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Cantonese Opera as  Local Intangible Cultural Heritage: Constructing the Learning Experience in Formal Education in Hong Kong Dr Fung Ping, Dorothy NG Mr Wai-ip, Joseph LAM Ms Suk-ying, Eva CHAN ICH Symposium, 16 October 2009
Outline ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
1. Cantonese Opera as Intangible Cultural Heritage
UNESCO's Recognition  http://www.unesco.org/culture/ich/index.php?RL=00203
UNESCO's Recognition ,[object Object],[object Object]
What is Cantonese Opera? ,[object Object]
Problems now facing … ,[object Object],[object Object],[object Object],[object Object]
HK Secondary 3 Student’s conception of Cantonese Opera, Case 1 ,[object Object]
HK Secondary 3 Student’s conception of Cantonese Opera, Case 2 ,[object Object]
HK Secondary 3 Student’s conception of Cantonese Opera, Case 3 ,[object Object]
Oversea College Students’ commentary on Cantonese Opera Why decline? -The pace is slow -Too profound to understand -Using dialect -Tickets are too expensive for low-income audiences -Few sympathetic responses
Yueju  (Cantonese opera) as Intangible Cultural  Yichan  (Heritage) ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],refer to UNESCO, What is Intangible Cultural Heritage?
2. Integrating Cantonese Opera in Education
Seed Project of Cantonese Opera Integrate Cantonese Opera in Education Dr. Fung Ping, Dorothy NG Project Leader
Project Aims ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Strategies 帝女花
Curriculum Framework   Rich & Various
Opera Delivery to Schools as Kick-off
2.1 Verbal Arts of Cantonese Opera Script
Objects of learning Stage Performance Plot Language Character Song, Dance and Dialogue Performing Arts Culture and Values Performance Culture Script
Studying Cantonese Opera Script
3-stage development: 2006 onwards 1 st  Stage: 2006-07 2 nd  Stage:2007-08 3 rd  Stage: 2008-09 Participating Schools 4 Seed Schools 7 Seed Schools 11 Seed Schools +  8 Network Schools Curriculum Junior forms Chinese Language Chinese Language and Liberal Studies Chinese Language, Liberal Studies and Senior form Chinese Literature Study Scripts Princess Chang Ping ( 帝女花 ) Princess Chang Ping ( 帝女花 ) The Purple Hairpin ( 紫釵記 ) Princess Chang Ping ( 帝女花 ) The Purple Hairpin ( 紫釵記 ) The Reincarnation of Lady Plum Blossom ( 再世紅梅記 ) …
2.2 Learn to perform Cantonese Opera
Learn to perform, it is interesting! Practicing performance techniques Learning elements behind the scene
2.3 Watching theatre performance of Cantonese Opera
Pre-show Talks on Opera Appreciation
Guided Backstage Tours  & Watching Opera as Experiential Learning
2.4 Visits to  Bamboo Shed Theatres: Experiential Learning Experience of Intangible Cultural Heritage
Bamboo-shed Theatres  Cultural Exploration
What is bamboo-shed theatre? http://www.pbase.com/image/100499067
Bamboo-shed theatre,  or God-worshipping play  ,[object Object],[object Object],[object Object]
Visiting Cheung Chau ,[object Object],[object Object]
Pre-visit talk at schools by actors
E-learning platform for preparation   http://yuejuedu1.blogspot.com
Students give feedback to the blog post  and learn from each other
Schedule of visit 29 March 2009 (Sunday) Time Schedule 9:15 am Go to Chueng Chau by ferry 10:30 am  ,[object Object],[object Object],11:30 am ,[object Object],[object Object],12:15 pm Lunch 1:30 pm Watching performance in Bamboo Shed 5 pm onwards Dismiss  (may stay behind for further cultural exploration)
Pre-show observation  for cultural elements
Local characteristic:   Bun on Cheung Chau for the festival
Architecture of Bamboo Shed Theatre
Ritual: the “God” shelter facing the stage in front the temple
Inside the “God” shelter
Backstage tour led by the actor
Backstage tour  (the actress’s compartment)
Students interviewing the actress
Students enjoying the performance
Ritual opera for the festival
Traditional opera
Individual worksheets
Photo shooting on site http://hk.myblog.yahoo.com/opera.prince/article?mid=7
Video taking on site   http://hk.myblog.yahoo.com/opera.prince/article?mid=7
Group Project Weblogs  http://hk.myblog.yahoo.com/opera.prince
Reporting at Joint-school showcase
粵劇小豆苗成果匯報 長洲戲棚大揭秘 之   第一組
Joint-school showcase as round-up
3. Constructing learning experience of Cantonese Opera
Strategies of Cantonese Opera Learning actions   Reading and Comprehension of Opera scripts Practising performance techniques  Watching stage performances Exploring bamboo-shed theatre Cantonese  Opera Learning To feel To watch To think To do
Bamboo-shed theatre as… concrete experiences   reflections   abstract concepts   actions   Extracted from the presentation for the 8 th  International Conference on Knowledge, Culture and Change in Organizations, 5-8 August 2008, Cambridge University.  Abstract Conceptualization Active Experimentation  Reflective Observation  Concrete Experience 3. Art Form 4. Learning Object 1. Religious 2. Community
Using  Problem-based Learning  to enhance students’ learning of Cantonese Opera in Liberal Studies
Background – NSS Liberal Studies
Liberal Studies Curriculum  ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Start with Problem Statement Analysis ,[object Object],[object Object],[object Object]
Learning Issues for Deep Investigations Students’ Examples
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
 
 
粵劇值得在中學推廣嗎 ?Is it valuable to promote Cantonese Opera in Secondary Schools? 陳樂瑤  3E(2) Pok Oi Hospital Tang Pui King Memorial College Student Example
4. Where we are and where we go
How is intangible cultural heritage made or produced and how is expressed at individual/ or collective levels? Awareness level Recognition level Reflection level Identification level  Value layer (intangible) Institutional layer Material layer (tangible)
Conclusion & Way Forward ,[object Object],[object Object],[object Object]
Conclusion & Way Forward ,[object Object],[object Object]
Contact ,[object Object],[object Object],[object Object],[object Object]
Thank you
References ,[object Object],[object Object],[object Object]

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Cantonese Opera As Intangible Cultural Heritage