The Warhol Economy, door Elizabeth Currid

Creative Cities: The Warhol Economy Elizabeth Currid University of Southern California

Some basic questions ,[object Object],[object Object]

First, art and culture matter…. ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

But it’s not that easy: Uneven distribution ,[object Object],[object Object],[object Object],[object Object]

The creative industries: Art, culture and media (Location Quotient) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

Concentrations are high in Amsterdam too… ,[object Object],[object Object],[object Object]

Research questions ,[object Object],[object Object],[object Object],[object Object]

The process of cultural clustering and advantage Micro-Social Mechanisms Agglomeration Social Milieu Cumulative Advantage

Data and methods ,[object Object],[object Object],[object Object],[object Object],[object Object]

The social milieu ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

The importance of the “scene” ,[object Object],[object Object]

Geographic Dimensions of “the Scene”: Getty Images mapping

The social milieu ,[object Object],[object Object],[object Object]

Social mechanisms ,[object Object],[object Object],[object Object],The clustering of cultural industries and their accompanying workers indirectly facilitates (via the milieu) three types of micro-social mechanisms:

I. Networking ,[object Object],[object Object],[object Object],The concentration of labor pools, firms, gatekeepers allows for an efficient and instantaneous means of mobilizing people around projects (Scott 2000, Kloosterman 2004, 2008)

Networking: Getting a job ,[object Object]

Networking: Access to gatekeepers ,[object Object],[object Object]

Networking: “What are the kids wearing these days?” ,[object Object]

II. Interlocking art worlds ,[object Object],[object Object],[object Object],[object Object],Agglomeration allows cultural industries to constantly engage each other across separate fields resulting in new combinations of jobs, products and evaluation.

Art worlds: Flexible career paths ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],“ Just did a billboard on the LES. Not graffiti but since I’ve mastered graffiti, I can do commercial jobs…It was a $5000 job so that will hold me down for a couple of months” – Meres, graffiti artist

Flexible career path: Andre the Giant has a posse ,[object Object]

… To painting the portrait of Barak Obama for the National Portrait Gallery

Art worlds: Symbiotic peer review ,[object Object],[object Object],[object Object]

Art worlds: Cultural referencing ,[object Object],[object Object]

III. Transaction costs ,[object Object]

Transaction costs: Less trouble is less trouble ,[object Object],[object Object]

Transaction costs ,[object Object],[object Object],[object Object]

Why place (and thus policy) matters ,[object Object],[object Object],[object Object],[object Object]

Policy through practice: Creating the places that produce social dynamics

1. Cultural industries matter to urban economies ,[object Object],[object Object]

2. Reconsidering how the arts are funded and subsidized ,[object Object],[object Object]

3. Place is the crucial node where it all happens ,[object Object]

4. Too much of a good thing: Economic developers as “anti-gentrifiers” ,[object Object],[object Object]

The Warhol Economy, door Elizabeth Currid

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