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VISUAL ARTS IN THE PHILIPPINES
GE 3 ART APPRECIATION
JACKYLYN BACULANTA
PRESENTED BY: ANTHONY B. NACAYTUNA
Painting is the practice of applying
paint applying paint, pigment, color or
other medium to a solid surface (called
the "matrix" or "support"). The medium
is commonly applied to the base with
a brush, but other implements, such as
knives, sponges, and airbrushes, can
be used.
This is my final Requirement In Art
Appreciation and
In my vlog I discuss about visual art
in the Philippines.
TOPIC OUTLINE
• PAINTINGS IN THE PHILIPPINES
• SCULPTURES IN THE PHILIPPINES
• ARCHITECTURE IN THE PHILIPPINES
PAINTINGS IN THE PHILIPPINES
Painting is the practice of applying
paint applying paint, pigment, color or
other medium to a solid surface (called
the "matrix" or "support").
SPOLIARIUM
by Juan Luna
Juan Luna de San Pedro y Novicio Ancheta
was a Filipino painter, sculptor and a
political activist of the Philippine Revolution
during the late 19th century. He became one
of the first recognized Philippine artists.
Considered the largest painting in the
Philippines, “Spoliarium” is among the
notable art pieces of Filipino painter Juan
Luna. It features the bloody gladiator
matches of Romans but is also an allegory
to the despair and abuses Filipinos suffered
from during the Spanish reign in the country.
The artwork currently stands tall at the
center of the main gallery of the National
Museum of Fine Arts at 4.22 meters x 7.675
meters in dimensions.
PLANTING RICE
by Fernando Cueto Amorsolo
Fernando Cueto Amorsolo was a portraitist
and painter of rural Philippine landscapes.
Nicknamed the "Grand Old Man of
Philippine Art," he was the first-ever to be
recognized as a National Artist of the
Philippines.
An artist known for his distinctive art style
and realistic paintings, Filipino painter
Fernando Amorsolo is best known for his
depiction of the country’s culture, its
picturesque sceneries, portraits of women,
and scenes from World War II.
One of his most popular paintings is
“Planting Rice”, where he depicted a group
of farmers both men and women toiling
under the sun.
FIRST MASS AT
LIMASAWA
by Carlos Modesto Botong Francisco
Carlos Modesto "Botong" Villaluz Francisco
was a Filipino muralist from Angono, Rizal.
Francisco was a most distinguished
practitioner of mural painting for many
decades and best known for his historical
pieces. He was one of the first Filipino
modernists along with Galo
Ocampo and Victorio C. Edades who broke
away from Fernando
Amorsolo's romanticism of Philippine
scenes. According to restorer Helmuth Josef
Zotter, Francisco's art "is a prime example
of linear painting where lines and contours
appear like cutouts.
An interpretation of the first documented
Christian mass in the Philippines in 1521,
“First Mass at Limasawa” is one of Carlos
Modesto “Botong” Villaluz Francisco’s most
important paintings.
SCULPTURES IN THE PHILIPPINES
BONIFACIO
MONUMENT
by Guillermo Tolentino
Guillermo Estrella Tolentino was a
Filipino sculptor and professor of the
University of the Philippines. He was
designated as a National Artist of the
Philippines for Sculpture in 1973, three
years before his death.
The Bonifacio Monument or Monumento
is a memorial monument designed by
National Artist Guillermo Tolentino to
commemorate Philippine revolutionary
Andrés Bonifacio, the founder and
Supremo of the Katipunan. The
monument is located in a roundabout in
Grace Park, Caloocan City.
RETABLO
by Napoleon Abueva
Polychromed Wood, 17th Century
This “retablo” (altarpiece) was executed in 1617 by the
carver Juan de los Santos, as the main altarpiece of
San Agustin Church in Manila. Later – some said in the
XVII, other in the XVIII Century-, was transferred here,
to the sacristy, because its ionic-corinthian style no
longer conformed with the renovations in the church,
which were patterned after the then fashionable
baroque style.
This “retablo” shows the symmetry of Renaissance
architecture, and the broken arch pediment in the
upper part the influence of mannerist style.
The original wood gilded image of “santos” (Saints) that
filled the niches were stolen by the British in 1762, and
the North American soldiers in 1898. Some of the
“santos” that are actually in the niches, were donated
in 1971 by Enrique Santamaría; others came from the
Augustinian Monastery of Cebú.
