor, Leopoldo Salcedo, and Rogelio dela Rosa.
 After the World War II bodabil remained popular for about two decades credits to
Lou Salvador.

41.  It was competed with the rise of the commercial television broadcasts in the
Philippines
 It underwent in the swift decline, and by the late 1960’s, the form drew on the
limited market for its burlesque routines.
 The emergences of bomba films around 1969-1970 which killed of the burlesque,
also marked the end of the bodabil.

42.  he continued the popularity of badobil after the World War II.
 He was a performer and his stage name wa “Chipopoy
 He also organized several bodabil’s troupe
 He also discovered comedians like Chiquito, Cachupoy, and German Moreno.
 And singers like Pepe Pimentel, Diomendes Maturan, Eddie Peregrina

43.  President Marcos attempted to revive a sanitized form of bodabil.
 Theaters such as the Manila Grand Opera House featured again some bodabil
routines, with slogans praising martial law rule piped into the theaters in between
numbers.
 Activist groups within the University of the Philippines tried utilized the bodabil
format, using the medium to promote socially conscious theme

44. THEATER