Games in museums

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How curate games in a museum : a presentation prepared for Do it! Load it! at the Temporary Stedelijk on 6 october 2011 More videos are available on : www.youtube.com/zabarvers and more informations can be found on my website : www.isabellearvers.com

Self Improvement Entertainment & Humor Design

Museum gamification Isabelle Arvers Stedelijk Museum 2011

Online games 4 online gallery GIZMOLAND.COM 2000 Curating games for an online art gallery, flash games, interactive fictions and transfer CD Rom games into online games. Gizmoshop : selling games, digital art, music and animations as files to download.

Online games 4 online gallery GIZMOBOX If you like this game, you will perhaps enjoy this digital artist or this electronic track. Games or electronic music as a mean to discover digital art

Games 4 digitalized institutions ,[object Object],SOCIETY BY PANOPLIE 2002 A game produced for Villette Numerique’s website : 4 multi users universes to think about games and prepare the audience to the event. Games as a second skin, games &wonderful, dark side of games, games & abstraction

Labyrinth as a stage design PLAYTIME the gaming room To play inside a labyrinthe, in order to keep some privacy while playing but allowing friends to watch and play with. Walls are transparents are allow lights from games to pass through.

City as a playground ,[object Object],Noderunner. A mixture of real world gameboard overlaid on the city streets and online scoring system, the engine had to allow players to add teams, start games, upload photos and track progress.

City as playground ,[object Object],Noderunner is a game that transforms a city into a playing field where teams race against time to access as many wifi hot-spots as possible, photograph and submit them to a weblog.

City as a playground ,[object Object],Each team has to find as many wifi nodes they can in two hours thanks to a laptop, they scan nodes, take a picture and upload them on the server through the wifi node

City as a playground ,[object Object],Noderunnercollects and shows all the pictures as an exhibit and produces a cartography of open and free wifi nodes of the city.

Games outside musems ,[object Object],The Politics of Play is a workshop conceived by Amy Franceschini and Myriel Milicevic. The workshop serves as a plaform for research; sociological, urban studies, and game theory. The workshop was premiered at Mal au Pixel in Paris in April 2006.

Games outside musems ,[object Object],The Politics of Play is a collaborative workshop inviting artists, sociologists, designers, game designers, urban planners... PEOPLE to come together in an expedition. The purpose of this journey is to foster collaborative networks in the city through the medium of play.

Games outside musems ,[object Object],Plot Cast Plot Casting was inspired by interviewing peole about their desires for the neighborhood. Many people wanted more trees and would like to remove urban furniture and replace them with trees or plants. One gardener wanted to do "flower terrorism".

From digital art preservation ,[object Object]

Arcades as a stage design GAME HEROES 2011 A retrogaming and game art exhibition curated inside tetrimonos and arcades on the heroes thematic

Tetrimonos as a stage design GAME HEROES 2011 A retrogaming and game art exhibition curated inside tetrimonos on the heroes thematic, a trans generational exhibit

Arcades as a stage design Babycastles Independant game do it yourself arcade in Brooklyn with a rotating set of independent games curated by local artists and game designers.

Arcades Sumotori Dreams is a ragdoll sumo wrestling game from Hungary in which fights generally end with each player crumpling into a pile of polygons on the ground or falling down a flight of stairs.

Machinimas, demos, cinematic ,[object Object]

Consequences on monstration ,[object Object]

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ISEA 2011 Istanbul panelist : Voicing electronic arts Chair Person : Norie Neumark Presenters : Nermin Saybasili, Igor Stromajer, Isabelle Arvers Location : Sabanci Center Room 1, Sabanci Center, Levent There is an uncanny quality to voice in electronic arts, viscerally carrying bodily intimacies to the listener through physical spaces, yet dislocated from the speaker’s body through reproduction and transmission. The digital voice is paradoxically human and machinic – intimate and intense, as it connects subjectivities on the one hand and the digitally abstract on the other hand, as it passes through machines on to the other. Whether voices call to us across the internet, or across the smaller space of an installation, or from the small screen of machinima, media artists have found this paradoxical and uncanny quality alluring and have worked with it across a range of media and emotional ranges. While voice is often discussed in a political and metaphorical sense (giving people a voice through media) the aim of this panel is to address the aesthetics of voice in media art. Machinima as a Political or Artistic Detournement of Video Games by Isabelle Arvers This paper presents Machinima as a political or artistic detournement of video games. By using virtual spaces and changing perspective as an artistic strategy, machinima allow a distanced critique of a simulated world. They tend to erase the boundaries between reality and fiction and redefine the transgressive power of the game. As Guy Debord states in The Society of the Spectacle, “There, where the real world is changing into simple images, simple images become real human beings and efficient motivations for an hypnotic behavior.” Machinima re-actualize the Situationist conception of cinema in which voices in dialogs, or interviews, or voice over and images, act as different layers of content. In the purest hacking tradition, machinima can be perceived as a « detournement » or a diversion of mass media to become a means of expression, political or artistic… Machinima represents the particular moment when gamers begin to produce content and where games become tools of expression. These movies are mostly narrative, but they can also be experimental, artistic, or related to music, documentaries, ads, and feature films. They can be seen as a new way of representation in the digital age, along with 3D animation, digital cinema, or video. Machinima has a huge potential because it uses mass consumption objects that are games, to help people self-express. A recent French study showed that 99.8 % of teenagers play video games daily. Therefore, it can be said that games surround our everyday life. This is the reason why it is meaningful to diffuse a cinematographic genre using games and open source tools, to make movies and artworks, enabling and amplifying other ways for people to express themselves.

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Games in museums

1. Museum gamification Isabelle Arvers Stedelijk Museum 2011

2. Online games 4 online gallery GIZMOLAND.COM 2000 Curating games for an online art gallery, flash games, interactive fictions and transfer CD Rom games into online games. Gizmoshop : selling games, digital art, music and animations as files to download.

3. Online games 4 online gallery GIZMOBOX If you like this game, you will perhaps enjoy this digital artist or this electronic track. Games or electronic music as a mean to discover digital art

7. Labyrinth as a stage design PLAYTIME the gaming room To play inside a labyrinthe, in order to keep some privacy while playing but allowing friends to watch and play with. Walls are transparents are allow lights from games to pass through.

10.

11.

12.

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17. Arcades as a stage design GAME HEROES 2011 A retrogaming and game art exhibition curated inside tetrimonos and arcades on the heroes thematic

18. Tetrimonos as a stage design GAME HEROES 2011 A retrogaming and game art exhibition curated inside tetrimonos on the heroes thematic, a trans generational exhibit

19. Arcades as a stage design Babycastles Independant game do it yourself arcade in Brooklyn with a rotating set of independent games curated by local artists and game designers.

20. Arcades Sumotori Dreams is a ragdoll sumo wrestling game from Hungary in which fights generally end with each player crumpling into a pile of polygons on the ground or falling down a flight of stairs.

21.

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23. To perform live a game exhibit

24. To perform live a game exhibit

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Games in museums

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