SIYAM NA DIWATANG
SINING
by NAPOLEON V. ABUEVA
The Hardin ng mga Diwata takes its
name from and hosts the Abueva
sculptural piece, Siyam na Diwata ng
Sining. This reinforced concrete work
represents the nine muses of art:
architecture, dance, film, literature,
music, painting, photography,
sculpture, and theater. The nude
muses, spread around atop a ring-like
pedestal are rendered in various
stances. Despite strong formal traces
of neo-classical influences, their
relaxed poses and generous gestures
temper the usual severity that the
tradition is known for.
ARCHITECTURES IN THE PHILIPPINES
INTRAMUROS
by Designed by
Geronimo Tongco and
Pedro Jusepe
Intramuros is the 0.67-square-kilometer
historic walled area within the city of Manila,
the capital of the Philippines. It is
administered by the Intramuros
Administration with the help of the city
government of Manila.
Intramuros was initially called Ciudad
Murada or Walled City and it was the capital
of the Spaniards in the Philippines.
The Walled City served as the primary
defense against invasions and attacks from
land and sea — the Chinese
pirate Limahong, the Dutch, city rebels and
the British. Over the years, this fortress was
further equipped with moats, ramparts,
bastions, gates and sentry towers to improve
protection against enemies.
SAN AGUSTIN CHURCH
by Juan de Macías (1587–
1607)
San Agustin Church is located in General Luna
St, Manila, Metro Manila. The present structure
is actually the third Augustinian church erected
on the site. The first San Agustin Church was
the first religious structure constructed by
the Spaniards on the island of Luzon. Made
of bamboo and nipa, it was completed in 1571,
but destroyed by fire in December 1574 during
the attempted invasion of Manila by the forces
of Limahong. A second wooden structure built
on the same site was destroyed in February
1583 by a fire that started when a candle
ignited drapery on the funeral bier during
services for Spanish Governor-General
Gonzalo Ronquillo de Peñalosa
THE MIND MUSEUM
by Ed Calma
The Mind Museum is a science
museum in Taguig, Metro
Manila, Philippines. It is located on a
1.2-hectare (3.0-acre) lot in the J. Y.
Campos Park in Bonifacio Global
City, a business district of the city.
The museum was designed by
architect Ed Calma from Lor Calma
& Partners. The design of the
structure was inspired from cellular
structure and growth and had a solar
reflective exterior, natural
wind ventilation and rainwater flow
drainage.

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ANTHONY NACAYTUNA.pptx

  • 1. VISUAL ARTS IN THE PHILIPPINES GE 3 ART APPRECIATION JACKYLYN BACULANTA PRESENTED BY: ANTHONY B. NACAYTUNA
  • 2. Painting is the practice of applying paint applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used.
  • 3. This is my final Requirement In Art Appreciation and In my vlog I discuss about visual art in the Philippines.
  • 4. TOPIC OUTLINE • PAINTINGS IN THE PHILIPPINES • SCULPTURES IN THE PHILIPPINES • ARCHITECTURE IN THE PHILIPPINES
  • 5. PAINTINGS IN THE PHILIPPINES Painting is the practice of applying paint applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support").
  • 6. SPOLIARIUM by Juan Luna Juan Luna de San Pedro y Novicio Ancheta was a Filipino painter, sculptor and a political activist of the Philippine Revolution during the late 19th century. He became one of the first recognized Philippine artists. Considered the largest painting in the Philippines, “Spoliarium” is among the notable art pieces of Filipino painter Juan Luna. It features the bloody gladiator matches of Romans but is also an allegory to the despair and abuses Filipinos suffered from during the Spanish reign in the country. The artwork currently stands tall at the center of the main gallery of the National Museum of Fine Arts at 4.22 meters x 7.675 meters in dimensions.
  • 7. PLANTING RICE by Fernando Cueto Amorsolo Fernando Cueto Amorsolo was a portraitist and painter of rural Philippine landscapes. Nicknamed the "Grand Old Man of Philippine Art," he was the first-ever to be recognized as a National Artist of the Philippines. An artist known for his distinctive art style and realistic paintings, Filipino painter Fernando Amorsolo is best known for his depiction of the country’s culture, its picturesque sceneries, portraits of women, and scenes from World War II. One of his most popular paintings is “Planting Rice”, where he depicted a group of farmers both men and women toiling under the sun.
