2. and D e te c tive Bow d e n as s u m e s th e c as e . With ou t b e ing ab le to c ontac t th e ind ivid u als h e trie s to w ork ou t w h o
ng. S h ort s h ots of e ve ryone . Th e n firs t inju ry, qu ic k s h ots of c onve rs ation. C ontrol room s e c u rity c am e ra. Title .
3. c as u al. Eve ryd ay p e op le
ne e d to know with ou t ru ining th e m ovie . It d id link with th e s ynop s is qu ite w e ll b u t le ave s a b lu r ab ou t w h at th
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Mu s ic d ie s d own and s ou nd e ffe c ts c om e in of wh oos h ing th rou gh th e lift room . Th e n m ore d ialogu e . D ialogu e a
4. How w as s ou nd u s e d on th e traile r?
C alm m u s ic to b e gin with , w ith voic e ove r of 2 of th e c h arac te rs th e n m ore . Mu s ic d ie s d ow n
and s ou nd e ffe c ts c om e in of w h oos h ing th rou gh th e lift room . Th e n m ore d ialogu e .
D ialogu e all th e way th rou gh m ainly. C u ts ou t at th e e nd to ju s t b e b e e p ing th e n a s c re am .
Th e e d iting
Fas t p ac e d trans itions w ith th e d ialogu e ove r th e top . Wh e n th e m u s ic was s low s o w as th e
c am e ra m ove m e nt.
Titling/C re d its
1 6 title s c e ne s wh ic h firs t te ll u s a b it ab ou t th e p lot th e n wh e n th e m ovie is ou t th e n th e
nam e .
C ou ld you te ll b y th e s tyle of th e traile r wh ic h ge nre th e film b e longe d to?
Ye s , b e c au s e of th e fas t c u ts and th e m u s ic .
I th ink th at th e c am e ra work and angle s w as p artic u larly s u c c e s s fu l in th is traile r.
I d on't th ink th at th e c h ange of title s c e ne s work e d w e ll.
Th is is a c onve ntional h orror film traile r.