  • 8. FIRST MASS AT LIMASAWA by Carlos Modesto Botong Francisco Carlos Modesto "Botong" Villaluz Francisco was a Filipino muralist from Angono, Rizal. Francisco was a most distinguished practitioner of mural painting for many decades and best known for his historical pieces. He was one of the first Filipino modernists along with Galo Ocampo and Victorio C. Edades who broke away from Fernando Amorsolo's romanticism of Philippine scenes. According to restorer Helmuth Josef Zotter, Francisco's art "is a prime example of linear painting where lines and contours appear like cutouts. An interpretation of the first documented Christian mass in the Philippines in 1521, “First Mass at Limasawa” is one of Carlos Modesto “Botong” Villaluz Francisco’s most important paintings.
  • 9. SCULPTURES IN THE PHILIPPINES
  • 10. BONIFACIO MONUMENT by Guillermo Tolentino Guillermo Estrella Tolentino was a Filipino sculptor and professor of the University of the Philippines. He was designated as a National Artist of the Philippines for Sculpture in 1973, three years before his death. The Bonifacio Monument or Monumento is a memorial monument designed by National Artist Guillermo Tolentino to commemorate Philippine revolutionary Andrés Bonifacio, the founder and Supremo of the Katipunan. The monument is located in a roundabout in Grace Park, Caloocan City.
  • 11. RETABLO by Napoleon Abueva Polychromed Wood, 17th Century This “retablo” (altarpiece) was executed in 1617 by the carver Juan de los Santos, as the main altarpiece of San Agustin Church in Manila. Later – some said in the XVII, other in the XVIII Century-, was transferred here, to the sacristy, because its ionic-corinthian style no longer conformed with the renovations in the church, which were patterned after the then fashionable baroque style. This “retablo” shows the symmetry of Renaissance architecture, and the broken arch pediment in the upper part the influence of mannerist style. The original wood gilded image of “santos” (Saints) that filled the niches were stolen by the British in 1762, and the North American soldiers in 1898. Some of the “santos” that are actually in the niches, were donated in 1971 by Enrique Santamaría; others came from the Augustinian Monastery of Cebú.
  • 12. SIYAM NA DIWATANG SINING by NAPOLEON V. ABUEVA The Hardin ng mga Diwata takes its name from and hosts the Abueva sculptural piece, Siyam na Diwata ng Sining. This reinforced concrete work represents the nine muses of art: architecture, dance, film, literature, music, painting, photography, sculpture, and theater. The nude muses, spread around atop a ring-like pedestal are rendered in various stances. Despite strong formal traces of neo-classical influences, their relaxed poses and generous gestures temper the usual severity that the tradition is known for.
  • 13. ARCHITECTURES IN THE PHILIPPINES
  • 14. INTRAMUROS by Designed by Geronimo Tongco and Pedro Jusepe Intramuros is the 0.67-square-kilometer historic walled area within the city of Manila, the capital of the Philippines. It is administered by the Intramuros Administration with the help of the city government of Manila. Intramuros was initially called Ciudad Murada or Walled City and it was the capital of the Spaniards in the Philippines. The Walled City served as the primary defense against invasions and attacks from land and sea — the Chinese pirate Limahong, the Dutch, city rebels and the British. Over the years, this fortress was further equipped with moats, ramparts, bastions, gates and sentry towers to improve protection against enemies.
  • 15. SAN AGUSTIN CHURCH by Juan de Macías (1587– 1607) San Agustin Church is located in General Luna St, Manila, Metro Manila. The present structure is actually the third Augustinian church erected on the site. The first San Agustin Church was the first religious structure constructed by the Spaniards on the island of Luzon. Made of bamboo and nipa, it was completed in 1571, but destroyed by fire in December 1574 during the attempted invasion of Manila by the forces of Limahong. A second wooden structure built on the same site was destroyed in February 1583 by a fire that started when a candle ignited drapery on the funeral bier during services for Spanish Governor-General Gonzalo Ronquillo de Peñalosa
  • 16. THE MIND MUSEUM by Ed Calma The Mind Museum is a science museum in Taguig, Metro Manila, Philippines. It is located on a 1.2-hectare (3.0-acre) lot in the J. Y. Campos Park in Bonifacio Global City, a business district of the city. The museum was designed by architect Ed Calma from Lor Calma & Partners. The design of the structure was inspired from cellular structure and growth and had a solar reflective exterior, natural wind ventilation and rainwater flow drainage.